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breakingsomething · 3 years

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Dawn Station - Part Two

Basic summary: Chase Brody is being kept safe, far away from other people. So he thinks.

Content warnings: gore, body horror, stabbing, emeto, death mentions

Chase Brody is not ok.

Of course he's not. How is he expected to be? Ten people have died, and now he's being told he's next. He's been under police protection for days and judging by the strained snippets of conversation that he's caught from officers, even the others that had been with him are gone. Ten people, they had said. As far as Chase is aware, there were only nine other youtubers who'd been roped into this shit. Who else has this monster that wants them dead killed along with them? Does he even want to know?

He's been in this room for… three days? Four? Fuck, he doesn't remember. All he knows now is white walls, too close around him, with a bed, a tv in the top corner that he doesn't have a remote for, a black bin, a rolling table that's covered in books and other assorted things that he managed to bring with him, and two doors, one of which that leads to a small bathroom and one of which that leads outside. The second door only opens when he's being brought food. No one's telling him anything. He's scared out his mind.

An officer, a pale skinned woman with orange braids and a sympathetic smile, comes in a couple hours after he wakes for the day with breakfast. Toast, cold, with butter slabs and little packets of jam and sugar for his tea. Also cold. "Sorry, we don't have any Weetabix," she tells him with furrowed eyebrows and a sad tilt of the mouth as she clicks the door behind him. "We do have Cheerios and porridge, if you want something more to eat."

It's all he can do not to laugh. "No, thank you," says Chase, in a hoarse voice that hasn't been used in hours. "I want my phone back."

The officer winces. Her eyes are dark, crimson lipstick slightly smudged. Her nametag says "Sarah" on it in violet ink. "I'm sorry," she murmurs, in a voice so soft and falsely sympathetic it makes Chase want to scream. "I don't know if we can do that. We -"

"The others are dead, aren't they?" Chase interrupts. He knows this already. But it's worth saying to see the woman flinch. "All of them. So much for your oh-so-safe "police custody" bullshit."

She attempts to gather herself as professionally as she can, which is seemingly rather difficult. "I'm sorry," she repeats, and something about her tone is more genuine than before. "They are. But I swear to you, Mr Brody, we are doing everything we can to -"

"If I am going to die today," Chase says, interrupting again. "I want to talk to my goddamn family one more fucking time. Please get me my phone."

She stiffens, but gives a jerky little nod. He doesn't smile at her as she leaves. Not much to smile about. But she comes back ten minutes later and wordlessly hands him his slim rose phone, no expression on her face. He manages to upturn the corner of his lips in response.

Once she's left again, he turns his phone on and practically sighs at the sight of his two kids on his lockscreen. Little Connor and Louise, tiny kiddos, dressed up in their pristine school uniforms and grinning cheesily. His heart swells, and he swallows hard as the lump in his throat seems to expand. He can't cry. He's been crying enough lately. To think that two weeks ago, he was ecstatic to be receiving an email from Jack Mcloughlin himself, giving him the opportunity to play his new game's demo early. Look at him now.

Stacy is at the top of his contacts list, but only because he has her favourited still. He's not sure why. It just feels right to have her there. Her picture is a small, grainy image of her face next to a three year old Connor's. He has her looks more than Louise. Louise looks like her dad. She's a daddy's girl. Chase misses her so much it aches, and closes his eyes as he clicks Stacy's number.

She answers almost immediately. "Chase?" she yells, causing him to wince and pull the phone away from his ears. He hears her inhale sharply. "Sorry. Christ, Chase - Where the fuck are you?"

He swallows again, digging his nails into the palm of his hand. His legs are already beginning to bounce. "Police didn't tell you anything, huh," he mutters. "I'm in custody. They're apparently "keeping me safe," but I'm well aware of the fact that the others - Persephone, Rodney, Stanley, and Khia - are. Well." He clears his throat. "Dead."

He says it so matter of factly that you wouldn't know how close he was to tears had you not seen his face.

Stacy shifts, and Chase hears a door slam faintly. Two small voices giggle far off. He bites down on his lip as Stacy talks again. "Yeah. That's… yeah. Chase, I'm sorry. Uh… Jack Mcloughlin's dead too."

Chase sits bolt upright, eyes suddenly wide. "What?"

Stacy sounds alarmed. "I - Yes, did they not tell you? He died maybe two days ago. Same way as all the others. I'm sorry, Chase."

He can't breathe for a moment. Then he's numb and his body settles into cold, unfeeling static.

"Ok," he says flatly. "Great."

"Chase -"

"How are the kids?" he asks before she can finish. He's tired. He's been doing nothing but sleeping and he's tired. "I can hear them in the background, ha. Sounds like a fun time."

He can hear her scratching the space behind her ear. She does that when she's anxious. Nervous habit. She had gotten a little tattoo of a bee there when they were seventeen. It was a dare from their friend Daniel, who had also gotten a tattoo of a crocodile on his left thigh. Chase has a black bear on his right shoulder from the same occasion. When he and Stacy had been together, they would sometimes kiss the other's tattoos and descend into giggles remembering that slightly drunken night back in Ireland. His chest feels tight thinking about it. His eyes glaze over, and he tries to focus on something across the room.

"They're… not great," Stacy murmurs after a moment, making him jump. He had almost forgotten she was there. "Some brat at school told them about - this whole situation. Told them their dad was going to die. Apparently, she made up a song about it."

Chase hisses softly, grateful for another emotion besides grief and missing to focus on. "Fuck's sake. Which kid was this?"

"You know that girl who was making fun of Louise's accent last year and put chips in her hair?"

"That kid again? I thought the school dealt with her."

A sigh. "Apparently not. They came home in tears. I've been keeping them home since then."

Chase shakes his head in disbelief. "Shit, Stace. Can I… can I talk to them?"

She sighs again. "I… I suppose. But - how have you been? I take it its not been great, but are you at least ok?"

What counts as ok? He doesn't know. "I'm not dead yet. So there's something. I guess I can't really say much more than that."

"Papa?" cries a voice on the end of the line, and a grin breaks Chase's face as he recognizes his son, Connor, yelling from somewhere quite close to Stacy. "Is that Papa? Mama, let us talk - Louise, Papa's on the phone!"

Chase can't help but laugh as his daughter also chimes in, two little voices clamoring for his attention. "Calm down, kiddos, there's plenty of me to go round," he grins, pushing his hair back from his face so he can concentrate. "How are you both? One at a time, Louise first."

"Favouritism," he hears Connor sulk, but the boy quiets.

"I'm ok," Louise beams. He can hear her smile, and sees it when he closes his eyes. "I can't go to school cause Megan Penicuik was being mean. We made cookies, though, me and Con-Con! All by ourselves, no help from Mama at all!"

"Now, that's simply not true," he hears Stacy laugh in the background. Chase laughs too, his heart suddenly aching. Something weighs heavy in his chest, but he tries to push it away, feeling sick.

A scuffle on the end of the line, and then it's Connor speaking. "I miss you, Papa!" he cries. "I wanna give you a - a chocolate chip cookie, I have one here." His voice becomes muffled, and Chase hears him chewing. "Yum yum yum. Can we push a cookie down the phone? Like, through the speakers, Mama!"

Chase listens to a small squabble break out, then hears Stacy sigh dramatically. "They're doing just fine," she says, sounding so tired, yet vaguely amused. "I… I hate to say it, but I should probably go. Connor's games club is in half an hour and I haven't gotten ready at all. My makeup's a state." Her voice softens. "Will you be… ok?"

Will he? He doesn't know.

"Stace," he murmurs. His chest feels tight. "I could die. Like, tonight. That's what people are saying. I'm the last one left."

A pause, then Stacy lets out a shaky sigh. "Christ, Chase…"

He gathers his strength. "Listen. Listen, Stace. If I die tonight - I just want you to know how much I love you, ok? Even if we… if we weren't meant to be together anymore. You're one of my best friends, you know? So… take care of the kids. Don't lose yourself. And by god, don't start drinking again."

She gives a choked laugh. "Chase. God, I - Don't fucking die tonight."

He doesn't know how to tell her he won't have a choice.

As soon as the call's ended, he opens up his roommate's contact. He can't stand the echoing silence that seems to go on forever in the minute or so before the ringing starts. He supposes that if tonight is his last night alive, he should say goodbye. Even if it hurts. Even if it makes him feel sick to say it.

He nearly sobs with relief when he hears the line click, and a familiar German accent speak loudly in his ear. "Chase?"

Chase sniffles, laughing softly. "Hey, Henny."

Henrik curses, and something slams. "Mother of God, Chase Brody, do you have any idea - Are you - Fuck, are you alright?"

Good question. "I don't know," he admits, bouncing his leg anxiously, and staring at his chipped black nails. "I mean, I'm… scheduled to die tonight. So probably not. Really, I've been weirdly calm about all this."

Henrik huffs, and Chase can almost picture him getting red in the face, yanking back his hair and staring out the window of their flat with narrowed, pale blue eyes. "They have not done anything about it? Surely it is not possible that a murderer who is killing in patterns cannot be apprehended? You would think that would be easy, especially if you are being held in high security. Motherfucking useless British police. Not that German ones were much better, but Christ -"

Chase cuts him off before he can rant for another five minutes. "How are the others? Are Jackie, Marv and Jem holding up ok?"

Henrik sighs, blowing out his cheeks. "Mhm. Marvin has gone a bit mad. Fucking idiot is spending way too much time online, reading up on your situation. He seems convinced that you are going to die as well. According to Jackie, he spent all of yesterday out of the house and came back saying he had been performing. But Jackie says he had not had any parties scheduled for that day, so he was talking shit."

Chase winces. His friend Marvin is a child's birthday party performer, a magician, and spends a lot of time perfecting fun tricks and illusions to add into his routine. Chase knows how much he enjoys his job. But he also knows that Marvin's habit of spending hours on internet forums and sites, learning things from other performers, can be bad for him. "Christ. I… Goddammit it. How's Jackie coping?"

He hears a microwave go off in the background. Henrik mutters something that Chase can't hear, then keeps talking. "Jackie has been at the gym every day since you were taken in. Overworking himself. He did come round yesterday and, uh, spoke about how scared he was for you. Cried a lot, poor man. I am not good with comforting people, but I tried. He does not know what to do with himself anymore."

This isn't surprising. Chase is well aware of Jackie's habit of overexercising and pushing himself too far when he was angry or upset. "And Jameson?"

Something clatters, like Henrik's rummaging in a cupboard. A fridge opens and slams shut, and then Henrik is back. "He has been round at our flat a lot. Did you know Euan ended things with him? I did not, until he told me the day before yesterday. He was dreadfully upset. The timing was… not great, to say the least. I do not think he is doing too well, but he refuses to accept any of the help I wish to give him. He kept asking about me instead. Really, sometimes I wish he was not such a good actor."

So does Chase. Jameson is never one to be open about his feelings, instead trying to help everyone else first. Chase loves him a lot, but he wishes the filmmaker would be less stubborn and insistent that he was always ok. His heart aches at the thought of Jameson suffering alone, especially now - he and his boyfriend Euan had been so close, as well. The thought that he might never be able to figure out what happened between them hurts. "Me too. God, Hen, me too. Give them all my love though, yeah? Tell Marvin to take some time to do self care, and tell Jackie to take breaks, and tell Jameson to talk to his therapist. And you… don't you overwork yourself either. I know what you're like. Only one cup of coffee a day, dude, remember. Don't make me come over there."

Henrik laughs softly, but there's a sadness to it. "You sound as though you are saying goodbye."

Something stabs into Chase's heart. He tries to catch his breath through the lump in his throat. "Henrik. I'm going to die tonight."

There's a long pause. He can hear Henrik adjusting, rubbing his face and knocking his glasses askew. Maybe he knows his roommate too well. Far too well, maybe well enough that he knows what he'll say next. "There has to be another way."

Chase shakes his head despite Henrik being unable to see him. "No. No, Hen, no. This - this is what's happening, and we can't just… fix it. I wish we could, cause I don't even understand why, and it's so scary, and… God, I wish we could. I have so much left I want to do, and…"

He trails off. Henrik doesn't speak. Chase imagines him pulling the phone away from his face, squeezing his eyes shut and covering his mouth so as not to cry. The image hurts. Chase hurts. He holds the phone tight, aching to be somewhere, anywhere else other than here.

"You know," he says, voice choked as he speaks. "It's ironic how much I wanted to die a few months ago, and now I'm here, and I'm suddenly so scared."

"You are not going to die," Henrik suddenly shouts. There is anger in his voice that Chase knows is not directed at him. "You are not. It will not just all end like that, Chase Brody. I will not let it."

Something hot pricks the backs of Chase's eyes. He swallows hard, his chest tightening, his legs bouncing harder. "Henrik. Henrik, I - I have to go. I have to go. I'm sorry. I love you, dude. You know that? I love you."

"Chase," Henrik practically sobs. "Shit, I love you too. But you are not going to die."

Chase ends the call and throws up in the black bin next to his bed.

Night comes quickly, Chase thinks.

He thinks, because an officer comes to take his phone soon after his call with Henrik ends. He's starting to regret hanging up, but it had to have been what was best. Of course it was what was best. No need to make this hurt so much more than it already does. This is something he has to keep telling himself. No need to make this hurt so much more than it already does.

The officers ask what he wants for dinner that night instead of giving him choices. He gets it. It's a last meal. He takes full advantage of it and orders pepperoni cheese stuffed crust pizza and garlic sticks, his favourite, with barbeque sauce and churros. It all tastes like cardboard. He eats it anyway, because he's bored and his mouth still tastes like vomit and if he's going to die, it's only fitting that he goes out with a Domino's in him.

Before he's even finished eating, an armed guard comes and takes him across the building. It's the first time he's left his room in days, and he's surprised to see how dark it is outside, how little people are around. The few people he does see stare at him, some open mouthed with awe, some with sad eyes like a parent trying to tell their child that their pet fish died. Chase stares at the floor. Stares at the gun tucked into the waistband of the officer in front of him. He's scared, and his heart is racing faster than it has in years, and he thinks he's dissociating a little because he doesn't feel real and his fingertips are numb. Adrenaline thrums through his body, warming him and erasing the painful cold. Fuck, but he's scared. He's so, so goddamn scared.

He's taken to an entirely different room, a slightly bigger one that looks nearly the same, but with wooden chairs sat all around the border. There's no TV in this room. "Sit here," one of the officers says, guiding him to the blue covered bed and gesturing for him to sit. He does so, feeling silly and light with panic. He thinks he's going to be sick again. His breaths aren't coming right and fuck, he might faint from the sudden, overwhelming wave of dizziness that's washing over him now.

One of the officers that has just come in walks over and sits next to him. He's in full uniform, a radio on his vest, a bat strapped to his belt. "Are you alright, Mr Brody?" he asks gently, looking at him with kind brown eyes, and Chase sobs with relief for some kind of comfort.

"H-h-having a p-panic attack," he stammers, shifting on the bed to try and feel something, clawing at his skin under his grey hoodie and desperately trying not to cry. "N-need my - my - my asth-ma in-inhaler, p-please, I can't br-breathe -"

He's brought his inhaler, and he clutches it gratefully, clinging to it like a child. The cold button grounds him. Maybe, maybe if he squeezes his eyes shut tight enough, he'll wake up in his bed at home and be able to get up and shower in a bathroom that's not small or lit too brightly and then he can go downstairs to the kitchen to find Henrik half asleep at the table, three cups of coffee in front of him, wearily participating in whatever Chase's dumb early morning joke is, and then he can eat toast that's not burnt or done too lightly and play his music while he writes or goes on a walk outside. Maybe. Maybe.

The armed guards keep watch over him for two full hours.

Chase Brody is terrified.

It's when it hits the two and a half hour mark that he begins to notice anything different. A faint ringing in his ears. He thinks it's his tinnitus and waves it off, simply swatting at the air around his head like that will help at all. One of the guards notices immediately. "Sir, are you alright?"

Chase nods. He's not, but he doesn't need them dithering over him. Unfortunately, the guard doesn't let up. "Seriously, it's important that you tell us what's happening. Anything at all. Anything that could help you."

Well, that's reassuring. "Strange noise," he murmurs, shaking his hair out his face. "I think it's just me, though, I'm alright -"

But the guard is standing, muttering something into the radio strapped to his chest, and is it Chase's imagination, or are more people entering the room? "What's happening?" he asks, but he gets no response, and he's starting to feel strangely dizzy and tired, like something heavy is dragging his eyelids down. "I don't… h-hey, I don't feel too… too well…"

Someone is speaking to him but the world is already blurring, his head light, floaty. "Stacy?" he slurs, trying to get a grip on the bedsheets beneath him. "Someone needs t'... m'kids, they…"

Chase Brody is no longer in the same room as he was before.

He doesn't know when that changed. He can't pinpoint the exact moment where the walls darkened and raised with pipes and doors and panels, he doesn't know when his bed disappeared beneath him and the floor became sticky and black, he doesn't know when the bright light of his room became a soft blue glow, lighting up the room from behind him. He doesn't know when the room had stretched both ways into a long hallway, lined with slivers of light through the windows. He doesn't know why, when he stands, his legs nearly crumple beneath him. And when he turns - god, when he turns, and he looks out the enormous windows behind him - he doesn't know why a calming sensation of numbness settles over him, burning his skin like pins and needles.

He is staring out at the vast abyss of space.

It's a blackness he's never seen before. It seems to go on forever, and maybe it does, and there is nothing but tiny pinpricks of silver light of gaseous stars piercing the inky nothingness. Nothing but that, and the ball of green and blue that Chase knows, somewhere in his mind. Earth. Earth, where he is and isn't, where his body should be, where he never left, and what kind of nightmare is this? What kind of sick nightmare, he thinks dizzily, his thoughts chugging slowly as though through a thick soup. Everything is spinning. There is no sound, the world is broken, and the space is fucking endless.

Move, says the tiny part of his brain that still has sense. Get out. Get out.

His footsteps echo on the metal panes of the floor, and he resists the tightening urge in his stomach to vomit.

He doesn't know why this place is familiar.

The hallway seems to go on forever. All the doors along the way to the left have small, glowing panels beside them that seem to demand some type of access keycard, which Chase very much does not have. Eventually he reaches one that he can open, and stumbles into a large room with a table in the centre, the walls covered in photos and clippings that he doesn't bother taking closer looks at. There is only one small window in here, over a sleek black couch that seems to have nearly been shredded right through the middle. The table has a bolted down chair and a large pile of papers next to a cracked laptop that splutters weakly as it asks for a password. The room is too dark. Chase slowly walks through it, wincing at the sound his boots make on the floor, wincing at the silence, heart racing with the promise of another panic attack that he pushes down forcefully, gripping his own wrist for support. This isn't right, screams the universe. This is too familiar. This is too real. This is too familiar to be real.

Chase has noticed that everything in this place, despite its immediate appearance of immaculate properness, seems to be slightly out of place. This becomes more apparent in the room adjacent to the one he'd just been in, a room filled with sealed metal crates and boilers that bubble menacingly from their perches on the walls, a room which has clearly been nearly destroyed. Black claw marks have torn out chunks of the walls, wires ripped from the floor, buzzing weakly and sparking from wherever they were thrown after their violent uprooting. Dark red stains splash across the floor like a tragic painting that makes Chase's stomach upturn sickly. A vent on the ceiling hisses, and the man jumps and bolts, all last dregs of courage leaving him in an instant. He knows this is a dream. This is a dream, nothing is real, nothing is real, it must be just a dream.

"I've gone to hell," he sobs aloud, clamping both hands over his mouth as a cry climbs up his throat. "O-oh my god, I've gone to hell."

This is what you get for being a shitty, alcoholic dad and husband, he thinks, and promptly throws up on the floor next to the fresh bloodstains.

The rooms start to blur. Objects to objects, light to light, black walls and coloured glow and sparks, hissing, echoing rumbles, all becoming one in Chase's mind. He's long gone past the stage of a panic attack; he's in a state of utter numb calm, now. In one room he finds a long, black lighter and holds it tightly in his hands for comfort, twisting it round and round in buzzing fingers just to feel something solid against his skin to ground him. Please, he prays softly, wiping sweat from his forehead, struggling to breathe as his chest tightens and the world seems to grow hotter and smaller. Please, let me wake up, let me wake up from this, please.

And then something is standing behind him.

He doesn't know how he knows. It's just a sensation of silent shock in him, of I am not alone, a stabbing feeling as the hairs on the back of his neck rise. Something is there. He feels eyes on him. He can't - fuck, he can't move, and all the emotion in him seems to be rising to a painful crescendo. I am not alone in here. I am not alone in here.

"Who's there," he says in a small, cracked voice, not daring to turn. It's barely a question. "What do you want from me."

Nothing but a low hissing, and, most frightening of all, a rumbling growl that nearly sends Chase to the floor in a faint.

He has to look.

He looks.

It's an… an astronaut.

Neither of them move, and Chase's grip on the lighter in his hands tightens, trying to find some form of comfort, anything. "Why am I here?" he manages, swallowing back hot bile that burns his throat and makes him gag softly. "Why, why, what nightmare is this? Am I dead? Did the killer get me and this is my hell?"

The astronaut is silent.

Fury bubbles in Chase's chest, overriding the fear for a moment. "Talk!" he shouts, perhaps stupidly, but he doesn't care. "Please! What is happening?"

Then things get perhaps even stranger, somehow. A glowing 2D box of light appears in front of the astronaut, hovering in the air, too quiet until black text begins to appear on it, cartoonishly video game like blooping noises playing with each letter. Chase watches in awe. He's unable to speak.

<TheAnti.chr_v09> You are the Player.

Chase reads the words over and over and over.

"My name is Chase Brody," he says, voice wavering with uncertainty, because something here is wrong, wrong, wrong, so ridiculously wrong, and he hates the way things are clicking in his mind. "I shouldn't - be here. I think I'm dreaming and I want to go home."

The text flashes.

<TheAnti.chr_v09> You are <player_variable_BroAverage>. You are the Player.

Chase feels like he's above his body, like nothing he's seeing is real anymore. "Please let me go home."

<TheAnti.chr_v09> I am <TheAnti.chr_v09>. I am the Anti. You are the player. Player objective: escape. Anti objective: kill the Player. Initialization - Upon game startup, play <soundtrack_opening2>, set spawn and character sprites -

Chase can't take this. "Stop it!" he cries, and he shouldn't step forwards so confidently, but he does, slashing his hand through the air in front of him. "Tell me what you -"

The astronaut explodes.

No. No, it doesn't explode; Chase's mind is taking a moment to make sense of it, to rationalize the way the helmet has shattered and there is nothing but sheer white and glowing green eyes, hundreds of them, underneath, the largest one on the being's neck, splitting open with disgustingly inhuman squelching sounds, and the way the suit has torn and a mouth has opened up on the stomach, a gaping maw with knives for teeth and a slimy crimson tongue, and the way rips open along the material and more eyes open, burning red skin like charred meat, black veins rising under its skin. It hisses and cracks and growls and hums and it isn't like anything Chase has ever seen before, or maybe it is, because he knows this monster. He's seen this monster. And fuck, now he knows why this world is familiar, because he's been here, he's played this game. This can't be real. This can't be real.

"Posttraumatic nightmares," he can hear Henrik saying to him, the man's voice comforting. "Nightmares that occur after a traumatic event and can contain, what is the word… recurring themes that make you experience intense negative emotions. Maybe that is why you are having such strange dreams, my friend. You have been through a lot in these past few weeks."

That had been months ago. I thought I got over those dreams. I thought I got over those dreams.

He's running. His legs are already burning, chest already tight, why did he have to have used all his energy on his panic attack? Is the monster still following him? Chase can't turn to check, and the blood in his veins is racing through his body faster than he's used to, his heart in his ears as he flies round a corner, barely able to catch a breath. This isn't real, he thinks. It's another nightmare. Please, this isn't real, this isn't -

And then something wet is snaking round his chest, pulsing in a way that makes Chase gag, and something sharp presses into the skin on his back and a burst of numbness runs over him like cold water, causing his body to go limp against the alien - because it is an alien, isn't it, he knew this already - behind him. Cold heaviness seeps through his veins, combatting the light weightlessness that the adrenaline was giving him. He tries to cough again, to speak as his lungs empty of air, but the alien only grips his arms tight enough to piece his skin with sharp claw-like fingers. A glance down at his chest, and he sees the tip of the bloodstained rod jutting through his skin. It doesn't really register. A light laugh escapes his lips, because it's funny, really, how he's about to die at the hands of a video game antagonist.

No, he's not about to die. This isn't real. It can't be, it's another bad dream, of course it is. But if it's not real, then what happened to Jack Mcloughlin and the others, all of those… all of…

The world spins.

And the world lights up in flames.

Chase had briefly forgotten about the lighter he'd picked up for support, and now he's putting it to good use; one flick of the switch and the alien is alight as though it had been soaked in gasoline, burning orange spreading across its suit, the crackling drowning out the monster's screeches. Its grip loosens on Chase's arms, and he pulls free, and the universe spins as the rod in his chest slips out like it's nothing, leaving a gaping emptiness in him. Please, he screams, in his mind or out loud, he doesn't know. Please. Please.

Please, wake me up.

White light. It floods the whole world, for just a moment, and then Chase's eyes are open and he is gasping for air, hands flying to his chest and feeling nothing but the soft material of his shirt, no pain except for the squeeze of his lungs as he coughs desperately into his sleeve. There are people surrounding him now; the police officers and armed guards from before, helping him sit up, holding a sick bucket in front of him as he throws up the little that's left in his stomach weakly, too much noise but nowhere near as bad as the silence of the Dawn Station. Nowhere near as bad as the hissing creaks of the Anti. Nowhere near as bad as his nightmare, because it was a nightmare, of course that wasn't real - nowhere near as bad as the nightmare that he'd thought was going to kill him.

I lived. I survived the night.

He's had this thought before, but this time, it's met with relief.

"You dreamed about the setting of a video game."

"Not just any video game. The, uh… the new Jack Mcloughlin game, Dawn Station. All the people who played the demo… died. I didn't die. The night I was supposed to, after all the others, I - I dreamed about the game. And the antagonist of the game. It's this, uh, this alien thing, in an astronaut suit. Tried to kill me. Apparently it's weak to fire, although I don't remember that from the actual game, maybe it was a secret that wasn't in the demo we were all sent, but I burned it, and it stabbed me, and I got away, not - not in that order. Does that… does that make sense, doctor?"

Dr. Ross scrutinizes Chase for a moment before turning his chair back to face his computer. The sound of his mouse clicking fills the room, off beat from the eternal clicking of the plain white clock on the plain white walls, decorated only with bookshelves and trays of medicines. Chase has never been in a more boring doctor's office. Usually his therapy sessions have more to look at, but this is a different therapist than he normally goes to, and all he can do is fidget with his hands on his lap and stare out the window at the

earth, the stars, the black abyss of emptiness that Chase could get lost in and never be found

setting sun through the trees just outside the building. The doctor's pen clicks, clicks, clicks. It sounds like the Anti's teeth, chattering against each other as it yawns, its maw opening wide enough for a head to be torn right off. Click, click, click. Chase closes his eyes, the repeating sounds like a mantra. He focuses on that instead. It grounds him.

"You have a history of nightmares."

Chase nods without looking. "I was prescribed triazolam by my first therapist. I took them for a year or so without changes except the lowering of doses a couple of times, because I was getting weaned off them. They helped. Nightmares didn't continue after that."

The other man nods slowly. "Hm. I can imagine the trauma of this recent event that you've been through was enough to bring these nightmares back to the forefront of your mind, especially given the contents of this dream in particular. We may have to ease you back onto medication over the course of your next few sessions here, which should be easier, given that it'll be a couple weeks before we send you home. Is that alright, Mr Brody?"

Click, click, click. Chase nods. Sunlight warms his face, and he sighs softly. "Sounds good, Dr. Ross. When will I be able to see my family?"

The man frowns, his forehead creasing. "Hopefully soon, although it will be slightly complicated, given the circumstances." A breath leaves him, and he tilts his head to the side slightly. His white collar digs into the fold of his neck. Chase keeps his eyes trained on that. "And these are strange circumstances, are they not?"

"They are," Chase mutters. He clenches his fists in his lap. "They are, yeah."

He should have died. He doesn't know why he didn't die. He doesn't even know what it was that killed the others. Really, the nightmare he'd had makes sense. It was easily written off as a traumatic event that had brought back old nightmares. Of course there was no way any of it had been real. That's ridiculous. Just ridiculous. He doesn't know why he's thinking that.

His hand trails down his shirt. Underneath, on the skin of his stomach, is a thick scar that hadn't been there before the nightmare he'd had. Right where the rod had pierced his stomach.

Coincidence. Coincidence.

"Do you have any other concerns, Mr Brody?"

"I don't believe so."

"Good."

Click. Click. Click.

#boop writes #jacksepticeye #chase brody #henrik von schneeplestein #antisepticeye #dawn station

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