The Mario movie thing is so funny to me. Here, look at this:
Sonic movies (1, 2, & w/ 3 on the way) come out, does INCREDIBLE in box office, decimates Marvel films, who previously had a stranglehold
Nintendo sees this, wants a piece of that pie, buckles down to make a Mario movie Incorrect order of events, as pointed out here! Mario movie announced before the public knew about Sonic movie.
(Potentially because the previous Mario movie was so out there, did poorly, & was disliked by fans & then promptly forgotten,) they pair with Illumination, a studio that is largely known for making very sterile films
Btw, is it just me that finds it weird that there is no mention from Nintendo or online of the previous movie, in all this? Maybe I'm the only one who remembers this film idk
They announce casting. Everyone immediately boos because they cast Chris Pratt as Mario.
Immediate outrage, as Charles Martinet, the voice of Mario for DECADES, was not cast in his claim to fame roll
There is a (unsourced) rumor that a test screening for the film was met with disappointment, making Nintendo unhappy
Slightly corroborating this, Nintendo buys Dynamo Pictures, to make Nintendo Pictures, with the intent to make future movies in-house
Anticipation for the movie likens it to other sterile animated movies of the last 10 years, like the Minions movies
Trailer comes out.
People continue to boo Chris Pratt, a bad cast for a beloved character who is putting 0 effort into his voice, in comparison to all other VAs putting in 110%
Chris Pratt goes to bed "depressed," at seeing the response I was incorrect, that is an older article, about when he was thanking his wife for providing a healthy child, to which people drew immediate parallels to his ex-wife's son, who has many health complications & needed many surgeries.
But with your help, we can make him being depressed after media backlash reality!
Lol, &, may I say, lmao.
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someday i will need to study a transcript of this scene to find out what they're actually talking about because i have watched it like 5 times by now and still my bi ass has never been able to focus on the dialogue
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always baffles me when i see those kind of tweets on the dead bird site floating around that are like "wait you guys how can you actually like villains??" "hold up you ACTUALLY love monsters??????" "ok lets be real we were all only pretending to be into old men bc thats funny, right??"
and im just .......... you HAVE to be either 15 years old or have been living a seriously narrowminded life of ignorance (especially on the internet) to actually be surprised by people being into that
like .. get well soon man
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me: i finished the latest trailblaze mission in hsr so i can look at what other people are posting now! oh boy i hope it's discussions and theories about the story. i can't wait to see what everyone thought about firefly (what was going on with you sweetie...) and A Child's Dream - that segment in particular really left a profound impact on me. like who is mikhail? the voice we hear throughout is obviously misha's - did he have a twin? does mikhail have something to do with clockie? and from what we heard and saw, misha or... mikhail. encountered the embodiment of Death that lurks beneath the dreamscape. what's... the full story there...? i can't wait to see other people's perspectives it'll help me piece a more coherent theory together-
other hsr fans: *thirstposting about aventurine and/or dr. ratio, trying to cancel sparkle even though the entire point of her character is that yes she's a horrible person because it's high time we see how DANGEROUS and CRUEL the masked fools can be - no more reducing them to the silly wacky hijinks sampo pulled on jarilo; you should be scared of these guys; the game's story never wanted you to make sparkle your next skrunkly blorbo babygirl lol, heated discussions about whether dr. ratio displayed the same racism towards aventurine that sparkle did and if that makes aventurine/ratio a bad thing to ship (??????????), more thirstposts about aventurine, 500 billion generic yaois of aventurine and ratio that don't even maintain either of their characters*
me:
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hello hot fuzz fandom. i love you all dearly, and i'm sure it's been talked about before in the years before i found my way into this fandom, but you know what i don't see brought up much? that danny showed up at nicholas's door after he'd left the police station defeated.
what was he there to say? to do? whatever his intentions were, they were interrupted by the slightly more pressing matters of a knocked-out lurch and a nicholas with a relit determination. why was he there? doesn't it feel like, after nicholas decided to walk home alone, that danny sat there in the station ruminating on whether or not to go after him? like there was something he needed to tell him?
can't you imagine the scene that would have played out if there was no lurch? danny at nicholas's door while he's midway through getting ready for bed? saying something about how he hated to see nicholas go off alone, and wondered if he really needed someone with him afterall???
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thinking about the fionna and cake finale and. i've been seeing people upset or annoyed that betty & simon's story focused on how simon had to learn to recognize that what they had was unbalanced and not necessarily fair, because they wanted betty to also realize that she placed too much of her self worth in simon, and they wanted her to learn to live for herself.
i think these people forgot about the episode in adventure time that does this. mainly because, at the end of the episode, it seems like she didn't learn anything at all.
In s10e11, "Temple of Mars," Finn, Jermaine, and Betty have to go through a mind maze to find Jake--and many parts of the maze are relevant to Betty's obsession with Simon/Ice King.
The second room of the "maze" has a chalkboard with a long and complicated equation on it. Betty tries to solve it, thinking it will help, while an Ice Thing messes up the equation as she tries to solve it, preventing her from doing so. It's meant to represent how trying to "solve" the crown's curse is leading nowhere, and that Betty is trying for a hopeless cause.
The last room is the most important to Betty's story, though--it's a window into her past, where she realizes that she needed to take more time for herself. She needed to focus on her, instead of dropping everything for Simon. She makes this realization and changes things for the hypothetical, maze room version of Betty--but naturally, this can't change the past. She's made her choices, and she has to live with that.
I think at the end of the episode, when she takes the "wrong" message away from all of this--she dedicates herself to trying even harder to "fix" Simon--it's mostly because she's scared to accept that she... not wasted, but lost so much of her life because she was so focused on what Simon wanted, or what she thought that Simon needed. She's also still under the effect of the Magic Man hat, so she's still affected by the sadness/madness of that, which likely twisted her view of the situation as well.
But then in the AT finale, she makes her choice to leave Simon. She does it through wishing for his safety, sure, but she still makes the choice to leave him. And in Fionna and Cake, what we see of her--or what's left of her, because we don't know how she's changed, really--is something bigger than what she was before. GOLBetty seems to have realized her own part in the unbalancing of the relationship between them. But that's not what Fionna and Cake is about--it's about Simon, and how he has to move on. Betty has already moved on by the time we see her again. She's showing Simon that, and she's showing him that he has to move on, too. But it's her choice. She could have stayed with him, but...
She takes the bus to the airport. And she takes it without him.
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