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#there are specific films I pulled from for the screenshots
comickergirl · 2 years
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This is what happens when you start watching Future Boy Conan during a re-read of Power of Shazam. 
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athingofvikings · 11 months
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Two More Stalkers
So I'm drafting this post on October 19, 2022, hoping that I won't have to use it, but getting it set up as a contingency. Just in case.
Lots of screenshots under the cut, but TL;DR:
I have two stalkers who feel entitled to my work and writing, and have been stalking me because I didn't write their historical blorbos to their personal satisfaction and because I haven't written queer characters to their exacting specifications (specifically, they want what amount to Gold Star Lesbians with modern-style adopted children). In the course of their stalking, they have made a hate-blog specifically to target me with insults, and when that failed to get a response, escalated to making a new AO3 account specifically to write hatefic of my work and "gift" it to me.
If you see this post having gone live, I ask you to please review it and reblog it, because I am preparing this contingency in case they escalate to the point of trying to publicly defame me, and if I've hit "post", that means they're actively trying to get people to hate me.
So, without further ado...
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Here are screenshots of their intro posts (still available on my Discord server if anyone wishes to see the evidence). Essentially, they came because of their interest in the historical King Macbeth and the mid-11th century, which is where and when my story, A Thing Of Vikings, is set. The basic concept of the story is that the first How To Train Your Dragon film is dropped into Real Life history in the 1040s AD in the Scottish islands, and events ripple out from there, changing history as a result.
Some red flags began to wave in regards to these two, as nessie wanted to know what the status of his historical blorbos would be in my writing, and did not take it well that they would either A) be dead, B) be reduced to insignificance by changes in the historical timeline, C) be someplace else, or D) not exist at all, due to changes in the timeline. He ended up quietly leaving after the following discussion:
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He then left a few days later on Aug 28th.
Fast forward to October 2nd.
the threat of tortellini starts a discussion as follows:
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At the end of this exchange, the threat of tortellini leaves the ATOV Discord server. To sum up the above, they wanted for me to jettison the core conceit of a piece of writing that I have been working on for six years because they wished to see specific developments catering to their personal desires happen in the text. In short, "Screw your writing integrity, I want you to write it for meeeee!" and then stormed off the server when they were told no.
Two hours later, I am followed by @courtlycringe. Now, I vet my followers for personal safety reasons, due to having experienced harassment and stalking in the past, and immediately saw that this new follower was... unique.
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For obvious reasons, I promptly blocked the two people in the notes for these posts, as well as the courtlycringe blog itself. The next morning, October 3rd, I remembered nessie's fixation, and promptly pulled on the threads with the intro posts, putting together that @themischiefoftad is the threat of tortellini and that @malcolm--of--scotland is nessie. (Note the dates on the posts, too; Nessie had this hate blog already going before his friend stormed off of the server)
Confirmation came after a few of my friends interacted with them:
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(Although it should be noted that I don't believe that courtlycringe is/was run by anyone other than my two stalkers, given the timeline).
I do a little more work, track down their AO3 accounts, and block them. I expected that to be the end of it.
It wasn't.
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In short, these two made a new AO3 account, MillieMilkTea, and wrote some extremely nasty hatefic using my characters and targeting my work. The Necessary Components For The Fall Of An Empire is a giant middle finger to me personally, with my male main characters being brutally and graphically murdered by the female characters (especially their personal blorbos) and having everyone cheering for the deaths, and the female characters going off to be good pure lesbians. Nothing more and nothing less.
I declined the "gift", and have reported them to AO3 Abuse as of the writing of this post on Oct 19.
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However, given that they have written thirty-three thousand words of targeted hatefic, likely just in the past few weeks (the account itself was created Oct 11), I am sure that they will continue to escalate. I will keep this post updated and ready to post in case they shift from targeted harassment to defamation and libel.
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icarus-star · 6 months
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nsfw alphabet // charlie walker
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A = Aftercare (what they’re like after sex)
he loves to put on a movie n cuddle! getting both of you cleaned up, wrapping his arms around you and playing whatever film you desire.
B = Body part (their favorite body part of theirs and also their partner’s)
fem!reader: sorry to say, but his favorite thing on you, out of anything else, is definitely your boobs. not just sexually, he likes using them as pillows. but don't get me wrong, seeing a bit of cleavage or seeing them bounce will always have his mind wandering. gn!reader: for some reason, he finds your neck appealing. he loves kissing you there. he gets so embarrassed when he sees you sporting hickeys he left the night prior, but deep down he loves it more than anything. masc!reader: your lips. he likes kissing you a lot, it's one of his favorite things to do. he thinks that your lips specifically are perfect for kissing (he bites them, too).
C = Cum (anything to do with cum, basically)
believe it or not, he doesn't have too big of a preference as to where he cums. he likes wearing a condom, so he'll probably cum in you, but in the condom.
D = Dirty secret (pretty self explanatory, a dirty secret of theirs)
he has SO MANY. i mean, he steals your underwear all the time to use to jerk off with. he's honestly a major stalker. if you have any mildly risque photos or videos posted on instagram or SOMETHING, they're immediately getting screenshotted n added to his collection. he also has a bunch of other photos of you from other sources (behind your window at night).
E = Experience (how experienced are they? do they know what they’re doing?)
no experience at all. no clue what he's doing outside of the porn marathons he has biweekly.
F = Favorite position (this goes without saying)
he loves when you ride him. being able to watch your body move on top of his, your face looking down (maybe a little condescending) at him. he does also enjoy missionary. pounding into you is something he likes a ton.
G = Goofy (are they more serious in the moment? are they humorous? etc.)
he'll make jokes every now and then. he thinks it brings up the mood when both of you are being super serious, which he finds pretty intimidating.
H = Hair (how well groomed are they? does the carpet match the drapes? etc.)
he tries to shave. he accidentally cuts himself pretty often, so he gets anxious when he tries to. but most of the time he's got some overgrown stubble, and a very very mild happy trail.
I = Intimacy (how are they during the moment? the romantic aspect)
he doesn't really know what he's doing in that sense. but he does really enjoy being slow and intimate. caressing the back of your head softly while you kiss down his neck and ride him.
J = Jack off (masturbation headcanon)
very often, pretty much every night. he's incredibly horny, especially when he thinks about you. his mind wander and he starts thinking about how you would look above him, bouncing on his cock. that leads to his hands traveling down into his pants, stroking his cock and whispering your name to himself. (he also probably has a fleshlight that he uses occasionally whilst watching porn)
K = Kink (one or more of their kinks)
hm, i don't think that he has the most hefty list in the world, but is definitely into some stuff. mutual masturbation, hair pulling (mainly receiving, but wouldn't be opposed to pulling yours), slight blood kink (mainly stuff like fuckin' you on your period), he's actually quite the masochistic, not always, but he'd be alright with you choking him, just not to the point of passing out. he's also super into dirty talk (giving and receiving, both degradation and praise as well). over stimulation!! again, both ways.
L = Location (favorite places to do the do)
your bedroom, his bedroom, someone's guest bedroom. any bedroom. or in his or your car, he'd like that too. the back of a movie theater! your giving him a hand job, he's fingering you/giving you a hand job and you're both trying to be quiet so you don't get caught. oh he just loves it!
M = Motivation (what turns them on, gets them going)
most things you do. he gets super horny from a lot of things. your hand on his thigh, if you wear something even slightly scandalous, even just watching a movie together and a suggestive scene comes on.
N = No (something they wouldn’t do, turn offs)
there isn't a lot he'd say no to, he's good with trying new things. but no matter what, he is NOT into feet at all or in any way.
O = Oral (preference in giving or receiving, skill, etc.)
he really enjoys when you give him blow jobs. he cums so quickly from them, and he's super easy to over stimulate. fem!reader: he knows everything from what he's seen in porn, but he does pretty well. he actually really loves eating you out, he'll cum untouched everytime (especially if you pull his hair). he buries his tongue in your cunt, then takes it out and licks and sucks your clit. he's so good. masc!reader: now, he has ZERO clue what he's doing. he kind of applies what he like to you and sucks you off how he likes to be sucked. he very much struggles with deep throating you, so he pays attention to the tip and jerks you off.
P = Pace (are they fast and rough? slow and sensual? etc.)
he likes fast. mainly because he just wants to feel good, and he thinks that fast feels better. nothing else.
Q = Quickie (their opinions on quickies, how often, etc.)
maybe. you wanna fuck him in the movie theater bathroom while the commercials play? sure! in the cinema club room before anyone else arrives? maybe not.
R = Risk (are they game to experiment? do they take risks? etc.)
only risk he's gonna take is... literally stalking you. he's nervous to cum inside, he's got a love-hate relationship with getting caught. but oh boy, watching you from outside of your window. he just loves it.
S = Stamina (how many rounds can they go for? how long do they last?)
2 rounds, after that he'll get pretty over stimulated and stuff, not that he'd complain.
T = Toys (do they own toys? do they use them? on a partner or themselves?)
U = Unfair (how much they like to tease)
yes! when he masturbates, he uses a flesh light. other than that, stuff like butt plugs he'd prefer watching you use. maybe you could surprise him with a cockring, he'd use it if you really wanted.
V = Volume (how loud they are, what sounds they make, etc.)
not always, but sometimes he can be super mean. edging you and calling you dirty dirty names.
W = Wild card (a random headcanon for the character)
sooo loud! he whimpers and whines a lot, his cock is sensitive. he also talks a lot, either subby little pleads or mean degrading words.
X = X-ray (let’s see what’s going on under those clothes)
movie night with him and all of your other friends, your next to him and almost sitting on his lap. during the movie, his hands travel along your thighs, up further and further. he whispers into your ear, telling you to stay quiet for him while he fingers you/jerks you off. he doesn't necessarily want to get caught, but he wouldn't have a problem with it.
Y = Yearning (how high is their sex drive?)
probably the most standard cock, not that thats a bad thing. around 5 inches, decent girth.
definitely above average, he's horny horny. say, your busy working on something. whatever, he'll almost beg for your attention without actually asking. he'll kiss you and pout when you push him away. 8.3/10
Z = Zzz (how quickly they fall asleep afterwards)
he doesn't get too sleepy, but if you fall asleep he'll sleep with you.
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monsterblogging · 4 months
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Jaeger Piloting 101: How Rangers Get Into The Thing & Other Basic Stuff
Hello Pacific Rim fans, today I am doing a post on the topic of how rangers get into the conn-pod, and take control of the Jaeger, plus do a quick look at conn-pod interiors in general! I'll be using pictures sourced from movie-screencaps.com to illustrate the process.
Before I proceed, I'd like to remind folks that Lady Danger's canonical name contains a racial slur. It will be depicted here in screenshots, but I encourage fans to use the name "Lady Danger" in casual conversation, fanfiction etc. It doesn't matter if the name was referencing an old engine, it doesn't matter if no harm was intended by it; a slur's a slur.
Before the rangers enter the conn-pod, they must first suit up. This isn't something they can do on their own - they have a dedicated team of assistant techs to help them into their drivesuits. As we can see here, Raleigh and Yancy Becket's team have the name of their jaeger printed on the backs of their jumpsuits:
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If you read my earlier post on jaegers, you know that drivesuits come in two layers. Here's Raleigh and Yancy already wearing the first layer, while one of their technicians assists:
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Next, the technicians help them into the drivesuit's second, armored layer. On the right side of the first image is the area where the drivesuits are kept when not in use:
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And then we have this thing that's pulled out of a special storage box and put over the spinal area, connecting the back of the armor together:
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We also see Yancy and Raleigh pull on their helmets, and this strange liquid drains out. (It makes me think of the orange juice Raleigh was drinking earlier.) It's not clear how common this feature is, but we know it's not universal - the refurbished Lady Danger doesn't have this, and Cherno Alpha's helmets don't look it would even be possible.
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Next up, the pilots enter the conn-pod. Note those two light gray things on the floor in the first picture; that's part of the Pilot Motion Rig. Also note the dark gray things hanging from the ceiling in the second picture; that's also part of it.
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Once the pilots step into the bottom part of Pilot Motion Rig, metal clamps lock their feet into place. On the right, Raleigh is already locked in; on the left, Yancy is not yet locked in:
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Meanwhile, more technicians help pilots get into the upper part of the Pilot Motion Rig.
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At this point, something magical and wonderful absolutely terrifying else happens: the floor pulls away, leaving the pilots standing like:
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If you look down once the floor's pulled back, it's uh. Quite the view.
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In the case of Lady Danger, a nuclear-powered Mark-3, this is where technicians drop the head to connect it to the body. (The head is stored separately to reduce radiation exposure that might damage the delicate circuits.)
At this point, the Beckets are looking at this in front of them:
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As the head connects, the pilot-to-pilot protocol is engaged, the computer system fires up, and the Beckets see a LOADING screen:
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In the Anchorage Shatterdome, Lady Danger was wheeled out through a door on a rolling platform. At this point, the neural handshake was activated with a countdown of fifteen seconds.
The neural link is established, and you got two people in control of a Jaeger!
From here, stuff often depends on the specific jaeger, as control systems can be pretty different. For example, we see Raleigh and Yancy holding these round things in the arms they're controlling at the beginning of the film, but the refurbished Lady Danger doesn't seem to use them, and neither do the other jaegers.
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I'd also like to contrast Cherno Alpha's drivesuits with Lady Danger's drivesuits for a moment, just to emphasize how different designs can be. As you can see, each pilot's drivesuit has cables connected to the arm they're controlling:
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Also as I was looking at pictures of jaeger interiors, I noticed something curious about Lady Danger vs. Striker Eureka.
The original Lady Danger has a high console like this:
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The refurbished Lady Danger has one positioned lower:
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Striker Eureka has both a high and low console:
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So make of that what you will, lol.
And that's the basics of boarding and controlling a jaeger! If you haven't seen it already I also recommend checking out my other post on jaeger lore, where I compiled everything I could find out about them from various Pacific Rim medias. And you might also read Drifting, as conceptualized by Travis Beacham if you're interested in knowing more about the drifting aspect, and maybe Drift Hangover Lore if the possibility of sentient jaegers appeals to you.
Happy monster punching, or whatever it is you people do out there. *Slinks back into the bog*
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failureface · 2 months
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thoughts on "Welcome Home, Franklin"
(SPOILERS AHEAD)
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Okay, this special was really great.
I love Franklin. He's a sweet boy who never had a unkind thing to say about Charlie Brown- he was the straight man to the wacky antics of the Peanuts gang. But I never got the feeling he was more than that in the strips. This special serves as the backstory and character that Franklin didn't originally get, but sorely needed.
And this special beautifully and gracefully rights some of the wrongs that past Peanuts media made.
I was surprised this film even went there in terms of discussing racism a little. Peanuts is an IP that you expect people to be overly-protective of. 'No, the scene in "A Charlie Brown Thanksgiving" isn't racist- and it's NOT weird that all the kids are white' is more of what I expected to hear from this. But refreshingly, this special addresses it. Like, YEAH, there IS a lack of diversity! It feels so much better for that stuff to be acknowledged rather than swept under the rug.
I love the fact that Franklin is unsure of himself and his ability to make friends. This makes him super relatable and sympathetic, and also makes a clear connection to why he gravitates towards Charlie Brown. The two of them bond over their shared feeling of being "the Underdog", and not knowing how to make friends or navigate social landscapes. Franklin also opens up Charlie Brown to new experiences and knowledge, telling him about discrimination and introducing him to music he hasn't heard before. Not only that, but Franklin encourages Charlie Brown to be less anxious and push himself further. And Charlie Brown is a much needed friend and sympathetic ear for Franklin. They have each other's back and their bond is undeniable.
That's what this special is truly trying to get at. That friends of different backgrounds and experiences from us can help us to learn and grow as people. I think that's a really wonderful message and one that we all need at any age, and one that we especially need now.
Overall, this special really blew it out of the water, and I gave it five stars.
Special shoutout if you were able to make it to the premiere stream in the Peanuts discord, that made it twice as fun to watch!
Some miscellaneous thoughts under the cut
Franklin's music taste is so elite
The music picks in this movie are honestly fantastic. The soundtrack really elevates the experience and every song is awesome
THE BEACH SCENE! It's so rewarding as a fan to see moments that are plucked straight from the strip. It feels like the people making them really know Peanuts
All the little tiny schrucy crumbs- I eat it up. I know screenshots and gifs will be made and posted and I will be reblogging them.
Lucy and Franklin's beef- I wasn't expecting it but it's so funny and adds some really great dynamics into the fold
Since this is about the friendship between Charlie Brown and Franklin specifically, minor inaccuracies Franklin actually being on Peppermint Patty's baseball team in the strip are forgiven. Some fans more scrupulous than I would probably have an issue with this, but I'm not one of those fans. This isn't 100% faithful to Peanuts Lore but I don't mind.
I LOVED the scene where Charlie Brown wants to pull the breaks and Franklin wants to keep going. It shows so much without saying anything, and it gives way for great conflict that makes sense and comes from real places within the characters
And I love how Franklin is allowed to be mad, and he and Charlie Brown fight. We're not afraid to rock the boat anymore, and it makes Franklin feel so much more human
Just the right amount of Snoopy scenes, this one reached the perfect balance of Snoopy and Story
Everything is just so overwhelmingly cute here I had to restrain myself from writing "cute" or any of its synonyms in my review
"We saved you a seat!" <3333
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cursed-man-prayers · 1 year
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High Infidelity is about Miss Americana.
Notes before we begin: First, I can’t post screenshots from the doc bc Netflix, but I have pulled direct quotes and rewatched scenes over and over as I wrote this analysis. The more I watched, the more this theory made sense.
Second, while I obviously don’t know what Taylor Swift’s relationship with her dad is like, the clips in Miss American plus the song tolerate it are enough to convince me that he’s not/wouldn’t be accepting of Taylor being queer. There’s a reason she’s a mama’s girl. This is a Scott Swift hate account.
Let’s begin
Verse One
Lock broken,
A common interpretation of this lyric is the invasion of privacy that is someone reading your diary/journal. Having a locked diary is also something most common with young girls (only girls get privacy, sorry lads), and in Miss Americana, the first diary that Taylor shows in the first scene while she says the first words of the film is a diary that has a lock, and there’s also a closeup of another diary with a lock, as well as the words “bitch session.” There’s also the very common trope/reality of parents reading your diary. Speaking from personal experience, this can genuinely be traumatic, especially taking into consideration the next two words.
Slur Spoken
Seeing as Taylor is a white woman, I genuinely don’t know how else this can be interpreted besides a homophobic slur being spoken. $!u and b*!tch are derogatory, but that’s not the same thing as being a slur. Also, I’m not going to justify the “she’s talking about slurring words while drunk!!” interpretation bc that makes less sense than thinking the slur is “whore.” (I think the diary I mentioned that says “bitch session” is further proof that Taylor doesn’t consider ‘bitch’ to be a slur, even though she has called out the misogynistic way men use it in music.)
Wound open, game token
The person who is breaking this lock and speaking this slur and opening this wound is using Taylor’s pain as a means to get a prize. “You play stupid games you win stupid prizes” (MAATHBP), “You knew you won, so what’s the point of keeping score?” (hoax).
I didn't know you were keeping count
In the Man music video, during the tennis match, Scott Swift is playing the scorekeeper. This line is repeated multiple times in the song. The context of the repetition does change and develop throughout the song.
Rain soaking, blind hoping
I think this refers to the Lover era and how Taylor was not able to come out (specifically that video where she’s talking about ME! and looks sad as shit). I think it’s also a reference to Midnight Rain, rain being a metaphor for unexpected, unseen change, and also the isolation of staying hidden.
You said I was freeloading / I didn't know you were keeping count
As someone with a dad, I can confirm that this is very dad-coded. Like, I can’t think of a context in Taylor’s life where a romantic partner would’ve said this to her, especially considering how idk, rich and successful she’s been since she was a teenager? While I don’t think her dad would ever be justified in saying this to her either, it could be a reference to him throwing his role in her career in her face, the way we see in Miss Americana.
Chorus
This is where things come together in terms of being about Miss Americana.
High infidelity / Put on your records and regret me / I bent the truth too far tonight / I was dancing around, dancing around it
In order to produce a consumable product (the Lover journals) around her and her art, she had to dance around the full truth. The entries were meticulously chosen and most likely edited. In Miss Americana, the segment where she “comes out” as a democrat feels like it might’ve been a different kind of coming out story, especially when you factor in the creation of You Need To Calm Down. It comes across as extremely personal, and while there are multiple factors leading to the experience being emotionally charged for Taylor, I do think that her own queerness is one of those factors. The entire documentary feels like she’s dancing around a bent truth.
Put on your headphones and burn my city
Putting on headphones is shorthand for ignoring someone. “Burn my city” in the context of how Taylor equates her (former) lover with *a certain city* feels like an indication that the subject of the song did something to sabotage and burn down the relationship. I think this is a reference to how her career and the people controlling it (such as her father, but others as well) ruined the love she’s been singing about since reputation.
Your picket fence is sharp as knives
This also goes back to Midnight Rain (“my town was a wasteland, full of cages, full of fences”)
I was dancing around, dancing around it
Taylor has used dancing as a literary device throughout her discography. I believe it’s typically a metaphor for queerness.
Post Chorus
Do you really want to know where I was April 29th?
This goes back to the diaries from Miss Americana. This is Taylor being confronted about a journal entry from an April 29th where she wrote something gay. When *her dad* saw it, it led to a slur being spoken.
Do I really have to chart the constellations in his eyes?
This refers to the segment in Miss Americana that is allegedly all about Joe. Call It What You Want plays over a montage of videos filmed by an unseen lover. The only clip actually featuring Joe in the entire film is a single moment where Taylor and Joe look vaguely excited to see each other after one of the Rep shows. The way she wrote and sung this line makes it seem like charting constellations in some dude’s eyes is the last thing she wants to do.
Verse Two
Storm coming, good husband / Bad omen / Dragged my feet right down the aisle
This very much sounds like Taylor being forced to be romantically linked in a traditional, heterosexual way. The storm coming and bad omen are what led to her being pushed into this, likely the media storm that happened in 2016. It ties together the lines about pickets fences and how the rain referenced in the first verse is connected to Midnight Rain, because, as we learned with the very first track on Midnights, Taylor is not interested in 1950’s shit.
At the house lonely,
“To a house not a home all alone ‘cause nobody’s there,” Dear Reader
good money,
“the jokes weren’t funny, I took the money” from YOYOK is just one example of how the money comes at the cost of herself and who she is and her worth as a human being…
I'd pay if you'd just know me / Seemed like the right thing at the time
…but now she’s regretting paying that price, wishing that she could be truly known. It seemed like the right thing, but she’s realizing that it wasn’t. Alternatively, she regrets coming out to her and the price she now has to pay of knowing his love was conditional. She paid the price for being known. Also, during the clips that play during the segment allegedly about Joe, Taylor is singing Call It What You Want, specifically the lyric “At least I did one thing right” which is… devastating in this context. She also says:
But I wasn’t happy in the way that I was trained to be happy…It was happiness without anyone else’s input. It was just, we were happy.
Anyway she doesn’t seem happy anymore.
Pre Chorus
You know there's many different ways that you can kill the one you love / The slowest way is never loving them enough
This creates a strong connection to tolerate it. I feel like this lyric is the thesis of that song. Again, this is a very dad-coded lyric. It’s the slow realization that a parent’s love can be conditional. It’s like when a queer kid comes out and a parent says “I still love you, but…” There’s other contexts where that phrase could exist, but it’s an extremely common queer experience.
Do you really want to know where I was April 29th? / Do I really have to tell you how he brought me back to life?
I think this could refer to the narrative of Joe Alwyn being William Bowery (which is suspect at best and criminal at worst). She has to say that Joe helped her write devastating breakup songs like exile and champagne problems to keep up the narrative that they are in a VERY HAPPY relationship.
The next new lyric is in the third chorus and let’s just say I have thoughts about it.
Put on your records and regret meeting me
THIS LYRIC HAS BEEN DRIVING ME MAD FOR THREE MONTHS. In the other choruses she says “regret me,” but she changes it here to be “regret meeting me” in the last chorus. “Regret me” implies regretting the existence of Taylor Swift. It’s the people credited with kick-starting her career (such as her father!!!) putting on your records, a double-entendre for her albums + the awards and accolades she has earned for those albums. But! In this chorus! The lyric is! Regret meeting me! The promo for Midnights focused heavily on “meet me at midnight,” the concept that she would be showing who she really is with the album, so much so that people thought she might be coming out with this album. While I think this lyric is a reference to that narrative and the fear that her fans won’t get her or won’t like her after listening to Midnights, I also think it is about how her dad regrets learning who she really is, and how he therefore IGNORES IT by listening to the albums she wrote about me. This is the only lyric in the chorus that changes, and it’s seemingly such a small change, a single word added to the line, but that’s what makes it so massive. Because why would she change this lyric if not to completely change the meaning of the line? It’s drawing a distinction between regretting someone’s existence and regretting knowing the truth about them.
Oh, there's many different ways that you can kill the one you love
And it's never enough, it's never enough
I think the phrasing here implies that Taylor feels like she can never be good enough to earn the love she needs and deserves. This ties it, again, to the intro of Miss Americana where she’s going through her diaries and talks about how her main goal in life was to be a good girl.
Outro
The entire first chorus is repeated, and we have a new perspective.
You said I was freeloading
When it comes to this line specifically, I think it refers to the conversation about Taylor’s desire to speak publicly about politics, in which her dad throws in her face how he hired armored cars, essentially saying that she owes him something. It’s just phrased in an odd way and it makes everyone uncomfy.
I didn't know you were keeping count / But oh, you were keeping count
The repetition of the first chorus at the end of the song implies that this song is cyclical. It’s a loop that she’s trapped in. (If you put this song on repeat and turn up the crossfade, you can listen on a seamless loop). Tolerate It does the same thing. Repetition also draws attention to the lyrics while recontextualizing them. The last lyric (“but oh, you were keeping count”) is this acknowledgment that her relationship with this person was/is transactional.
What about the name of the song?
Okay, I’m convinced the only reason anyone would ever think this is a song about cheating is because of the title. Obviously, the primary definition of the word infidelity is cheating on a romantic or sexual partner. Nothing else in the song indicated cheating. SO. OBVIOUSLY. I GOOGLED. THE DEFINITION. TO SEE. WHAT. AN ALTERNATIVE. MIGHT. BE
unbelief in a particular religion, especially Christianity.
Jesus Fucking CHrist. Taylor Swift has called herself a Christian, and she has also written songs with overt religious themes, typically borrowing from Christianity specifically (Don’t Blame Me; False God; Would’ve, Could’ve, Should’ve; Soon You’ll Get Better). While I know that you can be queer and Christian, it is not unreasonable to conclude that coming out as queer to a conservative Christian (parent) would be considered a lack of belief in Christianity. Infidelity literally means “unfaithful.” To many people, Christianity and queerness are unreconcilable, to the point that they believe accepting yourself as queer can lead to you going to hell. While they won’t say this outloud, many Christians put “homosexuality” into a higher category of sin, meaning that being queer is HIGHLY UNCHRISTIAN, HIGHLY UNFAITHFUL, HIGH INFIDELITY.
One last thing. Miss Americana was released at midnight PST. Which is 3am EST. High Infidelity is a 3am track. So, yeah.
tl;dr
High Infidelity is about being considered unfaithful for being who you are. It’s about dying slowly because you are not loved (enough) for who you are. It’s about how the lies you’ve been forced to tell have forced you to be unfaithful to yourself. It’s about Miss Americana.
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rustedhills · 3 months
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Merobiba's Etymology: A Classical Discussion
The most likely place you've seen the word 'Merobiba' is Drawfee on Youtube - which has coined it as the name for a goofy little puppet-Merida from the hit film 'Bwave'.
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Fig. 1: A screenshot from the original Drawfee video, posted Feb 2, 2023.
They pulled the word (among others) from the twitter account Weird Medieval, which posted this (Fig. 2) on Dec 6, 2022.
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Fig. 2, the original 'merobiba' tweet, accessed via proxy
Weird Medieval sources the word (and others in the thread) to The dictionary of syr Thomas Eliot knyght, written 1490? - 1546, according to the University of Michigan Library [via the Early English Books Text Creation Partnership].
But where did syr Eliot acquire the word?
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Fig. 3: the cover of Plautus' Curculio: Revised Edition, With Introduction and Notes by John Wright, which is what I'm currently using for class.
It was likely in a contemporary transcription of Plautus' Curculio, a Roman comedic play published around 200BCE. - Specifically act 1, line 77 (though different versions have slightly different numbering):
Transcribed from Plautus' Curculio: Revised Edition, With Introduction and Notes by John Wright:
77 - PH. nomen Leanaest, multibiba atque merobiba.
78 - PA. Quasi tu lagoenam dicas, ubi unium Chium
79 - solet esse. PH. quid opust uerbis? uinosissuma est;
The two characters - Phaedromus (PH), a young man madly in love, and Palinurus (PA), his sassy, unimpressed slave, are discussing an enslaved woman in the supporting cast (ancilla). Merobiba references her ability to drink very strong wines, and multibiba references the amount. As T. H. M. Gellar-Goad translates it in Plautus: Curculio: "she's a super-drinker and stupor-drinker" (pg. 10) [multibiba atque merobiba]. Phaedromus goes on to state uinosissuma est, which Gellar-Goad translates to "She's winetastic" (pg. 10). Phaedromus may not have game, but he has... a way with words...?
Gellar-Goad goes on to state that "Plautus has coined [multibiba and merobiba] by smashing together smaller, familiar words. ... Plautus' plays are chock-full of this sort of inventive, fast-and-loose wordplay, and it's a challenge for translators to keep up" (pg. 11).
Given Plautus' propensity for creating weird, cognate words for the sole purpose of sounding silly, it's highly likely that this is the truly first use of the word 'Merobiba'.
So, next time you hear "I'm merobiba!" and chuckle sensibly, remember:
You are keeping a 2200 year-old word alive. Thank you.
Note: If you've read to this point and think you've got an even earlier version--probably also in the colloquial/comedic Latin literature tradition--please rb with your findings!! And if I forgot a source pls lmk.
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nofuneralplease · 9 days
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Awhile ago on Twitter I saw a peterick manip that I had a lot of fun pulling apart, and part of the fun is that I found out there was some pretty interesting history behind it. In the spirit of trying to use this blog more and being able to write a whole lot more over here I wanted to go into the whole thing in more detail.
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Behold! If you're familiar with the Olde Internet and making horribly filtered graphics- things of this nature are very easy to identify. But since I see a lot of people both younger and older than me not spotting it, here's some tips. Different quality of images, different or nonsense light sources, etc. If it seems to good to be true, honey, it probably is- or whatever! But where did these images come from?
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This photo is a composite of Patrick Stump (with Albert Maysles) at the CosmoGIRL! Born to Lead Awards on Nov 13, 2007 and Pete Wentz (with Ashlee Simpson) at Clive Davis' Pre-Grammy Party on Feb 9, 2008. Here are both the original images and it overlaid at 40% opacity. I'm not still entirely convinced I found a photo of the right angle of the Pete and Ashlee kiss, but it has to be the same event.
Pete was the easiest to date his look and find. The hair length, the "adventurous" hat, the blazer- it all feels pretty typical of that era and his many photo ops with his now ex-wife. I was able to immediately find it by looking for images of Pete and Ashlee at events from 2008, but I wouldn't have needed that much precision to find it...
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(See them peeking out from the bottom of this screenshot of the Google results for "Ashlee Simpson Pete Wentz Kiss")
Finding Patrick Stump however took atleast an hour because I had so much confidence his look was from early 2008. Jokes on me! On top of the event being pretty unknown it was actually from late 2007 and now I've seen so many photos of Patrick from those two years I can date specific haircuts down to the week. I'm deeply unhappy about this development.
Now someone might be asking: why the fuck was Albert Maysles hanging out with Fall Out Boy?
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If you aren't familiar with the late Albert Maysles he was an American documentary filmmaker best known for the films he made with his brother David. Famously the Rolling Stones documentary Gimme Shelter (1970) and often referenced and parodied documentary Grey Gardens (1975) which is more than I'm able to explain right now .
It was reported by Rolling Stones, MTV News and Indiewire (which I've pulled the below quotes from) that Albert Maysles had expressed interest and was in the process of making a documentary of Fall Out Boy and potentially Decaydance as a record label? Whatever happened to this project, I don't know! I occasionally look for information about it and find a lot of dead links/ends.
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However, it is pretty interesting! And a neat piece of history I wouldn't have learned about if I wasn't trying to figure out how a peterick manip was made.
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gaywiththesauce · 9 months
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"I want you to know that whatever happens, I love you."
That text wasn't supposed to mean the world to Giyuu. It was sent to him at 1:47 PM on Tuesday, July 15th as a cute, lovely message to make Giyuu smile. He was having a bad day at work and Sabito's specific text ping always made a gear turn in his head. He was remembered. He was interacted with. He was loved.
He reread the text after nearly 30 minutes of scrolling. He had the screenshot of it as his lock screen, but he wanted to see the physical text right now. Movies didn't describe this type of heartbreak. It was more than his heart that was broken. His whole soul felt shattered. His throat ached from another hour of sobbing. His chest hurt from how much his heart yearned for something he could never touch again.
Someone he could never touch again.
Sabito was his joy. Sabito was nearly his husband, and he only found that out when the little black box was handed to him by the police officer. They asked one thing of him. He cried that day, and not because he would say yes to the proposal his boyfriend was planning. He could never say yes at all to that. He said yes for confirming that it was his cold body on the metal table.
His funeral is today, and there's nothing more that Giyuu wants to do other than stay home. He wanted to wait for Sabito to come home- to their home- from his run to buy them ice cream and jam out to the newest album their favorite creator released. He wanted to dance in the kitchen one last time. He wanted to hide in his shoulder at the scary parts of the horror films. He wanted to kiss him goodnight as Sabito helped him fall asleep.
He got one last chance to hold his cold hand in the open casket. Beautiful purple, pink, and blue flowers sat in a bouquet in between Sabito's cold hands. His makeup was done terribly wrong. Giyuu cried until he was pulled away.
He had a pain in his chest ever since the funeral. He knew that the pain would never go away in sickness or in health, for as long as he alone shall live. Never again would he be loved, no matter what happened.
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toomanytookas · 20 days
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comfort movies + pinterest vibe game
Tagged by the ever so lovely @schnarfer and @undercoverpena. 💕
Instructions: Go to Pinterest and select the first character, real person, quote, and outfit to get your vibe. Then add your 7 comfort films.
I don't have pinterest, but I pulled these from my camera roll & my non-PPCU tumblrs (I specifically saved that screenshot from the Sound of Music for Maria's dress so I'm counting it lol)!
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The Yuri on Ice GIF is from this post. The quote is by Heather O'Neill, featured in this web weave.
Comfort Films (Chronological Order)
My Fair Lady (1964)
Nausicaä of the Valley of the Wind (1984)
Moulin Rouge (2001)
Serenity (2005)
Pride and Prejudice (2005) - look, I know, but we said comfort, right?
The Diving Bell and the Butterfly (2007) - idk why but I watch this a lot
Bo Burnham: Inside (2021)
I think a lot of folks I know have been tagged already, but some very no pressure @'s: @chronically-ghosted @rebel-held @la-vie-est-une-fleur29
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skoulsons · 5 months
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I just watched gran turismo please be patient with me I’m having an awful amount of thoughts.
MAN. ok first what a film. now moving on.
Specifically Jann and Jack (platonically my goodness I do not enjoy seeing shippers out there).
their relationship. so good.
ok so. main thing I noticed from the movie, and I don’t believe this to be a stretch at all, is the difference between Jann’s relationship with Jack and his relationship (or lacktherof) with Danny
Danny (yes I am fully aware that he is the marketing guy for Nissan. I do not believe that discounts their relationship or how Danny still treated him compared to Jack. Some of this way just be personal opinion and observation. I’ve only watched the movie once.) cared about him and his talent for show. For publicity. When it was convenient. When all the SIM racers are driving and Jann beats Matty by a millionth of a second, Danny wants to pick matty instead, and his main reason bc of how matty is in front of the cameras. His concern is for how it’ll make Nissan look and not the kids themselves.
Jack, on the other hand, says ‘no, jann won. he’s the one’. He notices him for his talents and how he, fairly, beat matty, despite how he may get flustered in front of the camera (something that isn’t even a thought in Jack’s mind).
And then, after Jann has his crash. Obviously it speaks so much closer to Jack than to Danny because Jack, too, was involved in a very terrible crash and took Jann’s very personally.
And yet Danny, sitting in one of the chairs next to Jann’s bed, talks about how “I don’t know how we’re gonna explain this to Nissan” and how they’re going to have to open up an investigation. And without even giving Danny a glance, the first words out of Jack’s mouth are “that’s what you’re thinking about right now?”
Jack’s thought, his only thoughts are spent worrying about the kid in the hospital bed right next to them. Danny, on the other hand, is again worried about the company. Not the kid. Not purposefully, at least.
ok I’m sure there’s more but I have to shut up about Danny and talk purely about the other two bc holy fvkdhjdxh (going in order of movie events according to my screenshots)
Yes, Jack has that tough love sort of encouragement (which can be a very good thing when it’s used well—example being this movie). Telling the kids they’re not good enough and they won’t make it in real racing. Playing that card to push them. And he really nails into Jann when he sees his potential. He does it to push him.
And then, my goodness, from there on out, the man spends almost every ounce of his breath encouraging, reassuring, motivating, and grounding Jann through every race.
I’ll be on comms the whole time. You’ll be fine. Stay with me. You got this.
Breathe! I don’t want you to oversteer! I want you to keep it together!
Even telling others (Danny) that the kid is good. Telling Danny “give him some time” when Danny starts to doubt Jann.
I know you can do this, Jann.
Those are all before his crash. And, when Jann confronts Capa for what he tried to do, Jack pulls him away and tries to put Jann’s attention to getting in fourth place, which is exactly what they needed. He did it! Hey! Hey! You came in fourth! You did it! You did it! Forget that guy! You got your (FIA) license!
And then, multiple times, intentionally checking on him with a “you okay?” Before every single race.
And then, of course, his crash. Jack stands still at the box, completely shocked and not moving for a good few seconds before he just runs. Runs and tries to wave down the ambulance so he can get to Jann faster.
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Again, a lot of Jack’s trauma and experience comes through during this whole time, and I feel like his initial shock speaks to that. We see how it’s affected Jack physically on his shoulder and the scars on his back. And now with Jann, this talented kid that he’s mentoring, getting in the crash, it comes back to surface level.
Eventually, they reach the helicopter. Jack stays in, a hand over Jann’s heart the whole time.
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When in the hospital, Jann moves slightly and Jack is up, immediately at him with a “hey”. Jann tries to sit up and Jack grabs his arms lightly and lowers him down, sitting on the bed himself.
Hey. Come on. You need to rest, you need to rest.
Immediately, first words out of Jack’s mouth are, yet again, a reassurance. It wasn’t your fault, okay?
And, by God, his eyes are wet and he looks scared.
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From experience, that’s what Jack believes jann needs to hear in that moment. Jann doesn’t know what exactly happened or what his crash did, but Jack still settles on trying to reassure him.
It was a freak accident. It was an accident. It is certainly not on you.
And, in almost the same breath, instead blames himself for what happened.
It is on me. I should’ve pitted you sooner.
AND THEN CUT TO HIM DRINKING IN A BAR AND BORDERLINE CRYING??? no. no he’s not upset over that family or who they lost. jann is the freshest thing on his mind, as is his own crash. jack’s regrets are fresh. he wants to see jann succeed and not make the same mistake he made himself. it’s all fresh in his mind.
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Jack says that “someone is dead because racing is dangerous”. He does everything he can to try and keep that blame from settling too heavy on Jann’s shoulders. But Jann, fresh out of a gnarly crash and injury + unconscious state, a loss, and a revelation that someone died because of what happened, yells at both Jack and Danny to get out of the room and away from him.
Next is when Jack drives Jann out to Jann’s crash site and tells Jann the story of his crash at Le Mans.
(My screenshots didn’t save NAURRR it’s fine it’s not like I don’t remember the scene at all lol)
Basically, Jack talks about his crash. The guy who collided with him died on the way to the hospital. And, the driving point of his story and what he wanted Jann to hear, was his regret of never getting behind the wheel again. How he quit after the crash and never raced again and how he wished he changed that. He says this to the kid he knows it’s going to resonate with and who he knows needs to hear it. Jack gives him the key, and Jann finishes his lap.
Then cut to Le Mans. 24 hour race. They bring in Matty and Antonio, the two other highest SIM racers. Jann starts off the first three hours.
You make your day, survive the night, you live to fight tomorrow. Good luck.
At the start of the race, two racers collide and one hits the nearby wall, setting on fire. Jann is reminded and his first question is “is he okay?” over comms with Jack.
Instead of Jack saying “doesn’t matter, pay attention. keep going” or any other sort of thing, Jack keeps the conversation on the crash, but optimistic instead in an attempt to clear Jann’s head instead of avoiding it altogether and making Jann worry more.
All right, they’re pulling him out. He seems alright. He seems alright.
Then, after giving that assurance that the guy is OK, Jack goes back to what Jann needs to start hearing. They can’t stay on the guy too long, so Jack goes back to normal.
Okay, keep your head in, all right? Focus.
THEN, oh a delightful part I absolutely loved this.
Jann starts to lose it. He slows down, a lot. He’s passed by a number of racers and he’s not hearing a word that Jack says over comms—yet Jack never stops talking. Never stops asking for him. Never once raises his voice, only tries to get him to hear him.
Hey, buddy? Hey. Hey, Jann? Hey, stay with me. Stay with me, okay? Stay with me. Look, safety’s left, okay? We gotta make up some time. Jann, talk to me, pal. Jann. Hey, hey, hey. Hey. Jann.
He then, with the new gift Jann actually bought for him, Jack plays some Kenny G. The music that usually calms Jann down before races pisses him off. He’s furious at Jack and finally gets his radio off, but Jann still hasn’t picked up any speed or really gone anywhere.
Jack celebrates Jann’s anger. He tells him it’s good. Tells him to use it. And the last thing Jack says to Jann before Jann takes off is a fierce Go get ‘em!
As the race goes on and Jann gets closer to first, he remembers back to GT. How he never followed the lines and would pass on the outside. Instead of following Jack’s instruction on how to navigate and pass, Jann asks him to trust him.
Danny cuts in, scared that Jann won’t get on the podium, which is the whole reason they’re there. Jack says fuck it, follow your line, Jann.
He follows it and he gets 3rd place by a mile. We see Jack celebrating as he kneels to the floor and pulls his headphones off, blown away and equally as happy that they made the podium.
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Jann pulls in and congratulates with Danny, Matty, Antonio and some others before he’s met by Jack.
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They celebrate and embrace and congratulates him on being one of the best racers in the world
anyway yeah my goodness this made me crazy 🤠
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sir-adamus · 10 months
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I mean your plot for the movie
like what i think the plot is gonna be? sure
um - i think we'll probably start with RWBYJNR (possibly assisted by Penny and Oscar, maybe Winter also) trying to track down the Remnant-side villain who trapped them in the simulation in the first place (still thinking it's Doctor Merlot because he's the only villain that the heroes have actually faced that would also conceivably have the resources to pull this off because none of them ever actually met Watts and this is set during volume 7 so there's no actual beef to justify the setup Kilg%re gave us for this villain), possibly receiving help from Batman and Green Lantern who are still inside the simulation (as we never saw them leave)
the investigation would reveal Merlot - while manipulating Kilg%re - constructed a portal to Earth (and either there's an initial confrontation before he flees through the portal and the group has to chase after him or he's already gone (i imagine in either scenario he's probably got some captured, possibly mutated Grimm with him because that's kind of his thing), and the group follow through the portal because the damage he could do to either world (unleashing the Grimm on the Earth populace or stealing and abusing the technology available on a DC Earth, especially as he will have at least some idea of what to expect from information harvested in the simulation with Kilg%re and the JL)
this inevitably leads to a team-up between the JL (with other members we didn't meet the first time, like Black Canary - this is why i suggested we might get some more of the Remnant cast involved too so it's still an even split) and RWBYJNR + company, and likely splitting into smaller sub-teams (like the Mari, Yang, Diana and Dinah team we saw in the screenshot) so they can deal with the disasters Merlot is causing across the city and probably also Kilg%re (who is likely also gunning for Merlot)
Merlot may also team up with another DC villain while he's on Earth (they did specifically namedrop Brainiac and Vandal Savage in the first one) so there can be a bit more of a climactic fight because... once you get through the Grimm and the shit he's stolen you are just gonna be beating up an old man, so there needs to be something else there
i don't think we'll see much of the plot we're getting in the DC/RWBY comics (which is set during early volume 6 anyway but that revolves around Salem directly working with Luthor to merge Earth with Remnant by nature of people and things from Remnant simply being on Earth - so all the superheroes are getting semblances in addition to their own powers which... wouldn't really add much for a film, and it doesn't really gel with the plot we're gonna have to follow up on from part 1) beyond the character designs from RWBY because Yang's design is a partial translation of her design from those comics (much like how Bruce and Clark's designs are fairly close to the designs we got in the RWBY/JL comics)
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anyway - the portal between worlds is probably also causing dimensional instability so it's like "we gotta drag this guy back to Remnant and shut the portal down before it rips our realities apart" or something, so the two groups have to have an amicable farewell, and then we get some kind of epilogue scenes with the two groups going back to their usual business of saving their worlds or something
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randomfoggytiger · 10 months
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React: "Return to Me" (from the POV of Someone Averse to RomComs, Part I)
This is rambly, so buckle in y'all.
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Return to Me. Ahhhh, a romcom, a hallmark of the 90s. Having skipped most of the 90s offerings-- older media was entertaining enough-- the first time I heard of this movie was a couple years back when YouTube put up some free movies (and promptly ripped them back down when COVID produced 1000 and 1 streaming services.) It was advertised over and over and over again on my second dash. Did I ever click it? NOPE. I didn't even know who David Duchovny was at that time (though I admired Minnie Driver in An Ideal Husband.)
X-Files led me to read David Duchvony's and Gillian Anderson's press; and finding them admirable chaps, I got into the specifics of their acting (or more broadly: working) goals. DD's mentality clicked with mine, and I got to work pawing here and there into his other projects. I've read a few books (excellent-- I prefer his written word even to his acting, but that's a tough call), seen a few clips from his other gigs, and, finally, worked myself up to this moment.
And here we are! Thanks to @baronessblixen and @dd-is-my-guiltypleasure for the final encouragements in this direction. All the fun you can glean from my reactions and windy diatribes should be credited to in part to them and my curiosity of their curiosity of my own thoughts.
**Note**: I have nothing but good feelings for this film, but I process new, out-of-my-wheelhouse experiences with outlandish humor~.
Here We Go
"Forgive me and please say you are mine--"
I'm actively squashing that self-protective side. I will enjoy this movie because I know I will and I will not listen to the scream of "cheese alert" lalalalalalalaaaaaaaaaa~~~.
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All right, Bill, he's going home, see ya buddy.
...Who are you, Bill? Apparently different from the other buddy called Big Mike (my Arcadia meters are off the charts) who also gets a "see ya" from Bob (BOB? BOB???? I hate the name Bob. I have a feeling this movie will endear me to it.)
There's the gorilla DD talked about... its name is Sydney? Okay, cool. (...Why couldn't it be called Bob and DD be named Sydney? I don't care if it's a girl-- is it?-- she could sacrifice herself to the cause. My anti-Bob cause.)
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Sydney (who IS a boy) is set up to have a very special bond with the lady-wife-character-- I'll bet they use that later with Minnie Driver. Seems the cosmic thing to do.
FORGET ALL OF THAT BOB HAS A DOG. Toweling him off: "Get under, get it under-- LET'S EAT." And he's jumping up so fast the dog can't even process the change.
Aye, there's a reason why that dog loves you.
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...Okay, the dog doesn't want to eat, nevermind. It's got more willpower than I would--
DID BOB JUST JUMP IN PLACE TO ENTICE THE DOG??? And the dog didn't respond??
That dog is this movie's version of a straight man, isn't he?
And Bob dries his pants off with a hair dryer and he pulls a prank and fake leg kicks his doting wife to distract her nerves?
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I see, I see. I'm filling in the big picture here.
Bob is a man of energy. Bob is a man to waste energy having fun. Bob has too much fun with his wife and the dog has none at all. Dog wants to vibe and spray water all over the house and not eat and stand at the door until the other human walks in because the first human just didn't get the "she's at the door" signal.
The dog is me. I am the dog. What is his name? Tell me not, for it makes him less of a stand-in and more of a dog.
I almost cackled at DD's pic with Sydney, brb, have to go back for a screenshot.
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(The XF viewer in me says "Sasquatch" but the there-is-more-to-life-than-the-X-Files side of me says plastic rubber monkey.)
Wait, what's the wife's name again? I'm calling her Jane Bennett because she's a sweetie and blonde.
BTW, I am enjoying myself and I'm only 7? minutes in.
Oh, boy.
To sum up Bob during his wife's charity fundraiser speech:
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Bob celebrates by boppin Jane Bennett to the tunes while singer man goes ham--
and then we cut over to a dying Minnie Driver.
The plot beginneth to thickeneth.
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Friend of Minnie Driver is upbeat and maternal (in the "mom of the friend group" way), keeping the optimism alive.
Traveling life and dating hot men. Ahhh, there's the foreshadowing.
"BOOOOOOOB!"
Save this man (he actually tried to run for it.)
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...What is Bob's friend's Charlie's date doing. What is she... what is she doing.
BOB WHAT ARE YOU DOING.
The Bob Man signed up his buddy Charlie to put old codger's portrait in the monkey house just so he can pawn off the discussion and make his escape. "No, no, you have a lot to discuss--"
Charlie knows he's been sacrificed (and his "A mural" in response to old codger is priceless.)
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Ahhhhhh, a Tuscany name drop. "You have to come out there sometime..." rando lady tells Elizabeth (Jane Bennett.)
Well, that's morbid and foreshadowing.
Bob really plays into the wild caveman angle with his wife whenever she brings Sydney up. ...No, I will not be making those jokes.
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Aw, Jane Bennett is a vulnerable sweetheart.
No wonder this movie killed her.
Bob's gonna build Sydney a new home because his wife is teary over his tiny cage. Also, Italy mentioned again.
And he surprises wife with an "everyone look at us" dance. And there's the Return to Me song.
Singer's back.
These actors are having tons of fun.
And she's in the hospital while the music plays.
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Here we go, gang.
Nope, old men time.
WAIT got a computer thingy to update, etc., brb.
Gotta close up shop for now-- I'll update as soon as I can~.
Enjoy!
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respectthepetty · 1 year
Note
THE ECLIPSE NOVEL SPOILER!!!
Dude, I don't know how you keep doing it but WatNamo is canon.
EXCUSE ME?!
How do you just drop this anonymously without any supporting evidence (aka snippets from the novel, screenshots, SOMETHING)?! You can't leave me hanging like this! I NEED SOMETHING!
I don't read the novels for these shows because I have learned the screenwriters of these shows are doing the Lord's work pulling anything resembling a plot from most of these novels (*cough* Big Dragon's novel *cough*), so when I read things about the novel the show is based on after I write a 4,000 word post about why Ken is the mole in KinnPorsche when his character didn't even exist in the novel or Mangkorn was resisting Cherry's advances because he considers Yai his someone in Big Dragon, I'm always proud of the show. Clearly, the show is written and depicted well if the audience is picking up the breadcrumbs being left.
However, WatNamo is GramBlack (Not Me) all over again! Apparently GramBlack were together in the novel, but in the show, they weren't. That means that some crumbs were placed in the show from the novel without the fulfilled outcome. GramBlack had that tension that the novel demonstrated but the show's plot changed, so their characters' tension was still present without an actual relationship being the reason for it. I saw that with WatNamo:
Everyone is gay until proven otherwise
They were constantly talking before class
It seemed like Namo was always staring at Wat from the back of the class
They teased each other the entire beach trip
They were partnered in Judo class
Namo sat next to Wat during the notebook discussion
Namo is either seen by Thua or Wat rarely any of the other boys, and we knew Thua and Kan were a pair
Namo knew about Wat's love of film even though he barely even spoke to Akk and Kan about it
When Wat wanted to take pictures, everyone else complained but Namo. He just smiled and posed.
Kan and Akk seemed like great friends with Wat as the outlier.
Wat was open to the idea of his friends being in love with guys, so it seemed this openness came from experience
Wat became head prefect and Namo became a prefect, so come on, that is perfect POWER COUPLE ENGERY!
The poster!
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But instead, the show kept throwing this weird curve ball
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GramBlack all over again.
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Wow, I thought I was over this, but apparently I'll never be over it. Now adding WatNamo to the list. Thanks, Anonymous for clawing open a very specific wound in my soul.
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weebsinstash · 1 year
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I saw one of post about Valentino and I was think that even though he has social media account but I think he would hate memes unless it hasvsomething sexual with it.
So seeing reader in lingerie, and forcing them to do that sad cat dancing meme with cat ear/tail and either post on his account or blackmail them not to post it.
I'm sorry your getting harrased by the kiddies and trying guilt trip you on someone else's actions,/consequences
Sometimes I think of kind of specific scenarios to write or at least share and I'm never sure what to post because I still kind of cringe at myself all the time lol
I've actually thought about social media stuff w Val like, quietly stalking all your photos or posts to see what you're up to when you're not around him, and I've also thought of the juicy possibility of like, what if this account was intended to be secret so you have a lot of personal stuff on there, ranging from you meeting up with friends to wearing cute outfits to hang out. It's such a deeper more candid and personal look into your life and things about you that he didn't know before and he's creepin for sure, maybe even creating another account to save and like all your posts in secret, or just screenshotting things
(Tbh an idea I keep having is, since he's a pimp that works in the adult film industry, he clearly isn't shy about watching others 'perform' and things like that, so imagine as a yandere he's of course one of those that saves tons of photos of you, and they don't even have to be sexual, although those are his favorites. Like imagine the Reader from the hidden camera room idea a while back just stumbling on to like Val's phone left open or a drawer of a desk in his office open when you go to drop off rent or he takes you to his house briefly to wait on him while he grabs sometjing he forgot and you stumble into like a closet with like a photo shrine on the wall, and this is how you find out 1) oh hes crazy and 2) there are cameras in your room)
Although that being said i constantly flip flop between "Valentino would happily watch other people wreck your holes for either punishment or his entertainment and or profit" versus "he's too possessive to stand sharing you either anyone else" and really, isn't both good. I've honestly been meaning to redo my fic Pet because I didn't like the end result and I like the idea of him using a leash. Because he's so tall he can't exactly pull you by the arm so a leash can pull you around and humiliate you, he probably has a fetish for that and seeing you all teary eyed and embarrassed 😩❤️
If he's openly following you he never likes or interacts with anything you post unless it's to mock or tease you in some way, like you'll post something about a thing you like and he'll just comment 'cringe' or something vaguely similar, kind of like how he speaks to Vox tbh. I also think of "what if Valentino forces you to spend time with him and it kind of backfires on him because you get along with Vox really well and makes him jealous" or it becomes some weird poly scenario where he is kind of excluded (at least by you, or maybe you hate both of them, friends with Vox initially but enemies after he turns on you and decides he wante you as more than a friend and is just as forceful as his boyfriend)
Like one idea I've had repeatedly is, Reader is doing her thing where she's kind of having to wait on the big boss hand and foot, and Vox is in a poor mood glued to his phone playing a phone game because there's a special event going on and it's gonna end soon and he wants all the loot, and at some point Val is taking a phonecall and Vox looks over and you're finally getting to sit down and, your phone makes a sudden sound effect and he KNOWS that sound, you're playing the exact same game. Valentino comes back and you're both just kind of shoulder to shoulder to show each other your phones and compare teams and equipment, i think its be neat if you both had some sort of unit or character or component the other was missing and thus have an incentive to okay together and just a cute coincidence, maybe you're even getting some tips from the self proclaimed master of media that you didn't know before.
I also still like the idea of "Val goes through your shit and sees your lingerie/walks in on you wearing lingerie" and he decides "oh thats some kid bullshit, let me show you some REAL hot girl shit" and suddenly you're being pressured/forced into wearing like, garters, crotchless panties, thin see through material that he can rip his long fingers through
Another idea is. Imagine Reader just being kind of the errand girl/personal assistant to him, and one day he's on a set and the main actress is late, and you know how he is with his money. He's got all these actors and camera crew paid for their time and they're missing the main lead? And then in walks you with Vals coffee or some benign shit he asked for and, a little voice in his head is like, hm, you're cute, you're around the same body type as the girl who was supposed to show up. Maybe they should just... switch genres a little, do some improv, amd work with what has been provided to them...
Also what if Val deliberately gave you like high end mascara that wasn't waterproof so that when he makes you cry or you cry while getting fucked you just have those big black tear stains. He's probably freaky like that, wanting lipstick rings on his dick n shit while taunting you and telling you you're a mess 😩❤️
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bookoflibrary · 11 months
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New reality chapters for Hameln and Match Girl (see previous post) will be arriving for anniversary. No specific date said. Slated for the 'Very near future'
A lot of Hameln's reality arc is inspired by a very old film. The film is of American origin.
No Proud Lion HNM currently shown.
Matchie's VA will also be doing a live reading of hers at the stream. Her story was a bit of an emotional one.
The sixth year anniversary event is one that reflects on stories from the past with Alice and the dolls getting sucked into the past. Certain stages for this event will be unlocked as the anniversary period goes on. Nutcracker will have a pick up during this time. Will Alice and co. be able to make it out the time rift?
To commemorate the sixth anniversary and to declare total war, all characters will be getting anniversary jobs. There is no information on who is paid, if there is paid, and how this will shuffle about yet.
Free daily gacha pull x11, with one being an SS
Sorry my screen grabs are so small; Bookwalker gives me a warning for screenshotting so I use an absolute right clock add-on to save, and this is as high res as it will allow me
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