Three horses in their stable painted by Théodore Géricault (1791 - 1824)
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Théodore Gericault (French, 1791-1824)
The White Cat, c. 1817-1718
oil on canvas
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Theodore Gericault
Three Lovers
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Théodore Géricault (1791-1824)
"Nu Masculino"
Romanticism
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Study of the Model Joseph, Théodore Géricault, circa 1818-19
Oil on canvas
47 x 38.7 cm (18 ½ x 15 ¼ in.)
J. Paul Getty Museum, Los Angeles, CA, USA
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1. Théodore Géricault (1791-1824), “The Raft of the Medusa” (1818-1819), oil on canvas, 716 x 490 cm.
2. Snarf #10 (February 1987), with cover art by Will Elder and Peter Poplaski.
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Théodore Gericault and Léon Cogniet, Two Dapple-Gray Horses Exercising (Deux chevaux gris pommele que l'on promene), 1822, Rosenwald Collection.
(Picture source for Two Dapple-Gray Horses Exercising (Deux chevaux gris pommele que l'on promene)
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Théodore Géricault. A Cart-Horse. Oil on canvas.
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Theodore Gericault - Horsewoman
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Male 'académie' Seated and Seen from Behind painted by Théodore Géricault (1791 - 1824)
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Théodore Géricault, Study of the Model Joseph, ca. 1818-1819, oil/canvas (J. Paul Getty Museum, Los Angeles)
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Théodore Géricault (1791-1824)
"Study of the Model Joseph" (1818-1819)
Romanticism
Oil on canvas
Located in the Getty Museum, Los Angeles, California, United States
This portrait was made as a study for Théodore Géricault's most famous painting, "The Raft of the Medusa" (1819). In a clear case of ineptitude, the ship named Medusa foundered in the sea off the coast of Africa in 1816; a raft with 140 passengers drifted for thirteen days before being rescued; only fifteen people survived. In preparation for his disturbing and controversial painting of the incident, Géricault made many studies from life, like this one, to achieve a sense of realism and specificity.
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Männlicher Torso im Profil, rechter Arm erhoben, 1812 - Theodore Gericault
Öl auf Leinwand
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Théodore Géricault, Study of a Man, c. 1804
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The Head of Drowned Man, 1819
Théodore Géricault notoriously painted straight from life, sketching and painting a human figure as he saw it.
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