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#the witcher: blood origin
izzy-hands · 1 year
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The Witcher and his Lark
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ughmerlin · 1 year
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JOEY BATEY as JASKIER in THE WITCHER: BLOOD ORIGIN (2022)
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yenvengerberg · 1 year
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#joey gets jaskier so well he's half become him JOEY BATEY on watching Éile “The Lark” Lithe
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grishaverse-oddity · 1 year
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Jaskier: *singing about the conjunction and using specific names*
Everyone: “There goes Jaskier, making his characters again”
Vesemir (who knows the actual story of the conjunction and how Witchers were made): “bitch what the ACTUAL FUCK?”
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eileensdress · 1 year
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Netflix realized the witcher franchise is going to shit and their gut reaction was ‘more bard’ and ‘make things gayer’ and guess what both decisions were correct
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spilledbutter · 1 year
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look merwyn might be a bitch but she's a well dressed bitch
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rosalie-starfall · 1 year
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Michelle Yeoh as Scian
The Witcher: Blood Origin
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lasaraconor · 1 year
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More blood origin sketches!!
I am taking requests, so if you want anything,,,,hmu
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thelostgirl21 · 6 months
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When you read some of the things you'd written before watching Season 3, and they suddenly take on a new meaning...
His "weapon" isn't a sword, magic, or even his lute. After all, "Whoreson Prison Blues" sounded fantastic accompanied by spoons!
Yes. Spoons always make Jaskier sound fantastic. Jaskier really knows how to work with spoons, and work those spoons!
All Jaskier truly needs, to sound great and inspired, really, is a spoon!
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Give Jaskier a spoon, and they'll be making sweet music together... Both literally and figuratively...
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He doesn't need a weapon, he's one of the single most influential character of the series, in a sense, just by virtue of existing and doing "what he does best" - being an impulsively chaotic bard either seducing or pissing people off; and just touching things he probably shouldn't touch, and putting random stuff in his mouth.
Radovid, Comma Prince of Redania: *Spends his whole life doing everything he can to stay under the radar, be kept out of Redanian politics, and appear really dumb, incompetent, and drunk (note: although he was only pretending to be drunk with Jaskier in that scene, I think Hugh Skinner mentioned that Radovid does drink quite a lot to cope with everything that's going on, though, sort of as a way to "self-medicate") so people will let him be.*
Jaskier: *Shows up.*
Radovid: *Intensely crushes on him. Forgets he's supposed to play dumb, and instead offers actually good and sensible arguments as to why Jaskier Cirilla should come live with them in Redania.*
Jaskier: *Shows willingness to listen to Radovid, and offers to do what he can to convince Geralt and Ciri to accept the offer, should they find a way to get rid of Rience.*
Philippa: *Is impressed, and compliments Radovid on it.*
Radovid: *Immediately attempts to go back to playing dumb, hiding, and hopefully being of no interest to her or anyone else at court.*
Jaskier: *Shows up again, flirts with Radovid, lets him know that he's not fooled by his dumb drunken playboy prince act, utterly seduces him with a song (and as many "come hither looks" as one can humanly make fit in a single encounter) and humbly asks for his help.*
Radovid: *Falls even deeper in love with him, drops his act with Jaskier and agrees to help him. Suddenly gets deeply involved in Redanian politics. Argues with the spymasters that, maybe, they should start using carrots with people instead of sticks. Puts Philippa on Rience's trail, while letting Dijkstra know about his brother's secret meetings with Nilfgaard (probably counting on him to change Vizimir's mind regarding his plans of handing Ciri over to the Emperor), regularly starts showing disdain for Dijkstra's methods and gets himself on the spymaster's "shitlist"...*
Of course, one thing leads to another, and next thing you know:
Queen Hedwig is dead,
King Vizimir is dead, and now he's
Radovid, Comma King of Redania.
Right at the start of the second war between the Northern Kingdoms and the Nilfgaardian Empire, no less...
With his sister-in-law and brother's murderer(s) still likely running around the castle somewhere, and working for the people that just put that crown on his head...
And the love of his life still out there, risking his own life, hopefully having managed to reunite with Geralt, and now facing who knows how many dangers to attempt to go rescue Ciri...
So much for staying under the radar and avoiding to get politically involved!
Jaskier: *Seduces the Prince of Redania and uses his lips for extraordinary things...
...accidentally triggers a series of events that changes Redania's line of succession, and totally upends the power structure and dynamic of the strongest kingdom of the Continent!*
By this point, I would almost expect Geralt's response to learning that Vizimir has been assassinated, and that Prince Radovid has ascended to the throne, to be:
"Alright Jaskier, what did you do?"
Obviously, I knew that Prince Radovid was rumored to be Jaskier's new love interest in Season 3 back then... But I had absolutely no idea what Radovid's character would be like in terms of personality, motivations, etc.
Turns out that they found Jaskier a love interest that is basically as directionless and lonely in life as Geralt used to be in Season 1. Someone that doesn't want to get involved in politics or any of those games people in position of power like to play, and is basically just going through the motions of his life...
Until Jaskier shows up and, suddenly, he finds himself right at the heart of those politics, forced to make decisions and choices that will shape the future of the whole freaking Continent!
The main difference is that Geralt sort of continuously fought against Destiny, tried to ignore it, deny it, and push it away. And then, he blamed Jaskier for everything that went wrong and attempted to cut himself from him!
Whereas Radovid just immediately found himself irresistibly drawn to it and embraced whatever changes Jaskier brought into his life, while starting to make choices and take risks out of love without ever blaming him for it, or making it sound like he remotely held Jaskier responsible whenever things misfired or went wrong.
And even when things do go horribly wrong, all Radovid can think of, apparently, while looking at his dead brother is "going to see Jaskier."
But then, Geralt is much older than Radovid is and, from what I understand, has had his dreams and hopes crushed quite a few times whenever he's let his guard down and dared get attached to people in the past.
When you keep suffering loss after loss after loss... at some point, you probably figure that the best way to avoid loss is no longer feeling like you have anything valuable to lose. If you need no one, then you won't risk losing anyone.
Whereas Radovid's never had anyone from his own world he was able to genuinely emotionally connect with. And suddenly, he finds someone that sees him and is making an effort to attempt to understand him - something and someone he's discovered that he needs and doesn't want to lose.
But yeah, it's really fascinating, on the show, to see the way that our beloved bard just keeps... basically causing stuff to happen!
For better or for worse, Jaskier is making people that seemingly don't want to get involved be involved, and making them discover whatever their purpose appears to be in the grand scheme of things!
Yennefer:
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The "Destiny" that brought them together:
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And now that Lauren Hissrich has clearly stated that Ciri wasn't the descendant of Éile and Fjall that the prophecy was referring to in "The Witcher: Blood Origin", one has to wonder if it could be Jaskier.
Okay, first I just want to address people saying that it's sort of a "retcon" on what she'd said in the past and that she'd "all but confirmed it was Ciri already", because I actually found that interview and listened to it, and that's not quite what I took from it.
I mean yes, I can see how it could have been interpreted the way it was, but what she actually said is:
"Éile's pregnant, at the end. And we know that that's part of Ithlinne's Prophecy; that there is a seed in her that will eventually lead to someone who's important in the Witcher's world.
So, as someone who, for instance, on "The Witcher" 's side, follows Ciri and the origin of her genes and her blood... It's like, I kinda wanna know where that character's gonna go.
I wanna know if these two things are going to, you know, crash into each other at some point."
So, the way I personally understand it is that:
"Blood Origin" introduced the idea that there currently is someone, in the Witcher's world, that is connected to the Ithlinne's Prophecy by blood (by virtue of being the descendant of Fjall and the Lark), and that they will sing the last note of a song that ends all time.
The prophecy about them goes:
"The time of the spheres is upon us. Aen Seidhe [the elves of the Continent] lost across the skies. Cast adrift in time. Ever searching for love, lost and left behind. The Lark’s seed shall carry forth the first note of a song that ends all times. And one of her blood shall sing the last."
And that, on the show "The Witcher", Ciri's also a character whose genes and blood is given a lot of attention and importance to. So, as a member of the audience, she'd be curious to know if these two different characters are going to crash into each other at some point, and those two parts of the Prophecy are going to connect.
The rest of the Ithlinne's Prophecy from the books, that's connected to Ciri, is:
"Verily I say unto you, the era of the sword and axe is nigh, the era of the wolf's blizzard. The Time of the White Chill and the White Light is nigh, the Time of Madness and the Time of Contempt: Tedd Deireádh, the Time of End. The world will die amidst frost and be reborn with the new sun. It will be reborn of Elder Blood, of Hen Ichaer, of the seed that has been sown. A seed which will not sprout but burst into flame. Ess'tuath esse! Thus it shall be! Watch for the signs! What signs these shall be, I say unto you: first the earth will flow with the blood of Aen Seidhe, the Blood of Elves... May Ye All Wail, for the Destroyer of Nations is upon us. Your lands shall they trample and divide with rope. Your cities razed shall be, their dwellers expelled. The bat, owl and raven your homes shall infest, and the serpent will therein make its nest..."
She also said, in a Tudum Interview: "One of the things that we love about Sapkowski’s books is his attention to genes, to bloodlines, and to how families grow and develop."
And in Season 3, Jaskier keeps referring to Ciri, Geralt, and Yennefer as "his family".
They may not be related by blood, but they are still "family" to him, in the truest sense (like, I think, the Seven established a family-like bond).
And Jaskier is the one that brought them all together. "The Lark’s most precious note shall be the key to all things", and Jaskier does feel like he's the key to all things, at times.
He's just randomly traveling the Continent, unlocking people's destinies left and right, connecting with them, struggling with the thought of settling down.
He's also drawn to people that are "ever searching for love", and that feel "lost and left behind".
Geralt, Yennefer, Ciri... Radovid, even.
And, of course, the elves, that he became "The Sandpiper" to protect.
What I'm also wondering is if the part of the Ithlinne's Prophecy, at the end of "Blood Origin", was added at the same time that they chose to introduce Seanchai and change the role that Jaskier was initially meant to play in the spinoff.
Because it would appear that Seanchai's true form would be that of an ancient elf.
So, "Blood Origin" introduces us to two incredibly powerful ancient elves with the ability to cross time and dimensions.
Avalach, that shares a connection to Ciri in the books (I won't spoil it for those that haven't read it), and
2. Seanchai.
So, what if Seanchai was the child of Éile and Fjall? The Lark’s seed, that shall carry forth (throughout history) the first note of a song that ends all times?
And this is sort of what the show's creator had to say about her character:
It just sort of fitted so well in. When I was thinking about this idea with Seanchaí story collection, it was that moment where all the story about music, and story and words being more powerful than any army, sort of all felt less than [compared] to [having] it sort of personified in this sort of creature that’s raison d'être is to collect stories because they are so powerful. It was great. And the name Seanchaí actually comes from... It was a position in Ireland where you were a storyteller, and you went between the halls of kings, and you went to chieftains and people, and they were the most powerful people in the land and kings were fucking terrified of them – and queens – because one bad story would destroy you as a king. And they were far more worried about that than any army. And then bringing that back to life in this world, it just all clicked. It was one of those lovely synchronous moments of story.
Because the child of Fjall and the Lark is supposed to carry forth (not sing, carry) the first note of the song...
...and one of her blood shall sing the last note of that song.
And when Jaskier asks Seanchai "Why did you save me from the Temerians?", she answers "I need you to sing a story back to life. We're related you an I."
She then explains that he's a bard and she's a storyteller, of a sort...
But that's just the thing. A storyteller might be able to carry the notes of a song - for centuries, perhaps - but she would need a bard to actually sing it when the time was right.
And yeah... The idea that she meant a bit more than just "storytellers and bards have a lot in common" when she said "we're related, you and I", would be intriguing...
The problem, however, is that should it be Jaskier (regardless of him being related to Seanchai or not...), it would sort of make that part of the Ithlinne's Prophecy extremely literal. Almost too literal, one might say.
Not to mention that the way the scene is filmed really seems to be meant to heavily imply that it is Jaskier.
Because, when Seanchai says "...and one of her blood shall sing the last", we are pulled out of the past to the present, where Jaskier is seen writing the last words of a story.
And, when he tries to get her to elaborate on who she's referring to, the answer Jaskier gets is: "Sing the 'Song of the Seven', Sandpiper".
Then, when Jaskier looks back at the last page of the story he's just written, the camera zooms in on "...and one of her blood shall sing the last.", while it starts raining, some dramatic ominous music starts playing, and Jaskier is suddenly back to standing on the battlefield.
So, it feels like she's giving him the answer to his question by telling him to sing.
Then, Seanchai goes on, saying "...so the oppressed may find hope and strenght in the tale of their ancestors; and be ready for the great change to come;" and you see an elf come to squeeze Jaskier's shoulder to let him know the battle is won (at least, this one), and invite him to follow them.
And, even if the only way that Seanchai and Jaskier were "related" would be through their love for either collecting and preserving stories, and/or sharing those stories with the world, she still says that she needs him to sing a story back to life.
So, if you were a powerful ancient elf that actually knew who was meant to sing the very last note of a specific story, wouldn't you want to let them know how the story actually began, too?
Jaskier: I'm just a bard.
Seanchai: In her mind, going:
A bard with a blood marked by beast and magic, that felt an instant connection and deep sense of kinship towards a Witcher that everyone hated, feared, and called a "Butcher"...
A bard that brought said Witcher to Calanthe's banquet - where he prevented Duny's demise, and claimed his future daughter, the Elder Blood Princess, as his own.
A bard that brought the Witcher to Yennefer of Vengenberg, the sorceress that would come to love that child as her own daughter, too, and help protect and raise her, too.
A bard that feels intimately drawn to everyone on the Continent - men, women, elves, dwarves, even polymorphous, apparently... - regardless of race or creed, and would step in and risk his life to protect those being persecuted on the basis of being seen as "the other"...
A bard that embodies the complexity, beauty, and diversity of everyone's stories on the Continent, and feels like - if the muses stopped talking to him and inspiring him to write and sing those songs - he'd have no idea who he was anymore, and would no longer be able to do the one thing he was put on this Continent to do?
A bard that inspires people to grow, get involved, and ultimately become the better versions of themselves...
A bard, whose ancestors' fight against Balor lead to the Conjunction of the Spheres, the arrival of the humans on the Continent, of the monsters, the creation of the Witchers, and the beginning of a story that he'll witness and sing the conclusion of.
But yes, just a bard.
But yeah, it's like the show is pointing us so strongly in Jaskier's direction and wanting us so much to think it's him that it's almost suspicious or "too easy" to assume it's him.
What also makes me hesitate, in some ways, is that people would expect someone that's been described as having "a blood like no other, marked by beast and magic", to be exhibiting superhuman powers of some sort, and have powerful magic of their own, I suppose.
While Jaskier is very much human. But Seanchai (and the show runners, apparently) sees great power in the ability to shape the world through storytelling, and she makes it sound like she truly respects Jaskier's "power", and the way he's been using his voice to help change people's perception of outcasts.
Even "Toss A Coin To Your Witcher" was all about changing the way people irrationally feared and reviled witchers, and treated them as freaks.
Yes, he threw Filivandrel and the elves under the bus with that one!
No one's denying that, and I've always headcanoned that one of the reasons why he became the Sandpiper is because he realized he truly messed up with "Toss A Coin", and was attempting to take responsibility for his mistakes and right some of his wrongs.
But "Toss A Coin To Your Witcher" was still about changing people's perception of witchers, so that Geralt would be seen as a noble, brave, larger-than-life heroic protector that was also a friend you could just enjoy a pint with, rather than some unrelatable mutant freak without any emotion that one should fear and keep their distance from in general, unless they had an even more dangerous monster needing killing.
He tried helping one outcast, but sadly made things worse for others.
And we also have to remember that we're talking about a very young Jaskier that had been brought up in the human world until then, and likely didn't fully grasp nor understand how much damage humanity had done to the elder races. We're talking about someone with a fairly limited worldview that genuinely thought elves were just "hiding in their golden palaces" while humanity suffered until, like, seconds ago.
Filivandrel might have started shaking those perceptions, but I doubt it would have been enough to completely make him unlearn all the lies and prejudices he'd been taught, and fully realize that what had happened to Filivandrel wasn't the exception when it came to elves, but the norm.
Now, Jaskier knows and understands better. Back then? He still had things to learn. I guess my point is that, despite all of his flaws and shortcomings as a young bard, Jaskier was still using his voice in ways meant to help someone connect with, and be accepted by, the world.
He's always been highly empathetic, and likely to spontaneously side with those that needed to have a voice after having been cast aside.
And, should Jaskier be, indeed, the descendant of the very first Witcher, it does add a rather unique element to the way he immediately trusted that he'd be safe traveling with Geralt, and never instinctively feared who and what he was, regardless of the reputation he'd acquired after Blaviken.
Something in Jaskier's DNA would apparently be telling him that Witchers make perfectly suitable life companions!
And Fjall was kicked out of his clan when they found out he was having an affair with Princess Merwyn!
So, getting into trouble because you hid your sausage in the wrong royal pantry would be a family trait that would go back generations!
It can't be helped, really!
Éile was into Dog Clan people and Witchers.
Jaskier is into Wolf Clan people and Witchers.
Fjall was into Royals and Bards.
Jaskier is into Royals and Himself.
These three are obviously related!
"Song of the Seven" would be a part of Jaskier's own heritage, too. He'd be singing about the history of his own ancestors, and their very own "found family", rather than singing about a group of outcasts he has no intimate or personal connection to.
And, should Éile indeed be one of Jaskier's ancestors...
Well, she was called "The Lark"...
And Jaskier chose to call himself "The Sandpiper"...
It's actually what Seanchai replied when Jaskier asked "Are you sure you've got the right man for this?"
Something like "Of course I am. You're the Sandpiper. Smuggler of elves to safety."
Apparently, small sandpipers are also sometimes called "sand larks".
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So...
If Jaskier was the one referred to in that part of that Prophecy, then the song would start with the Lark's seed... and end with a Sand Lark!
Then, there's Radovid...
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Because, of course, out of Jaskier's entire repertoire, he would be drawn to that song the most!
A part of me can't help but think I'm just looking way too deep into this, and making connections that are probably extremely accidental, but still, I can't help but think it would be really cool if Jaskier did end up being the Continent's MVP, in a sense.
If the whole point of Blood Origin - beyond giving us some insight on how the first Witchers were created and why, the Conjunction of the Spheres, the humans arriving on the Continent, etc. - was to clearly establish bards/storytellers (namely Éile, Jaskier, Seanchai...) as being some of the most powerful beings of their world.
While some would probably find it anticlimactic that Ithlinne's Prophecy, in "Blood Origin", would simply be about a "humble human bard" that would have inherited Éile's gift for storytelling and singing - rather than some sort of primal power or something (due to their connection to the first Witcher) - I think it would be fitting.
Dijkstra & Philippa: We have control over Redania’s resources!
Radovid: I have a Sandpiper.
He's just like the Queen on the chessboard, fiercely protecting the King by messing up the other pieces' moves, hard to predict because he can take off in too many directions and in too many ways...
And everyone's also after him, trying to knock him down, because he just keeps fucking their game over!
Also, as it turns out, there were many more character posters this season! And Jaskier wasn't the only one without a "physical weapon" or object of some sort...
But my favorite's got to be Radovid. I mean Jaskier's standing there, taking everything in, hyper-alert and ready to do "something" about it.
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And our poor sweetheart is just... standing there with his fur heavy blanket cloak, discreetly looking over his shoulder, looking half-curious about what's happening and half totally done with this shit, just about ready to pour himself yet another drink...
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Story of his life!
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squiremaximus · 1 year
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MICHELLE YEOH as Scían The Witcher: Blood Origin | “Of Ballads, Brawlers, and Bloodied Blades”
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izzy-hands · 1 year
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JASKIER MEETS JASKIER The Witcher: Blood Origin preview (x)
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ubebear · 1 year
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i would die for her
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yenvengerberg · 1 year
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#some things never change
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k-wame · 1 year
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JOEY BATEY as Jaskier 2022 • The Witcher: Blood Origin • S1·EP1
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perhapsblues · 1 year
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ÉILE ◽️️ The Lark The Witcher: Blood Origin
Happy birthday, Sára! @fairytalespond
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