"Once Upon a Dream" is a duet, a love song meant to be sung by two star-crossed individuals who seek for nothing more but the comfort of another's arms. And we hear Malleus humming a strikingly similar tune at the end of Chapter 2, as he stands alone, surrounded by a mass of unconscious bodies strewn across the floor.
Lilia said in his ceremonial robes vignette that singing Briar Valley lullabies is a bit of a specialty for him - that he can soothe a crying babe to sleep within mere moments. Was the song that Malleus was humming one of the lullabies that Lilia used to sing for him when he was very little? Is Malleus now in turn gingerly cradling his comatose father figure in his arms, humming for him the very same lullaby that once used to quell his own nightmares all those hundreds and hundreds of years ago? And what does Malleus think when he looks down at the small frame resting limply in his arms, what does he think when he sees how the great man he once so admired - and still so fiercely adores - has wasted away into nothing more than a weak, enfeebled, little old man, to him as helpless as a dozing infant?
Is Malleus singing to soothe the fear in Lilia’s heart, or his own?
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So, I was just looking for a Snow White gif set, and I came across quite a few posts expressing displeasure about Rachel Zegler’s flippant attitude to the original Disney film. And while I agree she was being a bit glib, you have to remember, it’s all about playing it up for the camera. Maybe her manager told her to push a love-to-hate-it angle. Who knows. Disney is still trying to work that little bit of feminism that is truly marketable but is ‘safe’ in their standards.
But what irritates me is that those posts immediately delve into the history and animation of the work in the film. As an artist, I totally respect the work and success Snow White and the Seven Dwarfs was in 1937. It’s a beautiful piece, to be sure.
And Snow White was kind of modern for the movie’s supposed setting and time period! She has a bob! It’s easily demonstrated and acknowledged by the audience how hard she works, in both the castle and the cottage! She’s a upper class woman who manages to stay chaste despite living with, horror among horrors, seven unmarried men!
But, come on. She was relatively safe, barely pushing the envelope, in 1937. Women were in factories, wearing pants, and were still actively fighting for their rights at the time. All while weathering the Great Depression!
Films like Mirror Mirror and Snow White and the Huntsman have already done more-feminine-modern takes on the tale. But Zegler isn’t wrong. If the original film’s story, no changes, came out today, it would be disappointing to a lot of feminists. So if you’ve watched the other live action Disney princess films, I’d say don’t knock the Snow White one just yet. It might actually offer something new but nice to more modern feminist audiences.
Just please don’t forget that something can be wonderful in one way and meh in another. The original film was an artistic masterpiece, but wasn’t the be-all end-all of feminism in the 30s. Check out this film, for example.
And hey, this is the webbed site of anxiety. You’ve all probably said things you regret, whether you ‘deserve’ to regret it or not. Don’t forget actors can make mistakes too. They’re human.
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life is literally so unfair
why can't I have a super badass pet raven that turns into a hot man whenever I wave my fingers at him and does whatever I tell him to?
when's it gonna be MY turn to be happy?
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The Secrets of The Secret Room: KH2's Hidden Boss Arena as a Future Plot Point.
Anyone remember that Secret Room in KH2? The FRUSTRATINGLY difficult-to-reach one within the basement caves of Ansem's Castle? The one that lets you fight Data copies of the Organization XIII members? THAT Secret Room?
KH2's "Garden of Assemblage", GIF by superbia (nokuto.tumblr)
Well, what if we look at KH as a series and its LOVE for hiding plot within gameplay mechanics... and look at that Secret Room again after the Lore Bombs from KHUX & KH3?
The KH series LOVES to "hide" lore & plot foreshadowing within game mechanics: the different/same coloured dream portals in DDD & KH3, the "reset" levels in each game, Anti-Sora and Rage Form...
i wonder who, exactly, set up that Data Combat Record of Organization XIII members?
the easiest candidate is DiZ: he has the means, motive & opportunity to have set something like that up (know your enemy).
it's also plausible that Saïx set it up for Axel, a means of preparing him for assassinations but it doesn't make much sense given that Axel would need that combat data BEFORE he fought his targets while the Data Room only has those 'records' AFTER targets are defeated.
Xehanort is another candidate, perhaps setting the system up in order to have Data Copies of the Organization to fall back on for Future Use (no time travel required!). it WOULD be easier to put a Data Copy into a Replika than trying to locate, say, Lauriam or Arlene (who he only seemed to meet through Xigbar) upon their recompletion.
There's also That Looming Option of Darkness.
Darkness, getting one (or more) of the above characters to set this room up, ultimately for ITS use: Darkness seemingly needs 13 Vessels in its Game with MoM and, going with Sleeping Realm Theory, KH3 DID seem to imply that Data Riku & Young Master Xehanort were not only working for (or with) Darkness but were investigating how Hearts & darkness interacted with DATA.
KH's Primordial Darkness IS canonically tech-savvy: the Secret Room of Data Organization XIII fits EXACTLY within its modus operandi.
it's not JUST Darkness who knows of/discovered this Secret Room, however: Sora & Team Guardians of Light did too.
KH3 somewhat implies that Ienzo and Even learned of the Secret Room after being recompleted: it's probably what they were referencing when trying to set Xion & Roxas up in Replika bodies.
If Roxas is now made up of himself AND his Data Copies (from Data Twilight Down & the Secret Room)... it solves the issue of his dual-wielding keyblades despite no longer having 2 "real" Hearts to source them from.
I don't think that either of these Data Roxases would feel a need to have their own Replika bodies: Axel's Nobody formed a Heart but it integrated with his "recompleted" self without issue, just as all these Roxases would. These Hearts can merge or otherwise exist alongside each other without any issue because they share the same "Soul" (or, at least, there are no conflicting memories within their Timelines).
Xehanort did not seem much affected by Xemnas seemingly forming a Heart either: the "lived time" of Xemnas simply went back to Xehanort (& if the transistion WASN'T so seamless... it's not like he would care & he ended up Time Travelling Xemnas before any conflicts of heart could arise anyway).
Terra, on the other hand... well, Xemnas got the Fixation with Aqua's Armour from SOMEONE.
Back to That Secret Room...
my munny's on Darkness bringing that Data Organization XIII back into play at some point, if only to allow more Hidden Boss Gameplay post-KH3 for the purposes of "strengthening" the Darkness within its vessels.
It makes me wonder if the "Demyx" met during KH3 was actually a "Data Demyx": he and Luxord do not seem native to [this side of] "Reality" but to the home of Nameless Star, going by the Verum Rex trailer in Toy Box & the Secret Ending(s) of KH3.
the premise where DiZ or Xehanort sets up the Data Organization for further study, only for it to get used by Darkness could just as easily apply to XIGBAR/Luxu for MoM but... Darkness is the entity with the greater connection to Data Hearts so, regardless of WHO this Secret Room was set up by, it's probably Darkness who'll bring that game mechanic into the future of KH's Story.
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