The Chainsmokers via Instagram!

Sorry guys I’m not funny

Eric Andre presents The Chainedsmokers

2015 🩶💕

quick reminder that it’s fine to like music that other people think is cringey. you should be able to vibe to whatever the hell you want without feeling ashamed about it.

disclaimer: these are just my worst songs of all time (not in any particular order); however i do think pretty much all of them have at least some modicum of universal hatred towards them so. yea

Boy I would’ve been mad asf😭

i want this dress so much like it’s giving skins, baby, 2014, roses by the chainsmokers, tumblr girls, teen wolf, being myself🩷🎀💋

HOT

it seems the LT team (and Louis too, I assume..) all went to The Chainsmokers’ gig at XS Las Vegas after Louis’ show 1/7/23

Matt Vines’ instagram story 2/7/23

Helen Seamons’ instagram story posted 3/7/23

Drew Taggert of The Chainsmokers 🚬

Year-End Poll #68: 2017

[Image description: a collage of photos of the 10 musicians and musical groups featured in this poll. In order from left to right, top to bottom: Ed Sheeran, Luis Fonsi and Daddy Yankee, Bruno Mars, Kendrick Lamar, The Chainsmokers, Migos, The Chainsmokers, Sam Hunt, Imagine Dragons, Post Malone. End description]

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It's easier more than ever to see the effects of streaming on the pop charts. As electropop and club music become a distant memory, the pop music of the late 2010's works better with individual listening. As mentioned before, streaming works better for album listening, much more than the iTunes era which encouraged the purchasing of individual songs (which was great for singles artists, but not necessarily for albums). Some artists were able to hack this system. For example, Drake's Views (featured on the previous poll) was notable for having 20 songs on its tracklist -- which is a lot for a pop release. Unlike the iTunes era or even the CD era before, longer albums with shorter songs flourish more in the streaming landscape.

Streaming also helped to continue blurring the line between genres and audiences. Without going too much into it (because this is a topic I could ramble on about endlessly), genres were not handed down to us from Mount Olympus or something. Genre is a tool of marketing, and the lines drawn between them can have a variety of cultural, racial, economic, gender, religious, and other variables between them. These lines were more prominent in previous years before streaming made it easier to access just about every kind of music at once. This is when we start to see the rise of a concept known as the "monogenre". In order to cater to as wide an audience as possible, everything starts to sound like everything. A little rock, a little indie, a little trap, a little tropical house, a little festival EDM. There were also those who criticized the streaming era in how it promotes a more "passive" listening style, since playlists and algorithms could continue playing ad infinitum without the listener needing to seek out new music themselves. While I certainly see the evidence of that on the charts, I don't think this tells the complete story.

As a less cynical counter-argument, streaming has made it easier for listeners to find music that otherwise wouldn't have been marketed to them. I believe that this could be one of the factors behind reggaeton finding a growing audience among English speakers. Obviously reggaeton did not originate this year. The roots of the genre can be traced back to the 1980's in Panama where it would later grow an even larger audience in Puerto Rico. The genre would grow in popularity in the States as well, especially in the early 2000's. But if you weren't paying attention to Spanish language music (and you didn't grow up in the Southwest), it was easy for mainstream audiences to miss it. Reggaeton includes influences from dancehall and hip-hop, so it makes sense that the genre would find a mainstream English-speaking audience when those two genres were also shaping pop music. Because Despacito wasn't just big for a reggaeton song. It wasn't even big for a Latin pop song. Despacito led to Daddy Yankee becoming the sixth most listened-to artist on Spotify in 2017, and led to an influx of Latin and reggaeton artists who were able to cross over without English language remixes. Billboard magazine has an article here about the "Despacito Effect".

Can I say I’ve lost myself?

Or would it be too much for everyone at home?

Can I say I’ve turned on myself

For all the things I’ve done and everyone I’ve wronged?

What did you expect?

Hold me by the neck, I get too high

We started this for fun, now they acting like I won

I can see both sides

It’s hard to keep it low key when everyone’s your homie

I see the inside of a bottle when I’m lonely

Maybe I’m projecting, I’ll tell you what I don’t see

I’m looking for a friend where they used to be the old me

Lyrics from: Testing by The Chainsmokers

A Playlist For Every Taylor Swift Song

Sparks Fly -> Link here.

My top tracks:

Closer - The Chainsmokers, Halsey

Teenage Dream - Katy Perry

Electric Chapel - Lady Gaga

Sue Me - Sabrina Carpenter

Only Girl (In The World) - Rihanna