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#that is the ultimate question
loganslowdown4 · 6 months
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Episodes 7 & 8 of the Roleslaying Podcast are up!
The polls and questions are very fun
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Cheesecake a fly out the window because ew, sorry not sorry
Cheers to the people who picking ‘read lizard men monthly’ I’m sure the articles are very informative but I’d rather cuddle the giant floof doggo
I still need the mysterious stranger question answered CMON
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chainsawsangel · 1 year
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borzoilover69 · 9 months
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heres your food im redesigning some other idiots for a lineup
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pencilscratchins · 3 months
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when you think about it uptown girl is really quite a lesbian song. no further questions at this time
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fleursdesmorts · 1 year
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every year people get angry when ao3 requests donations but honestly in a world where almost all spaces online are slowly being eaten by corporations which censor the content on those sites, having a fan-run fan-sponsored place where people can create gay art without fear is great
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cats-obsessions · 4 months
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You cannot tell me Gortash isn’t the reason Orin turned on Durge. In Rivington, if you encounter all her forms from nearest to farthest from your starting point, Orins first disguised interrogation of durge is about who they’re in love with. She assumes durge loves someone. If they haven’t romanced a party member, she pushes it further- surely there’s someone you respect- someone you trust (a partnership built on mutual respect and trust, no?) .
Next, as the smith, she wants to know if you’ll kill those you care about. And we know who Durge didn’t want to turn on in the past- she surely felt personally betrayed by that as well.
Only then as the journalist does she actually get to the more important questions: how did you kill Ketheric and what do you plan to do next?
She may as well say it: she mutilated Durge, she removed part of their brain and did all she could to tear apart their memories but it still is at the forefront of her mind: do they love Gortash now? Do they remember how to trust him? Do they remember being respected? Cherished? Will they still refuse to kill the Banite? It might be semi strategic, but knowing why they’re in the city and what they know of Bhaal would be much more so.
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purrfectlycontent · 3 days
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till’s pupils reflecting red only when he’s looking directly at ivan
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roguemonsterfucker · 1 year
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fisheito · 9 days
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He's a magician
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b4kuch1n · 3 months
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glorioso from last years twitterin
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eliasdrid · 11 months
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some Dante EGO chibis I did as warm up!
in order: Lifetime Stew, Telepole, ???? (Gluttony), Ardor Blossom Star
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canisalbus · 2 months
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while reading tags of yours on a post, it got me to remember that Machete is just his nickname does that mean the modern AU Machete uses his real name instead? or would he still have the nickname Machete?
In modern times, I don't think anyone calls him 'machete'.
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lillovingsoul · 4 months
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Sigh
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Let's do a little minigame. I'll randomly generate a character from the bracket (that I can find enough info on), and you all have 20* yes/no questions to figure out who they are.
*might be more if this is too hard
How this will work/how to participate: I will be using the tag "obscure 20 questions" for this minigame. To ask a question go to the most recent post on my blogged tagged with that (it matters that it's the most recent) and reblog it with your question. (do not put it in the notes) I then choose whichever question I want every so often and answer is. If this works than you should be able to see every question and answer given so far in 1 big reblog chain.
The game starts now, with this as the first post to reblog. Also if you see this after August 3rd please do not ask more questions. I don't know how long this will take but it will definitely be done in a week
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jijidraws · 1 year
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ᕙ(•̀▽•́)ᕗ! ᕦ(ò_óˇ)ᕤ! (ง •̀_•́)ง!
ᕙ( * •̀ ᗜ •́ * )ᕗ!ᕕ༼✿•̀︿•́༽ᕗ!
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there's so much utena discourse around certain aesthetic signatures of the show (in particular, scenes and shots like the sword pulls, the transformations and outfits, etc.) and, like, surface-level discussions over whether these things are "Actually Beautiful" or "Actually Bad."
and i totally get it, especially with regards to some scenes---like the ways in which people have taken the ending scene of episode 33 and turned into weird pastel-pretty aesthetic boards lmao----but i do feel like a lot of the discussion is over-simplistic, and disconnected from the actual framing and themes of the series
utena and anthy's world is full of beauty. it is also full of horror and pain. there is often no clear delineation between the two, and we are forced (quite generously!) to recognize both sides of this.
the sword pulls oftentimes carry feelings of manipulation, hurt, subservience. anthy summoning the sword drives in the repetitive, obedient actions she is forced to repeat time and time again for others as the rose bride. in the black rose arc, they're violent and terrifying. in the third arc, they're stand-ins of the dysfunctions the characters have with the person drawing them, the ways in which their emotions are being twisted and ignored.
and yet! they're beautiful.
they're incredibly intimate moments, in which the two characters---who, generally speaking, are either emotionally or physically estranged from one another---cradle or hold one another, pull out a culmination of that person's essence, as a heavenly light frames the two of them together. the first time anthy does it to utena, it is out of genuine fear for her, her voice quivering with fear as she tries to do anything to help her! it's love! it's an act of beautiful love!
when pressed on how it felt to have their sword drawn, the duelists are flustered---they can't say it was just painful, because it was more than just painful. the screams of the black rose arc turn into something more quiet, ethereal, pretty---and yet still uneasy, unsettling.
a similar conversation can be had about utena and anthy's outfits. they're symbols of their roles as duelist and rose bride, and for anthy in particular it's an outfit emblematic of her status as a static, never-moving prize to be won. the outfits are as ugly as the entire dueling system, and yet---while recognizing this---the show doesn't stray away from associating the dress and the duels with delightful, beautiful imagery. the rose imagery in general is very beautiful and striking, even at some of the more dark moments!
there is an aesthetically pleasing contrast between anthy's dress and utena's uniform---one that goes back ages in terms of our understandings of gender and social status. why is that beauty there? well, for a lot of reasons! one is definitely making us question what we think of as beautiful, particularly in the contexts of gender roles and society (why did we have that gut impulse to see anthy in that dress as beautiful to begin with?) but, for the sake of this post, i think the most satisfying answer is because horror and beauty are usually intertwined in our actual lives.
so much of the show is dedicated to both finding beauty in horrifying situations and seeing how beautiful things are oftentimes pretty horrifying. anthy and utena's relationship is beautiful, but grows out of abuse, sexism, queerphobia, and hurt.
when utena and anthy dance in front of everyone at the ball, how do we interpret that? well, our first instinct is as a beautiful scene of budding love and care between the two of them; our second instinct (especially after watching the show) is that it's another example of the way in which they've both been boxed into these roles of prince and bride---and all as hundreds of eyes are staring at them. when does the line between gender as choice and performance begin, and when does it become oppressive gender roles? when does anthy's performance as the meek rose bride become her real self? when do the two's relationship become loving, and when do they stop hurting each other? when do the ugly things at ohtori become beautiful, and when do all of the beautiful things become ugly?
and there's not really one point, always, although sometimes there are---and sometimes there's multiple points, and sometimes there was no transformation at all, and sometimes things never stopped oscillating between good and bad, ugly and beautiful, scary and hopeful.
and like, even beyond the really radical ways this impacts the queer and feminist readings of the show, i just think that's also very nice. so much of utena is built on recognizing the beauty in the world. the main characters live in a shitty world while leading shitty lives. and they find beauty in it still.
(i will here also add here at the end that when the show wants to make a very clear definitive statement on one of its aesthetics being basically entirely bad with no beauty behind it, it's very frank in its framing. see: any shot with utena in a dress or her girl's uniform)
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