My favorite cockles ig comments 🥰

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hey, so, i've been a wilbur fan for ages, and i want to see the evidence against him. this isn't sarcasm or anything, i just genuinely want all the evidence so i can make a decision

Sure! I got you covered, anon. No shame in deliberating on the evidence yourself. I'll link you a few posts.

This is a good master post, but I will provide a few additional sources:

Shelby's Stream

A Follow-Up Tweet by Shelby

Additional Corroberating Statements From Former Lovejoy Trumpeter, Zoe

Statements From Admin of Wilbur's (unofficial) Discord

Statement From Julie Verlintox (Wilbur head mod/admin)

Clip of Shelby Talking More About Her Story on Lexie's Stream

Addition Piece of Potential Evidence Submitted by an Anon: Wayback Machine Archive of a Reddit Post Likely Made by Shubble in November; Mirrors Her Stream Statements

Additionally, both Smajor and Ranboo have unfollowed Wilbur. Make of all that what you will!

EDIT (3/27/24): Wilbur responded.

Shelby's Response to Wilbur's Response

Aimsey's Response to Wilbur's Response

Ranboo's Response to Wilbur's Response

Lexie's Response to Wilbur's Response

Punz's Response to Wilbur's Response

Tubbo's Response to Wilbur's Response

And many, many more.

sokka and zuko laying on top of each other i mean what omg who said that

Maui Fires & How to Support Relief Efforts

(Posted on 8/10/23) Hi, I'm Jae and my family is from Lāhainā. I watched my hometown burn down this week. The fires caused immeasurable loss in my community so I'd like to spread awareness of the situation as well as provide links to support local organizations directly assisting survivors. I'm pretty sure most of my following is Not local so I'm writing with intent to inform people outside the situation, but if you're reading this and happen to have family in the affected area that isn't accounted for, message me and I can send you the links to the missing persons tracking docs + more localized info!! If you'd like to skip down to how to help and follow community organizations, scroll to the bottom of the post after the image.

Earlier this week, Hurricane Dora passed south of the Hawaiian Islands, bringing strong wind gusts that caused property damage across the islands. On Tuesday August 8, high winds caused sparks to fly in the middle of Lāhainā town, knocking out power lines and immediately igniting drought-ridden grasses. The fire spread quickly and destroyed the entire center of town, the harbor, and multiple neighborhoods including Hawaiian Homes (housing specifically for Native Hawaiians), parts of Lahainaluna, basically all of Front Street, and low-income housing units. There is only one public road in and out of town, and after a very hectic evacuation period that road has been mostly closed off except to emergency responders, thus it is extremely difficult for anyone to leave town to get help. The nearest hospital is 20 miles away in Wailuku, and most grocery stores in town have burnt down.

As of Thursday, August 10, over 1,000 acres have been burned and 271 structures (including homes, schools, and other community gathering places) have been destroyed. Cell service is still extremely spotty, many of the surrounding neighborhoods deemed safe for evacuees are still without utilities. There are currently confirmed 53 deaths but that number is expected to increase as search-and-rescue efforts continue. Countless families have been displaced and many have lost the homes they lived in for generations. Places of deep historical significance have been reduced to ash, including the gravesites of Hawaiian royalty, the old Lāhainā courthouse where items of cultural significance were stored, and Na ‘Aikane o Maui Cultural Center. To add further context: Lāhainā has a population of about 13,000 residents. EVERYONE I know has been impacted in some way--at best forced to evacuate, at worst their house was burnt to the foundation, they cannot find a loved one, etc. I'm still trying to track down family members and it's been over two days. My neighbors down the street had homes last week and now many don't have ANYTHING. The hotels are taking in residents (tourists are also being STRONGLY urged to leave so that locals can recover). Without open access to the rest of the island, Lāhainā residents are now dependent on whatever people had in their homes already as well as disaster relief efforts coming in, but it's been difficult to organize and mobilize due to the location + conditions. People who have made it out are in shelters where no blankets or medicine were provided. Friends and acquaintances from neighbor islands are preparing aid to send over. Community response has been incredible, but the toll on the town has been immeasurable. My parents were desperately walking through town yesterday, my mom sounded absolutely hollow talking about it on the phone with me. It's horrifying. Below is a satellite map with data from the NASA Fire Information for Resource Management System showing the impacted areas from the past week; all of the red blotches were on fire at some point in the last three days.

Here are ways you can help:

If you have the means to donate:

Here are three donation sites verified by Maui Rapid Response, which also lists FAQs for people who are wondering about next steps.

Hawaiʻi Community Foundation - Maui Strong Fund accepts international credit cards. Maui United Way

Maui Mutual Aid Non-monetary ways to support:

If you know anyone who is planning to travel to ANY Hawaiian island, not just Maui, tell them to cancel their trip. Resources are extremely limited as is. Advocate for climate change mitigation efforts locally, wherever that is for you. The fire was exacerbated by drought conditions that have worsened due to climate change.

Lastly, remember that these are people's HOMES that burned, and Native Hawaiian cultural artifacts that have been lost. Stop thinking of Hawaiʻi (or any "tourist destination" location, really) as an "escape" or a "paradise." If that's the only way you recognized my home... I'm glad I got your attention somehow, but I would ask that you challenge that perspective and prioritize local and native voices. For transparency, I don't currently live in Lāhainā, I've been following efforts from Honolulu. My parents and brother have been updating me and I've been following friends and family who are doing immediate response work. I'm doing my best to find reliable and current sources, but if I need to update something, please let me know. If you're going to try to convince me that tourism is necessary for our recovery, news flash ***IT'S NOT***!

Thanks for reading.

incorrect house of the dragon 1/?

3rd Life SMP Webweave // sources under readmore

Pt. 1: thatsbelievable // Cliffs of the Upper Colorado River, Wyoming Territory / Thomas Moran // Caernarvon Castle / George Elbert Burr // Study for "Science Instructing Industry" / Kenyon Cox // mr_froodo // The Beheading of St. John Baptist / Fortunato Duranti // Wolf in White Van / John Darnielle // Slow Dance / Ron Hicks // Ancient Castle / Georgette Agutte // screenshotsofdespair

Pt 2: Brooding Silence / John Carlson // thatsbelievable // a-doctor-not-a-fangirl // Rosencrantz and Guildenstern Are Dead / Tom Stoppard // Tiktok comment by anothersomebodie // mountainqoats // stigmate // Suite Vénitienne / Sophie Calle & Jean Baudrillard 

Pt. 3: Grief Lessons: Four Plays by Euripides / Anne Carson // Rosencrantz and Guildenstern Are Dead / Tom Stoppard // God's Idea / Da Loria Norman // Tangiers / Arnold William Brunner // molabuddy

also I know I’m strolling in seven years late to Horizon’s representation problems but I feel like these games are an instructive example in how the liberal imagination understands “good representation.” the game seems to take a lot of care in demonstrating (what the developers understand to be) a fully post-racial society by way of universal racial integration - every society or ‘tribe’ or group of people you encounter is almost uniformly racially diverse. Being generous, I think this is an attempt to avoid any possible racist implications in the fanciful costumes and outfits that Horizon is known for; there is a lot of focus in representing the different people of Horizon’s world through what they wear. You can immediately tell an Oseram from a Carja, not by their racial makeup, but by their clothing. This means that, if you meet a particularly ‘savage people’ (a term characters in the game use semi-frequently) who wear ‘exotic clothing’ and face-paint, the diverse racial makeup of the group prevents (or is intended to prevent) a racist conclusion about that group. 

Likewise, the game presents a world free from systemic homophobic prejudice - Aloy is notably gay, but also her asking people about their partners, or assuming other people around her are gay, generally passes without comment. Horizon is presenting a fully ‘integrated’ social world, one whose conflicts are not meant to map onto ‘modern-day’ racism and homophobia.

But the underlying logic and structure of racism and homophobia (and binaristic, oppositional gender) are left intact. Humanity in Horizon is still presented as fundamentally separate from nature, moving overtop of it, extracting what they need from it, but never part of it as such. And this construction of nature as separate from “man” is not problematised, “man” just gets universalised into “human,” and “human” gets universalised into a non-racial category. This is completely side-stepping the history of this construction of nature as a white supremacist, colonial, capitalist construction, an understanding of nature as something colonial Europe is meant to hold dominion over through the dehumanisation of non-white, non-European people, converting them into non-human labourers and pests who live atop the land Europe is attempting to colonise and enclose. “Nature” in the modern western understanding is a fundamentally racial concept; nature is a ‘scientific, rational, biological’ container meant to house everything non-human about the world, an object to be studied and exploited by the one true subject of history, Mankind - and who is considered part of mankind is a question of whether you belong to the white European ruling class.

I think Aloy in particular represents this problem well - her access to and understanding of pre-apocalypse technology makes her universally suspicious and dismissive of any religious or ‘spiritual’ beliefs she encounters in other groups, frequently getting into reddit-atheist-adjacent quibbles with the ‘unenlightened,’ ‘primitive’ people of the world about the fact that the machines that harvest food for them and take care of the land are not gods, silly, they’re just machines! Her only real counterpart in terms of technological understanding is Sylens (a Black man), who is an antagonist. Like despite the game’s attempts at neutralising race as a coherent category, it is kind of unavoidable to notice that the protagonist is a white woman who’s only equal is a Black man engaging in constant deception for his own benefit lol

And Aloy’s anti-religious sentiments are deeply funny, because the game’s narrative itself has a theological relationship to technology - humans destroyed the world with technology, yes, but salvation of humanity is only possible through technology, specifically a globe-spanning technological system meant to be an environmental steward to the planet, repairing the damage caused by previous technological catastrophes and human wars. Human beings themselves are insufficient to the task of taking care of the planet, and “nature” itself is incapable of self-governance or regulation. And the way this technological system is made to function properly again is, hilariously, unlocked through the genetic code of a white woman, a perfect clone of the technological system’s original creator. the solution to Horizon’s central conflict and threat is, ultimately, a white saviour 

And so the appropriative elements of Horizon - calling the Nora ‘braves,’ the abstracting of hundreds of north american Indigenous cultures into mere aesthetics and symbols, the invocation of words like savage and primitive, and so on - are not surface-level problematic elements of an otherwise anti-racist game, they are indicative of a liberal anti-racist imaginary, a place where we’re all equal human beings whose main problem are vague sectarian grudges, without looking at or dealing with any of the underlying ideological frameworks that produced race or gender in the first place.

So I think Horizon is, despite attempts to imagine a post-racist world, nonetheless very limited in how it represents this post-racial world because it understands racism as prejudice against particular phenotypic characteristics, not an underlying logic that renders “nature” and “human” as fundamentally racial concepts in history

spotify | john marston's revenge quest, set to music from 1960s spaghetti westerns.

Fun detail: the opening cutscene for Red Dead Revolver (2004) features an instrumental version of "His Name Is King". The lyrical version is oddly fitting for John, given that it's a song about seeking vengeance for a dead brother.

Stop flirting and start fighting

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hey does anyone remember them

these are all kind of Bad but this was the best of the bunch so i am posting it :p

i've been trying to draw vanessa more... she is so important to me... sun is here too i guess

do you ever end up accidentally getting super attached to a trope so specific and rare you don't even know how to look for it? 'space aliens failing to understand that a human showing teeth usually isn't a threat display' isn't even an ao3 tag. finding that shit in published fiction or tv shows is next to impossible

On the topic of desire // happy birthday beloved @blorbocedes 💙

Max Verstappen & Christian Horner, Dutch GP 2023

Sources: frank o'hara // danez smith, from summer, somewhere // maya angelou // mary oliver, blue iris // heather havrilesky // susan sontag // leah horlik, for your own good // richard siken // keaton st james, a history student falls in love with astro physicist student // maggie nelson // lucille clifton // alexandra bracken // ada limon, the good fight

The answers Marisha gave in this 4SD felt a lot more realized than in the past, which is good! But it still makes me feel like this character concept is incredibly ambitious and when juxtaposed with the various "I don't want to think anymore"/"go with the flow" statements I'm not sure she realized that.

The biggest example is that Laudna has two conflicting traits: she is extremely sensitive to betrayal, and she is very quick to trust even after experiencing a number of betrayals in her life. And when I say "conflicting" I mean that they are in conflict with each other, not that it doesn't make sense for a character to be a complicated person with traits that frequently work against them; in fact that's in my opinion a fantastic way to create a compelling character. But it feels like the why is only just starting to get explored in any capacity, and because of that even good choices raise more questions: why is this only coming out now; why so young a regression; why has it peeked out so weirdly and inconsistently in the past; why haven't the repeated betrayals in the past two months affected her mindset and made her more closed off. It once again makes me really wish we'd gotten a sustained outburst after the party reunited, because that would have made far more sense - a fool me once shame on you, fool me twice shame on me situation.

I agree with the opinion that Laudna conceptually just fits far more with being an actual child herself - her desire to befriend children frankly comes off slightly weirder (not line-crossing or anything, just a little off) than it would had she died younger, as does her approach of dolls, and her failure to do anything with Delilah would make a lot more sense if she was at an age to be much more reliant. It would also make her inability to just blend into a city much more reasonable; no one is going to rent to a lone 11 year old. It really does feel that when the creepy child idea was rejected - which is a valid choice - it wasn't reworked sufficiently to fit someone who died in her late teens or early 20s.

I also don't really get the idea of her childlike nature being without malice. A pretty consistent theme for the various traumatic childhoods the characters of Bells Hells (and, tbh, past parties as well) has been the cruelty children are capable of - Ashton even says it in 3x78. Delilah being stuck with someone without malice would honestly lead to a situation in which Laudna was very trusting of her, which isn't the case, which again goes back to the conflict of betrayal as a trigger vs. being so quick to trust. Given that Laudna was frequently bullied and rejected as a kid, one would think she'd be aware of this. The specific example of Delilah calling Ashton a child and Laudna making him a doll still works wonderfully, but the overarching theme falls apart in places.

I think things have been on an upswing as of late, but ultimately we're at a point where, without some retcons I don't think Laudna will ever truly make complete sense because it's just such an intensive concept that did not get the work that required, and still feels reliant on a now-rejected premise.

incorrect house of the dragon 11/?