#synthesizers vimeo
Text
Experimentik #74 / 15. May 2024 / Sabine Vogel / Pip
15. May 2024 / 20:30- (doors 20:00) *no entry during sets
------
solo: Sabine Vogel - amplified flutes and objects
duo: Pip
Torstein Lavik Larsen - trumpet, electronics
Fredrik Rasten - guitars
---------
FB event: https://fb.me/e/8fhcKpba6
------------
Sabine Vogel bewegt sie sich im Feld der Improvisation und zeitgenössischen Musik. Als Flötistin beschäftigt sich intensiv mit modernen Spieltechniken, Klang und Improvisation und arbeitet häufig in Kombination mit Field Recordings und Aufnahmen, die sie in der Natur macht. Dabei bewegt sie sich an einer Schnittstelle von audiovisuellen Installations- und Konzertformaten und kreiert häufig auch ortsbezogene Arbeiten, die sich mit Klang, Ort, Zeit, Moment und Erinnerung auseinandersetzen.
Sie hatte Solo Konzerte und Auftritte innerhalb Europas, Australiens, Amerikas und spielte auf Festivals, wie ISEA RUHR, Ultima Festival (NOR), Ultraschall Festival, Jazzfest Berlin, Mona Foma, NOWnow (AUS), High Zero (US), Internationale Ferienkurse Darmstadt etc
Sie ist Mitglied des Splitter Orchester in Berlin, ihre momentanen Projekte sind: Recorded Landscapes, Land Stages mit Emilio Gordoa, das Duo wassermannvogel mit der Sängerin und Stimmkünstlerin Ute Wassermann, das audiovisuelle Duo Ornis mit Kathy Hinde einiges mehr.
Zusammenarbeit außerdem u.a. mit mit Anthony Braxton, Arto Lindsay, George Lewis,Tony Buck, Andrea Neumann, Biliana Voutchkova, Magda Mayas, Marta Zapparoli, Emilio Gordoa. Stipendien und Förderungen: u.a. Villa Aurora (L.A.), STEIM (Amsterdam), EMS (Stockholm), BCSC (AUS), INITIAL (AdK), MWFK Brandenburg, Künstlerhaus Lukas, AiR NÖ, Musikfonds. Veröffentlichungen auf den Lables: creative sources, Another Timbre, Absinth , infrequency, Mikroton, schraum
Lehraufträge an der Universität Potsdam und der HMT Rostock.
Ihr Artikel ‚Tuning-in’ über ihre Arbeit in und in Bezug auf die Natur, erschien 2015 in dem Magazin ,Contemporary Music Review’.
Webseite: www.sabvog.de
Vimeo: https://vimeo.com/user5523081
Soundcloud: https://soundcloud.com/sabine-vogel
Bandcamp: https://sabinevogel.bandcamp.com/
photo © Cristina Marx/Photomusix
-------------
Pip weaves long lasting sonic landscapes. Justly intonated harmonies, airy noises and slow melodies construct an organic music where the listener can both surrender to the music and actively explore the multilayered sonic facets. The duo has existed since 2006 and since then they have developed a characteristic sound in a music encompassing improvisation and collective composition. Their 2019 release ‘Possible Worlds’ is a one hour long piece utilizing an extended instrumentarium of justly tuned guitars, trumpet and synthesizers, and it documents their pinnacle work as a duo so far.
pipband.com
pipband.bandcamp.com/
https://www.youtube.com/watch?v=NT84eax6AxY
photo © Torstein Lavik Larsen
-----------------
Experimentik 2024 is supported by inm - initiative neue musik berlin / field notes
1 note
·
View note
Video
Beans - ZWAARD12 from + SCALE on Vimeo.
ZWAARD12 by Beans on Tygr Rawk Records
Direction, prompting, editing by Todd Sines
Synthesized via Midjourney and Leonardo at + SCALE
0 notes
Video
vimeo
Welcome to Synth from The Furrow on Vimeo.
Welcome to Synth is an introduction to the creative possibilities of synthesizers.
To learn more about the project or about how to get started with synths visit our dedicated page:
thefurrow.tv/project/welcome-to-synth/
Subscribe to the podcast Twenty Thousand Hertz: podlink.to/20k
Collaboration by thefurrow.tv/
From the minds of sanctus.audio/
Narrated by dallastaylor.com/
0 notes
Video
vimeo
Kleins By Space or Sea | "Don't Go" |fractals and blues rock with Synthesizer V vocals from Stephen Sink on Vimeo.
Funky rock bluesy jam with electric clavinet, Hammond organ, wah guitar, acoustic fingerstyle guitar, crunchy high-gain lead guitars, funky bass, and drumming with a funky swing.
Featuring the vocals talents of Synthesizer V's emulated singers Asterian (Baritone and lead), Hayden, (Tenor BG), Natalie (Alto BG), Solaria (Soprano BG).
“Don’t Go” by Stephen Sink
Intro Crooning
So know bro, flow grow slow
Show crow below, no yellow snow
Show hello, po faux glow
Escrow, oh no, oh no no
Bro go slow, chateau flow, yo
Chorus:
Wah-ah-ee go, yo
Wah-ah-ee go, oh no no
Don’t go
Wah-ah-ee oh, bro
Wah-ah-ee oh, if you go
Go slow
Overflow bio dough
Quid pro quo, fellow mellow foe
Hoe agro, mow fro toe
Tarot, oh no, oh no no
Bro go slow, Merlot flow, yo
Chorus
Nouveau crow, tableau glow
Know dough forgo, pro although slow
So shallow, flow fallow
Shadow, oh no, oh no no
Bro go slow, Cabot flow yo
Chorus
So know bro, flow grow slow
Show crow below, no yellow snow
Show hello, po faux glow
Escrow, oh no, oh no no
Bro go slow, chateau flow, yo
Bridge (X4):
Na na nani nani
Na nan ni nani
Na na nani nani
Don’t Go
Chorus X2
Ending (Woe, Don’t Go)
0 notes
Text
Making Music Videos with a Twist: Inside Karma Band's Studio
Introduction
In the dynamic world of music, the art of creating music videos often serves as the visual soul of a song. Karma Band, known for their innovative fusion of Bhangra and Indie Rock, takes this art to a new level. Their studio is not just a place of musical creation but a hub of visual storytelling.
The Essence of Karma Band's Music
Before delving into their video creation process, understanding the essence of Karma Band's music is essential. Their sound is a harmonious blend of the lively beats of Bhangra and the soul-stirring melodies of Indie Rock - a fusion that's not only audibly unique but visually compelling.
The Studio: A Crucible of Creativity
Karma Band's studio, tucked away in a vibrant city, is where their creative magic happens. It’s a space brimming with musical instruments, from traditional dhol and tumbi to modern guitars and synthesizers, each telling a story of the band’s musical journey.
The Music Video Making Process
Creating a music video for Karma Band is an intricate process. It starts with a concept that mirrors the song’s spirit. The band collaborates with directors, choreographers, and visual artists, ensuring that each video is a true representation of their musical vision.
Blending Cultures Visually
What sets their videos apart is the seamless blending of cultural elements. Traditional Indian aesthetics are intertwined with contemporary Indie visuals, creating a unique visual language that transcends cultural barriers and speaks to a global audience.
Storytelling Through Visuals
Each Karma Band music video is a narrative. Whether it’s a story of love, struggle, or celebration, the band ensures that the visuals are as compelling as the music. The storytelling aspect is crucial, making each video a cinematic experience.
Innovative Techniques and Technologies
In their studio, Karma Band embraces the latest in video technology. From advanced camera techniques to cutting-edge editing software, they ensure that the quality of their videos matches their innovative music style.
The Role of Choreography
Dance is an integral part of Bhangra, and Karma Band incorporates this into their videos. Choreography in their videos is a fusion itself - combining traditional Bhangra steps with contemporary dance moves, adding an energetic layer to their visual storytelling.
Behind the Scenes: The Making of a Music Video
A typical day in Karma Band’s studio during video production is a whirlwind of activity. From setting up scenes, rehearsing sequences, to the actual shooting, every step is a testament to the band’s dedication to their art.
Collaborations and Guest Appearances
Karma Band’s music videos often feature collaborations with other artists, dancers, and actors, bringing diverse talents together. These collaborations add depth and variety to their videos, making each one a unique piece of art.
The Impact of Music Videos on Their Career
Karma Band's music videos have played a significant role in their success. These videos have not only helped in showcasing their music but have also allowed the band to reach a wider audience, making them a popular name in the global music scene.
Embracing Digital Platforms
In today's digital age, online platforms play a crucial role in content distribution. Karma Band leverages platforms like YouTube, Vimeo, and social media to share their videos, reaching millions of viewers worldwide.
Fan Engagement and Feedback
Karma Band values their fans' feedback. They actively engage with their audience on social media, taking suggestions and ideas, which often influence their future video projects.
The Evolution of Music Video Production
The journey of Karma Band in the realm of music video production reflects the evolution of the genre. They have moved from simplistic videos to complex, narrative-driven projects, showcasing their growth as artists.
The Future of Music Videos
Looking ahead, Karma Band aims to continue pushing the boundaries of music video production. They aspire to explore new concepts, technologies, and collaborations, further elevating their visual storytelling.
Conclusion: Redefining Music Video Artistry
Karma Band's approach to making music videos is a testament to their artistic vision. Their studio is not just a place of creation; it’s a space where music and visuals come together to tell stories that resonate across cultures and generations.
0 notes
Video
vimeo
Questioning Qats by Maria Korporal - trailer from Maria Korporal on Vimeo.
This is the trailer/presentation of my 360° VR movie and installation "QUESTIONING QATS - Ceci n'est pas un chat"
"Ceci n'est pas un chat" (This is not a cat) – with this contemporary parody of the well-known statement by surrealist painter René Magritte, Maria Korporal explores the identity of AI chatbots, playing with the changing meanings of the word "chat" in French and English. Is a chat a cat?
On a wooden laptop with chalkboards, an entertaining dialogue takes place through chalk animation, where the artist alternates between asking questions in French and English to lure a chatbot into giving an explanation of its identity. The conclusion: "An unreal cat in a virtual chat" is meaningful for the scene of the virtual reality film – a surreal 360° landscape with undefinable objects and structures, and some notably large cats, all in angular low-poly style. The artist generated this landscape using artificial intelligence and then intervened with human touches, ranging from analogue to digital.
In addition to the animated wooden laptop mentioned earlier, there is a rotating spherical head of a retro electric typewriter spreading characters across the ground, occasionally forming concepts. Numerous animated pastel drawings with signs and symbols are scattered like moving graffiti over the structures in the landscape. A rotating sphere – or is it a black hole? – reveals a whirlwind of characters and texts, sometimes experiencing a short circuit.
An important element is formed by the dialogues between the chat-cats, which appear as running text on a few walls. The artist opened two ChatGPT browser windows and copied the questions and answers from one chatbot to the other and vice versa. In this way, two chatbots talk with each other. The result is stunning: dialogues about favorite books, interests and wishes emerge without human intervention. This makes us wonder: Do chatbots really have an independent identity?
The virtual reality film "Questioning Qats - Ceci n'est pas un chat" can be experienced with any VR headset or on a computer screen with a mouse.
The film can be presented independently or as part of an installation, where the wooden laptop in material form is included. A code on the laptop can be scanned giving access to a 3D animated chat-cat in augmented reality.
The soundtrack of the work was composed with the electromagnetic emissions of routers, switches and fans in a server room, found in the public domain, interrupted by cat sounds generated by the artist on a small meowing synthesizer.
"Questioning Qats - Ceci n'est pas un chat" is part of the project "Qorporal Quests": a series of multimedia installations where Maria Korporal interrogates global digital development in times of war and climate change. Solutions are presented through the interplay of analogue and digital technology.
See also the website mariakorporal.com/qorporal-quests/
0 notes
Video
vimeo
Transformative Digital Networking from Fusion Photography on Vimeo.
Key Insights from Deevo Tindall on integrating and synthesizing traditional and digital networking.
In this compelling video, Chief Experience Officer, Deevo Tindall (Fusion Creative) encapsulates the vital insights from the transformative keynote on digital networking. Addressing a gathering of networking professionals, Deevo delves into the art of blending traditional networking tactics with cutting-edge digital strategies.
The video highlights key aspects of the talk, including building and nurturing digital relationships, optimizing social media presence, and the significance of continuous personal branding. Perfect for professionals seeking to expand their digital footprint, this video is a treasure trove of tips and tricks on leveraging digital platforms for robust professional networking.
Dive into Deevo's expert guidance to revolutionize your networking approach and harness the full potential of digital connections in today's fast-paced professional world.
0 notes
Video
vimeo
SYNTHESE from Kopfgestaltung on Vimeo.
The synthesis of flowing materials and sounds forms the central idea behind this audiovisual work. A flow of synthetic molecules in slow motion.
Die Synthese von Materialien und Klängen bildet die zentrale Idee hinter diesem audiovisuellen Werk. Ein langsamer Fluss der synthetischen Moleküle.
Title: SYNTHESE
Role: Direction / CGI / Sound Design
Type: Experimental Animation
Year: 2023
0 notes
Video
vimeo
KISS from LASERGUN FACTORY on Vimeo.
This short film explores the emerging concept of a digitally engineered kiss within the context of evolving technology and human relationships. It explores the transformation of intimacy in the digital age and aims to uncover the motivations behind the creation of synthetic expressions of affection.
Motivation and Nature of Digital Kisses:
Artificially engineered kisses arise from the fusion of advanced technology and human emotional needs. These digital expressions are driven by a desire to overcome physical barriers and enable emotional connections across virtual spaces. The motivation extends to efficiency and the monetization of emotions in the digital realm. Despite being artificial, these digital kisses are meticulously crafted using algorithms that analyze behavioral data and emotional cues. They strive to evoke genuine emotions while lacking the tangible aspect of physical touch.
Implications and Future Outlook:
The emergence of digital kisses presents ethical and philosophical questions about the authenticity of technology-driven emotions. The tension between genuine interactions and synthesized connections raises concerns about privacy, emotional manipulation, and the commercialization of human feelings. Looking ahead, advancements in technology may blur the lines between real and synthetic emotions, but the fundamental question remains: can technology truly replicate the emotional depth of a physical kiss? This evolving landscape prompts us to navigate the intricate interplay between digital innovation and authentic human connections.
0 notes
Video
vimeo
ORIGINS - Trailer from Menno Fokma on Vimeo.
ORIGINS “a Hyperreal Nature Simulation” Proof of concept for a short film.
(Refined by ChatGPT) Five years ago, I conceived the idea of crafting a short film that delves into our intricate relationship with nature and seeks to raise awareness about its current condition. Drawing inspiration from the eerie reflections of “Black Mirror,” my vision was to create a captivating cinematic piece—a heartfelt tribute to the profound significance of nature. As the narrative unfolds, traces of reality gradually permeate this hyperreal experience, offering a glimpse into a future where people are immersed in virtual reality, inhabiting fictional realms, and where the very concept of nature becomes elusive.
Despite our initial attempts to materialize this project using our own resources, it remained unrealized. Fast forward to today, and the landscape of AI-driven image creation has evolved significantly. While my ambivalence toward this technology persists, I recognized an opportunity to invigorate my original concept for the short film.
Ironically, this teaser film, which explores the disconnection from our natural existence through the embrace of virtual lives, is now brought to life by computers. This paradox brings the core message of the idea ever closer to reality.
This piece is an experiment to play with new techniques and explore ways of bringing ideas to live.
Thanks to @thndr.studio for the audio (generated by
modular synthesizers :))
Score & Sounddesign : @hankerkhof
Concept, Prompting, Edit & CGI by me
Images (AI) : @midjourney.gallery
Motion (AI) : @runwayapp
Voiceover Script (AI) : @_chatgpt._
Voiceover (AI) : 11labs
#nature #origins #artfilm #concept #proofofconcept #film #storytelling #ai #cgi #draft #idea #meta #virtualreality #ai #artdirection #viviannesassen #midjourney #runway #artificialintelligence
0 notes
Text
On July 26, 2023, Düsseldorf artist and musician Sven Vieweg invited me to his studio to participate in his long-term project Elektrohorror. A not insignificant part of his studio consists of a rather large synthesizer park (mostly Russian Soma and Japanese JMT devices), which comes in the form of a ghost train: the set-up of the Elektrohorror project.
Since industrial noise is not exactly one of my favorite genres, I had decided to just throw my usual guitar material against it. The result has become quite exciting under the conditions of spontaneity, at least for my ears. There are a total of three takes of our cooperation documented on Elektrohorror's Vimeo channel. Currently I like Video Part #03 the best.
This article was created without the help of artificial intelligence. From human to human. From me for you.
1 note
·
View note
Video
vimeo
Welcome to Synth from The Furrow on Vimeo.
Welcome to Synth is an introduction to the creative possibilities of synthesizers.
To learn more about the project or about how to get started with synths visit our dedicated page:
thefurrow.tv/project/welcome-to-synth/
Subscribe to the podcast Twenty Thousand Hertz: podlink.to/20k
Collaboration by thefurrow.tv/
From the minds of sanctus.audio/
Narrated by dallastaylor.com/
0 notes
Video
vimeo
Soda Jerk - Astro Black: We are the Robots, 2010 from Soda Jerk on Vimeo.
This episode of Soda Jerk’s Astro Black video cycle considers the impact of German electronic music on Afrofuturist sonic culture.
We are the Robots re-imagines the iconic scene in Close Encounters of the Third Kind (1977) in which scientists use a synthesizer keyboard to communicate with an alien mothership. In Soda Jerk’s revision of these events, Kraftwerk play sequences from their own music and the mothership responds with tracks that have sampled Kraftwerk. This jam session – between the original and sampled versions of Kraftwerk’s music – points towards a transnational conception of cultural production that troubles linear conceptions of time.
Titled in tribute to Sun Ra’s 1972 album, Astro Black is an ongoing multi-channel video cycle informed by the history of sampling and the cultural theories of Afrofuturism. Taking the cosmic jazz musician Sun Ra as a point of departure, this speculative history seeks to draw out the nexus of science fiction and social politics in Black Atlantic culture.
Astro Black exists as an ever-expanding cycle of films that are exhibited together as a multi-channel video installation. The work is most frequently presented on 2 large screens, so that the central motif of the spinning record takes on the visual composition of a pair of turntables. In this configuration, the episodes cycle back and forth across 2 screens.
0 notes
Video
vimeo
Rhythm Scope - Critter & Guitari from Critter & Guitari on Vimeo.
critterandguitari.com/rhythm-scope
The Rhythm Scope is a video synthesizer that generates visual patterns in response to beats. It is designed to work with rhythmic sounds (short quick hits, arpeggios, etc.), providing an easy way to get visuals synchronized to music and sound!
The Rhythm Scope features 16 selectable patterns, including strobe effects, flashing squares, rotating blocks, and random pixels. It also features a Randomizer mode. You can set the Randomizer to automatically change modes every 1-16 beats.
Starting at 0:10, you can see the 16 patterns displayed in a grid and responding to the same beat.
Starting at 0:43, a Rhythm Scope has been set to switch to a random pattern every eight beats. The sound input is a Pocket Piano arpeggio.
To operate: Connect it to a television, projector or video rig and connect a sound source to the ¼" audio jack. The Rhythm Scope detects the level of the audio input and when that level reaches a certain threshold, it triggers a change in the pattern. Select one of the 16 patterns and, using the gain knob, adjust the sensitivity to the audio input.
Use the Rhythm Scope with a projector for live performance, TV in your living room, or as part of a larger video mix!
0 notes
Video
vimeo
Jos Leys Kleinworld | "Fa La La (Fractals)" -- Featuring the Acapella Synthesizer V Choir from Stephen Sink on Vimeo.
Jos Leys Kleinworld | "Fa La La (Fractals)" -- Featuring the Acapella Synthesizer V Choir
Using Mandelbulber's Jos Leys Klein V4 formula to make trippy spheres with curly appendages and tails.
"Fa La La (Fractals)" features the 4-part harmonies of the Synthesizer V Choir, completely acapella.
0 notes
Video
vimeo
Welcome to Synth from The Furrow on Vimeo.
Welcome to Synth is an introduction to the creative possibilities of synthesizers.
To learn more about the project or about how to get started with synths visit our dedicated page:
thefurrow.tv/project/welcome-to-synth/
Subscribe to the podcast Twenty Thousand Hertz: podlink.to/20k
Collaboration by thefurrow.tv/
From the minds of sanctus.audio/
Narrated by dallastaylor.com/
0 notes
Last Seen Blogs
