Song as old as rhyme by @i-did-not-mean-to
Ori - a popular but elusive author - is invited to a reading in a small bookshop.
He's nervous to be perceived by his audience and thankful that his best friend Fíli accompanies him, backed-up by his stern uncle Thorin.
Meanwhile, Bilbo Baggins - proud owner of the said bookshop - can't wait to surprise his employee and friend with a reading from her favourite author.
How will all these people fare when their most intimate longings and their jealously guarded secrets of loneliness and existential fear starting clashing?
Reveals are here and this is the piece, the book cover, I made for the beautiful fic my talented and kind collaborator @i-did-not-mean-to wrote for this event! We were both so happy to work together and I do believe something really special came out from this collaboration! Please go and show her love and support, it's the least she deserves!
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"The she-wolf laid into the squires with a tourney sword, scattering them all. The crannogman was bruised and bloodied, so she took him back to her lair to clean his cuts and bind them up with linen."
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There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.
That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.
However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.
“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:
The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).
Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”
1.) The side of you that suffers; Heart.
He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.
2.) The side of you that so desperately wants you to get over it; Mind.
Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.
3.) This album is about inner compromise and acceptance; About being whole.
Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.
What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.
This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.
Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.
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There is always time to listen to podcasts if you neglect enough things in your life
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pizzaplex post-earthquake wouldve made for a great location for those youtube channels that like to explore abandoned amusement parks, or for the “i spent 24 hours in [blank]” videos.
but most importantly i think there would be tons of ghost-hunting channels for the mimic to toy with using its scared little boy voice. i imagine the plex would eventually gain some sort of reputation for its more active than average ghost
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"I hope that we meet in another life..."
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If you want to, Pep, you can imagine the clouds as different shapes! That always helps me pass the time when I’m outside. (Also your art is great and is one of the major fuel sources for my Pizza Tower HYPERFIXATION)
Pep: "Rewot eht ni saw siht ekil gnihton... Em ot wen etiuq llits lla si ti. Sduolc eht... Yks eht..."
Pep: "Sgniht tnereffid hcus ees tey dna, yks emas eht ot pu kool llams dna taerg serutaerc lla... Tnatsnoc syawla tub ,gnignahc reverof ti si woh. Sruoloc ynam os dloh ti seod woh. Thgin eht nees evah I. Yad eht nees evah I."
Pep: "..."
Pep: "Azzip fo ecils a ekil skool eno taht...?"
Pep: "...!"
Brick: "...?!"
Pep: "Kcirb, yrros, ho..."
Pep: "..."
Pep: "Oot ti nees evah dluoc yeht hsiw I. Ecin s'ti... Ssarg eht ekil I..."
Pep: "Mrp?"
Pep: "Won retteb leef od I. Sdneirf eizarg, heh."
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So considering what we know about Chima and the Wyldness and all that blah blah blah, I wonder if after the Merge, a group of Serpentine, maybe a few hundred, would've ventured to the Wyldness to try reconnect with their ancient roots (given the hypothesized idea of the FSM bringing the Serpentine from Chima/the Wyldness.)
I can imagine maybe they find the ancient remains of Serpentine lands, maybe there exists modern day Serpentine in the Wyldness who evolved differently from the ones we know due to conditions, and thus work in different ways from OUR Serpentine.
Maybe the reason Ninjago Serpentine are divided as Tribes has something to do with the Ancient Ways once spoken of centuries ago by their ancient ancestors, back when the Tribes were different animal species, not Serpentine species.
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unfollow me right now because invincible season 2 teaser trailer just dropped and I'm afraid of the person I'm going to be for the. next 3 weeks
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"wanting fiction to be relatable is selfish" my dude you can advocate for people getting outside of their own perspectives (a good thing) without implying that the human desire to be understood and empathized with is vapid and bourgeois
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There is so much nuance to the ep 6 scene between KJ and Lauren, I can’t get over it.
the motion older!KJ makes as they walk out, reaching for Lauren, realizing just in time that they are, in fact, in her hometown in Ohio and cutting short before she can land what was probably going to be an instinctive kiss
KJ coming in hot with the world’s most polite “hello!” and managing to make what must feel lightly like small talk for thirty seconds before dropping her voice to this shy, slightly-terrified question
the inability to hold eye contact. the faltering, wordless noises. the way she blinks like she’s seconds from just passing out in the middle of this theater--that is exactly how it feels to come out to someone for the first time. the edges of your vision go a little fuzzy, your heart is in your throat, you genuinely feel shaky, and all of that is so present in this performance
the sense of mild defeat in how she just lands on “movies” instead of “girls”, like she’s embarrassed she can’t just say it
the gentle ah hah expression on Lauren’s face as she realizes what this petrified kid is trying to ask her, and how smoothly she doesn’t correct her--just rolls with this safe code word
KJ’s nod and very tiny “uh-huh” without moving like any part of her face. like she’s reverting to standing as still as possible, protective coloring coming up in every inch of her frame
Lauren actually taking a minute to think about it before answering. and and then not giving the answer KJ asked for--”how did YOU know”--but what KJ actually needs to hear. what any kid in her position would: not everyone will get it, but everyone’s journey is their own, and there is no rush
(again, this is why I’m so delighted they wrote it the way they did--KJ and Lauren, not KJ and older!KJ, because older!KJ would have a definitive answer to give. it might be “I always knew, in the back of my mind” or it might be “when I was eighteen and kissed a girl for the first time”, but whatever the answer, it would cement KJ back into a box. this is your future, immutable, and there is no journey you could take that I haven’t already gone on. I’m so fucking glad they didn’t do this, that they let her have the reassurance that any timeline is the right one if it’s hers.)
again, that flutter-blink/quick breath combo that looks like she’s gonna pass out--but this time, there’s relief in it. it’s less “how do I say this Huge Thing” and more “oh thank god, she knows what I’m asking, she knows without me saying, and she’s being kind”
It is beautifully put together, such a gentle way of saying to this baby gay, “Nobody can tell you who you are except you, but whoever that winds up being is so okay. Listen to yourself. Trust yourself. You will be happy, I promise you.” It is a critical bit of advice so many queer people just don’t get, and to write it into KJ’s story is one of the show’s biggest kindnesses.
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In the universe in which Bruce Wayne and Joker are in a public relationship and are a power couple, I gots some thoughts.
So, Bruce visits Joker in Arkham or whatever. Like brings him flowers or something, I dunno. And someone says something about how they cannot BELIEVE billionaire Bruce Wayne would spend his time with someone who is mentally unstable enough to be in Arkham. Well, said someone's buisness suddenly fails when for some unbeknownst reason, Wayne Enterprises stop financially supporting said buisness.
Some time later, Joker and Bruce are at a gala. Bruce Wayne expierences autism 100 moment and someone goes ableism about it. Just a passing comment. And then after the rich socialite party, maybe two nights after, Joker doesn't kill them, but he sure does psychological torture.
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someone please flush my brain, change my battery, or whatever, i just want to be able to fully focus on things again and feel some energy in this strange body i inhabit, i want to be able to enjoy things
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i think instead of putting the blame on the writers of the series we as a fandom should shift it to the corporate office like im 101% sure that's where it went wrong. also netflix has a bad habit of cancelling great shows with latine leads like that may not be what happened here but it DOES happen
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I've been thinking about the tragedy of Elizabeth Woodville living to see the death of her family name.
I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.
Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.
All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:
“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”
Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.
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