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#stereotypes
qs-random-shit · 9 months
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oldshowbiz · 1 year
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Mad Magazine
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mapsontheweb · 5 months
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Australia 🇦🇺 explained to Americans.
by mapster_17
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prokopetz · 3 months
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The eternal struggle of "on the one hand, I find this stereotype super alienating and don't want to engage with it, but on the other hand, I've just been handed a setup for a horrible pun".
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kthulhu42 · 1 month
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Ah yes, "boy things" like "science"
IT'S ALL JUST OFFENSIVE STEREOTYPES
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writingwithcolor · 2 months
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What Makes an Ethnic Villain "Ethnic" or "Villainous?" How Do You Offset it?
anonymous asked:
Hello WWC! I have a question about the antagonist of my story. She is (currently) Japanese, and I want to make sure I’m writing her in a way that doesn’t associates [sic] her being Asian with being villainous.  The story is set in modern day USA, this character is effectively immortal. She was a samurai who lost loved ones due to failure in combat, and this becomes her character[sic] motivation (portrayed sympathetically to the audience). This story explores many different time periods and how women have shown valor throughout history. The age of the samurai (and the real and legendary female warriors from it) have interested me the most, which is why I want her to be from this period.  The outfit she wears while fighting is based on samurai armor, and she wears modern and traditional Japanese fashion depending on the occasion. She acts pretty similar to modern day people, though more cynical and obsessed with her loss. She’s been able to adapt with the times but still highly values and cherishes her past.  She is the only Asian main character, but I plan to make a supportive Japanese side character. She’s a history teacher who knows about the villain and gives the protagonists information to help them, but isn’t involved in the main plot otherwise.  Are the way I’m writing this villain and the inclusion of a non-antagonist Japanese character enough to prevent a harmful reading of the story, or is there more I should do?
Why Does Your Villain Exist?
This makes me feel old because David Anders plays a villain with this kind of backstory in the series Heroes starring Masi Oka. 
I think you want to think about what you mean when you say: 
Villainous (In what way? To whom? To what end?)
Harmful (What tropes, narratives and implications are present?)
I’m relatively infamous in the mod circle for not caring too much about dimensions of “harm”. The concept is relative and varies widely between people and cultures. I don’t see much value in framing motivations around “What is less harmful?” I think for me, what matters more is: 
“What is more true?” 
“Are characteristics viewed as intrinsic to background, or the product of experiences and personal autonomy?”
“Will your portrayal resonate with a large audience?”
“What will resonate with the members of the audience who share the backgrounds your characters have?” 
This post offers additional questions you could ask yourself instead of “is this okay/not okay/harmful.” 
You could write a story where your antagonist is sly, sadistic, violent and cold-blooded. It may not be an interpretation that will make many Japanese from combat backgrounds feel seen or heard, but it’s not without precedent. These tropes have been weaponized against people of Japanese descent (Like Nikkei Japanese interned during World War II), but Japan also brutalized a good chunk of Asia during World War II. See Herge’s Tintin and The Blue Lotus for an example of a comic that accurately showcases the brutality of Japan’s colonization of Manchuria, but also is racist in terms of how Japanese characters are portrayed (CW: genocide, war, imperialism, racism).
You could also write a story where your character’s grief gives way to despair, and fuels their combat such that they are seen as calculating, frigid and deeply driven by revenge/ violence. This might make sense. It’s also been done to death for Japanese female warriors, though (See “Lady Snowblood” by Kazuo Koike and Kazuo Kamimura here, CW: sexual assault, violence, murder and a host of other dark things you’d expect in a revenge story). 
You could further write a story where your antagonist is not necessarily villainous, but the perceived harm comes from fetishizing/ exoticizing elements in how her appearance is presented or how she is sexualized, which is a common problem for Japanese female characters. 
My vote always goes to the most interesting story or character. I don’t see any benefit to writing from a defensive position. This is where I'll point out that, culturally, I can't picture a Japanese character viewing immortality as anything other than a curse. Many cultures in Japan are largely defined by transience and the understanding that many things naturally decay, die, and change form.
There are a lot of ways you could conceivably cause harm, but I’d rather hear about what the point of this character is given the dilemma of their position. 
What is her purpose for the plot? 
How is she designed to make the reader feel? 
What literary devices are relevant to her portrayal?
(Arbitrarily, you can always add more than 1 extra Japanese character. I think you might put less pressure on yourself with this character’s portrayal if you have more Japanese characters to practice with in general.) 
- Marika. 
When Off-Setting: Aim for Average
Seconding the above with regards to this villainess’s story and your motivations for this character, but regardless of her story I think it’s also important to look specifically at how the Japanese teacher character provides contrast. 
I agree with the choice to make her a regular person and not a superhero. Otherwise, your one Asian character is aggressively Asian-themed in a stereotypical Cool Japan way (particularly if her villain suit is samurai-themed & she wears wafu clothing every so often). Adding a chill person who happens to be Japanese and doesn’t have some kind of ninja or kitsune motif will be a breath of fresh air (well, more like a sigh of relief) for Japanese readers. 
A note on characterization—while our standard advice for “offset” characters is to give your offset character the opposite of the personality trait you’re trying to balance, in this case you might want to avoid opposites. You have a villainess who is a cold, tough “don’t need no man” type. Making the teacher mild-mannered, helpful, and accomodating would balance out the villainess’s traits, but you’ll end up swinging to the other side of the pendulum towards the Submissive Asian stereotype depending on execution. If avoiding stereotypes is a concern, I suggest picking something outside of that spectrum of gentleness to violence and making her really boring or really weird or really nerdy or a jock gym teacher or…something. You’re the author.
Similarly, while the villainess is very traditionally Japanese in her motifs and backstory, don’t make the teacher go aggressively in either direction—give her a nice balance of modern vs. traditional, Japanese vs. Western sensibilities as far as her looks, dress, interests, values, etc. Because at the end of the day, that’s most modern Japanese people. 
Sometimes, the most difficult representation of a character of color is making a character who is really average, typical, modern, and boring. 
- Rina
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cowboyjen68 · 4 months
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Hi!!
I just wanted to ask some advice from one butch to another.
I recently got my dream job of being a warden on a nature reserve (and i love it!), while interacting with people there I get called a young man very often (i am 18 lol) and it gives me euphoria to know im masculine enough to even pass as a man. I've also had some volunteers ask if I was a man or not (despite my feminine name).
But recently I got called a "lady" outside while out with my mother. It drove me INSANE I cried alot.
Don't get me wrong I do identify as a woman but I hate being seen as a lady.
I've even thought about using he/him pronouns recently and changing my name but i'm too scared to as most people won't understand bc im still a lesbian.
Is this strange?
ps love u and ur blog lots xx
This is an easy answer because I was 18 once and looked enough like a teenage boy that I got "hey sport" and "hey young man" all the time, especially when in my work clothes. I worked for The Mayor's Youth Corp in Iowa City in the summers of my 15th and 16th year. Mom and Dad let me get a work permit AND bought me a used Datsun Pickup so I could drive myself the 20 miles there and back each day.
I was a volunteer with the Corp of Engineers youth from 14 to 16 and Dad knew I was super excited about this job. Mom was not thrilled that I wanted to cut my hair but my "grand mullet" was really hot under the hard hat in the summer heat of Iowa. (in the 1980's boys and girls had the short in front long and permed in back look) We compromised and I cut the sides really short. (photo of my me at 16 in my uniform for reference)
Using "he" would never have occurred to me because "EWWW Boys". This is not to say, however, that I hated being mistaken for a boy, on the contrary, it felt good. When someone thought I was a young man it meant they treated me as such. They didn't talk down to me, I knew they assumed I was capable and willing to get dirty. I knew unconsiously that along with the mistaken identity came many perks. This was nothing I analyzed but little girls see very early on the difference in treatment they recieve from their brothers, male cousins and neighborhood boys. This difference leads us to become negotiators to control our circumstances and not entittled to treatment based on our skills and actual personalies.
When an adult recognized me as a boy, even for a second at first glance, I knew I didn't have to prove myself. They, for an instant, assigned to me words like "strong, capable, demanding etc". No negotations required.
When someone realized I was a girl they literally had a change in their face. They smiled at me, softened their voice. When I was called "young lady" or "Miss" it always seemed to be backed my the worst assumptions (in my mind anyway). Lady is steeped in all kinds of traits I didnt want assigned to me. "quiet, weak, likes to dress pretty"OR "motherly, submissive, meek" Nothing good in my teen brain, that is for sure. Lady felt so OLD, so married to a man and reliant on him for survival, so polyster pants and ugly flats and scratchy blouses with a flower imprint. NONE of these things are inherent to being a woman or even socially forced on us but that is not how things work sometimes. Words that describe people get stereotypes and myths and traits attached to them all the time. Woman and girl are no different.
I can tell you, the best feeling in the world when I was in that job was when my supervisor, who damn well knew I was a young woman, trusted me with all the same tasks as the boys. Who valued my opinions and abilities equally to the young men. He took time to teach me what I didn't know, just like with them and didn't assume I couldn't or didn't want to learn things on the job. He didn't shame ANYONE for not being strong enough or for getting tired or needing a break.
Don't let the assumptions of others force you into another box of conformity. You don't need a boys name or to use any pronouns you don't feel connected to just to please others. In fact, none of that effort will change perceptions of those around you. I can promise that one day being called Lady will just be another word that you can hear and know it does not change your personality or your interests or control the hope you have for your future. What does waste a lot of time and energy is trying to adjust things in your life to fit incorrect or snap assumptions about you as a person. You can never control the thoughts of those around you but what you can do is stop worrying about it and enjoy YOU.
You have a job you love and are sure to thrive in. You are solid in your sexuality and love of women, you are in a unique position to possibly change the perceptions of others when they think of "young women". Your interactions with the public are sure to effect the assumpions of at least some people when they think of young women and their roles in our society.
Congratulations on your new career and I bet you rock that uniform.
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broflovski-brah · 1 month
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it’s kinda funny how almost every character with albinism in media is always portrayed as a villain. as if that isn’t feeding into every stereotype out there.
the only protagonist i’ve found with albinism in media was in a book where the girl turns out to be a witch. which is arguably on the level of bad as the evil albino stereotype.
idk why this bothers me so much. nobody knows about albinism and it’s not like it’s actively discriminated against. but i wish there was more media where more normal people had albinism instead of the PWA turning out to be an evil villain or a witch, they turn out to be a normal person with normal struggles. like give me a story about a character with albinism trying to navigate the world on their own terms, trying to fit in and such WITHOUT using stereotypes.
like yes. i know people being ignorant towards a certain condition isn’t the worst thing in the world. maybe i have no right to complain about it given the other tings that are happening in the world that kinda trump issues like this. but it’s still an issue. the fact that people believe these things is just sad to me tbh.
another thing that bugs me is when people refer to us as ‘albinos’. like not everyone hates that word. some PWAs are okay with it. i just say it because it’s shorter and easier to type out than ‘person with albinism’ but even in media seeing the character being referred to as ‘the albino’ makes my stomach turn. people use the word ‘albino’ to refer to animals; most of the time. the word itself can feel dehumanizing sometimes, in certain contexts. for me it’s better to say person with albinism. it’s putting the person before the disability and it doesn’t feel as degrading.
anyway. my inbox is always open if you have questions for me about how to write a character with albinism. i know nobody is gonna see this or care but i just thought i’d say smth.
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damnfandomproblems · 5 months
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Fandom Problem #4335:
These days when joining a fandom it's very easy to guess which characters are the popular trans headcanon for the fandom, which I am starting to find concerning.
Because it's either the slim lanky guy or the big broad girl that gets headcannoned as trans by the majority of the community. Which simply reeks of stereotypes if it's these specific types of body types on characters that almost always get the fandom to agree that "yes, they are trans".
And no I am not talking about cases where there is some canon context that could suggest a character to be trans. I am talking about fans purely going by stereotypes without any context
Because why does the slim lanky guy have to be the one to be a transman? Why aren't the majority of fans agreeing that it could be the big burly guy? Or the one with the dad bod?
And why does everyone agree that specifically the big broad girl is a transwoman? Why isn't it the petite feminine woman that's trans? Or how about the overweight woman?
Why is it always these 2 specific body types that fandoms always choose as their token fanon trans character and not any other body type?
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reconstructwriter · 5 months
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Star Wars Fix-it: The Holonet Edition
The well-bribed algorithms of the Holonet should have relegated Tookruta1387’s clip to the tender hearts of a few friends. The days of spontaneous viral posts – without credits to grease the wheels – died not long after the rise of megacorps in the Republic. But the poster was either lucky or savvy enough to play the algorithms because “Jedi Being Cold” exploded. Screens, conversation, even news. And their post was just the start of a trend…
“Jedi Being Cold”: An old transport ship, frost coating the inside of its windows. A corner swathed in a nest of robes. Within three padawans snuggle together, fast asleep. If they were cats they’d be purring. One is purring despite a lack of feline attributes. A hand nudges them with a datastick, only for it to float away to a cloud of similar items.
“Jedi Being Cold” part 2: A snow-covered lake. One knight finishes sculpting a realistic snow tiger. Two others Force push each other like hocky pucks across the ice. One goes flying towards the statue. An expression of ‘oh crap’. Incredible, Force- assisted acrobatics deftly avoids the sculpture but crashes right into the sculptor in a tangle of limbs, sending them skidding into a snow-bank. The third Jedi pokes their head into the many-limbed hole and gets snowballed for the trouble.
“Jedi Stealing Children”: A child at a slave auction. A robed figure swoops in like a hawk, slicing through chains with their lightsaber and ripping apart cages with the Force. The camera pans to one slaver Force shoved into a cage, clearly furious as the Jedi escapes with a whole crowd of people, many children.
“Jedi Stealing Children” becomes the title for 1287 pictures, clips and gifs before someone adjusts the algorithm. This makes them surprisingly hot commodities on the Dark Holo, especially the one with a Nautolan Master dramatically fleeing the capture attempts of a horde of children – ending in one dramatic arm reaching out as kids bury him
“Jedi As Warmongers”: A young Padawan, blood splattered, has a ‘does it get better’ look on their trembling face as they stare up at their Master. The Master is even grimier and gorier as they gather their Padawan up with an ‘I’m sorry but no’. The Padawan weeps and shakes, burying their face in their Master’s robes, who has silent tears down their face. In the background is a war zone.
“Jedi as Warmongers: part 2” Has war holomovie music playing in the background as the snap-thumm of a lightsaber echoes, vivid blue piercing the dark. The blade raises over something, is brought down…over a block of cheese and loaf of bread. The Jedi padawan gleefully declares: “Grilled Cheese for all!” The sound of sprinting footsteps is heard and a dramatic “Noooo,” from a Jedi Knight.
“Jedi as Warmongers: part 3”: The music has switched to aftermath of war horror, the kitchen looks like a cheese atomic bomb hit. The children are cleaning up and one wipes cheese with bread and pops it in their mouth: “grilled cheese for all!” An adult admonishes “You spit that out right now that’s not sanitary.” In the background the Jedi Knight is doing the same thing.
“Jedi Showing Off” Is Yoda’s contribution to this mess – which is just him going through an entire stack of photo-albums on his previous padawans. He opens the last book to Dooku the Padawan when Dooku the Master barges in: “Stop this indignity immediately!” The camera shows an intense close-up of someone’s palm. “Who even taught you how to operate holo-video? –” feed cuts off.
“Jedi Dignity”: Feed resumes from a different perspective as Master Dooku – previous camera still in hand – gives Yoda and several other watching Jedi a lecture on appropriate Holonet-posting behavior. “Not appropriate baby photos are?” Yoda asks, a card-shark’s spread of pictures with Dooku’s baby face. Dooku yanks them out of Yoda’s hands. “Not without m-the person’s permission!” Does a double-take. “Are you filming –?” Horrified glower. “Mace you traitor!” Video abruptly cuts off. Permanently this time.
Not even algorithm adjustments – and there are clearly several – can stop that from becoming viral. “Mace you traitor!” becomes slang for the latest generation. Mace himself rolls with it. Dooku attempts to entomb himself in the archives until this all blows over.
Actions may speak louder than words but memes speak loudest of all.
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ohsalome · 9 months
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(please don't take it as a dig at all #notallwesterners, but just as silly fun and illustration how some people can be stupid regradless of where they're from)
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People from other countries also have amazing stories to tell:
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mapsontheweb · 2 months
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Stereotypes about Argentina's provinces
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judgmentalmaps · 10 days
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Minneapolis, MN
Copr. 2024 Judgmental Maps. All Rights Reserved.
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prokopetz · 26 days
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I you watch a scene in a fish-out-of-water scifi or fantasy scenerio where the alien or wizard or what-have-you is struggling to understand an "Earth concept" that really shouldn't be that foreign to them?
Like how many times have we seen such characters get tripped by slang or metaphore? Like, yes they don't understand it, sure; but rarely does this happen in a context where it is sensible to believe the speaker was being literal.
The trick is understanding that the "eccentric but harmless space alien" media archetype is really just an uncomfortable caricature of an autistic person.
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ochipi · 1 year
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Weird things you gain from doing archaeology
Immunity to nettles
Handling a shovel both left and right handed
Bird identification
Noticing the tiniest bit of slope in a landscape.
Farmer style weather predictions. I’m out when I see low flying sparrows.
After checking a compass once, you automatically sense where north is for the rest of the week
High tolerance for rain/getting wet
You can fix anything with duct tape, zip ties and a little bit of rope. Additional pocket knife is allowed
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