No one hates Joe, not even Taylor, she hates the fact that her forever started to crumble to the point of no bouncing back. Both of them struggle with mental health, like a lot of people I’m sure, but just saying his “bluest days” doesn’t mean she’s talking about his mental health, it could literally just mean he had a bad day and took it out on her, or she tried to help him and he wouldn’t let her. And the album is actually barely about him. Taylor says in “In Summation” that she writes the “worst men the best”, I’d say a lot of The Anthology tracks are about him as well as like 1 (So Long, London) on the standard album.

He’s not one of the worst men, he’s the one that got away. I don’t think it’s fair for Swifties to hate on Joe, and it’s not fair for Swifties and non-swifties (who for some reason listened to the album?) to hate Taylor for being vulnerable. Joe can make a statement if he wants, and that’s fine by me.

The more I look at the lyrics of So Long, London, the more I feel bad for both of them. Joe wasn’t sure how to deal with whatever was going on in his own life and Taylor going out, doing promotions for Red TV; Taylor on the other hand didn’t know what to do because she felt him slipping and she couldn’t help him like he did for her because he pushed her away, intentionally or not we’ll never know. She says that she stopped trying to make him laugh and stopped trying to drill the safe (“the safe” being him and her trying to get him to talk to her about whatever he was going through and he resisted to let her). It hurt them both. At some point they both just came to the agreement of that this just wasn’t going to work out anymore. They were there for each other through their darkest days (or bluest days) but ultimately things just aren’t meant to be even if Taylor thought it was. It’s just cruel to pick a side when there’s so much no one considered. So no, I can’t back up the people who say she’s “wrong” for writing about his “bluest days” in one line about how she felt about their relationship. And I can’t back up the people who say “she got mad at him for being depressed and not wanting to get married so she could have her perfect wedding” because that’s not what she’s saying at all; I’m sure they’d talked about marriage and at the time it felt right, but their lives were changing and they didn’t want to hurt the other person or themselves even more than they had already. And you know what, I actually think he’s genuinely proud of her for being this vulnerable and putting on a smile every week and singing “Lover” and trying not to cry, and I think he’s genuinely happy that she’s genuinely happy with Travis, and I think he was think “wtf Taylor” when people found out about her and Matty Healy, and I think he was genuinely relieved when he saw things between them ended.

I just think that no matter what happened between them, they still wish each other the best. I think he genuinely thinks she deserves the happiness she’s felt in the past year after getting through a whole lot of shit.

(And to all the people saying Taylor “sent” her fans out to threaten Joe and his friends and costars, A) she would never do that no matter how she may feel about a person and B) fake fans do that, not real ones. Maybe you should start learning the difference since you can’t shut up about her or us.)

“casssandra climbs the palace steps unprompted. never before has death been greeted with so warm a kiss.”

you are the best thing that's ever been mine

-taylor swift (speak now: mine)

alls fair in love and poetry!! 🤍🪶

my signed cd finally came :’) first time showing my face on here too hehe

albums OWNED by taylor swift

1989 (Taylor’s Version)

speak now week day 5: create something that celebrates individuality and standing up for yourself.

and all you’re ever gonna be is mean

All I know is, I was enchanted to meet you...

SPEAK NOW (TAYLOR'S VERSION)

Speak Now (Taylor's Version) // When Emma Falls in Love

SCREAMING CRYING THROWING UP

it looks so pretty 😭💜 (getting ready for sn tv)

why is she like this?

When I think back on the Speak Now album, I get a lump in my throat. I have a feeling it will always be that way, because this period of time was so vibrantly aglow with the last light of the setting sun of my childhood. I made this album, completely self-written, between the ages of 18 and 20. I've spoken about how I feel like those ages are the most emotionally turbulent ones in a persons life. Maybe when I say that, I'm really just talking about myself.

I think they might just be the most idealistic, hopeful years too. At this point in my life, I had released my second album, Fearless. It became the breakthrough moment I'd always dreamt of, one that catapulted my career to new realms of success. It had brought with it a tidal wave of pressures and pitfalls and growing pains. All the while, I was encountering the milestones and checkpoints of normal teenage growth. I had cataclysmic crushes and brushes with heartache. I moved out of my parents' house and set my bags down in a new apartment. I hung photos on my own walls and decorated the space where I would sob and cackle and shatter and dream. Sometimes I felt like a grown up, but a lot of the time I just wanted to time travel back to my childhood bed, where my mom would read stories to me until I fell asleep.

In my darker moments, I was tormented by the doubt that swirled loudly around my ascent and my merits as an artist. I was trying to create a follow up to the most awarded country album in history, while staring directly into the face of intense criticism. I had been widely and publicly slammed for my singing voice and was first encountering the infuriating question that is unfortunately still lobbed at me to this day: does she really write her songs? Spoiler alert: I really, really do.

In the years since, I've developed a thicker skin about public criticism and the cynicism with which some people approach the music I make. At that time, it leveled me. I had these voices in my head telling me that I had the perfect chance and I blew it. I hadn’t been good enough. I had given it all I had and been found wanting.

I wanted to get better, to challenge myself, and to build on my skills as a writer, an artist, and a performer. I didn't want to just be handed respect and acceptance in my field. I wanted to earn it. To try and confront these demons, I underwent extensive vocal training and made a decision that would completely define this album: I decided I would write it entirely on my own. I figured, they couldn't give all the credit to my cowriters if there weren't any. But that posed a new challenge: It really had to be good. If it wasn't, I would be proving my critics right.

I had no idea how much this pain would shape me. That this was the beginning of my series of creative choices made by reacting to setbacks with defiance. That my stubbornness in the face of doubters and dissenters would become my coping mechanism through my entire career from that point forward. This exact pattern of enacting my own form of rebellion when I feel broken is exactly why you're reading these very words, and I'm re-releasing this album now.

I went through my first worldwide scandal (the mic grab seen around the world). I experienced the weirdness of trying to get to know a boy while a swarm of paparazzi surrounds the car. Media contacting my publicist for an official statement on why two teenagers broke up. These are weird experiences to have at any age, but even more surreal when you're 19.

I had the nagging sense that in the most intense moments of my life, I had frozen. I had said nothing publicly. I still don't know if it was out of instinct, not wanting to seem impolite, or just overwhelming fear. But I made sure to say it all in these songs. I decided to call the album Speak Now. It was a play on the speak now or forever hold your peace' moment in weddings, but for me it symbolized a chance to respond to the chatter and commentary around my own life.

Some of these emotional revelations were surprising to people. Some expected anger and instead got compassion and empathy with 'Innocent'. Some expected a kiss-off breakup song but instead got a hand-on-heart apology, 'Back to December. It was an album that was the most precious to me because of its vast extremes. It was unfiltered and potent. In my mind, the saddest song I've ever written is 'Last Kiss'. My most scathing is 'Dear John' and my most wistfully romantic is 'Enchanted'.

I'll be forever proud of setting a goal and seeing it through. I'lI always feel shivers all over when I remember singing 'Long Live' to close the show every night on tour. The outstretched hands of those bright and beautiful faces of the fans. Their support was like an open palm that reached out and helped me up off the ground when others were, frankly, mean.

These days I make my choices for those people, the ones who thought I had been good enough all along. I try to speak my mind when I feel strongly, in the moment I feel it. I'm still idealistic and earnest about the music I make, but I'm less crushed when people mock me for it. I know now that one of the bravest things a person can do is create something with unblinking sincerity, to put it all on the line. I still sometimes wish I was a little kid again in a tiny bed, before I ever grew up.

I always looked at this album as my album, and the lump in my throat expands to a quivering voice as I say this. Thanks to you, dear reader, it finally will be.

I consider this music to be, along with your faith in me, the best thing that's ever been mine.

Yours,

Taylor

Speak Now! (Or forever hold your peace) 💜🫶🏻

timeless

electric touch

goodbye

The way "Electric Touch (featuring Fall Out Boy) (Taylor's Version) (From The Vault)" sounds like a Fall Out Boy song title anyway is just iconic