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#source: agatha christie's poirot
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Ranger: Don’t fraternize with this creature. I am still training them. Warlock: It’s only a parrot! Ranger: I was talking to the parrot.
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Hugh: You know Sir. I’ve been thinking-
Jack: An admirable exercise, Constable. Continue it.
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Conversation
Shiho: Don’t fraternize with this creature. I am still training them.
Kana: It’s only a parrot!
Shiho: ...I was talking to the parrot.
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Yugiri: "Don’t fraternize with this creature. I am still training them."
Kotaro: "That's just Tae"
Yugiri: "I was talking to Tae."
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Carter: Don’t fraternize with this creature. I am still training him.
Newkirk: It’s only a parrot!
Carter: I was talking to the parrot.
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phyrexianphamily · 2 years
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(While organizing the recovery of the Sylex.)
Jin-Gitaxias: The answer, sister, lies in the past. You must delve into the past. Drive about, ask the questions, be the person with a nose.
Sheoldred: Oh, I see. Someone will remember something.
Jin-Gitaxias: Always someone remembers something.
Sheoldred: You mean loxodons (Noticing Jin's confused look) Sorry, I was thinking about loxodons during my restoration.
Jin-Gitaxias: With hesitation, I ask why.
Sheoldred: Because of the contrast between black and white.
Jin-Gitaxias: I see. Well, the pathway of logic, it is there somewhere, but…
Sheoldred: (Resolutely) Black, white, ebony, ivory, loxodons. I must find the loxodons. Loxodons can remember.
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foulbearobservation · 7 months
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hm. I'm gonna have to do a full rewatch of all 3 Branagh Poirot movies but I think A Haunting in Venice is gonna turn out to be my favorite of the bunch.
They made a ton of changes to the source material (agatha christie's lesser known halloween party) but I do generally like what they did with it. If I were a book purist I'd be deeply unhappy, but I'm more of a vibes based critic so I'm not upset by it lmao. It's a very good cozy fall mystery movie. There's a touch of the supernatual that gets explained away in a very agatha christie ass way (said affectionately). Hard to figure out who the killer is, just enough red herrings that you think you've got it before you realize you absolutely don't. great screenplay and clever writing (somewhat surprising coming from the man who brought us the hot mess of death on the nile)
I think the reason this one worked the best is that it had the least amount of A list actors there being A list actors, if that makes sense? It had a few bigger names but nobody on the level of the other films. (Michelle Yeoh is the exception, but she can actually act so I wouldn't group her with the other A listers.) (Tina Fey is also the exception because her character was meant to be flat and one dimensional)
I think this was the most well shot of Branagh's Poirot films, the color grading is especially nice compared to the mountains of dull cgi marvel films I've been watching recently.
overall 8/10, fun movie, -2 points for branagh's accent
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twistedtummies2 · 19 days
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Gathering of the Greatest Gumshoes - NUMBER ONE
HAPPY EASTER! TIME TO CELEBRATE WITH THE MOST NON-EASTER-Y THING EVER! Welcome, everybody, for the final entry of “A Gathering of the Greatest Gumshoes!” Throughout this month-long event, I’ve been counting down my Top 31 Favorite Fictional Detectives, from movies, television, literature, video games, and more! We’ve finally come to the end of March, and the time has come to unveil my topmost personal pick.
SLEUTH-OF-THE-DAY’S QUOTE: “Once you have eliminated the impossible, whatever remains, however improbable, must be the truth.”
NUMBER ONE IS…Sherlock Holmes.
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Sir Arthur Conan Doyle’s most famous creation is one of the most frequently adapted, reimagined, and referenced characters in the history of English literature. I think the only other pieces of literature who can compete are Bram Stoker’s “Dracula” and possibly Lewis Carroll’s “Alice” stories. Therefore, while so many other characters have carried the title in their universes of “the World’s Greatest Detective,” it’s no surprise most people still associate that phrase with Holmes, and it’s no surprise that Holmes takes the top spot. Through sheer universal appeal and constant reinvention, he’s clearly earned the rank. If Edgar Allan Poe invented the modern detective story with C. Auguste Dupin, then Doyle’s Holmes perfected the formula, and created the icon that pretty much every famous detective character since then has tried to emulate or push against since then.
It's not entirely clear WHY Conan Doyle made Holmes. I’ve heard multiple different accounts and explanations for how the concept came into Doyle’s mind, and what prompted him to create the great detective. However, if the reasons for his creation are unclear, what IS clear are Holmes’ origins. Doyle was chiefly inspired by a former teacher of his, Dr. Joseph Bell; a slightly eccentric surgeon who was one of the first forensic experts in history, and would eventually gain some recognition when helping the police on the infamous Jack the Ripper case. (He also may have taken some inspiration, according to at least one source, from the real-life Scotland Yard Inspector Richard Tanner, who worked on the slightly-less-well-known Franz Muller case - the first recorded murder committed aboard a train.) Mingling this inspiration with various unique qualities that seemed to stem from his own imagination, Doyle created the ultimate detective: the first Private Consulting Detective in fiction, and easily the most renowned.
It is humorous, in hindsight, to then realize that Doyle didn’t actually care that much for Holmes, overall. A bit like Agatha Christie with her own much later creation, Hercule Poirot, Doyle came to feel dissatisfied with Holmes. This wasn’t so much because of Sherlock’s personality or motivations, but simply because Doyle saw the Holmes stories more as a sort of lucrative hobby than anything else; he sensed that other works of his, which he felt far more passionately about, were being sidelined by this strange gumshoe. Doyle, like Christie, attempted to kill off Holmes…but unlike with Christie and Poirot, Doyle could not keep the detective dead. After a few false restarts, he finally brought Holmes back for good, and really didn’t stop writing for the detective till 1927, only three years before the end of his own life. The reason for this was simply money: Doyle came to realize that Holmes was what paid the bills, and what everybody wanted most to read. So, for all the other great things he created (Holmes was far from Doyle’s only literary claim to fame), it would be his contribution to crime fiction for which the good man would forever be best recalled. For better or worse, Doyle had created a character who truly seemed immortal.
The Sherlock Holmes stories set the benchmark for just about every famous detective to come. All of the classic tropes are basically here. Eccentric main character with multiple layers? Check. More mundane sidekick who provides an anchor for the audience? Check. A touch-and-go relationship with the official police, riding a fine line between rivalry and amiability? Check. Ability to solve crimes that no one else can seem to figure out? Obviously check. It all begins with Sherlock Holmes, before and beyond anything else. Nearly every character on this countdown up to now would not even EXIST if Sherlock Holmes had not been created, and had not been a success. He is the first great, true hero of literary fiction, I would argue: yes, there’s mythology, folklore, and other such things, but in terms of something with defined roots in what can be classified as resembling contemporary times, Holmes was the one who started everything.
Obviously, there have been way too many interpretations of this character to even ATTEMPT to list. I mean, for God’s sakes, I did a whole countdown – much like this one – where I listed no less than forty-one separate interpretations, including the honorable mentions. And even that one couldn’t cover EVERY version of Holmes I know and have some fondness for. He’s EVERYWHERE. He’s fought Dracula, Jack the Ripper, and Dr. Jekyll & Mr. Hyde almost as often as he’s tackled his arch-nemesis, Professor Moriarty. He’s been depicted in stories that are romantic, comedic, “edgy,” and every other tone you can think of. He’s made it into just about every medium there is, and has been portrayed excellently from seemingly all four corners of the globe. (Which is especially impressive, because a globe shouldn’t HAVE four corners!) From his roots in England, to America, to Russia, and even to Japan: Holmes is inescapable. Whether he’s focused on playing the violin, pumping cocaine into his veins, dealing with a three-pipe problem, or engaging in fisticuffs or even swordplay, he’s always on the move and always up to something odd, and we love him for it. I don’t think anyone would disagree with me when I say that, for sheer recognizability above all else, Sherlock Holmes more than earns my recognition for being My Favorite Fictional Detective. “It’s Elementary, My Dear Watson.”
Thank you all for joining me! Were there any famous detectives you like that didn’t make the cut? Any in particular you’d have placed higher or lower? Feel free to let me know! Take care, everyone, and make sure to get a clue. ;)
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poirott · 1 year
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3rd Poirot film A Haunting in Venice filming on location
Kenneth Branagh, Tina Fey and Riccardo Scamarcio were spotted filming the upcoming Agatha Christie adaptation on January 6 and 7 2023 in Venice, Italy.
Branagh was also seen filming at the Clock Tower in Piazza San Marco, and later with his double taking a ride on a police gondola through the canals. Branagh appeared in a navy double-breasted coat, striped blue suit, white shirt, red silk tie, black leather gloves, Homburg hat, carrying Poirot's iconic cane and a book about Venice.
Corriere del Veneto (via Italy24) reports the cast will be shooting in Venice until mid-January. "There will be filming on the water with stage gondolas, vintage boats and 1950s taxis." Other locations mentioned include Campo San Giacomo dell'Orio (a square with a church), Conservatorio Benedetto Marcello (music conservatory), San Samuele (church), Palazzo Malipiero (palace), Campo San Boldo (square near the famous Rialto Bridge), etc.
Based on Agatha Christie's novel Hallowe'en Party, the film is set in post-World War II Venice on All Hallows' Eve. Now retired and living in self-imposed exile in the world's most glamorous city, Poirot reluctantly attends a séance at a decaying, haunted palazzo. When one of the guests is murdered, the detective is thrust into a sinister world of shadows and secrets.
Source: DM, JustJared
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sparklefiists · 1 year
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Click the source link for 170 gifs (245x145) of Anna Chancellor as Virginie Mesnard in Agatha Christie’s Poirot (season 5, episode 6) (1993). All gifs were made from scratch by me so please don’t claim as yours, include in other gif packs/hunts or make edits with them (if you want to turn them into gif icons, ask me first and give credit); I don’t abide by the classic +/- 5 year rule. For full rules, go HERE. Reblog & like if you find them helpful.
Triggers: eating, drinking.
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john-deco · 11 months
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I see how some fandoms like to explore and rewrite/rework episodes, films, or adaptations that they found flawed in some way. I kind of hope we can have that more in the Agatha Christie fandom when it comes to some adaptations. I know the fandom is very protective when it comes to faithfulness to the source material, and fair enough. But I really wanna engage with other fans and see what ideas people come up to alter an adaptation to be more distinct, more faithful, less faithful, or just experiment in general.
Like what’s stopping any of us from making Poirot’s deep secret that his moustache was fake all this time because of vanity, make Achille Poirot real and he’s at odd with Hercule because he actually likes the countryside or prefers round things, or make Poirot x Hastings real, rearrange character roles, change the time and setting, or really go into the themes of Christie’s novels that she didn’t fully explore deeply.
Make a futuristic cyberpunk And Then There Were None, have Marple have a book club or be some otherworldly being like Columbo. Or maybe just change or remove the detective to see how the story would play out differently and how the characters would make choices differently.
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capsarcastica · 7 months
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Kenneth Branagh continues his fantastic series of Agatha Christie adaptations. He clearly loves Poirot and the world. The formula of the plot may be the same, probably due to the source material, but if it's not broken don't fix it.
The infusion of horror elements make this whodunit truly different. The audience follows Poirot in trying to find logic in the seemingly illogical events. The party scenes are a good love letter to the traditions of Halloween, while the later scenes have genuine scares and suspense.
It features a terrific progression of the character, with the famous detective now disaffected with humanity following a second World War when Death on the Nile featured his trauma from the Great War. Branagh is as good as ever, playing the smartest guy in the room who knows he's annoying while delivering clever quips. Tina Fey does a great job as Poirot's new sidekick and Christie stand-in.
Like the first two Poirot films, it does an amazing job showing off the Italian setting and is a good compliment to The Equalizer's small town location. The movie has what too many other recent films lack, genuine love for the source and care in making a good story.
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tortoisesshells · 6 months
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Thank you, @aloveforjaneausten, for the kind tag!
1. How many works do you have on AO3?
79, but a pretty significant number are little ficlets with less than 300 words.
2. What's your total A03 words count?
378,686.
3. What fandoms do you write for?
Mercy Street, 1899, Pirates of the Caribbean, Timeless, MCU, Turn: Washington's Spies, Band of Brothers, Fallout series, the Blackwell series, Agatha Christie's Poirot, apparently.
4. What are your top 5 fics by kudos?
Customs and Duties (PotC); Treason Crackling in Your Blood (MCU); Maybe Everything That Dies (MCU); the vain title take Of lord of thee, and arbiter of war (PotC); Suffer A Sea Change (PotC).
5. Do you respond to comments? Why or why not?
I do. As others more astute than me have observed, it's not just the gratitude that someone told me how they felt about something I wrote, but because I love hearing about how people are engaging with the source work in the first place. Community, I suppose.
6. What's the fic you wrote with the angstiest ending?
I think nearly every fic I've written ends at least somewhat unhappily, or leaves the door wide open to future problems. Maybe glazed already the eye, yet life struggles hard on the basis of it ending at the absolute nadir of Henry Hopkins' self-esteem and over-arching moral quandary in-show? Or maybe it's just my favorite ending. Who can say?
7. What's the fic you wrote with the happiest ending?
I can't think of a fic I've written with an unambiguously happy ending, to be honest - probably (people like me) don't live to feel? sure, the main characters are walking off stab wounds/concussions, but that's a day in the life for that universe.
8. Do you get hate on fics?
Here? No. In a past life (high school fic writing account)? Yes. I don't remember the fic, but I remember the comment with pretty exact clarity.
9. Do you write smut? If so what kind?
Either I'm ludicrously repressed, or I'm the most interested in characters who are ludicrously repressed, or both.
10. Do you write crossovers? What's the craziest one you've written?
Yes, and I think the one that's at least, on its face, the wackiest, is probably the ongoing Mercy Street/Abraham Lincoln: Vampire Hunter one.
11. Have you ever had a fic stolen?
Not that I'm aware of!
12. Have you ever had a fic translated?
Nope.
13. Have you ever cowritten a fic before?
Yeah! Shout-out to the Mansion House Murder Party. <3
14. What's your all-time favourite ship?
I can't really say I've got one (even 'ships that I'm very interested in, I'm always willing to split up for the sake of exploring something else in their characters?) - though I suppose I'd probably refuse to read any fic that broke up Catherine Moreland and Henry Tilney, maybe. If that's anything.
15. What's a WIP you want to finish, but doubt you ever will?
I hate to say Customs, because I'm so close that I can taste it and I have a good outline to the end, but - I've sort of lost faith in sticking the ending, and it really does feel like part of the ending requires Nellie to do something a little out of character. So -?
16. What are your writing strengths?
Details. I'm good with details.
17. What are your writing weaknesses?
No one's ever accused me of writing a fast-moving fic. I know my pacing tends towards the glacial.
18. Thoughts on writing dialogue in another language for a fic?
I wouldn't - I'd have to trouble a native speaker, because even the languages I know enough to string a sentence or several together in will seem, well. Like a non-native speaker wrote them. Plus - hmm. I'd be providing a translation back into English anyway - I'd feel like I was just showing off, in a way. Badly. And I do enough peacocking with historical trivia that I ought to keep the posturing to a minimum elsewhere.
19. First fandom you wrote for?
There's a composition notebook in a landfill somewhere with a handwritten-in-gel-pen Hornblower fanfic that never saw the light of internet publication.
20. Favourite fic you've ever written?
I hate to have the same answer every time, but - Suffer a Sea Change. It's the cleanest-paced, least insufferable thing I've ever written.
Tagging: @shoshiwrites, @mercurygray, @jomiddlemarch, @sagiow, @theonlyredcar, & anyone else who wants!
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kats-kradle · 10 months
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Hey! Journeying over from rereading your fics to ask you some Poirot questions! : ) Had you already liked Poirot prior to 2017’s Murder on the Orient Express? And did you immediately fall in love with Bouc in the first film or did it take until Death on the Nile?
Hi!! I love talking about Poirot!! Buckle up😂😂
First off I would like to say that it made my day to see that not only did you read my fics but you reread them!! And then you actually came here to talk to me!! You’re the first person who’s actually done that so it really made my day. 
Also: I apologize in advance. When I start talking about Poirot I tend to launch into rants and I… may have done that here so I will say now in case you don’t make it to the end that I would love to hear your thoughts about the movies or anything else Poirot related! Did you know about Poirot before the movie? What are your thoughts about Bouc?
To answer your questions, I guess I could say that technically I liked Poirot before watching the movie. I actually had never heard about Poirot until the movie came out, and one of my sister’s friends took her to see it and then leant her the book. I stole it and read it in almost one night and ever since then have been absolutely enthralled by Agatha Christie! I own almost all of the Poirot books and have been trying to branch out and sample her other writings, but I keep coming back to Poirot. 
By the time Death on the Nile came out I forgot the Bouc was a character who existed because I hadn’t seen MotOE since it came out in 2017. When I saw him, I did remember that he’d been in the last movie, and was absolutely delighted that they were going to turn him into the Hastings of the movies (especially because he was so happy and full of life😭) which of course we all know what happened with that and now that I’ve recovered from my shock and denial I can take a step back and acknowledge it was a FANTASTIC choice to kill him, and to do it in such a shocking way—but also, I’m also not a a fan of how much Kenneth Branagh deviated from the source material by doing that. 
Adding Bouc to the movie was a choice that made sense, if Kenneth Branagh is going for a Poirot Cinematic Universe. People expect a sidekick, and in stories where the cast has to change every movie, it’s nice for the audience to have a familiar face other than the main detective. However, I also think Kenneth Branagh shot himself in the foot by shooting Bouc in the neck, because he went out of his way to add and establish Bouc as a reoccurring character, just to kill him off in the second movie. I think the audience will now have more difficulty connecting with the side characters in the future since they’ve had two movies with the same character, as a opposed to already being used to the characters changing every movie. But then again, I’m still in denial. Along with this, it’s setting up the next movie to have a distinctly dark tone.
Well, now I’ve gotten started on the topic of Poirot and I can’t stop😂😂😂 Enjoy my decent into madness.
Another way that dear Kenny boy shot himself in the foot is with the iconic mustache. His mustaches in MotOE were luscious and beautiful, despite the critic they received. Branagh understood that Poirot has impressive mustaches that are quite a spectacle to behold, even if the rest of the world can only picture the measly little mustache that David Suchet displays in his version of Poirot (don’t get me wrong I love those adaptations but just… the mustache is all wrong. And David Suchet Poirot is a subject for a different time or we’ll be here forever😂😂). In DotN, for some reason he felt the need to give the mustaches a tragic backstory????? Narratively, I guess it’s a nice bookend and theme to the movie as a whole. BUT HE FELT THE NEED TO GIVE THE MUSTACHES A TRAGIC BACKSTORY????????????? Despite the fact that in DotN the mustaches aren’t actually long enough anymore to cover up the scaring shown at the beginning, HAIR DOESNT GROW ON SCAR TISSUE!!!! It just doesn’t make sense😭 Along with that, now he’s destroyed the main characteristic of Poirot, his trademark. Poirot is quite vain about his mustaches and even when he wears a fake one in Curtain (for reasons that I won’t spoil but if you know you know) Hastings only finds out at the end of the book, and Poirot’s manservant treats the subject with delicacy since the mustaches were such a sensitive subject to Poirot. 
While I’m STILL talking about Poirot (forgive my rant I can’t stop) I’m going to take the opportunity to mention the stark difference in quality between MotOE and DotN. I’ve now seen both of these movies multiple times and back to back. Overall, I think MotOE is much better. DotN uses a lot of green screen, and it’s pretty obvious and creates for some flat feeling backgrounds. For MotOE, they took shots of the mountains and overlayed the train on, instead of all CGI. Now, I don’t know for sure how much of each movie and which parts use CGI; it could be that MotOE uses more CGI and I just have a bad eye for spotting it. It was just my impression that the backgrounds in DotN were severely lacking. 
And let’s talk about the music. MotOE delivers and excellent score that makes you feel a wide variety of emotions, and they use the theme of repetition well in The Armstrong Case. For me, it had just reached the point in the movie where the theme could have started to be annoying; but the. they used it magnificently when Poirot was explaining the murder, and the simple and relentless, already melancholy melody turned into something truly heartbreaking, turning a scene of twelve people stabbing a man to death into something poetic. 10/10 one of the best uses of music and one of the best scenes ever, in my opinion. DotN, besides the songs sung by the talented Sophie Okonedo as Salome Otterbourne, has no notable music to take away from the movie, besides the absolutely grating (I don’t know what it’s called but it goes like. DUN DUN. DUUUN! DUN DUN. DUUUN! I think if you search Death on the Nile on YouTube you’ll find the song titled the same by Patrick Doyle). I got tired of hearing that by the third time it played, and my annoyance with it was one of the main things that I took away from the movie. 
AND ANOTHER THING both movies took creative liberties with the stories, but one of the creative liberties I did not like about DotN was how explicit they made it. Between that dance floor scene and the scene at the tomb… when I go to see a movie that’s rated PG-13 I like to feel comfortable seeing it with my father and not feel the need to slam my hands over my little sister’s ears. Especially when I want to slam them over my ears instead😭
All this being said I’m 100% going to go see a Haunting in Venice, but not because I’m expecting it to be good. I’d just like more fuel for my rants. I didn’t even get touch upon what an amazing actor Tom Bateman is and how I’m mad that he only plays serial killer roles outside of Bouc. 
Anyways I hope that answers your questions😅 thank you for your ask, and congratulations if you made it this far. It did truly make my day to see the phrase “rereading” in association with my fics, and I feel as if you were some curious passerby on the street who I started passionately and somewhat aggressively ranting at. I apologize. Also I took a break from ranting to check out your blog and you’ve got a great curation of posts. Good luck getting rid of me now. Prepare to see me in your notifications. Sorry for the essay.
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okilokiwithpurpose · 4 months
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9 books
Thank you @cha-melodius for tagging me 💗
Here come 9 books (among so many) I really like. I now realise I probably wrote too long comments about them. Sorry for that!
The Farseer trilogy by Robin Hobb (as well as the following series, including the Liveship Traders and the Realm of the Elderlings) It took my sister months to convince me to start reading this series (not that I wasn't interested, but it represents a big chunk of reading and therefore a big commitment) but, well, it was definitely worth it! Love the worldbuilding, the different sorts of magic, the different cultures... And yes, even if he sometimes makes the dumbest decisions, I do like Fitz a lot too!
Five Little Pigs by Agatha Christie I love whodunit mysteries! I could basically have chosen any other of Hercule Poirot's many investigations. In this one, he reinvestigates a murder that was supposedly solved 16 years ago. All he has to work with are the accounts of the five main witnesses... who of course each tell him their personal version of the story!
The Seven Deaths of Evelyn Hardcastle by Stuart Turton A whodunit mystery in an old English manor with a side dish of time loop... I was expecting to like this book but I ended up loving it (and kind of made all of my family read it).
Piranesi by Susanna Clarke I'm not sure how to describe this book. It is fantasy, yes but there's something strangely eatheral, atmospheric about it. The poetry of Piranesi's house itself, with its endless corridors, it's statues and the tides... and the mystery surrounding the "other"... Loved it a lot!
The Time Patrol Series by Poul Anderson Yay for a bit of sci fi! Time patrollers are appointed to protect the course of history (and thus preserving a future in which men's far fetched descendants can create the Time Patrol!). It may remember something to my fellow Loki fans (watching Loki s1 sure made my mind race back to the Time Patrol). Though here, there are no time branches, and most missions consist in stopping other time travellers from making a mess. The first novels date back to the 60s and, though it aged a bit, the worldbuilding is nice, the stories play nicely with the possibilities of time travel and you can feel the author made research about the (past) periods we visit.
Brutus: The Noble Conspirator by Kathryn Tempest This one is a biography (well, as much of a biography it is possible to make using the scarce and often biased ancient sources available, as the author explains very well). I have a thing for history and the end of the Roman Republic is such an interesting period to read about - such his the figure of Brutus (yes, that Brutus) who doesn't always get a lot of attention! (also, I happen to have bought that book in the Coliseum's bookshop during that trip to Rome I had wanted to do for almost 15 years!!)
L'Eau des collines [The Water of the Hills] by Marcel Pagnol I had to read the first novel ("Jean de Florette") for school as a teenager and, well, I used to dislike compulsory readings out of principle and was not sure the story would passionate me anyway (it is about Jean, a clerk who inherits a farm and decides to start a new life there, while the locals keep seeing him as "a stranger from the city"). And yet, once I finished it, I had to go on and read the second novel ("Manon des Sources", about Jean's daughter).
The Secret Lives of Country Gentlemen by K.J. Charles First, I loved the cover (the one with lovely plant and animal illustrations), then I loved the book! What's not to love about a stiff barronet and a chief smuggler falling in love (after having been sex buddies) in the early 1800s? Somehow, it gave me some warm and cosy feelings - and I learned a few things about gold trafficking during the Napoleonic wars too...
The Scholomance Series by Naomi Novik Ok, I only recently finished the first book in this series ("A Deadly Education") but...I am in love?! The Scholomance is a magical school build to protect young wizards from all the lovely creatures who want to devour them. There are no teachers, no holidays, barley any contacts with the outside world - which doesn't prevent a few hungry creatures from getting in, and every students know better than to let their guard down... ok, my summary is not doing it justice (and doesn't convey how fun it can be thanks to El, the narrator) but, well, this is good and I can't wait to read the rest of the series! I also learned that the author is one of the founders of AO3 so thank you queen!!!
No pressure tag: @bebx @dewdropreader @faylights @im-not-corrupted @loki-is-my-kink-awakening @magiclovingdragon @mirilyawrites@samsalami66 @wolfpup026
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the-kestrels-feather · 7 months
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Alright I have more thoughts on this than I thought we're gonna do this and I mean do this:
Unpacking My Thoughts on A Haunting in Venice (2023)
((DISCLAIMER: I have not read an Agatha Christie book (yet), specifically not the one this was based on so I am talking solely about the movie not the adaptation of the source material))
(SPOILERS BELOW THE CUT)
So I wanna say this was not the worst movie in the trilogy
((looking at you, Death on the Nile))
And believe me when I say I WANTED to like it
Seeing the trailers made me excited, I love me some Gothic horror and it had all the vibes of that
And I did like some things a lot that I'll touch in at the end
But there was also a lot I really didn't like
For one, it relied WAY too heavily on jumpscares. To me, it's the laziest form of horror, and a lot of the ones in this didn't feel... earned I guess?
Like when Poirot's (apologies in advance if I spell this wrong I was never a speller) in the bathroom and he sees Alicia's ghost
It didn't feel earned in my opinion
Or the one where Harry flies at them when they first enter Alicia's room
Also there was no point to Harry being there?? You could cut the bird entirely from the plot and it would have 0 effect on it overall.
The teacup could've broken some other way and it would've been fine. Like I can't even call the bird comedic relief because he wasn't used like that. He was just there.
Also the opening scene with the seagull grabbing the blackbird? What was that? Can someone explain that to me because it feels like it was completely unimportant.
((also not to go full CinemaSins for a second but how is that room not like. Covered in bird shit? Birds don't have a ton of control over where they poop so it's not like he was litterbox trained))
I'm sorry but Tina Fey's character irritated me.
She was like a less interesting Bouc imo 🤷
That's personal opinion though idk
The Children's Vendetta should've been incorporated better or cut entirely because it wasn't handled super well in my mind.
It felt like an afterthought when it was brought up for the doctor and the medium.
For one, they toned down Poirot's OCD coding, which, seeing as it was really only ever played for laughs, I appreciated as someone with OCD
Again, this isn't the worst movie ever, or the worst of the trilogy
I have a lot of things I liked about it
Please don't make the disorder that makes my life a living nightmare sometimes a quirky trait Kenneth, kay thanks.
And the vibes were IMMACULATE
The shots of the mansion were just.... OH
I liked Leopald a lot, he was a fun character
Those are really the only things I can think of though
That said I don't agree with the review I saw that called it not scary enough
Because it's not supposed to be a horror movie, like another review said it's a whodunnit with horror infused in it
If you want a horror movie go see The Nun II my guy 🤷
Anyways I think those are all my thoughts? At least for now
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