brutal // olivia rodrigo

I'm sorry I let down my guard.

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dont mind ME im just calmly dealing with the tragic one-two punch of bishops knife trick and from now on we are enemies being played during the same show. i'm just a man on the balcony singing no one will ever remember me vs this is my pity party. i only want what i can't have vs. i'm struggling to exist with you and without you. i just want to be better than your head's only medicine vs. i just want to let you break my brain. singing symphonies of the overdosed and the last blues we're ever gonna have (i sing the blues and swallow them too, remember?) and getting worse until there's nothing left and the internal collapse you're trying to gird yourself against even though you know nothing will soften its impact.

something about songs that ache with a hopelessness so desolate that it threaded its way through fan circles in a very palpable way. something about songs that feel like they could be goodbyes or endings or the closing of a book. something about the way fans thought both those songs were farewells and that this was the band singing its own swansong, signalling its end. something about how neither of them were.

Got your whole life ahead of you, you're only 19 But I fear that they already got all the best parts of me And I'm sorry that I couldn't always be your teenage dream And when does wide-eyed affection and all good intentions start to not be enough? When will everyone have every reason to call all my bluffs? And when are all my excuses of learning my lessons gonna start to feel sad? Will I spend all the rest of my years wishin' I could go back?

Just listened to "Want it so BAD", the new song by Han and Lee Know and, after reading the lyrics twice, let me tell you:

If there's still people who claim they're just friends, I'll lose my faith in humanity. Those guys are the real delulu here because what the fuck? With this song they basically confirmed everything we've heard since debut and screamed to the world they're, in fact, very much in love and not in a platonic way. They're married, your honour. This song basically confirms it, it states firmly and without a shadow of doubt that MINSUNG is fucking REAL and it has been since the survival show.

So for all those who don't agree with it, go argue with the wall. Us, the minsung whores and defenders, are going to fucking celebrate this gift to humanity.

Now lets focus on the parts where they specifically mention their first meeting, something we've heard from both of them in skz episodes, but now the uncensored version.

Minho: "I fell in love with you unexpectedly, couldn't get any work done, so many thoughts in my head keep me awake at night, spring snuck into my heart and left me frozen with excitement, i'm not used to it i know it's pain but i really want it so BAD" 😭😭😭😭😭 this is so minsung pre-debut coded omg, he's so fucking cute in the early states of love. knowing he was going to suffer but he loved him so much he just kept going.

Jisung: "Ride, come closer, just the two of us"🥺🥺 "together we make a whole romantic comedy movie" "let's get is started, getting anxious, can't think straight" "love you, i wanna place mysef in a spot next to you" "i'll hold you tight and say i've always been waiting for this moment" "the moment I first saw you, it was meant to be. For me, it's you"💀💀💀💀💀my man wasn't even being subtle here, he didn't try

In conclusion: Minsung is more real and solid that my parents' marriage and anyone who disagrees please come and kiss my ass. thank you❤

It's like Christmas morning!

SET ME FREE PT. 2 | POSTERS 🌐 ⤷ 'FACE’ 23.03.24 | ig ; twt ; trans.

olivia rodrigo was so right. i'm so sick of 17 22 where's my fucking teenage young adult dream

oh mr hozier we're really in it now

“And I’m so tired that I might/Quit my job, start a new life/And they’d all be so disappointed/Cause who am I, if not exploited?”

“I only have two real friends/And lately, I’m a nervous wreck”

“All I did was try my best/This the kind of thanks I get?/Unrelentlessly upset”

-Percy Jackson, probably

[Image description: A digital painting based on the film The Deadly Spawn. It depicts a large spawn creature - which is a mix between a slug and an earthworm, with a mouth like a leech - looming over a three storey blue house. The house is sat in a field next to a rocky hill, which the spawn rises out of, more than double its size. Its bottom teeth blend into the hillside. There's an empty road near the hill, which is visually blocked by shadow. Near its end, there's a telephone pole, which is linked by many wires to a more prominent one by the house. All of the house's windows are lit up in warm light. The night sky is light, though stars can be seen. A few clouds litter the sky. The leaves of large trees frame both sides of the pieces. The piece is mostly yellow and green tones, with a few reds for the spawn. The other main colour is blue, which is used mainly for the sky and house.]

Inktober - Day 29 (Massive)

Film - The Deadly Spawn (Douglas McKeown, 1983)

im already like exiled from the community so i’ll just go ahead and say this is such a wild take to have. “how dare you be excited to hear her perform a beautiful song” like yes its sad but fucking christ. its sad in such a normal way. its about her dead grandmother. and its a good song. you’re allowed to enjoy hearing it.

God, it's brutal out here!

bạch yến (white swallow)

head in my hands you guys ever think about richie lipschitz