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#something's missing here
grimfantas · 2 months
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10 years in the future for Nanako-chan
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chiptrillino · 1 year
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ID: three drawings showing a sequence of sokka and zuko from avatar the last air bender. Aged up rather soon after war. sokka is leaning over zuko, you see them mainly on the left side waist up. The background is kept plain withe. On the left side the artist signature "chiptrillino . 2023" on the right side isthe request to "please don't repost"
The first drawing shows sokka looking down with slightly zoned out expression. zukos hands are reaching up.
The second image shows sokkas surprised face held between zukos hands, who raised up his face inches away from sokkas.
The third images shows sokka leaning into zuko. Both of them kissing. zuko holds on to sokkas shoulder and neck. Both look happy. End ID
Small shoutout to that person that tagged, once upon a time (last year), the sketch with "mermaid zukka". And would you look at that! Its meremay! And this is not really mermaid themed, but... it remained me to finish it! -sweats-
oh shoot! also happy zukka week! i guess whops...
---- if you want to deal with all my reblogs may I direct your attention to my side only my artworks blog?
@chiptrillino-art
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vurelly · 5 months
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there is something about pathetic men that enchants and beguiles me
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hypewinter · 6 days
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He didn't know how far he had wandered. He had just kept running and running, for once glad of his newfound body's constitution. But now he was finally tired and he doubted his pursuers were close by (if they were even looking for him anymore). So for now, he found an abandoned warehouse, bundled up under a tarp, and rested.
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Wally had been scouting the area for the enemy when he found the boy. He'd noticed a particularly weird shaped clump in the corner and when he removed the tarp, he found a body. At first he thought the body was dead since he had no pulse and was cold to the touch. But then the boy suddenly sat up causing Wally to have to back up (he did not yelp from the sudden movement thank you very much).
The boy backed up towards the warehouse wall and pulled his knees to his chest as he studied Wally. For his part, Wally studies the boy back. He was clad in a black suit with golden accents and more knives that Wally was comfortable with. His golden avian eyes seemed to bore into the young hero. They seemed to size Wally up as opposed to being full of fear. Additionally, despite being huddled away in hiding the boy displayed no signs of fear. Overall it felt less like he was cowering away and more like he was silently judging him. Wally really didn't like how it felt like this kid would slit his throat if given the chance.
As the two continued their staring contest, Wally felt a gust of wind and Barry was suddenly by his side. "Kid Flash, what's up? You weren't answering your co-" Barry trailed off as he noticed the boy.
He side glanced at Wally but the sidekick only shrugged back. Barry stepped forward. The boy tensed, muscles suddenly tight and body ready to spring. Barry quickly put his hands up.
"We don't want to hurt you," He said. "Quite the opposite actually. We're heroes, we can help."
The body blinked long and slow at him, before finally his body seemed to uncoil. He gracefully got to his feet and neared the pair, circling around them once before stopping in front of them with a soft smile.
Wally returned it with a smile of his own. "So uh- why are you here? Is someone chasing you or something? Wait, what's your name first?"
The boy's face crumpled into something sad before he pulled down the collar of his suit to reveal a scar running across his throat. Oh. Both heroes side glanced each other at the same time, a silent communication shared between them. The bats? The bats.
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d0d0-b0i · 6 months
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warn me next time you do something stupid, ok
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fairydropart · 23 days
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Wait I missed the whole boop thing??
I guess you could say…
I’m out of the boop 😔
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stressfulsloth · 10 months
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I've seen a couple of takes about Disco Elysium being copaganda going around recently, and beyond the fact that DE is relentlessly critical of the police force in general and makes explicit reference to the failures of the system that allow the officers in game to abuse their power, I also think it's important to note that there very literally is an in-world version of copaganda that the writers of the game use to parody that romanticised view of the brutality of policing. The RCM at their inception were structurally inspired by in-world copaganda- their culture, their "fashions, even weapon preferences, borrow heavily from classic Vespertine cop shows." Every investigation is it's own little drama, every officer imagining themselves to be the bad-ass hero of their own crime serial. Detectives name their cases like they're naming episodes of a TV series in a "robust but literary system"; a title that "draws inspiration from snoop fiction and Vespertine cop show staples". They give themselves nicknames to sound like cool, suave fictional officers- Ace, Dick Mullen, etc.- from the cool, suave world of copaganda.
The legend of the RCM's inception, the "point of contention" over its uncertain origins, is even an extention of that; the whole organisation is shrouded in this self-fictionalising mythos that allows for distance that in turn obfuscates much of its violence to the officers that participate in it. They get to convince themselves that they're not abusing their power; they're the hero of the story! The dichotomy of "good guy" taking out the "baddies," a manifestation of the libertarian fantasy of the "good guy with a gun" who does what it takes, just like in Annette's detective novels, and at the same time who rails against oversight bodies like Internal Affairs/'the rat squad' because due process slows down the immediate satisfaction of Swift Justice, despite Internal Affairs existing to protect the citizens from overreach on behalf of the police. "Wanton brutality" from police in their real world is a cold bitter reality but Dick Mullen was "made to crack skulls," "bend the rules and solve cases no one else can," and which version of that story is more comforting to the overworked, underfunded officers of the RCM?
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The level of fantasy and detachment required for the cops to still see themselves as the good guys after everything that they do in the line of duty mimics The Pigs and her breakdown too; she parallels Harry so clearly. Both "did right by the kids" in the past, hoping for a better future- Marianne (The Pigs) by looking out for Titus and the Hardy boys when they were young, Harry in his role as a gym teacher. Both abandoned and left behind by the system that the RCM uphold- a brutal capitalist landscape with no safety nets. Both turning the source of their trauma into a costume, a performance, a shield, shaped by "radio waves and cop shows." The Pigs uses RCM items scavenged from the Esperance where they'd been thrown away, while Harry uses the Dick Mullen hat that Annette gives him but both are essentially in costume.
Harry identifies himself with the fictional detective as a kind of wish fulfilment; Dick Mullen is "wicked smart." He doesn't fuck up his cases and when he's sad it's not pathetic; it's effortlessly cool brooding and everyone sympathises. Everyone loves him. His violence- "skull crack[ing]"- is justified because he's a "good guy" enacting that violence against the victims of police brutality sorry "bad guys". He doesn't ever face repercussions; "Dick Mullen won't be sent to the clink for the sake of some legal niceties!" So if Harry is Dick Mullen then his failures, his breakdown, they're all just a part of being a "bad-ass, on-the-edge disco cop." He's not wrong, he's a hero! This idealised fictionalised idea of the police force, this "new, sadly better, reality" that both Harry and The Pigs cling to is "escapist stuff," "receed[ing] into a ludicrous fantasy world," so far removed from the brutal material reality that they're in.
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My point is, idk. Disco Elysium is so far from being copaganda. It is a multi-million word long dissection of it, of the purpose of policing, of state sanctioned violence and its interaction with capital and the fallout experienced within the wider community as well as the trauma cycle created for individual officers. A dissection of how copaganda interacts with RCM culture and perception, and by extension how we interact with irl perceptions of police through that lens.
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chubs-deuce · 2 months
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actually writing out the story I have in my head has been like pulling teeth but even though the writing progress is slow, the mental images don't stop coming lmfao
Alas I made more art woops
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thisischeri · 3 months
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instagram: cheri.png
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spaciebabie · 10 months
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"what if there was a heart shaped hole in his chassis" turned inta, "what if he had an ourple heart lol"
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lunacias · 2 months
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001: first shift
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From this:
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To this:
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nocreativityfornames · 3 months
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Everything we know about Michael so far, lore wise.
WARNING: SPOILERS FOR ALL SEASONS
➤ He's an high-ranking angel from the Celestial Realm, more specifically a Seraph. (nb: 18-2 and nb card: Luke - "I can do it too!")
➤ His love for sweets is the reason Luke took interest in baking. (swd: 5-12 and 23-5)
➤ He and Lucifer were equals in the Celestial Realm and no other angel shared the same status as them. Simeon referred to them back then as "the two great leaders of the Celestial Realm's legion of angels." (swd: 23-7) But currently Michael carries that position alone. (swd: 23-5)
➤ He was supposed to meet MC when they visited the Celestial Realm with Solomon but couldn't because a secret spring suddenly started drying and Michael had to go there to investigate the situation. (swd: 23-7)
➤ He used to be Mammon's mentor and tried his best to train the white-haired brother while in charge of him but wasn't able to figure out how to handle him and eventually went to Lucifer asking for help. And since Lucifer was somehow able to get Mammon to listen to him, he ended up taking over Michael's role and became his mentor instead. (swd: 27-19)
➤ He was originally the one in possession of the Ring of Wisdom but gave the ring to Solomon at a time when the human was feeling "lost" and Michael wanted to help him. (swd: 29-5)
➤ During MC's 2° stay in the Devildom when Diavolo was keeping secret from everyone that their powers had become a threat to the three realms, Michael sent the prince a message through Simeon, warning him that if whatever he was keeping a secret affected the Celestial Realm, angels wouldn't hesitate to intervene. (swd: 31-16 Hard Mode)
➤ He's the one who found the Ring of Light, counterpart to the Ring of Wisdom that Lucifer had lost during the Great Celestial War (swd: 37-9), and quickly noticed it was missing when Simeon stole it to give it to MC ( since it was the only other way to control their powers ), shooting the other angel a text stating that they needed to have a "good, long talk" and that he wanted to see him as soon as possible. (swd chat: M, "untitled")
➤ When MC was given the Ring of Light and fell unconscious because of it, Michael appeared to speak with them. And during their talk, the seraph told MC that he had pictured them to be truly wicked person due to being so well-liked by the brothers, but that he had been proven wrong after meeting them. (swd: 38-17)
➤ In that same conversation, Michael confessed to being jealous of MC. He told them: "I must admit that I'm jealous of you, MC. I wish I could have been more like you. Because I loved Lucifer and his brothers, and I lost them. Perhaps things could have been different..." (swd: 38-17)
➤ When asked, Satan explained to MC that Michael was the opposite of Lucifer appearance-wise but that they felt like twins at the same time. And when Mammon brought up Michael's adoration for Lucifer, Satan chimed in saying that in his opinion the reason Michael liked Lucifer so much was because he was the embodiment of everything he wanted to be but couldn't. (swd: 43-19)
➤ He would be the one having meetings with Diavolo when the prince took over the kingdom if he hadn't thrown the responsibility onto Lucifer in the last minute, making Michael in a way the stepping stone that led Lucifer to question his faith and start having doubts about God and the Celestial Realm in general. (swd: 44-15)
➤ When MC ended up in the past Celestial Realm through a dream Solomon sent them to accidentally by feeding them his food, Michael was the one to bring them back home. The angel told MC that they and the brothers would likely forget what happened in the dream but that it would still have an effect on all of them and he would keep an eye on them to make sure that said effect didn't have negative consequences in the future. (swd: 44-18)
➤ Luke told MC that he often found Michael in the hall where the brothers' portraits used to hang staring at the empty space, lost in thought. According to the small angel, Michael to this day still deeply misses the brothers and has regrets about the war. (swd: 49-15)
➤ He was the one to cast out the brothers from the Celestial Realm and send them to the Devildom. (swd: 50-7)
➤ According to Mammon, Michael and Simeon must've pulled some strings behind the scenes to get Luke to participate in the exchange program and be able to visit the Human World with Simeon because, with his low ranking, he'd never be the one chosen for those sorts of things and the Avatar of Greed is convinced that they're doing this because they want Luke to experience life outside the Celestial Realm, see that there's more out there than heaven, and stop thinking that angels are perfect beings who can do no wrong. (swd: 50-10)
➤ He's knowledgeable on constellations and likes them so much he had Raphael rebuilt a whole room so Human World constellations could be seen even from the Celestial Realm. (swd: 52-7) He also taught Mammon about them when he was still in his care, and later on taught Luke as well. (swd: 50-12)
➤ It was actually he who went into the Devildom and told the brothers that they had been forgiven by God and had to choose between staying in the demonic kingdom ( and making an enemy out of heaven ) or coming back to the Celestial Realm and leaving Satan behind. And in a conversation with Raphael, Michael said the reason for his disguise was that he was worried about what could happen if he showed up as himself. But Raphael quickly rebutted that by saying that the true reason Michael didn't go as himself was because he wouldn't know how to act around the brothers. (nb: 20-14 Hard Mode)
➤ Still disguised as Raphael before going back to the Celestial Realm, Michael told Luke that he wasn't surprised that the brothers didn't accept his offer to go back to heaven and actually knew that would be the outcome of it. He was also surprised not too long after when Luke, not knowing it wasn't Raphael who he was talking to, pointed out that Michael seemed sad and lonely whenever he was staring at the wall where the brothers' portraits used to be. Michael's exact response to the younger angel's words was: "...I didn't realize that's what people thought.” (nb: 20-A)
➤ When asked by Raphael if he planned to attend RAD in the future, Michael avoided giving an direct answer and left. (nb: 20-14 Hard Mode)
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gilliandersons · 9 months
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"And then he was gone. And I knew right then and there that I was never going to let anybody get by me without understanding they might be hurting inside, you know. Cause life, it's hard. It's real hard."
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beatcroc · 10 months
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what, didn't you know most amphibians shed and eat their skin? what did you think was going on there, peppino? this is normal frog stuff. come on now.
many more sketches bc i had way too many thoughts about this to try and illustrate all in a comic. horrid beast fp agenda ❤
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humming-fly · 10 days
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Theatre Kid (Derogatory)
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