Fun new game I'm playing while watching the new Percy Jackson show called "Was this actually different in the books or is my memory just shit"

did you put me on your wish list?

oh ok so its the usual no-homo bullshit you always hear, good to know.

Do yoy like their silly little dance

the inside of my brain at any given moment:

gothic lolita machete came to me in a dream

.

it mattered because when my brother asked me what if this is the happiest you'll ever be? the best you'll ever get? the thing i felt was fear, not peace. everybody thought you were so perfect for me. even i thought you were "helping me grow". i had to challenge every internal clock. make myself more thoughtful, more kind, more beautiful.

i told my therapist it was good because i like the changes i made and there's something so strong about saying i did that. the problem is that i can like the difference all i want, but i changed for you. something akin to getting your name tattooed, all my progress is stamped with fuck you.

it was the happiest i'd ever been and also the best i'd ever gotten. i would still get in the car and think what the fuck just happened.

One of the most fundamentally interesting things to me about YJ and writing fic, specifically, is how the blame changes hands depending on the story. On whose perspective you're writing from. On whose story it is at a given moment. The very thing I dislike about viewers missing the point becomes so fascinating to me from within the narrative. Who are these characters when seen through the eyes of their peers?

Who does Jackie become? If you're Shauna, she's the love of your life, and your greatest rival, and the other half of your soul, and the person you blame for your dead dreams. If you're Van, she's the respected captain who earns none of your respect in the woods, the one who left you to die without blinking, the easiest target for teenage malice. If you're Natalie, she's competition for affection, the blabbermouth who can't leave well enough alone, the hands putting themselves to no good use. If you're Jackie? You're just a girl. You're so tired. You're so scared. You're losing face a little more every day, and you're made of despair, and you can't even trust your best friend. It's not your fault. It's not your fault. It's not your fault.

Who does Lottie become? If you're Natalie, she's your direct foil, the splinter under the edge of your thumbnail, the smart mouth to match your own, the confusing amalgamation of normal friend and mad ritual. If you're Misty, she's the first shred of obvious power in months, a leader who might need to be nudged back into line, a fascinating exercise in hitching your wagon to the right star early on. If you're Taissa, she's flat-nuts and endlessly frustrating, she's got your girlfriend's full attention, she's incredibly dangerous. If you're Lottie? You're just a girl. You're so tired. You're so scared. You've built a pedestal you can't keep your balance on, and you're not sure if you're right or going crazy, and you didn't want this. It's not your fault. It's not your fault. It's not your fault.

From outside the narrative, there is no bad guy. There is no blame. It is no one's fault. It is Man v. Nature, they are doing the best they can with an impossible situation. They're all trying to contribute what they can to the story, for better or worse.

From inside the narrative, you are a teenager trapped in a society constructed entirely of bare-bones-survival with the wildest assortment of girls. From inside the narrative, to stay human, you have to love and fight, respect and judge. Every story changes the game. Every story shifts the blame. A hero in one has the bloodiest hands in the next. And that, to me, is such a thrilling sandbox to play in.

People that are like "oh i didn't like Donna Noble in runaway bride but once her season started i changed my mind" are bastards fools and COWARDS. she's SO fucking iconic in runaway bride. Yelling at the doctor so hard he imprints on her. being too hungover to notice cybermen. Yelling at the doctor so hard SHE imprints on HIM. Being bombarded by questions she can't answer by breaking down into sobs and then giving the Doctor a little wink bc they are IN CAHOOTS!! Jumping in front of the doctor saying "don't you hurt him" after only knowing him for a few hours. Also being like "something is deeply wrong with you" and knowing EXACTLY what his fucking problem is after knowing him for less than a day. Seeing the creation of Earth and cracking a little joke. She is Queen she is Mother she is Every Moment!!!

Okay hold up! Hold the fuck up!

Nobody uses this information enough! Like this is such a little detail that I have fallen in love with and more people need to use it!

Like they collect first edition books to this day and it’s so small but so sweet!!!! I love them for this and like Jason sending them more to add to their collection is just the cherry on top! I don’t know if enough people know this but they should!

Bruce and Alfred collect first edition books and only very few people know about it. This started after Bruce’s parents died and I just love this face.

Comic panels come from under the red hood chapter 10 I belive

sighs in OCs....

you need a library card

Almost everyone I know doesn't have a library card, and some of them read less than they want to because they can't afford to buy the books they want???? GUYS BIG SOLUTION TIME

BOOKS! Audiobooks! DVDS! Movie/series/documentary streaming services! Ebooks! Video games! Magazines!

Air conditioning! Wifi! Heat! Meeting rooms to reserve! Copy machines! Printers! Quiet safe place!

FOR FREE! FOR FREE! NO COST! FOR FREE!!!

Let's face is inflation is killing us, and you may have had to sacrifice buying books for fun, keeping the heat at a comfortable temp, cancel a few subscriptions. Enter your library card

"I don't have time to go a library" me neither I use the audiobook and ebook app daily and check out digital books and get them on my phone immediately

"I want to support the author" If you like it then you buy it! You don't have to pay up front for something you might not like ten pages in! Buy a book you know you love even if you don't plan to reread it to support the author!

"I don't want to wait for a book" Fair enough then don't, check out the books you can wait for

This world has home, where you pay to be, and very very few places outside of the home that you don't have to pay to be. If you're losing your head and need to get out for a few hours, you have to pay to exist almost anywhere you want to go. Not libraries.

I've gone to libraries weekly, almost daily at times, my whole life and they have never once asked anything of me. They give.

This world takes and takes and takes and libraries give and give and give and you deserve to be given lovely things.

It is not hard to get a library card, for most people. In most places I've lived you need some form of evidence you live in the area the library serves, and I've brought in a piece of mail, a student ID or an electric bill and been good to go. Many libraries also work with people who don't have documentation like this to get one anyway.

Get a library card even if you don't think you'll use it. Because one day there will be a book you really want that your local bookstore doesn't have, but who has it? THE LIBRARY! GO GET IT!

This is a USA centric post, and also goes out to my non-American cousins who taught me that libraries are a beautiful gift and not a given, and we should take advantage of it more often than we do

Get a library card, love yourself

Forgive me if I’ve posted this here already but I made a meme!

say what you will about roman being a piece of shit and every word you say will undoubtedly be true. but it means something that I got sick to my stomach watching kendall repeatedly tell roman “you fucked it” when roman is at his absolute lowest, just to manipulate him into being subservient the way logan manipulated kendall himself in the s1 finale. it means something that I was crying watching roman break down completely at the funeral, sobbing in ways no one has seen him sob before as he asks to get his dad out of the coffin like a little kid who can’t fathom death. it means something— everything— that I was nauseous watching roman self-destruct, go looking for a fight all while a loop of his whimpering is going viral and being mocked and the ONLY person even remotely uncomfortable with it is gerri.

it doesn’t matter if you’re a piece of shit. in this world, in this game, emotion like that gets shot down, scarfed on by sharks. nobody deserves that. not in this lifetime anyway.

NGL I have STRONG opinions about digital releases omitting the letters to the editor section of older comics. I feel like the letters are a part of comic history and should be aggressively preserved.

[ “SOMEBODY TOLD ME”]:

BREAKING MY BACK JUST TO KNOW YOUR NAME. SEVENTEEN TRACKS AND I’VE HAD IT WITH THIS GAME. A BREAKIN’ MY BACK JUST TO KNOW YOUR NAME—BUT HEAVEN AIN’T CLOSE IN A PLACE LIKE THIS.

— The Killers, Hot Fuss (2004)

Princess Rhaenyra’s insolence is wearing her stepmother’s patience thin. Queen Alicent is not ten years her senior, but even during her own sixteenth year, she cannot recall herself behaving so brazenly. She would never burst into courtly discussions in nothing but gilded armor and the underskirts of her riding leathers, awash in blood. (She would never be spotted in blood that was not her own, anyway. Alicent has never picked up a sword, not one that belonged to her.) Nevermind that Rhaenyra is attending to diplomatic affairs with bared teeth and scales, no—the crux of the matter is just that, her affairs. Rhaenyra is the Realm’s Delight, a beauty incomparable to any fair maiden, Alicent included. She indulges herself with appetite of a spoiled child, the confidence of man, and the pickings befitting only to her royal blood. Criston Cole. Daemon Targaryen. Harwin Strong. Laena Velaryon. She’s full of love, isn’t she? That selfish, foolish girl. What does Rhaenyra Targaryen know of love, of duty? She is a child in so many ways—she thinks killing makes her a man, thinks the throne is hers despite being a woman, thinks she can have her knight and her uncle and her protector and Laena Velaryon in one fail swoop. She’s wrong. She doesn’t know herself half as well as Alicent does. Alicent, who sees her for what she truly is, who wants to see all of her and more of her and none of her. Alicent has been stolen into the Keep by her own father—both of their fathers—but Rhaenyra is the key to this place, is the window to everything barred. Rhaenyra Targaryen has a dragon. Rhaenyra can fly.

That’s what Rhaenyra had promised her once, with her lips pulled back in a grin, exposing the white of her teeth like the violently radiant creature she was. “Perhaps when you grow tired of plotting against me, we shall ride on dragonback together,” she had said. The tease.

Alicent had yanked her into an empty corridor by the silk of her sleeve, ready to chastise her for her ill behavior. Conversing with the lords and ladies of the court at a feast was one thing, but chattering about her bloody encounters in battle over the pudding tureen were another. The lord at her elbow was going green. Alicent’s own face was likely red; her heart raced whenever Rhaenyra got like this. Alicent had never seen the battlefield—only seen battered men in dented armor and the slumps of corpses lined along dirt roads in the aftermath of war—but her own imagination terrified her like nothing else.

(Rhaenyra is better with a sword than half of the knights in Westeros, and more lovely than the lot. Her reign has not yet begun, but already the commoners flock to her—lured in by tales of her beauty and fine hair—and soldiers would follow her into battle. Alicent would not follow, but she would watch and bite her nails down to the quick.

She thinks of the figure Rhaenyra cuts in full armor, the heat in her gaze underneath the slots of her helmet. Alicent remembers the weight of her own hand in Rhaenyra’s—which was gloved—when the princess rode up to the spectators box and grasped it in her own, bringing Alicent’s knuckles to her lips. She thinks of Rhaenyra murdered in the sky, skewered with another man’s sword, plummeting to the ground, torn in half, streaking crimson across the clouds. Alicent would scream, or cry. She might laugh. She would throw herself from the window of her tower. Rhaenyra’s bloody exploits terrified Alicent for reasons she could not identify, and excited her for reasons she refused to.)

“I’d sooner be confined to the castle for the rest of my days than get on the back of that bloody lizard,” Alicent scoffed. Rhaenyra only tucked her hand over Alicent’s, where it was resting on her forearm. She flexed her fingers, moving to release her grip on the dark fabric, but Rhaenyra intertwined their fingers and held them fast.

“You’re confined already. You are already accustomed to such a thing. I know you. But—”

“But you forget yourself. You think you’re invulnerable, Rhaenyra. You don’t know who you are.” Alicent intends for it to be a sneer, but instead it comes out quietly, and too gentle for disdain. She can’t know. Rhaenyra is as trapped as she is, but they’re trapped together. They belong together. She belongs with Alicent.

“I am Rhaenyra Targaryen, Heir to the Iron Throne and all of Westeros. I am a dragonrider. I am—I am your daughter. In a way. Your sister, too. Your enemy. Your sword, your shield.”

“And what am I?” What else is left for me? Alicent wonders.

“My Queen. For now.” Rhaenyra cocks her head, and the gleam in her eyes burns like fire raining down. “When I am Queen, you will be my lady.”