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#shion script
prideofcelestia · 1 year
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❝when you repeat his words❞
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« characters -> lucifer, asmodeus, solomon, diavolo, barbatos, luke, mephistopheles »
« gender neutral reader »
« headcanons »
« notes -> suggestive for lucifer's part, the way he is in the game... platonic for luke »
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LUCIFER
His brows furrow.
"What is the meaning of this?"
When you mimic his displeased demeanour, he is almost sure that you are making fun of him.
Eyes narrowed, he stares at you for a while before sighing and bursting out into laughter, "You sure come up with the most random activities to have fun. It's cute."
Sure enough, you repeat his words.
"Hmmm? Why don't you follow me to my room and I will tell you about the latest activity I thought of? We can both take part in it and it won't be 'cute'," he smiles meaningfully.
ASMODEUS
"Awwww, you're such a cutie, trying to mimic my words!" he says. After a moment of pondering, he smiles seductively and coos, "I love love looove you, Asmo chan ♡.You are the brightest star on any stage! I swoon over your perfection, my lovely darling. Why don't you reserve all your hugs and kisses for me only? I want you all to myself! Oh, you are such a tease! Why do you leave me even for a moment? Please take me in your arms, right now and spoil me, my sweetheart!"
You are left speechless at the words he came up with on the spot. Since you didn't memoriese the words, you tried to satisfy him in your own way.
"Asmo, you know how I love you. You steal my attention when you walk into a room~"
He squeals, "Kyaaaa♡~ You did almost as good as the original! I knew you wouldn't disappoint me."
SOLOMON
He laughs at your antics and is amused to find you mimicking that sound too. When he narrows his eyes, you know that the cogwheels in his head are turning with some idea of its own.
"I am glad that I have a good teacher," he says coyly, waiting for you to reply. The smirk on his face makes you falter. You realise that irrespective of your reply, he will have his fun so you shrug and give up.
LUKE
When you stay silent, his smile widens. "Seems like your teacher taught you well. You know when to quit. Hahaha."
He blushes when he notices, his initial surprise fading away. Normally he would consider it rude but since it's you, he knows you're not making fun of him. So he's fine with it.
"H-Hey! Why are you repeating my words?"
"And the cute chihuahua says, 'H-Hey! Why are you repeating my words?'." you tease.
"I am NOT a chihuahua!" he pouts with hands formed in fists.
"I am NOT a chihuahua!" you bellow in an exaggerated manner and sulk.
Luke looks upset so you drop the act.
BARBATOS
He doesn't really react so you are left wondering if he even realised what you are doing.
"Barbatos, did you notice that I repeated the exact words you said? And copied your mannerisms too?"
"Why, yes, of course I did." he answers with soft laughter escaping his lips. " If I may take the liberty, allow me to say that I quite enjoyed it. And now, if you will quench my curiosity, why did you do so?"
His curious eyes fixed on you, taking you quite by surprise. "Eh... I was just having fun."
"Ah, I see. If it makes you happy, I will like to see you continue your endeavour."
A blush dusts his cheeks as he continues, "If I may be so bold, I will be really happy to know that I am the only one you mimic."
DIAVOLO
He finds the whole experience highly enjoyable.
"Oh, is this a human world game where you mimic the other's words? Hahaha I think this is an innovative way to bring people together."
The twinkle in his eyes makes you answer his question rather than continuing your prank. "Yes, it's really fun."
"Ohhhh? Is it my turn to repeat your words now?" he muses. Mirroring your actions, his voice echos, "Yes, it's fun."
You laugh at his seriousness so he joins you - half for the game, half because he wants to share the moment with you.
When Barbatos finds you two like that, he quickly exits. The sacred moment need not a third participant.
MEPHISTOPHELES
"I don't have time for this," he says when you stare at him for a while without speaking. "If you have something to say, say it."
He frowns when you repeat his words.
"Has the cold and lack of sun gotten to your head? You were the one who came to me."
He looks irritated when you mimic him again.
"I am a demon. I am used to the cold and lack of sun.... Ah I see. I read about a game like this in the human world. Why don't you find another victim, like Lucifer? I would love to know how he reacted."
The idea seems to please him so much that he starts daydreaming on the spot.
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paraliveimaginesblog · 8 months
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Big Spoon/Little Spoon
[BAE and TCW here!]
COZMEZ
Kanata Yatonokami
He’d pick big spoon if he had to. He’s not a huge fan of cuddling overall, but he doesn’t mind skin-to-skin touch. He’s the type who takes time to get used to (romantic) physical affection, so cuddling might be a slow-moving thing in your relationship. Once he’s comfortable with you then it’s no question that he’s big spoon and that he WILL be holding you at night, it’s just something you have to be patient with.
Nayuta Yatonokami
Big spoon. He really does always feel like he’s being protected, and it frustrated him if you were the one who wanted to hold him. He could hold you too! It’s cute how insistent he is about being big spoon, the pout on his face showing he meant business; you hadn’t really intended to argue with him to begin with, but seeing how passionate he was about being the one to hold you…you’d be lying if you said it didn’t make you happy.
GOKULUCK
Yuto Inukai
Both. Depended on his mood, or who was in control at first. You rarely wake up to Hancho but if he’s the one who took control in bed the night before, you’re normally wrapped up in his arms and wake up to a sleepy Yuto asking what happened. Yuto preferred having his head rest on your chest, face fond as he listened to the beat of your heart and said it made the perfect lullaby even on his most stressful day.
Ryoga Tosa
Big Spoon. It just feels natural he’d be big spoon, and unless you’re much larger than him, he thinks it’s uncomfortable to be the little spoon. He doesn’t really care if you hold him for a few moments but he gets restless easy, quickly flipping the script and reminding you of just how strong he is when he moved you into a better position with ease. His spooning tends to happen without him noticing, mostly when he’s asleep beside you and feels like you’re too far, his mind subconsciously telling him to fix that situation. 
Shion Kaida
Both, but likes being held a little more with someone he really loves. It’s easy to tease when he’s got you wrapped up in his arms, nipping at your ear and asking if you’d be more comfortable with a lack of clothing. But he does like when you take the initiative, never one to complain if you pulled him into your arms and kept him wrapped up, warm. He can’t guarantee he’ll behave himself whenever you’re that close but he does bask in the moment of being loved without expectation. 
Kenta Mikoshiba
Big spoon, if he has to make a choice. He doesn’t need to be held and you should count yourself lucky he’s holding you! In the end, it turns into more of a mutual hold situation as he wants you to be facing him, just so he can ‘see if you’re plotting something’. You think it’s cute that he gets nervous over simple things, wondering if you could slip him a few otome games to play to up his charisma stat. 
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hakkais-hoe · 2 years
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Where They’d Get Your Name Tattooed
Straight over their chest, big and bold like a warning sign to others, your name is a branding to them one that they adore. Proudly shows it off like a badge of honour. Doesn’t own a fully closed shit anymore, suddenly his chest is out 24/7. Kinda cocky about it.
TAIJU, Peh-Yan, Draken, SOUTH
On their back, they can’t always see it but others definitely can, reminds him of a jersey name. Kinda basic but sweet. Loves it when you sit staring at it or drawling random shapes over it with your fingers. Never wears a shit because of it.
Baji, KEIZO, Pah-Chin, Mucho, Nahoya, Mochi.
Above their junk, loud n proud baby 💀 will take no criticism he thinks it’s fuckin amazing. Likes to lift his shirt randomly to show it off. Does that sexy thing in the morning where they scratch their stomach under their shirt and their abdomen is on show 😮‍💨.
SHION, HANMA, Wakasa, Shinichiro, RAN, Mikey (surprise), SANZU MF HARUCHIYO, Takeomi. —The whores basically
Sweet boy just gets it on his wrist , small and pretty. Pretty swirling script of your name sits delicately on his wrist for everyone to see when he rolls up his sleeves.
RINDOU, Kokonoi, Inupi, SOUYA.
Small initials behind their ear. Has to keep it slightly hidden due to work but adores it none the less, usually looks in the mirror at it when he can. You will definitely have to go with him to get it maybe even get his behind yours to match.
HAKKAI, Mitsuya, Takemitchy, CHIFUYU, Kazutora- has it lower than the rest so it’s on show.
▪️▫️▪️▫️▪️▫️▪️▫️▪️▫️▪️▫️▪️▫️▪️▫️▪️▫️
Just a short random one cos I’m getting a new tattoo in a bit.
Do I want to get the Haitanis initials? Yes yes I do 😭
Taglist: @loonashadow @haitink @soushswag @roppongiperfume @honeybachira @wakasagurl @sunahyejin @reiners-milkbiddies @bontensbabygirl
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demifiendrsa · 3 months
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youtube
Dandadan TV anime - Teaser PV (Character voice version)
The TV anime adaptation of Yukinobu Tatsu’s Dandadan manga will premiere in October 2024.
Cast
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Shion Wakayama as Momo Ayase
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Natsuki Hanae as Okarun
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Mayumi Tanaka as Turbo Granny
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Kazuya Nakai as Alien Serpo
Staff
Director: Fūga Yamashiro
Original Creator: Yukinobu Tatsu
Script: Hiroshi Seko
Character Design: Naoyuki Onda
Alien and Supernatural Entities Design: Yoshimichi Kameda
Music: Kensuke Ushio
Animation Production: Science SARU
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kahixxi · 1 year
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My fav villainess manhwa:
A Villainess for the Tyrant (Yu-iran, Jagae)
For Better or For Worse (No Heeda, Eunren)
How to Win My Husband Over (Spice&Kitty, Siru)
The Villainess Tames the Beast (Norae, Seolyoung)
I Fell into a Reverse Harem Game! (Inui, Goya)
Cassmire: The Loyal Sword (Shion, ilye)
The Villainess Flips the Script! (Ken, Garine)
Rewriting the Villainess (Honghye)
Villains Are Destined to Die (Gyeoeul Gwon, SUOL)
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reallyromealone · 2 years
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Ciaooo vita. Come stai spero bene. Posso richiedere famiglia tenjiku che guarda neonato reader indossare l'uniforme tenjiku e tutti gli fanno la foto. E tipo gli uomini più grossi(mochi e mucho) lo prendono in braccio e gli fanno il solletico con le sue enormi dita, mentre kisaki sorride leggermente per la dolcezza del neonato. Grazie mille ti adoro 💕
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"Hi life. How are you? I hope good. I can request tenjiku family watching newborn reader wear tenjiku uniform and all take the picture of him. And like the bigger men (mochi and mucho) pick him up and tickle him with his huge fingers, while kisaki smiles slightly for the sweetness of the newborn. Thank you so much I love you 💕"
Ciao tesoro! è così carino e lo adoro! Spero ti piaccia!
English version under the keep reading cut
♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️
Gli haitani ridacchiarono mentre indossavano l'uniforme su little (nome), un bambino adottato dalla banda di Tenjiku qualche settimana fa.
Chi potrebbe buttare via un ragazzo così caro?
Il bambino ha cambiato con chi stava una settimana, i fratelli Haitani stavano appena finendo il loro turno mentre si avvicinavano all'incontro "è (nome)..." Kakucho iniziò mentre i membri della banda guardavano i tre con soggezione, in particolare il piccolo (nome ) in una minuscola uniforme Tenjiku e quando è stato sollevato per mostrare la piccola scritta kanji su di lui, c'era scritto "leader supremo e presidente del club del culo pulito" entrambi all'interno delle battute tra le figure del fratello maggiore / padre al bambino.
Era l'unico che poteva piangere e urlare qui e ottenere ciò che voleva in un batter d'occhio.
"Oh, devo fare una foto di questo" ha detto Mochi già tirando fuori il suo telefono a conchiglia e tutti hanno sciamato sul bambino e persino Kisaki stava sorridendo al bambino!
Mucho sollevò delicatamente il bambino tra le sue braccia e iniziò a solleticarlo, il suono delle risate come musica per le loro orecchie mentre (namel scalciava felicemente i suoi piedini, indossando versioni minuscole delle scarpe che Izana indossava comunemente.
"Dio è prezioso" disse Shion e Izana annuì in accordo "certo che lo è..."
"Dopotutto è un bambino Tenjiku"
The haitanis giggled as they put the uniform onto little (name), a baby adopted by the Tenjiku gang a few weeks ago.
Who would throw such a darling boy away like that?
The babe altered who he stayed with by week, the Haitani brothers just finishing up their turn as they walked to the meeting "is (name)..." Kakucho started as the gang members looked at the three in awe, specifically little (name) in a tiny Tenjiku uniform and when lifted to show the little kanji script on him it said 'supreme leader and president of the clean butt club' both inside jokes amongst the big brother/father figures to the baby.
He was the only one who could cry and scream here and get what he wanted at the drop of a hat.
"Oh I gotta get a picture of this" Mochi said already pulling out his flip phone and they all swarmed the baby and even Kisaki was smiling at the baby!
Mucho gently lifted the baby in his arms and began tickling him, the sound of laughter like music to their ears as (namel kicked his little feet happily, wearing tiny versions of the shoes Izana commonly wore.
"God he's precious" shion said and Izana nodded in agreement "of course he is..."
"He's a Tenjiku baby after all"
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journeysfable · 7 months
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I can't believe I decided to take a break from writing a script for the qsmp recap video. I stopped at the weird "the feds say the eggs have only 2 lives but can seemingly bring them back whenever they feel like so do they really only have 2 lives???" only to learn about Shion/Aster/Memories/Hope/The Abandoned Egg. Lol...? It's kinda funny but that was also one of the saddest things I've ever read and I don't really feel like laughing rn
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dokidokitsuna · 1 year
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Sleepy Shion
This is the first ‘fancy’ illustration I’ve done in a while, since I’ve been busy animating all month...and as usual, my skills always come back with a vengeance after I let them rest~
As you may have guessed, this is for the eventual (hopefully coming soon...) RWBY Dream Machine video, and as an extra treat I’ll let y’all see some of the script that explains what I did with Shion for this rewrite:
“...You probably noticed that I changed quite a bit about Shion’s character, besides giving them their own little shop to inhabit. I thought that a little narcolepsy would be a cute thematic trait to add to their character, and it would be an easy way to give an actual reason for someone with an impressive title like ‘Nightmare Hunter’ to be so oddly inactive in the plot.“
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vermillion71401 · 3 months
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MY REVIEW ON PSYCHO PASS PROVIDENCE- part 2
SOME ISSUES (and THOUGHTS) THAT I NEED TO ADDRESS:
I still don’t get the reason why Prof. Saiga and Prof. Stronskaya made the paper. What are they aiming with that? Did I miss something? And conflict coefficient is too much like crime coefficient. This is personal reason, but honestly conflict coefficient is much more reasonable than Sybil. At least, they don’t judge based on how cloudy people are.
I like Saiga and Kougami relationship, and for once we get to see Kougami use Keigo.
No hate, but idk some people debate over Kougami calling Frederica by her name. Akane also called her like that too, except she always use -san, like she did with Shion-san. Kougami also address Shion with her name and nothing happen. He’s just comfortable with both of them, I think. (idk how close they were, need novel)
Why Azusawa never appear on this movie? I thought since we don’t know anything about him in PP3 we somehow have explanation in PPP, with Shindou especially. Well, I despise PP3 anyway, pls don’t ask me why. I appreciate PP staff work tho.
Sugo is cute, loyal hound to his inspector. He’d make quick call, inform anything suspicious to Akane.
I find it funny Kougami act childish in this scenes:
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He clearly keep his distance from Akane and div 1 after he and Akane’s convo late night call, even Saiga asked him. He only dare to look at her face again after their body almost exploded with c4, meanwhile Akane from the first time act as if nothing happen. Nice writing, I guess.
Until PPP, I think so many characters have died. And their death is almost have no meaning nor progress to the story (yet with Saiga’s case). PP is dystopian anime, I get it, the story is dark and tragic, I get it, but why they shown so many death after s1? No, it’s not meaningless, it’s actually create situation or drama (for ex Sugo killed Aoyanagi), but not with audience. They don’t make us fully feel related or attachment to the character, but suddenly they’re gone. (like entire div 3 on PP2.) This is just personal opinion, but Saiga’s death is kind of ashamed, they shouldn’t just kill him as a mere bait for Peacebreaker, it’s too bad. There’s so much potential to his character in the future instalment if they ever make one  :’(
Akane running away to fallen Saiga is kinda throw me off. Why not help Kougami or Frederica first? This is out of character. The old Akane would never.
I like that Akane bursts in front of Kougami in elevator scene. When it’s just the two of them, she actually lower her wall because in my case, I never want to cry in public or in front of strangers. Well, she cried near the fountain holo before though, but you get the point.
Kougami sympathy to Akira.
Akira is precious, that’s it. Everyone who watch it already know why.
Just for a brief second, I can see Akane’s eyes shaking when she heard Kougami’s tone on the call. She must be aware he’s in pain.
The scene where Tonami had possessed Akira, Akane could have done so much more or at least TRY something. Where’s the badass Akane we always adore?
Akane always have puppy eyes for one man and one man only. Guess who?
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Those puppy eyes can kill me.
Also, I find this script is irrelevant. In the hospital, first Akane relief that Kougami is unhurt, then suddenly he said ‘my mistake’? Why is he suddenly apologize, lmao.
Sybil is a bitch. After Yabuki and Shindo’s tasks done, they told Shindo to just die. Sigh.
I HATE that Tonami has low CC. In s1, we only learn that people with low CC can’t even commit crimes except being asymptomatic, and suddenly this new villain who basically terrorist has clear hue just because he feel sympathy to low life and wants fairness for them (cmiiw). He kill people for God’s sake! This shows inconsistence of writing and will create plot hole in the future. And for Akane’s case, I tolerate it probably because Kasei isn’t actually human.
Akane is so strong, she has been shot twice by Tonami, yet she can speak clearly, even sit. Meanwhile we can find waver in Kougami’s voice on that call (he only get one bullet on his thigh.)
I find this interesting.
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Akane is NOT aware that Tonami is about to shoot her. If she knows, would she see Kougami’s sin differently? But after much thought, I think it’s still wouldn’t change a thing, because she wants to arrest Tonami. But dude, Kougami shoots because he can’t lose her, if he shoots his leg or hand or whatever, anything could happen and Akane would’ve been died. If I were him, I’ll shoot his head also without hesitation. I wonder if she understand that she’s at stake.
Who transfer Sugino to SAD? Akane?
Imagine Kougami’s feeling when he can’t do anything to stop Akane. Wow.
Akane’s decision to do that is actually admirable, she honour Shindo and Akira’s death.
This is the end of my chattering. I hope I’m not seen for being a pathetic shipper. I love psycho pass as anime.
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waffleweirdo · 7 months
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Long Post About Amemiya and Masai
I was just self-indulgently writing about them and I realized I had accidentally written 3000 words. They are so fun to write. This doesn't really have any cohesive narrative really, I was just writing it for fun myself so it's a bit wonky, but there's not enough bgumi stuff, so if you're interested, uh, here?
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Seisho Music Academy was bustling. After all the preparations for the annual-and 100th-Seisho Festival had just begun. Seisho was known as a school for the most elite performers to study and go on to become famous actresses. Often overlooked was Group B. 30 students carefully selected to attend just like the performers, and they studied stagecraft. 
Many of her classmates were busy organizing materials and plans for their second production of Starlight, they might even begin creating some references or general set pieces. Meanwhile, amidst the clamor Shion Amemiya was sitting alone in a vacated classroom. Her job, once again, was to write the script. She knew this was coming. Ever since last year when she had been selected out of the class applicants to write for their 99th Seisho Festival she knew it was likely she would be nominated again. She sat at a table cluttered with notes and discarded ideas. Next to her was her copy of The Starlight Gatherer, which she had poured over countless times, indicated by the many creases and veritable rainbow of tabs and notes she had left herself. She loved her work. She was proud of it. But still the pressure she felt was overwhelming. Before anything else could proceed she needed to finalize the script, and with having to adapt such a story, it was almost harder than writing something original. Last year she had felt the weight of expectations after having been chosen to write the script. She had hoped that after a year of practice she would be more confident, but alas that wasn’t the case. Even though it had been a year it felt like barely any time had passed. Had she really grown? Now she had to one-up herself as well… No matter how much she tried she just couldn’t think of what to write. So she grabbed her essentials and changed location.
Seisho had multiple stages. Today the main stage was being used for the actors to rehearse, and most of the workshops were busy with Group B organizing tech. But that left a smaller theatre vacant. In fact this theatre was rarely used, except for some smaller events. As such it was almost always free and had become Amemiya’s favorite spot. Being on stage helped her focus much more, whenever she was stuck this was her hideaway. Slowly but surely, under the dim glow of the work lights she began to write. It was rough coming up with ideas, but there had been parts of the last show that she wasn’t happy with. More than anyone else she noticed those incongruities. She didn’t have to write anything grand and spectacular, she just had to find those moments that she was discontent with and try something new. The load slowly felt lighter and her pencil felt freer. As time slipped out of her awareness, and the scratch of pencil and turn of paper became a rhythm she felt herself find a groove. She enjoyed trying to solve problems and figure out how elements could fit into a performance, but these moments where she felt free to truly weave a story carried her along. She was able to create something that would be made real and then shown to an audience. It was equal parts terrifying and exhilarating. The hours began to pass by and Amemiya was only roused by the tap of a hand on her shoulder. It was Masai.
Masai was the only person who was able to find Amemiya here. This location was a secret between the two of them; in fact it was part of the reason they first became close. The two of them had met here by chance, during their first year. Amemiya was overwhelmed and had sought refuge; they had been working on set building which was her worst field. The noises of the power tools were just too overwhelming. Soon afterwards Masai stumbled in. She had told Amemiya that she was just taking a breather as well, but Amemiya knew she had come to check on her. The two of them sat there together for a while. Of course when they returned they were both punished for shirking their duties. But at a time when Amemiya was overwhelmed and unsure if she could keep going, feeling alone, Masai had helped her. “Hello” Masai greeted her in a soft voice. Amemiya put down her pencil and turned to face her. “Hello, what time is it?”
Masai wore a knowing grin, “It’s already 9 and we are supposed to be closing down. I thought I’d find you here”
“Ah thanks, I guess I lost track of time again”
“It seems like it.” It was a playful jest that the two were used to. Masai would often be the one to come find Amemiya as she often got absorbed in her writing. “What did you write?” Masai asked.
“I think I have about everything up until the second star festival figured out. Plus a few ideas I’d like to ask group B about”
“You’re hard working as ever. Let’s head back for now.”
The two of them had been assigned to share a room for their second year. Usually the dorms didn’t change so it was a welcome surprise. As they headed back Masai told Amemiya about the progress with each department. It was nothing incredible or alarming, but it was fun talking between the two of them. As they got back to their room and got the chance to be alone Amemiya could see the exhaustion on Masai’s face. She had been chosen to be the director, but it meant she had a lot to do, and couldn’t show her faults. Amemiya wanted to give Masai a chance to relax, and so she listened as Masai got everything off her chest. The two spent a while that night talking, and ranting, truly the beginning of work on the festival was a tumultuous time.
Progress proceeded slowly, but surely, and before they knew it the script had been submitted and the time for auditions would begin. After Amemiya managed to finally finish the script she, Masai, and most of the designers took some time to celebrate (and inevitably talk about ideas for the show). It was fun, and afterwards Amemiya and Masai had cake. While the script had been written auditions were coming up and that was often the hardest time for Masai. Inevitably every year no matter the cast there would be complaints. So although she was done writing Amemiya would now shift to giving assistance wherever it was needed, although particularly supporting Masai and the stage managers. This year they decided to hold multiple rounds of auditions in hopes that this could help provide a better overall idea for the cast and allow the actors and tech chances to improve. Amemiya had hoped that this would also reduce the conflict since auditions weren’t final yet, but of course it soon reared its head. Kaoruko Hanayagi came barging in to complain. Last year she had been cast as one of the goddesses, but this year she hadn’t. “This is the first time I’ve lost out on a lead role in any production” Kaoruko started after suddenly bursting open the door. She was angry, and stared demandingly directly at Masai. “So, if I’m not playing a lead, just what am I doing?!”. Masai was trying to show a calm face and hoping to think of a response to ease the situation. But these were the situations she was worst at. Amemiya was frustrated. Frustrated not only that Masai had to have this happen - being unfairly lashed out at - but that she ultimately couldn’t help. She knew she wasn’t cut out to be the director. Masai was able to keep calm and unite everyone, she simply didn’t have that. She felt helpless. Even still, even still, in this moment she could see Masai struggling, and she wanted to do whatever she could. “I’m going to be blunt. In this next Starlight there is no place for you at all…” Her brain was moments behind what she was saying. Only after it had been spoken did she really understand what she said. It was harsh. But at least it would put a clean end to the situation. Right now at least a larger confrontation had been avoided. Still… Amemiya wanted to apologize later. Her words had been sharp and painful, it wasn’t what she had wanted to say, but it was all she managed.
Later that day they both found themselves in the forgotten theatre. They would both go there whenever they needed an escape, and the other always seemed to know. Today Masai was there first. She had turned on the light board and was lying down staring up at the lights. Amemiya moved to join her, she didn’t say anything, but laid down next to Masai. Amemiya methodically intertwined their hands, and squeezed Masai’s hand tightly. A few minutes passed before either spoke. “Thank you” Masai whispered, but to the two of them its sound filled the room. “I’ve still got a while to go. I’m improving since last year, but even still.” she continued.
“It was her fault for getting upset even before the final auditions.” Amemiya responded.
“Yes, but it's still my job to sort out any conflicts. Even when it’s hard I am the director. Even when it’s hard this is still what I want to do.”
Amemiya admired her determination. How she could be so insistent despite struggle was inspiring. She herself always felt adrift. Sometimes inspiration would strike, and sometimes she would be left lost. But Masai stayed grounded, and helped her stay grounded. She turned her head to gaze at Masai, who was staring back at her. “It's my job to support the director, and you’re a director I always want to support”. Masai turned to look up, and Amemiya followed her lead. They both abruptly sat up and the two of them began to yell until they had emptied their lungs. In truth neither of them knew what the sound-proofing in this room was like, but sometimes they just wanted to do this. Afterwards they were both left laughing.
Kiriko Masai had always thought of herself as a stubborn person. The culmination of her stubbornness could be seen as she now stood at Seisho Music Academy. Her family hadn’t opposed her attempting to enroll. But she could tell they never really expected her to get in. But despite what anyone else said she was standing here. It was a few weeks into their first year. Masai was enjoying the classes, and had been getting along well with everyone in class. Although she felt it was surface level, at least everyone was in good spirits. That’s what she wanted to maintain. Afterall she knew how hard it could be for everyone to get along smoothly once a production would start and issues would arise. It was on a day where they were building standard wooden platforms, that she saw someone - she recognized her as Shion Amemiya - flee the class. Masai decided to follow her. Even today she didn’t know why. It wasn’t like her. The class was enjoyable, and she risked getting punished for skipping. But at that moment, dismissing everything else, Masai wanted to run with her. She has never regretted it.
When she had first been chosen to be director Masai was initially overjoyed, and then very quickly overwhelmed. She got along fairly well with everyone in class so no one openly opposed the decision. But she could feel the discontent under the surface. It made sense, so many others wanted to be the director, but it ate away at her. The first time she messed up was the first time she heard it stated openly. “She was a bad choice for director” it was some of her classmates talking behind her back. She recognized the voice, but even still begged to forget it. She didn’t want to know who it was. Even still the next day there they were smiling and chatting with her in class. Without knowing it she had retreated back to the same forgotten theatre she chased Amemiya to that day. Soon after Amemiya appeared, just how she knew she would find Masai here wasn’t even something that crossed her mind. That day Masai cried. From everything she was unsure of, from all the stress that had been building up, from the pressure to succeed. She let Amemiya hear all of it, and the next day she would be the best director possible. Of course not everything was smooth sailing. She still struggled. But this was the first time she had someone she was truly close to. Not her classmates who she just got along with on the surface. Not even her family really supported her. In the future she would make more true friends, and feel more in place as a director. But at this moment, when she felt at her breaking point, it was Amemiya who helped her continue. Whatever the future held she would treasure this time.
At some point the two of them had stopped using each other’s names. Somehow, from the tone of voice, wording, or something they could tell when the other was talking to them. But now, as Masai looked at Amemiya sitting alone in the dark, clutching her script she called out to her. “Shion”. Amemiya looked up. Her eyes were surrounded by dark circles (though not unusual, these were far worse than normal) and her hands were gripping her pencil so tight they shook slightly. Masai knew just how hard writing their 3rd Starlight had been on Amemiya. The two of them had been talking about it for weeks and she knew that even if Amemiya was open with her, her doubts and fear of failing would make her suffer alone in silence. This was Masai’s deadline. She could see Amemiya working herself to the bone. She wanted to give Amemiya all the time she desired. But ultimately Amemiya’s health was far more important to her. So the celebration (help I forgot what it’s actually called) was the cut off. She approached Amemiya and slowly took her hand. She methodically loosened her fingers and interlaced her own. She took the partially finished script. Turned to Amemiya and smiled. Then she took off at a sprint, pulling Amemiya along with her. In contrast to the dark confined room Amemiya had trapped herself in, the two felt the motion, and saw the bright lights of the celebration. Soon Masai took the stage pulling Amemiya along with her. She looked down at all their classmates around her. People who looked up at her expectantly. For two years she had served as their director. To ensure everyone got along and went smoothly she did all she could to be the perfect director. Kind, open to all, and never showing weakness. Amemiya was the only person that she was open with. But now, seeing how much Amemiya was suffering, she realized it was time to let the act drop. She took the microphone and yelled into the crowd. Letting out her fears, and frustration. It had been tough. There had been lots of disagreements. Many things that Masai regretted. But right now, ultimately she felt that she would regret keeping everything hidden. So she let everything she was carrying within out, and unburdened herself. She told the honest truth. She was scared, unsure of what they could do for their third year, and feeling stuck. She shared a piece of that with everyone. Her friends, even the people she couldn’t quite get along with. They were all here together. It was okay because they were all here together. At this point, they had all grown. She didn’t need to be the perfect director anymore. It was okay. She still belonged here. They all still wanted to make the best show they could.
Masai turned back to Amemiya. Everyone had accepted her weakness and fear. Whether the script was done or not it was okay. Amemiya didn’t need to hide and suffer by herself. After all, they had always managed before. Through whatever happened. Masai was here for Amemiya. Always. She was stubborn afterall. Once more she took her hands. And so their third production of Starlight began. Then the script was finished. Then there were of course some squabbles. Then it was time for tech week. Then, equal parts exhausted and thrilled, it was time for the performance. Then the 99th class struck the set for the last time. Then it was time for graduation.
The day before their ceremony Masai and Amemiya sat in their own forgotten theatre. There were no classes, so they spent the whole day there. It was quiet. The temperature was warm. That felt right. It was comfortable. That’s what Masai would remember most. The two of them didn’t meet due to some grand event or experience. But it wasn’t by chance either. This room was overlooked, rarely used, and out of the way. But to the two of them it was their own. Before they graduated they both signed the one of the walls, mostly hidden by view. While others were signing the catwalk, or the tool room. This is where they wanted to leave their mark. As with the rest of their third year graduation buzzed past too fast to process. Their time at Seisho had finally ended. But the two of them would still be by the other’s side. Although everything was changing for them, they would walk forward together.
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prideofcelestia · 7 months
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❝ when you say that nobody got you a cake for your birthday ❞
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« characters - lucifer, mammon, satan, leviathan »
« gender neutral reader »
« headcanons »
sol ver
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LUCIFER
“What?” His eyes widen in disbelief.
“Yeah... so we would all put money together to buy a cake for my other friends but since my birthday fell during the summer vacation, I never really cut any cake with my friends.”
He declares an emergency family meeting where he orders Mammon and Asmodeus to choose a venue for a party, Leviathan to decide the food menu, and Satan, Beelzebub and Belphegor to look after the decorations. He personally hires one of the best pâtissiers in the Devildom to make a cake especially for your party. It will be a private affair with only the brothers attending.
Lucifer will get you another cake to cut in private later but first you must get a taste of celebrating with close friends who are also akin to your family.
When you see the cake, you are rendered speechless. It has a tier for every year of your age. Even if your time is fleeting, every second that has passed and is yet to grace you matters. You matter and they will do their best to remind you of it.
MAMMON
“What would ya say?!”
He is royally pissed at your friends. It's good that you have him in your life now. The Great Mammon will make everything right.
“O-Oi human! Come to my room after classes today.”
“Mammon? I thought you had to stay back for detention.”
“Well don't think about those stupid details, would ya?”
You sigh and accept the invitation. There's no saving one who doesn't want to be saved.
When you enter his room, you know something is off. It has nothing to do with the room itself. It's his nervousness that makes you suspicious.
“Mammon, are you okay?”
“I just- Close your eyes!”
“What? What's this all of a sudden?”
“Trust me and close your eyes!”
“Okay okay!”
You follow his instructions, only to be met with a shy plea immediately as he scurries across the room.
“Open your eyes now... Surprise!”
The cake he gets you is the colour of molten gold and looks like a Grimm from the top.
“Oh my Diavolo, Mammon! It's such a sweet gesture.”
“I couldn't just let my servant go without cutting a cake! What kinda master wo-would I be otherwise, huh?” He manages to say with blushing cheeks.
He can hardly look at you so you wrap your arms around him and kiss his cheeks in gratitude. He is ready to explode. Atleast he will explode as a happy demon.
LEVIATHAN
“Ehhh? EHHHH?! You?! Bu-But But you are so amazing and sweet! How can those normies ever forget about you?! It’s not as if you are a pathetic gross otaku li-like me?!”
He takes some time to process the information and feels sad about it. Even he cannot relate to you because his brothers had never let him celebrate a birthday without throwing a surprise party.
It has always been easy to plan for him because he hardly left his room and so the brothers held their secret meetings without a worry. Similarly, it was child’s play for him to plan a small party for you from the comfort of his room.  
Your DDD vibrates because of a message from Leviathan.
“Can you come to my room rn? I have something to show you.”
The moment the door opens, the sound of party crackers catches you off guard and before you know it, you are covered in party streamer.
“SURPRISE!”
You blink to find a cake shaped like a gaming controller with "Player 2" written on it in a cute style.
Levi has arranged some of his figurines and Henry’s fish tank to surround the cake. They have a small party hat on top of their heads. Henry swims around happily as if to show off in front of you.
SATAN
He shuts his book in rage.
“The audacity! How could they?” He mumbles to himself when he is alone.
He is only too well acquainted with the feeling of being excluded. It hurts. It hurts when he doesn’t supress his feelings well and the wrath that comes with it is not sweet either.
He feels sad and extremely offended on your behalf but he also acknowledges that his feelings won’t amount to a lot if he doesn’t act on it.
He decides on a small, intimate celebration with the two of you and some of your feline companions.
He gets you a cake in your favourite flavour, carefully listing your allergies, likes and dislikes. He ditches his first idea of getting one that looks like the head of a cake. It would be sacrilege to eat it!
The cats seem to understand the mood because they mewl and Satan sings when you cut the cake. He is awkward while singing so don’t let it get out of his room! The smile on your face compensates his embarrassment.
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yuzukahibiscus · 1 year
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【Performance Review】Takarazuka Revue Flower Troupe “MAYERLNG“
Takarazuka Revue Flower Troupe Performance starts performing in the Tokyo Takarazuka Theatre from February 18 onwards.
Musicla Romance “MAYERLING” (Original work / Claude Anet, Script / Shibata Yukihiro, Adaptation・Direction/Koyanagi Naoko) and Takarazuka Spectacular “ENCHANTMENT–A Luxurious Perfume–” (Script and Direction / Noguchi Kousaku) is a two-set work. It will be performing till March 19.
(Source taken from mati sowa // Spoilers below the cut)
“MAYERLING” is one of the post-Takarazuka productions wirtten by the late Shibata who died in 2019.
The Takarazuka Grand Theatre, Tokyo Takarazuka Theatre performance premiere was done in 1983 by Snow Troupe Top Star Asami Rei. It was performed again 10 years later in 1993 by Star Troupe (Top Star Shion Yuu), and it has been 40 years since the premiere this year, so it’s a show performed after 30 years (in the Grand Theatre).
The story is based on the actual tragedy of the incident involving Austria Crown Prince Rudolf and the baroness’ daughter Marie Vetsera.
Rudolf is the son of Queen Elisabeth. This is different from the young Crown Prince that was being “tricked by” in the musical “ELISABETH”, which portrays the extraordinary life of the Queen and how “Death” was captivated by her beauty, instead this is a young man who is frustrated by politics, has his opinions and pursues true love.
Director Koyanagi explained in the pamphlet sold in the theatre (programme), “I’m not going to go odd with it, instead I’m going to approach the performance as how it is.”
Top Star Yuzuka Rei followed such direction and expressed various of Rudolf’s feelings of frustration, sense of giving up, his struggle, his passion in a completely restrained manner, like a quiet, blue flame.
On the other hand, her partner Hoshikaze Madoka  played Marie, a warm-hearted maiden. Cheerful, adorable, immediately captivating the heart of Rudolf. Her loveliness is what made the tragedy of their love stand out.
“My beloved Rudolf”. Marie fell asleep upon saying her lover’s name sweetly during the climax. As the intense music of the waltz came abruptly to its end, Rudolf slowly pulled the trigger. “United by love until after death” After their struggle with fate, that was the last form of their love remained.
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【公演評論】寶塚歌舞團花組「梅耶林」
寶塚歌劇團花組公演於2月18日起在東京寶塚劇場開演。
浪漫音樂劇「梅耶林」(原作/Claude Anet,劇本/柴田侑宏,潤色・執導/小柳奈穂子)和Takarazuka Spectacular「ENCHANTMENT-華麗的香水-」(腳本和指導/野口幸作)是兩套作品。公演將繼續到3月19日。
(以下為劇透)
「梅耶林」是 2019 年去世的已故柴田創作的戰後寶塚作品之一。
寶塚大劇場,東京寶塚劇場的首演於1983年由雪組TOP STAR麻実れい主演,今年是時隔30年(大劇場)的公演。10年後於1993年由星組(TOP STAR紫苑ゆう)再演,今年時隔首演已經40年,而也是事隔30年到大劇場演出。
故事取材於奧地利皇太子魯道夫和男爵夫人千金瑪麗 · 韋策拉所發生的真實悲劇。
魯道夫是伊麗莎白女王的兒子,與描繪女王不平凡的一生,「死神」被她的美貌所迷惑的音樂劇「伊麗莎白」那個被愚弄的年輕皇太子不同,這是一個為政治苦惱,有主見,追求真愛的青年。
導演小柳在劇場出售的小冊子(場刊)中解釋:「我不以奇異的形式,而是要按正面來指導公演。」
TOP STAR柚香光也順著這樣的方向,將魯道夫的各種挫折、自棄、掙扎、激情感完全克制地表現出來,就像一團安靜的藍色火焰。
另一方面,她的搭檔星風まどか飾演的暖心少女瑪麗,開朗可愛,一下子俘獲了魯道夫的芳心,她的可愛讓他們的愛情悲劇更凸顯出來。
「我最愛的魯道夫」,高潮時瑪麗甜甜地念著愛人的名字就睡著了,隨著華爾茲激昂的樂曲戛然而止,魯道夫緩緩扣動扳機。「為愛攜手  至死不渝」與宿命爭鬥以後,這是他們最後的愛情。
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nickolashx · 1 year
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Higurashi no Naku Koro ni (2007)
Higurashi no Naku Koro ni is a sound novel for the PC. It contains four arcs, known as the "Question Arcs." These sound novels—often abbreviated SNs or VNs (visual novels)—were written and illustrated by Ryukishi0 (Now behind Silent Hill F) While his brother, Yatazakura, scripted them into NScripter.
In June 1983, Keiichi Maebara moves to the village of Hinamizawa (雛見沢) and befriends classmates Mion Sonozaki, her twin sister Shion, Rena Ryūgū, Rika Furude, and Satoko Hōjō. Keiichi soon learns of the village's annual Watanagashi Festival, a celebration dedicated to the local deity Oyashiro. Hinamizawa initially seems calm and peaceful, but shortly before the festival, Keiichi learns that for four years in a row, murders and disappearances have been taking place on the day the festival...
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welcometomy20s · 2 years
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April 25, 2022
One of the most important memes in Hololive is that they are supposed to be idols, but they are a bunch of comedians instead. Therefore it would be apt to graph the JP talents into a spectrum going from idol to comedians. Except this would be a misnomer, on both ends. Most music-focused people are not idols but Artists, ironically it’s the people who move away from Girlfriend Experience that are the music producers. And those who are not aren’t necessarily comedians, since comedians require different skills than streamers. There was a Korean show where celebrities and professionals were invited to host a stream, and there was a famous rule of thumb on that show, which was that comedians, in general, were very bad streamers. I think that’s because comedy is mostly scripted, even improv follows scripts. Streaming rarely follows scripts, you have to prepare for the unexpected and you have to fight against mobs of insanity.
So, the true spectrum will go from Entertainers to Artists. Let’s start with Entertainers.
Entertainers
Pekora and Miko are one of the most storied and celebrated pairs in Hololive, and their main commonality is their structure. Pekora and Miko streams almost daily with variety that would enforce the particular worldview of themselves. Music serves to accentuate this worldview rather than making a musical statement.
Others in 3rd Generations also fall into this group. To talk about the current members, Marine is an entertainer that is actually a phenomenal singer, but she’s too frail to actually pursue a musical career and so she settles on odd covers and the yearly original song, which tends to be one of the blockbuster M/Vs from Hololive. Noel is the opposite in that she is a very limited singer, so she doesn’t even do music, other than that one original song. Flare is actually in the lower category, so I’ll talk about it there.
SMOK was originally part of this group, but now only Subaru and Korone are in this group as Mio and Okayu slowly drifted into an utaite. And associates as well with Fubuki, Choco, Luna… Lamy and Botan was originally here, but is slowly drifting into the utaite category as their singing becomes more presentable. 
Oh, La+ seems to be here as well, or least she is trying to be. She probably felt aggrieved during her stay at Re:AcT and so is decidedly working against below.
Utaites
Most JP talents are actually utaites, singing is part of their identity, but it does not define the identity. Since there are many, this group is further separated by frequency.
Light utaites - These include Mel and Matsuri, although Mel has been more active lately. Matsuri could have been an artist, but she seems to refuse that route like many. Iroha is here too, but I think it’s mostly because she is kind of inexperienced.
Medium utaites - There include two of the manji-gumis, Shion and Ayame. By all accounts, she should be light, but compared to her streams, her covers are pretty much on par so just by that she gets into this category. Kanata is somewhat between the two categories, because she has health conditions that keep her from being heavy.
Heavy utaites - Two of the HoloX members, Lui and Koyori, became this, which single-handedly up the cover ranking in much consternation of myself, but also of delight. We never really had this in recent years, other than Polka. Polka straddles between the utaite and artist, considering she has plenty of originals. 
For those mentioned above, Botan will probably end up light, Lamy and Mio in medium, and Okayu firmly lands on the heavy side. Moving on to the artist of Hololive…
Artists
For a supposed idol group, I believe there are only two idols in Hololive, Aqua and Nene, and they both are going through significant reconsiderations. The reason is that VTubers has gone mainstream and idols only really appeal to a specific group of people, which is becoming a smaller part of VTuber watching pie. To grow and mature as a VTuber, it increasingly feels necessary that this idol path is no good anymore. There are straight VTuber idol groups, in fact about half of VTubers before Nijisanji were just straight idol groups like Enogu Group or MaRiNaSu, and most of them still does work, which is fine, most idol group are underground, just because the market is small anyway, but Hololive has become too big to pursue this kind of path without some serious trouble and Artist route seems more more promising these days.
Sora, AZKi, and Roboco somewhat, are not fully idols, but idolic artists. They are like idols in that the branding is a significant part of their appeal, but the brand is a bit different from celebration of femininity. They pretty much bred from the initial model, that of Kizuna Ai. As people would state, Kizuna is much more of a brand than a talent. But she is not quite an idol, because there is underlying maturity in her, which is also present in Sora, AZKi and Roboco. So they operate on these grounds. They also kind of act solo, collabs being few and rare. It’s hard to say what they are specifically.
Some who are easier to calibrate are those who are straight artists like Suisei and Towa. They put out lots of covers and originals, and most of their days are spent in producing music, that is not to say they are not skilled streamers, but most people support in their pursuit for a musical career. There are more in this vein, like Watame.
Watame is probably not the first person you think of as a Hololive Artist, but she definitely is one, it’s just that she also streams for 8 hours a day, and that overshadows her musical talent, which is plenty. Others are overshadowed for other reasons, like Akirose, who is just not popular enough (for whatever reason), and Chloe whose memes kind of avoided her musical talent lately. I once again mention that Chloe has been writing an original song every month with a break this month to produce a full song next month. This part rarely gets mentioned because it goes against the PON.
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demifiendrsa · 14 days
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youtube
Dandadan TV anime - PV1
The TV anime adaptation of Yukinobu Tatsu’s Dandadan manga will premiere in October 2024.
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Key visual
Cast
Shion Wakayama as Momo Ayase
Natsuki Hanae as Okarun
Mayumi Tanaka as Turbo Granny
Kazuya Nakai as Alien Serpo
Staff
Director: Fūga Yamashiro
Original Creator: Yukinobu Tatsu
Script: Hiroshi Seko
Character Design: Naoyuki Onda
Alien and Supernatural Entities Design: Yoshimichi Kameda
Music: Kensuke Ushio
Animation Production: Science SARU
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alright so I think that the fact in chapter 3 Keiichi thought the presence following him was Satoshi and in Chapter 5 Shion thought the presence following her was also Satoshi could be important obviously Satoshi's disappearance is important to what happens in each chapter somehow Rena even mentions how Keiichi is acting like Satoshi in chapter 1 And in chapter 2, even though there's not much mention of him from Keiichi's perspective, Shion's whole motivation is to get revenge for Satoshi once you see it from her perspective in chapter 5 More than the other incidents, Satoshi's is often most relevant to what happens in each chapter so, I think that Oyashiro-sama's curse, the presence at least, is whoever was demoned away in the previous incident. or maybe something pretending to be those people this is assuming that there is a supernatural element which I think there's a pretty strong argument for after chapter 3. although the way that Shion describes Rika following behind her in the same way as the presence makes me suspect Rika could be the one following people. but the thing that nags away at me in the back of my mind is chapter 1 things happen in chapter 1 that don't have much connection to things in the other chapters so it's way more of a mystery, especially the manager who doesn’t show up in any of the other chapters (save for maybe 4 if he really is the dam site manager) up to this point We don't see Keiichi get targeted by villagers in any of the other chapters really Whatever happens in chapter 1 is unique and obviously it has to do with Rena somehow but there really isn't enough to go on not only that but the ending of each chapter kind of breaks the rule of Oyashiro-sama's curse. chapter 1 Keiichi is killed, his body is found, and afaik nobody else disappears chapter 2 was messy because Shion was turning everything upside down and chapter 3 makes no fucking sense the only real clue as to why chapter 3 was fucked is because of how Rika describes things as already decided. only thing I can infer is that Keiichi went off script by murdering Teppei
anyway I would kill for Satoko in a heartbeat
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