Black Phillip 🖤
some of the more subtle decoration choices; goat tracks carved into the bottom and horn-like carving of the handle
sold
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little sgraffito plates made for my patrons 🤍
ID: three photos of black and white plates held against a green leafy background. the first one has a design of a black bear with fish in its belly, the second is a human and skeleton hand holding one another with a border of daisies, and the third is a magpie with a leafy border.
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Can someone please tell me how to get rid of these things?? 💉 hashtag transguy problems
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It’s ironic that as I practice drawing skateboarding better I’m still just as bad at skating irl 🛹
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From the kiln today !! First attempts at sgraffito 🐕
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Leonora Carrington (1917-2011) — Untitled [sgraffito on board, 1956]
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made these mostly as a glaze test and to use up some fish shapes I had already cut out and didn't want to waste
they don't really have an intended purpose, but I suppose whoever buys them can glue magnets or anything else they want onto the backs
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this has to dry but look at my robot
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MY SGRAFFITO PLATES ARE FINALLY DONE !!!!
before/after glaze fires because the detail is soo hard to capture on camera with all the shine..
bonuses & rambles under cut !!
the wing plate was marbled clay & terracotta, and the underside REALLY shows it
bonus bisqueware snake to match the rest of the bisqueware pics. i am disappointed that the green underglaze was lighter than i remembered and muddied all the foliage :( wanted to make it clear in the main post so i chose a photo i took when i had just finished carving.
and the kinda wonky concept design that kicked off all 3! i didnt originally plan to carve each individual scale and leaf .....
process ramble time !!! my studio doesnt have the right type of wheels to use a bat on so i couldnt throw these. which disappointed me at first because handbuilt plates usually look reallyyy wacky and i get quite self concious over imperfections in my clay forms. i developed a really good process to get these as pretty as possible though! I used a convex slump mold to get the shape- convex molds are the best fo get a consistant & uniform face on each plate. usually i do this before the weekend, so when i come back i can carve away all the imperfections on a footing wheel without deforming the plate.
i usually keep it on a mold throughout the entire process- once ive carved the bottom i flip it over and set it in a concave mold to support the rim. this also helps with carving, so the wheels little hands can grab onto the mold and dont interfere with my work. when the plate looks all smooth and nice, i spend the rest of the day underglazing, then i can move on to carving it all away! it took only about 3-4 days of studio time to carve each plates design after it was footed, leaving me the last two days of the week to prep my clay for the next one!
im really happy with how these turned out, they taught me a lot about making mistakes with ceramics and really helped me get confident with my process. honestly it was way easier than my typical sculpture work, cause i already have a ton of experience with the 2D aspects of these designs, while i still have a lot to learn about sculpting even after almost three years of working with clay :3 the loss of detail in the snake's foliage is still disheartening but hell! every piece ive ever made has disappointed me and it only keeps me creating. someday i WILL make something perfect with my own two hands. and no amount of bad glaze choices along the way can fucking stop me.
oh also- the fish & snake plates both have meaning and feature specific species (i just wanted to carve wings into the other plate lol, not too much symbolism there) so take a crack at analyzing them and guessing the species if u wanna!
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