Tumgik
#sex astrology
youremyheaven · 5 months
Text
Random Astrology Observations- Relationship Edition
1. Men with Mars in water signs are usually the most fcked up in bed. They have bizarre kinks and often take things too far. They're probably aroused by bizarre things. They like to go to extremes and are probably very controlling & dominating in bed.
2. People with prominent 4h placements carry heavy family karma. This is a very challenging placement to have. You're either going to grow up feeling obsessively loved or neglected af.
3. Scorpios have a reputation for being possessive but you know who's actually possessive? Fire signs. They're like bulls in a china shop with love, unable to express themselves properly they just feel pissed off when they see others get too close or do stuff with their person. Anger is how they react to jealousy & possessiveness.
4. The ultimate baby making aspect is Moon conjunct Mars but bbg have you heard of Venus Conjunct Pluto? this is a rarer aspect but the sex is bomb dot com with this one.
5. Libra women are the kind of women that other women find attractive and Cancer women are the kind of women men find attractive.
Edit: i thought ill explain why this is the case
Cancer women are more representative of sexual polarity which leads to "femininity" and since sexual polarity is what creates attraction, men/masculine ppl are drawn to its opposite; women who are conventionally feminine.
Libra is the 7th sign in the zodiac, 7 is the number of union, of merging of opposites, therefore they possess both feminine and masculine energies, thus making them androgynous almost (purely in an energetic way, they can look/behave however they like). Women are drawn to other women who are more integrated and androgynous ish. For ex: Bella Hadid is a Libra Sun, she's considered gorgeous & stunning by loads of women but she's not someone men are drawn to simply bc she's intimidating and a little androgynous.
6. Sagittarius is the most introverted of all the fire signs. They are selectively social. They also think they're better than others (a lot of the time, they are tho đŸ«Ł)
7. Venus in 10h is The High Priestess placement to me. You'll never get over a girl with Venus in 10h
8. Jupiter in 1h/2h/4h often tends to make the native voluptuous. Even men with this placement are big & beefy 👅
9. Opposites attract is true af in astrology
Mars dominant men obsessively fall for Venusian women because they are the opposites.
10. 5h synastry creates a very sexual and pleasurable relationship.
11. The people you have crazy sexual tension with are those you have 7h/8h/12h synastry with
3K notes · View notes
astrosky33 · 7 months
Text
𝐒𝐄𝐗𝐓𝐑𝐎𝐋𝐎𝐆𝐘 𝐏𝐀𝐑𝐓 𝟏𝟎 💋
Tumblr media Tumblr media Tumblr media
Aquarius Venus’ got that wet wet. Aquarius’ symbol is the water bearer and Venus rules over the p*ssy
1st house/Aries Mars will f*ck you really passionately
Having an Aries Mercury can indicate having sexual humor or not being afraid/embarrassed to talk about sex
Jupiter in the 8th house can indicate having a big dick - ex: drake (he got leaked you can see for yourself on X). For a girl it may indicate a lot of inner labia/an outie vagina or a big clit
Scarlett Johansson said she enjoys having car sex which makes sense cuz she has Mars in the 3rd house. Mars represents lust and the 3rd house rules over cars
Jack Harlow said he only masturbates to girls he knows and doesn’t like p*rn which is because of his Moon opposite Mars aspect. This is very common among people with Moon-Mars aspects since the Moon rules over emotional connections and Mars rules over lust. They prefer having connection and comfort with someone over randos when they’re tryna get their sh*t on
Angelina Jolie admitted she has a blood k*nk and that she even used knives the first time she had sex. This makes sense because Mars represents blood/violence and her Mars is in primary rulership (Aries Mars) also at 10° which in numerology would equate to 1 (1+0=1) and is the number of violence/aggression
Asteroid Charmaine trine/sextile Mars can indicate being really good at flirting because of the natural charm you have - code: 10642 -> more about this asteroid
Kim Kardashian has Asteroid Tape in the 10th house and her leaked sex tape back in 2007 was a big reason their show got so much viewership. It’s also squaring Mars the planet of lust - code: 12158
Tumblr media
đ— đ—ąđ—„đ—˜ đ—Šđ—˜đ—«đ—§đ—„đ—ąđ—Ÿđ—ąđ—šđ—Ź
đ— đ—”đ—Šđ—§đ—˜đ—„đ—Ÿđ—œđ—Šđ—§
𝗩𝗹𝗕 𝗧𝗱 𝗠𝗬 đ—Łđ—”đ—§đ—„đ—˜đ—ąđ—Ą
Tumblr media
© đšđŹđ­đ«đšđŹđ€đČ 𝟐𝟎𝟐𝟑 đšđ„đ„ đ«đąđ đĄđ­đŹ đ«đžđŹđžđ«đŻđžđ
1K notes · View notes
hot-astrology · 3 months
Text
Erotic Asteroids: uncut
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
𝐖𝐞 đ„đąđŻđž 𝐱𝐧 𝐚 đŠđźđ„đ­đąđŸđšđœđžđ­đžđ đ«đžđšđ„đŠ đ°đĄđžđ«đž đŹđžđ±, đ©đ„đžđšđŹđźđ«đž đ«đźđ„đžđŹ 𝐚𝐧𝐝 đœđšđ§đ­đ«đšđ„đŹ 𝐩𝐹𝐬𝐭 𝐹𝐟 𝐬𝐹𝐜𝐱𝐞𝐭đČ 𝐚𝐭 𝐱𝐭𝐬 đœđšđ«đž. 𝐒𝐹 𝐩𝐚𝐧đČ đđžđžđ© 𝐭𝐚𝐛𝐹𝐹𝐬, đœđźđ«đąđšđŹđąđ­đČ 𝐚𝐛𝐹𝐼𝐭 đđąđŸđŸđžđ«đžđ§đ­ đŹđžđ± đ§đšđ­đźđ«đžđŹ đšđ«đąđŹđž đŸđ«đšđŠ 𝐝𝐱𝐬𝐭𝐱𝐧𝐜𝐭, đąđ§đ­đžđ«đšđœđ­đąđšđ§đŹ 𝐰𝐱𝐭𝐡 đđąđŸđŸđžđ«đžđ§đ­ đžđ§đœđšđźđ§đ­đžđ«đŹ. đ’đžđ± 𝐱𝐬 𝐡𝐹𝐰 𝐩𝐹𝐬𝐭 đ©đžđšđ©đ„đž đąđ§đ­đžđ«đšđœđ­ 𝐚𝐧𝐝 𝐜𝐹𝐩𝐩𝐼𝐧𝐱𝐜𝐚𝐭𝐞 𝐰𝐱𝐭𝐡 𝐹𝐧𝐞 đšđ§đšđ­đĄđžđ«. 𝐈𝐧 𝐭𝐡𝐞 𝐚𝐧𝐜𝐱𝐞𝐧𝐭 đžđ«đš đ›đžđŸđšđ«đž đ°đšđ«đđŹ, 𝐜𝐹𝐩𝐩𝐼𝐧𝐱𝐜𝐚𝐭𝐱𝐹𝐧 𝐰𝐚𝐬 𝐰𝐹𝐯𝐞𝐧 đŸđ«đšđŠ đŻđąđ›đ«đšđ­đąđšđ§đŹ, đ­đžđ„đžđ©đšđ­đĄđČ, đĄđšđ©đ­đąđœđŹ, đ€đąđ§đžđŹđąđœđŹ, 𝐚𝐧𝐝 𝐬𝐱𝐠𝐧 đ„đšđ§đ đźđšđ đž. đ’đžđ±đźđšđ„đąđ­đČ 𝐱𝐬 𝐧𝐹𝐭 𝐚 đŸđšđ«đŠ 𝐹𝐟 đŻđžđ«đ›đšđ„ 𝐜𝐹𝐩𝐩𝐼𝐧𝐱𝐜𝐚𝐭𝐱𝐹𝐧 đŠđšđ«đž đ„đąđ€đž 𝐚 đžđŠđšđ­đąđšđ§đšđ„ đžđ±đ©đ«đžđŹđŹđąđšđ§ 𝐭𝐡𝐚𝐭 𝐹𝐹𝐳𝐞𝐬 đŸđ«ïżœïżœïżœđŠ đČđšđźđ« đđžđžđ©đžđŹđ­ đđšđ«đ€đžđŹđ­ đœđ«đšđŻđž. đ„đŻđžđ«đČ𝐹𝐧𝐞 𝐰𝐚𝐧𝐭𝐬 đ©đšđŹđŹđąđšđ§đšđ­đž, đ„đšđŻđžđŠđšđ€đąđ§đ , đ„đšđ§đ  đ„đšđŹđ­đąđ§đ , đđžđžđ© đ©đžđ§đžđ­đ«đšđ­đąđ§đ , 𝐰𝐞𝐭, đŹđ©đąđ§đž đšđ«đœđĄđąđ§đ , 𝐭𝐹𝐞 đœđźđ«đ„đąđ§đ , đ›đšđœđ€ đŹđœđ«đšđ­đœđĄđąđ§đ , đĄđšđąđ« đ©đźđ„đ„đąđ§đ , đ­đĄđ«đšđšđ­ đœđĄđšđ€đąđ§đ , đĄđžđšđ«đ­ đ«đšđœđąđ§đ , đ„đąđ© 𝐛𝐱𝐭𝐱𝐧𝐠, đĄđžđšđđ›đšđšđ«đ đ›đ«đžđšđ€đąđ§đ , đ©đšđźđ§đđąđ§đ , 𝐚𝐬𝐬 đŹđŠđšđœđ€đąđ§đ , đđąđœđ€ đ«đąđđąđ§đ , 𝐜𝐼𝐩 đđ«đąđ©đ©đąđ§đ , đŹđšđźđ„ đ­đšđ€đąđ§đ  đŹđžđ±. 𝐌𝐚𝐧đČ 𝐝𝐹𝐧'𝐭 𝐞𝐯𝐞𝐧 đ€đ§đšđ° 𝐰𝐡đČ 𝐭𝐡𝐞đČ đŸđžđžđ„ đ„đąđ€đž 𝐭𝐡𝐞đČ 𝐝𝐹, 𝐭𝐡𝐞 đźđ«đ đž đ°đšđźđ„đ 𝐛𝐞 𝐬𝐹 đŹđ­đ«đšđ§đ  𝐭𝐡𝐚𝐭 𝐭𝐡𝐞đČ 𝐜𝐚𝐧'𝐭 𝐞𝐯𝐞𝐧 đ«đžđŹđąđŹđ­ 𝐭𝐡𝐞 đ­đžđŠđ©đ­đšđ­đąđšđ§. 𝐓𝐡𝐞𝐬𝐞 đŸđžđžđ„đąđ§đ đŹ, 𝐭𝐡𝐹𝐼𝐠𝐡𝐭𝐬 𝐚𝐧𝐝 đœđźđ«đąđšđŹđąđ­đąđžđŹ 𝐜𝐹𝐩𝐞 đŸđ«đšđŠ đđžđžđ© đ«đžđšđ„đŠđŹ 𝐰𝐱𝐭𝐡𝐱𝐧 đČđšđźđ«đŹđžđ„đŻđžđŹ, 𝐩𝐚𝐧đČ đœđšđ„đ„ 𝐭𝐡𝐞𝐩 đ€đŹđ­đžđ«đšđąđđŹ, 𝐈 đ„đąđ€đž 𝐭𝐹 đœđšđ„đ„ 𝐭𝐡𝐞𝐩 đžđ§đžđ«đ đąđžđŹ 𝐭𝐡𝐚𝐭 𝐰𝐞 đšđ„đ„ 𝐡𝐚𝐯𝐞. 𝐌𝐚𝐧đČ 𝐛𝐚𝐬𝐞 đŹđžđ± 𝐚𝐧𝐝 đšđŹđ­đ«đšđ„đšđ đČ đšđ«đšđźđ§đ 𝐳𝐹𝐝𝐱𝐚𝐜 𝐬𝐱𝐠𝐧𝐬, 𝐚𝐧𝐝 đœđžđ«đ­đšđąđ§ đ©đ„đšđ§đžđ­đŹ. 𝐓đČđ©đąđœđšđ„đ„đČ đ’đœđšđ«đ©đąđš, đ“đšđźđ«đźđŹ, 𝐋𝐞𝐹, đ‹đąđ›đ«đš đ đšđŻđžđ«đ§ đšđŻđžđ« 𝐭𝐡𝐞 đŹđžđ±đźđšđ„ 𝐚𝐧𝐝 đ„đąđ›đąđđš đšđ«đžđšđŹ. đ“đĄđžđ«đž đ€đ«đž 𝐬𝐹 𝐩𝐚𝐧đČ 𝐡𝐱𝐝𝐝𝐞𝐧 𝐟𝐚𝐜𝐭𝐬 𝐚𝐧𝐝 𝐭𝐚𝐛𝐹𝐹 đ­đ«đžđšđŹđźđ«đžđŹ 𝐭𝐡𝐚𝐭 đŹđ­đąđ„đ„ đ«đžđŠđšđąđ§ đ›đźđ«đąđžđ 𝐚𝐧𝐝 𝐧𝐹𝐭 đ­đšđ„đ€đžđ 𝐚𝐛𝐹𝐼𝐭 đ«đžđ đźđ„đšđ«đ„đČ. 𝐏𝐱𝐬𝐜𝐞𝐬 𝐱𝐬 𝐹𝐧𝐞 𝐹𝐟  𝟒 đŠđźđ­đšđ›đ„đž 𝐳𝐹𝐝𝐱𝐚𝐜 𝐬𝐱𝐠𝐧𝐬 𝐱𝐧 đšđŹđ­đ«đšđ„đšđ đČ 𝐰𝐱𝐭𝐡 𝐚 đŠđšđ«đž đœđšđ„đŠ đ§đšđ­đźđ«đž 𝐚𝐧𝐝 đ©đšđŹđŹđąđŻđž đšđ©đ©đ«đšđšđœđĄ 𝐭𝐹 𝐩𝐚𝐧đČ 𝐭𝐡𝐱𝐧𝐠𝐬 𝐱𝐧 đ„đąđŸđž. 𝐀 đ©đžđ«đŹđšđ§ đ°đšđźđ„đđ§'𝐭 𝐬𝐞𝐞 𝐏𝐱𝐬𝐜𝐞𝐬 𝐛𝐞𝐱𝐧𝐠 𝐭𝐡𝐞 𝐹𝐟 𝐭𝐡𝐞 𝐩𝐹𝐬𝐭 đŹđžđ±đźđšđ„ 𝐬𝐱𝐠𝐧𝐬 𝐛đČ đŸđšđ«, đ­đĄđžđąđ« đšđđšđ©đ­đšđ›đąđ„đąđ­đČ 𝐭𝐹 đđąđŸđŸđžđ«đžđ§đ­ đžđ§đžđ«đ đąđžđŹ 𝐚𝐧𝐝 đžđ§đŻđąđ«đšđ§đŠđžđ§đ­đŹ đšđ«đž đąđŠđ©đžđœđœđšđ›đ„đž. 𝐖𝐡𝐞𝐧 𝐭𝐡𝐱𝐬 𝐬𝐱𝐠𝐧 đŸđšđ„đ„đŹ 𝐹𝐧 𝟏𝟕 đđžđ đ«đžđž 𝐱𝐭 đ­đźđ«đ§đŹ 𝐱𝐭 𝐱𝐧𝐭𝐹 𝐚 đ«đžđšđ„ đŹđžđ±đźđšđ„ đœđĄđšđŠđžđ„đžđšđ§ 𝐰𝐱𝐭𝐡 đŸđ„đšđ«đž 𝐭𝐡𝐚𝐭 đ©đźđ­đŹ 𝐚 𝐋𝐞𝐹 𝐭𝐹 𝐬𝐡𝐚𝐩𝐞, đŠđšđ€đžđŹ 𝐚 đ’đœđšđ«đ©đąđš 𝐰𝐚𝐧𝐭 𝐭𝐹 đźđ§đđžđ«đŹđ­đšđ§đ, đđ«đąđŻđžđŹ 𝐚 đ“đšđźđ«đźđŹ 𝐱𝐧𝐬𝐚𝐧𝐞, 𝐚𝐧𝐝 𝐡𝐚𝐯𝐞 𝐚 đ‹đąđ›đ«đš đ„đšđšđ€ 𝐚𝐭 đ­đĄđžđąđ« 𝐹𝐰𝐧 đŹđžđ±đźđšđ„ đ§đšđ­đźđ«đž 𝐱𝐧 𝐭𝐡𝐞 đŠđąđ«đ«đšđ«. 𝐈𝐭𝐬 đšđ„đšđ­ 𝐹𝐟 đ©đ„đšđ§đžđ­ đšđ„đąđ đ§đŠđžđ§đ­đŹ 𝐚𝐧𝐝 𝐜𝐹𝐧𝐣𝐼𝐧𝐜𝐭𝐱𝐹𝐧𝐬 𝐭𝐡𝐚𝐭 đ©đ„đšđČ 𝐚 𝐛𝐱𝐠 đ«đšđ„đž 𝐱𝐧 đšđźđ« đŹđžđ±đźđšđ„ đ§đšđ­đźđ«đžđŹ. 𝐎𝐧𝐞 𝐹𝐟 𝐭𝐡𝐞 𝐩𝐹𝐬𝐭 𝐟𝐚𝐩𝐹𝐼𝐬 𝐱𝐜𝐹𝐧𝐱𝐜 𝐹𝐧𝐞𝐬 𝐱𝐬 𝐭𝐡𝐞 𝐕𝐞𝐧𝐼𝐬-đŒđšđ«đŹ 𝐜𝐹𝐧𝐣𝐼𝐧𝐜𝐭𝐱𝐹𝐧 đšđ« đšđŹđ©đžđœđ­đŹ,𝐭𝐡𝐚𝐭 đ©đźđ­ 𝐳𝐞𝐬𝐭 𝐱𝐧𝐭𝐹 𝐚𝐧đČ đ›đžđđ«đšđšđŠ 𝐚𝐧𝐝 đ«đšđąđŹđž 𝐭𝐡𝐞 đ„đąđ›đąđđš, 𝐰𝐱𝐭𝐡 𝐭𝐡𝐞 đ›đšđ„đšđ§đœđž 𝐹𝐟 đ©đ«đžđŹđŹđźđ«đž 𝐚𝐧𝐝 đ­đžđ§đđžđ«đ§đžđŹđŹ. đŒđšđ€đąđ§đ  𝐭𝐡𝐞 đ›đžđđ«đšđšđŠ 𝐱𝐧𝐭𝐹 𝐚 𝐬𝐜𝐱-𝐟𝐱 𝐟𝐚𝐧𝐭𝐚𝐬đČ 𝐩𝐹𝐯𝐱𝐞 đŹđœđ«đąđ©đ­ đ­đĄđšđ§đ€đŹ 𝐭𝐹 𝐕𝐞𝐧𝐼𝐬-đđžđ©đ­đźđ§đž đšđŹđ©đžđœđ­đŹ, đŹđźđ«đž 𝐭𝐹 đ›đ«đąđ§đ  𝐬𝐹𝐩𝐞 đžđ«đšđ­đąđœđąđŹđŠ 𝐭𝐹 𝐭𝐡𝐞 đŸđšđ«đžđŸđ«đšđ§đ­ 𝐚𝐬 đČ𝐹𝐼 𝐛𝐹𝐭𝐡 đ«đžđŠđšđŻđž 𝐞𝐚𝐜𝐡 đšđ­đĄđžđ«'𝐬 đœđšđŹđ©đ„đšđČ 𝐹𝐼𝐭𝐟𝐱𝐭𝐬 , 𝐚𝐧𝐝 đŹđ„đšđ°đ„đČ đ«đžđœđąđ­đž đČđšđźđ« đ„đąđ§đžđŹ. 𝐓𝐡𝐱𝐬 đšđŹđ©đžđœđ­ 𝐧𝐞𝐞𝐝𝐬 𝐧𝐹 đąđ§đ­đ«đšđđźđœđ­đąđšđ§, 𝐭𝐡𝐞 𝐚𝐩𝐹𝐼𝐧𝐭 𝐹𝐟 đ©đšđ°đžđ« 𝐚𝐧𝐝 𝐬𝐞𝐝𝐼𝐜𝐭𝐱𝐯𝐞𝐧𝐞𝐬𝐬 𝐱𝐭 đ›đ«đąđ§đ đŹ 𝐭𝐹 𝐭𝐡𝐞 𝐬𝐚𝐭𝐱𝐧 𝐬𝐡𝐞𝐞𝐭𝐬 𝐱𝐬 đźđ§đđąđŹđ©đźđ­đžđ 𝐛đČ đŸđšđ«. 𝐘𝐞𝐚 đČ𝐹𝐼 đ€đ§đšđ°! đđ„đźđ­đš-𝐕𝐞𝐧𝐼𝐬, 𝐭𝐡𝐞𝐬𝐞 𝐭𝐰𝐹 đžđ§đžđ«đ đąđžđŹ đšđ«đž 𝐝đČ𝐧𝐚𝐩𝐱𝐜 𝐚𝐧𝐝 đŸđšđ«đœđžđŸđźđ„. 𝐖𝐡𝐞𝐧 đČ𝐹𝐼 𝐰𝐚𝐧𝐭 𝐭𝐹 đŠđšđ€đž 𝐚 đ©đžđ«đŹđšđ§ đ„đšđŹđž đ­đĄđžđąđ« 𝐩𝐱𝐧𝐝 𝐚𝐬 đ°đžđ„đ„ đ­đšđ€đž đ­đĄđžđąđ« đŹđšđźđ„ đ°đĄđąđ„đž 𝐡𝐚𝐯𝐱𝐧𝐠 𝐭𝐡𝐞𝐩 𝐡𝐚𝐧𝐠𝐱𝐧𝐠 đźđ©đŹđąđđž 𝐝𝐹𝐰𝐧 đŸđ«đšđŠ 𝐭𝐡𝐞 đœđĄđšđ§đđžđ„đąđžđ« 𝐎𝐡𝐡𝐡 𝐒𝐡𝐱𝐭! (đ°đ«đšđ§đ  đ©đ„đšđ§đžđ­ 𝐭𝐡𝐚𝐭'𝐬 đ”đ«đšđ§đźđŹ) 𝐛𝐼𝐭 đđ„đźđ­đš-𝐕𝐞𝐧𝐼𝐬 đŠđšđ€đžđŹ đČđšđźđ« đ©đšđ«đ§ đŹđ­đšđ«, đŹđžđ± 𝐧đČđŠđ©đĄđšđŹ 𝐞𝐭𝐜. 𝐣𝐼𝐬𝐭 đ€đ§đšđ° đČ𝐹𝐼 đ°đąđ„đ„ 𝐡𝐚𝐯𝐞 𝐭𝐹 đ°đšđ„đ€ 𝐡𝐹𝐩𝐞 𝐰𝐱𝐭𝐡 𝐚 đ„đąđŠđ©. 𝐓𝐡𝐹𝐬𝐞 đ°đžđ«đž 𝐣𝐼𝐬𝐭 𝐚 𝐱𝐧𝐬𝐱𝐠𝐡𝐭 𝐚𝐛𝐹𝐼𝐭 𝐬𝐹𝐩𝐞 𝐟𝐚𝐩𝐹𝐼𝐬 đ©đ„đšđ§đžđ­ đšđŹđ©đžđœđ­đŹ 𝐰𝐡𝐱𝐜𝐡 𝐱𝐬 𝐣𝐼𝐬𝐭 𝐭𝐡𝐞 đŹđźđ«đŸđšđœđž 𝐹𝐟 đČđšđźđ« đ©đšđ­đžđ§đ­ đŹđžđ±đźđšđ„ đ§đšđ­đźđ«đž. đ“đĄđžđ«đž đšđ«đž 𝐬𝐹 𝐩𝐚𝐧đČ đ€đŹđ­đžđ«đšđąđđŹ 𝐭𝐡𝐚𝐭 đđžđšđ„ 𝐰𝐱𝐭𝐡 đšđźđ« đŹđžđ±đźđšđ„đąđ­đČ, đ«đźđ„đž 𝐹𝐟 𝐭𝐡𝐼𝐩𝐛 𝐭𝐡𝐹𝐼𝐠𝐡, 𝐹𝐧𝐞 𝐧𝐞𝐞𝐝𝐬 𝐭𝐹 đœđšđ§đŹđąđđžđ« đšđ«đ›đŹ 𝐚𝐧𝐝 đđžđ đ«đžđžđŹ. đ€đŹđ­đžđ«đšđąđđŹ đźđŹđźđšđ„đ„đČ 𝐧𝐞𝐞𝐝 𝐭𝐹 𝐡𝐚𝐯𝐞 𝐭𝐱𝐠𝐡𝐭 đšđ«đ› 𝐰𝐱𝐭𝐡𝐱𝐧 𝟏 đšđ« 𝟐 đđžđ đ«đžđžđŹ 𝐚𝐧𝐝 𝟑 𝐱𝐬 đ©đźđŹđĄđąđ§đ  𝐱𝐭. 𝐀𝐬 𝐱𝐧 "𝐋𝐼𝐬𝐭" 𝐱𝐭'𝐬 𝐚 đšđŹđ­đžđ«đšđąđ 𝐭𝐡𝐚𝐭 𝐬𝐡𝐹𝐰𝐬 đČđšđźđ« đŹđžđ±đźđšđ„ đ§đšđ­đźđ«đž, đšđ«đžđšđŹ đ°đĄđžđ«đž đČ𝐹𝐼 đžđ±đ©đžđ«đąđžđ§đœđž 𝐡𝐞𝐱𝐠𝐡𝐭𝐞𝐧𝐞𝐝 𝐞𝐩𝐹𝐭𝐱𝐹𝐧𝐬 𝐚𝐧𝐝 đđžđŹđąđ«đžđŹ đ­đšđ°đšđ«đđŹ đ©đšđŹđŹđąđšđ§ 𝐚𝐧𝐝 đŹđžđ±, 𝐭𝐡𝐞 đ„đšđœđšđ­đąđšđ§ 𝐱𝐧 𝐭𝐡𝐞 đ§đšđ­đšđ„ (𝐡𝐹𝐼𝐬𝐞) đ°đąđ„đ„ 𝐬𝐡𝐹𝐰 đČ𝐹𝐼 𝐰𝐡𝐚𝐭 đšđ«đžđš 𝐱𝐧 đ„đąđŸđž 𝐱𝐭 đ°đąđ„đ„ 𝐛𝐞 đšđ©đ©đ„đąđžđ 𝐚𝐬 𝐬𝐹 𝐭𝐡𝐞 𝐬𝐱𝐠𝐧 𝐬𝐡𝐹𝐰𝐬 đČ𝐹𝐼 𝐡𝐹𝐰 đČ𝐹𝐼 đđąđŹđ©đ„đšđČ 𝐱𝐭 𝐚𝐧𝐝 đđžđ đ«đžđžđŹ 𝐚𝐧𝐝 đšđŹđ©đžđœđ­đŹ đŸđ„đšđŻđšđ« 𝐱𝐭. đ‹đąđ€đž 𝐈 𝐬𝐚𝐱𝐝 đ›đžđŸđšđ«đž đžđŻđžđ«đČ𝐹𝐧𝐞 𝐡𝐚𝐬 𝐭𝐡𝐞𝐬𝐞 đžđ§đžđ«đ đąđžđŹ 𝐱𝐧 đ­đĄđžđąđ« đ§đšđ­đšđ„ đœđĄđšđ«đ­đŹ 𝐚𝐧𝐝 𝐰𝐱𝐭𝐡𝐱𝐧 đČ𝐹𝐼, 𝐛𝐼𝐭 𝐱𝐭 đšđ§đ„đČ đšđ©đ©đ„đąđžđŹ 𝐰𝐡𝐞𝐧 𝐱𝐭'𝐬 𝐱𝐧 𝐭𝐱𝐠𝐡𝐭 𝐜𝐹𝐧𝐣𝐼𝐧𝐜𝐭𝐱𝐹𝐧, 𝐭𝐱𝐠𝐡𝐭 đšđ©đ©đšđŹđąđ­đąđšđ§ đšđ«đ› 𝐚𝐧𝐝 đšđ­đĄđžđ« đšđŹđ©đžđœđ­đŹ. đ„đ±đ©đžđ«đąđžđ§đœđž đČđšđźđ« đđžđžđ© đŹđźđ©đ©đ«đžđŹđŹđžđ đ„đźđŹđ­đŸđźđ„ đ§đšđ­đźđ«đž, đšđ§đ„đČ đČ𝐹𝐼 𝐜𝐚𝐧 𝐝𝐞𝐜𝐱𝐝𝐞 𝐰𝐡𝐚𝐭 𝐱𝐬 𝐠𝐹𝐹𝐝 đšđ« 𝐛𝐚𝐝 𝐰𝐱𝐭𝐡 đČđšđźđ« đŹđšđźđ„'𝐬 đŠđšđ«đšđ„ 𝐣𝐼𝐝𝐠𝐩𝐞𝐧𝐭. đ‡đžđ«đž 𝐱𝐬 𝐚 đ„đąđŹđ­ 𝐹𝐟 đ€đŹđ­đžđ«đšđąđđŹ 𝐭𝐹 𝐠𝐞𝐭 đČ𝐹𝐼 đŹđ­đšđ«đ­đžđ 𝐰𝐱𝐭𝐡 đČđšđźđ« đžđ±đ©đ„đšđ«đšđ­đąđšđ§ đ­đĄđ«đšđźđ đĄ 𝐭𝐡𝐞 đ„đšđŹđ­ 𝐚𝐧𝐝 𝐬𝐡𝐼𝐧𝐧𝐞𝐝 đ©đšđ­đĄ 𝐹𝐟 đČđšđźđ« đŹđžđ±đźđšđ„ đ§đšđ­đźđ«đž. 
Tumblr media
7753 (1988 XB ) - Extreme sexual activity
15820 (1994 TB) - Sexual deepening resisting temptation
5874 (1996 TL66) - Discharge; squirting
55636 (2002 TX300) - Pimps
78799 (2002 XW93) - Group sex
131318 (2001 FL194) - Libido, lust for life, vitalism, warlock, witch king, great occult sexual strength and stamina
Copy & Paste—
7753, 15820, 5874, 55636, 78799, 131318
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
134210 (2005 PQ21) - Porn, extreme sexual activity &creativity
316179 (2010 EN65) - Discharge, orgasm
999004 (2000 CO104) - Orgasm, ecstasy
887 ( Alinda) - Unpleasant but instinctive experiences & failures sexually
1221 (Amor) - Wanting to score sexually for status; purposefully sexual activity
1863 (Antinous) - Heightened sex appeal
404 Arsino- Increased sexual needs, especially when reaching the midlife period, possibly abuse in youth when afflicted, anal sex, homo-and bisexuality, extreme sexual urges rooted in being abused as a child or teenager.
672 Astarte- Sex and lust felt as a safe haven contrasting death and the spirit world.
5808 Babel - Erotic literature.
2063 Bacchus- Excreting sexual fluids; orgiastic.
24219 Chrisodom - Anal sex, brilliant intellectual qualities.
65 Cybele - Incest, large age differences between sexual partners; fetishism; castration.
60558 Echeclus - Lubricants; bisexual an homosexual encounters.
31824 Elatus -Experiencing passion and sexual need and expression; zoophilia (sex with animals)
1647 Menelaus-Sex or porn as an outlet unbalanced yang energy.
3553 Mera - Cheating, squirting.
545 Messalina- Gangbangs, bucaces, sexually insatiable, complex, libertine, highly sensitive, demands total honesty or derails in borderline like behavior.
1144 Oda- Pathological sexuality.
Copy & Paste—
134210, 316179,999004,887,1221, 1963, 404,672 ,5808,2063,65,60558 ,31824,1647,3553,545, 1144
Tumblr media Tumblr media
If you would like to book a reading with us, email us at [email protected] for further information!
Tumblr media
𝐓𝐡𝐞 đŒđšđŹđ­đžđ«đ„đąđŹđ­
đŽđźđ« đđ«đžđŻđąđšđźđŹ 𝐏𝐹𝐬𝐭
đ‘¶đ’–đ’“ đ‘·đ’‚đ’ˆđ’†đ’”: đđ«đąđ§đł 𝐕𝐞𝐧𝐼𝐳 || 𝐌𝐹𝐹𝐧 𝐃𝐞𝐯𝐱
Tumblr media
482 notes · View notes
astrogre · 2 months
Text
Aphrodite(1388) Beauty Indicators
Tumblr media
What counts as Aphrodite(1388) beauty indicators:
Aphrodite in 1st house (YOU are appealing, this asteroid is simply who you are as this house represents you as a whole, physically and personal identity)
Aphrodite in 10th house (this is how you publicly appear to others at large, so if you have an asteroid here it kind of shows those themes come to mind in general when people think of you and what your reputation is associated with, imagine yourself as a concept, you perceived as a brand)
Aphrodite Conjunct Venus (your beauty and the way you style express yourself, you express your love and sense of beauty in similar ways, Venus also shows where we are most beautiful therefore the things that make you most beautiful are like Aphrodites)
VERY Strong indicators:
Aphrodite Conjunct ASC (it further amplifies because you become the physical embodiment of Aphrodite, no longer just a hint but may even be mistaken for her your form of expression and how you come across to all and most importantly yourself is just like Aphrodite)
Aphrodite Conjunct MC (same as 10H however it’s even more prominent, your Aphrodite characteristics may manifest or be needed for the job you do as well)
Aphrodite conjunct is at 0-2 orbs. Closer the orb more exactly like your appearance. 0 orb means Aphrodite is YOU to a T. Your physical appearance/public image/expression of oneself, if described with an adjective would be the asteroid itself.
2 or more of any of the previous Aphrodite indicators this asteroid is far too prominent in your chart to be an adjective to describe your beauty, it’s more like an epithet.
Tumblr media
What kind of beauty you have:
- You embody the ideal beauty standards
- You shapeshift to appeal to the senses and pleasures of individuals who look at you
- People may struggle to define you by your appearance because you come across so differently to each person
- The allure (the buzz and positive talk of you) stands out more than what you put out to reality especially for Aphrodite asteroid in 10H/conjunct to MC
- You’re beauty is so rare that it’s unbelievable, people that hear of you described by others who know you may think you’re a myth or not real like a catfish or someone pretending to be real. Eg someone looking at your instagram may think you’re not real or if a guy is explaining you to his friends you sound too good to be true especially from the male gaze. That is until they meet you and realise you live up to their expectations and then the rumours of you further amplify as even MORE talk of you. If you start dating around jumping from man to man, people will gush over you
- You may pretend to be modest, demure and coincidentally sexually attractive yet your sexual attractiveness is purposefully intentional
this is based on aphrodites Greek and Latin scholars who wrote about the famous statue at Knidos on which it is based, says that Aphrodite’s facial expression and gesture show ‘false modesty’. She purposefully displays false modesty to look like her nudity and sexual allure is unintentional and just happens to be on her
Tumblr media Tumblr media
- You show your beauty through your clothing perfumes and hair accessories. Aphrodite wore perfumed and silken garments, a crown of gold or flowers in her hair, and had expensive jewellery covering her body
- As time goes on you are more sexualised, no joke if you guys made a sex tape in your elder years you’d be like a trending milf dilf, especially with Capricorn, Saturn and 10H Aphrodite
Aphrodites depictions were always fully clothed until as centuries progressed the men that idolised her wanted to make her wear less and less, become sexier and sexier, they project their lustful thoughts on her and Aphrodite viewed it as compliments
- No matter what people may say about you, they cannot shake or change the fact that you are beautiful, they may also bring that up when talking about you behind your back if in 12H conjunct ascendant
- You have feminine curves which are shown best through draped clothing, you look best in clothes that drape to your skin and hug your curves
- No matter what you wear people will always see you nude or want to, they may sexualise you and you may subconsciously enjoy it because you feel desired and it feels good to know you’re making others feel pleasure just from looking at you
- You look best naked, your breast and hips may be most prominent and something men recognise you for and what garners admiration from women too. Women may look up to you as the standard and what they wished the looked like
Source: the idealization of womanhood in all her femininity; the Aphrodite sculpture, Praxiteles was mainly responsible for establishing the type-sensuous in its soft curves and voluptuousness.” (Morford 180). As told by Morford, the exaggeration of body parts, breasts mostly, became Aphrodite’s spotting mark in art
- You could have long hair, or your hair can be styled in a different way to other women, very distinct, it can be different from what others expect, your hair may be “immodest” like it looks like it’s uncovered, not domestic, you may put a lot accessories on it or do something specifically that makes it stand out and look better, it’s kind of “unintentionally” erotic.
Tumblr media
- You look best in bodies of water, playing with your hair in water, when you’re showering, wringing your hair dry, you may get a lot of stares when you go to the beach just relaxing, or if you’re swimming. It’s something people could watch for a long time
- You love to accessorise excessively
- Men change the way they see you physically from your body to your face and hair, all just to fit their imagined ideal beauty standards. For an example: say a man may prefer brunettes, if you’re blonde, that man will imagine you with brown dark hair and romanticise it, from that point onward he can no longer see you as blonde no matter how blonde you are because the fantasy of an idolised you is so overwhelming
- Men fantasise about you a lot, women too. You invoke fear/admiration into women because of your appearance
- You represent the most ideal physical traits, you can be compared as the standard for others and people may put you on a pedestal so high that makes others want to be where you are but knowing they simply cannot as it’s not in their nature. Because competing against you would destroy them and they do not compare
- You may make people feel ashamed of themselves because you’re so uplifted and idealised by many
- You can adapt to the taste of the target/person you’re trying to seduce
- Your clothes and the way you style yourself enhance your features and make you look like someone who is wealthy and important of high status/nobility
- You are one of the most physically desired people to others
- Your physical appearance isn’t the only thing that makes you so beautiful, it’s the fact that everyone finds you desireable no matter who is looking.
Tumblr media
Honestly when I think of Aphrodite I think of someone who is overly sexualised by men. Like they collectively came together and said THIS is what we like. She is the image of sex and desire because they put her there. And she likes it, which is probably why she is labelled as the god of sex, pleasure, love and beauty, it’s because she accepts all kinds of admiration from anyone. No matter how degrading or intensely it manifests. Do you too also accept love no matter how sexually degrading or intense it is? Do you have a tendency to expect to be glorified?
Source:
Link to the historical study of Aphrodites physical appearance
Homer, for example, said that the goddess could be recognized by her shining eyes and “desirable breasts.” Other writers gave her the epithet “Smile-Loving,” indicating that she often had a happy expression. More often, writers described Aphrodite’s beauty through her clothing. She wore perfumed and silken garments, a crown of gold or flowers in her hair, and had expensive jewelry covering her body. most of what we know about Aphrodite’s looks must be drawn from the art of the period.
gain, the representations leave much room for interpretation. The one aspect they have in common is that, fittingly, Aphrodite was shown as beautiful.
This usually meant that she had feminine curves, which were often accentuated by closely-draped clothing. When she was dressed it was often only partially, but the goddess was just as often shown in the nude.
She usually had long hair that was left at least partially down, in contrast to the more demure, covered hair of matronly and domestic goddesses. A favorite subject of classical artists was the emergence of Aphrodite from the sea, in which she was sometimes shown wringing the water out of her long hair.
Sculptors had more freedom than painters to imagine the goddess in different poses and situations. Often these poses emphasized her feminine shape and attractiveness to the male gaze. As the goddess of beauty, she represented the most desirable female form possible.
She often changed her appearances to suit her purposes.
This shape-shifting also allowed artists to portray her in a way that reflected the physical idea of their own time and place. Aphrodite could have dark hair in one place and be blonde in another.
Thus, our modern interpretation of Aphrodite has been filtered through the ideals of female beauty from not only Greece and Rome, but long after as well. Medieval artists gave her a high forehead and Renaissance painters showed her with flowing blonde hair because those were the ideals of their times. The written descriptions of Aphrodite were open-ended enough to allow artists to show her in a way they thought was beautiful for centuries. While later artists were influenced by the paintings and sculptures of Rome and Greece, they had the license to show the goddess of beauty in a way that made sense within their own cultures.
Most often, Aphrodite’s clothing and jewelry were described in greater detail than her body or facial features. The richness of her garments and adornments both enhanced her features and signalled her nobility.
The lack of written detail meant that artists were able to portray Aphrodite in a way they felt was beautiful. While these typically followed certain conventions, these conventions could vary between regions and time periods. Aphrodite/Venus was therefore shown with certain marks of beauty that had persisted from the ancient world, but also with the features and clothing considered ideal in the artists’ own times. She could be recognized not by a specific feature, but by her desirabilithy.
276 notes · View notes
starfelina · 1 year
Text
messalina asteroid (545)
Tumblr media Tumblr media Tumblr media
tw : contains mentions of s*x
messalina asteroid in general can indicate:
sex appeal , manipulating others through s*x , seducing others. it can also indicate a high libido (iykyk, sometimes a bit too high)
messalina in aries
messalina in the sign of aries is a wild & free messalina. these people will most likely have a high libido. they are definitely not afraid to use their body & the way they look to tempt others (or to even destroy others tbh, they can sometimes seek revenge like scorpio). their blood is pumping so they might be open to try new things sexually. they can manipulate others through sex to get what they want. they tend to have a pretty face & an athletic body.
messalina in taurus
messalina in taurus people can use their sexuality for material gains. that doesn't mean that they're prostit*tes though. they are the kind of person who will use their body for their benefit, like you have me yes but buy me this and that and give me all the comfort.kind of sugar baby vibes. they can have a high s*x drive but only if they feel like it. this placement can also indicate a seductive voice that these people can use to sexually tempt others. they can also be really good at giving oral.
messalina in gemini
messalina in gemini people are smart when using their sexuality to tempt others. they don't only know how to use their body, but they also know how to communicate seductively as well. they can be good at dirty talking to the point that it drives their victims crazy. gemini rules the hands, so these natives may have very attractive hands. they can use their hands to seduce others or to please themselves (hand jobs & massages for example). they can manipulate others through s*x to learn things from them.
messalina in cancer
messalina in cancer people are really sweet & seductive at the same time.  they sexually tempt others by being cute. they can use puppy eyes or pretend to be a damsel in distress to achieve that. dont let the puppy eyes fool you! they are sirens deep inside & they can manipulate you in order to get you to their side or to protect them in general. they can be submissive but do not underestimate their s*x drive! they can be quite kinky. also, as cancer rules over the breasts...they can use them to seduce others.
messalina in leo
messalina in leo natives are confident & proud about their bodies and their sex appeal and they show it. they can use their confidence and "queen behavior" to tempt others sexually. they present themselves as a prize to their sexual partners. honestly, I think that cleopatra had this placement. she used to make a whole theatrical show of presenting herself as aphrodite to get her partner in the mood. messalina leo people can be fiery and have an intense sexual drive. also, leo rules the back so these natives may have a really beautiful back. the use their powers in seduction to get people obsessed with them, like to see them as gods.
messalina in virgo
messalina in virgo natives can give off a pure vibe. this is definitely not the most sexually seductive placement at first, neither are they  obsessed with the idea of having *it* unless other placements indicate the opposite. (if that happens they might have a virginity kink if that exists idk? like taking or letting others take their v card.) HOWEVER, they shouldn't be underestimated. one really good thing about them physically is that they tend to have an attractive abdomen? yes. so they look extra good with clothes that show skin in that area + they can use that to tempt others for their benefit. the mainly seek material benefit when manipulating others through s*x.
messalina in libra
people with messalina in libra use their charm to lure others. they are usually very charming and attractive. they can be quite kinky. like their fellow venusians, libras can use their body & sex appeal in exchange of material things & princess treatment. the "key" of their whole appearance can be their really attractive butt that tempts others & messalina in libra people use it as their advantage.
messalina in scorpio
now, messalina is already a really erotic asteroid but messalina in scorpio is something else. these people ooze sex appeal. they have a really high libido, one of the highest if not the highest. they are also very kinky. however they are really smart too. they can use their sexuality not just to seduce others but with a intention to destroy them and take revenge. this is a very femme fatale placement imo. they are also very mysterious and that makes people more and more haunted by them. scorpio rules the sexual organs, so these people can use sex at its finest to seduce others and get what they want. now this is not true for everyone,  but if other placements contribute too, some people with this placement can be nymphomaniacs.
messalina in saggitarius
messalina in saggitarius natives  have an immense sex appeal & a high libido. they seduce others with their knowledge & physically they have really beautiful bodies, they tend to look athletic + they have a very beautiful waist & nice thighs that seduces others even more, like they make people fantasize just by looking at their pretty waist. they also tend to have an exotic type of beauty. they can manipulate others with s*x but they are not that manipulative compared to other messalina placements imo. just don't get them mad at you.
messalina in capricorn
people with messalina in capricorn can use their sexual power to gain success & even fame. they have a REALLY high libido (& they're very freaky too but they don't show it lmao). they won't have s*x with everyone, they have extremy high standards. but when they want to seduce someone.. well, they can be really good at that. they can use their beautiful smile, as capricorn rules teeth & people can find their legs really attractive perhaps? yes. they will use that too to sexually turn somebody & get what they want from them.
messalina in aquarius
a person with this placement is very unique and free spirited. they have unique ideas about sex & the sexual nature of people, unique way of luring people, they just like to be themselves. they have other-worldly kind of beauty and sex appeal, like they're not real. they can be open to try new things sexually. their most attractive body part is the ankles so they can use that to seduce people. not THAT manipulative, however they can use their sexual power to do that, if they want.
messalina in pisces
messalina in pisces people have a dreamy yet siren like appearance. they can use that + the fact that they most likely have really attractive feet (ik sounds weird rn but it's true) & people are going to seduced by them for that and they be asking for more. they might be good at giving foot jobs ? idk. they will also activate their "vulnerable mode" on purpose to get what they want. the can be master manipulators and drive others crazy through their sexual power even if they look cute and subtle. dont let them fool you.
Tumblr media
xoxo, feliné
2K notes · View notes
lynxastrology · 1 year
Text
🔞𝕬𝖘𝖙𝖗𝖔𝖑𝖔𝖌𝖞 𝖔𝖇𝖘𝖊𝖗𝖛𝖆𝖙𝖎𝖔𝖓𝖘 🔞
Tumblr media
*MINORS PLEASE DO NOT INTERACT!*
Disclaimer: NSFW. CONTAINS SEXUAL CONTENT! these observations are based on my personal interpretations <3
Mars conjunct/square jupiter can indicate that you might have alot of stamina in the bedroom. Y’all can literally go multiple rounds and not feel tired. Sexy bitches frđŸ‘€đŸ„”
Jupiter in the 7th house = big booty 🍑
Jupiter in the 4th house= big tiddies 🍒
Eros in scorpio/aries/leo in the 8th/1st/5th have HIGH sex appeal and also have incredible stamina. Sex with them is intense and they will fuck you like there’s no tomorrow đŸ˜©.
Moon-jupiter (esp conjunct/square) have big nipples and a curvy body.
Mars at 8° or 20° are POWERFUL. They might enjoy BDSM and rough sex. Sex is something that is very transformational and intense for people with this degree. They’re SO dominant in the bedroom ⛓. Especially women with this degree on their mars give off femme fatale vibes â€ïžâ€đŸ”„
Leo mars/ mars in the 3rd house and their sex appeal đŸ˜©đŸ«Š.
Take a look at your ascendant in your eros persona chart. If you have aries, leo or scorpio ascendant then you might have a very prominent sex appeal. people will literally stop and stare at you cuz you look so damn sexy. But if you have libra, cancer or taurus ascendant then you might look very gracious and have soft, beautiful features.
People with venus conjunct mars are THE MOST STUNNING people i’ve ever met. Their beauty is SO prominent and they literally remind me of an “it girl/boy”. Literally the finest bitches i’ve ever met ✹
Mars conjunct/square pluto can literally eat my ass đŸ˜©. They have the strongest sexual magnetism and can even be viewed as a sex symbol by people. Sex with them is unforgettable. đŸ˜źâ€đŸ’šđŸ„”
People with prominent mars/eros/lilith in a chart can have a high sex drive and can be very erotic and sensual 💩.
Tumblr media
masterlist 💋
1K notes · View notes
saylessastrology · 11 months
Text
Sexy Synastry Series: MORE ON PATREON -
patreon.com/SaylessAstrology
Mars Signs đŸ˜œđŸ”„
Mars in sex astrology represents a multitude of things but the main being sexual style and physical sex appetite. If you can understand what the Mars person is attracted to you can easily win them over in and out of the bedroom!
Mars in Aries: This Mars typically likes to be dominant in the bedroom. Even the most submissive Mars in Aries will still get off sexually by playing the dominatrix role. Let them play out their sexual dominatrix fantasies with you and they will be hooked
Mars in Taurus: This Mars would love if their lover would include some time of food condiment to their sexual routine. Honey, Ice, or whipped cream as just a few suggestions you spice up and activate their sensual senses
Mars in Gemini: This Mars placement gets off by having a variety of sexual partners or getting to experience different sexual activities. Mental stimulation is incredibly important. These are the dirty-talking kings and queens of the zodiac
Mars in Cancer: This Mars placement is attracted to a lover who is compassionate and sexually attentive in bed. One of the most romantic sex placements of the zodiac! Crying or getting emotional during sex is very common. They tend to be a bit shy in bed so they love a bold, confident lover to bring them out of their shell.
Mars in Leo: These lovers need a bold and energetic lover in bed. They love their ego stroked and compliments about how amazing their performance was! They need to feel like they are the center of your attention every step of the way.
Mars in Virgo: This Mars tends to plan and overthink their sexual encounters. They are extremely detailed in the bedroom. They notice everything. These are the type of people to kiss the scar you try to hide on your stomach.
Mars in Libra: These Mars signs are true romantics at heart. Libra Mars people are so giving in the bedroom and want both parties to enjoy themselves equally. Mars here is very visual and can get off solely by looking at their partner’s beautiful body parts.
Mars in Scorpio: Sex is deep and intense here. Sex is needed for these Mars placements as they require complete emotional merging with another person. They may seek some form of control or dominance in bed.
Mars in Sagittarius: This Mars is FUN! Super adventurous in bed. They get off by risk-taking and spontaneous sex! Sex in the car, sex in the laundry, sexy everywhere they can think of. They are also very encouraging in sex and can motivate you to that big climax
Mars in Capricorn: These mars get off on dominance and experienced partners, They prefer a more mature approach to sex and have a very simple goal to achieve. They will impress you with their determination to please you and show you who the boss is in the sheets.
Mars in Aquarius: These Mars view sex as an act and less as a merging experience. They possess the ability to detach emotionally in the moment in order to fully perform without catching feelings; at least long enough to decide if it is something they want to continue. They will categorize you sexually in their minds by how close they have let you get to them emotionally.
Mars in Pisces: Mars here enjoys fantasy play and romantic merging during sex. They are very emotionally dedicated to pleasing their partner during sex. They love slow tender fore kisses play that lead to the big finish! They love to set the moon with dim lights, romantic music, and candles
575 notes · View notes
thelovereader · 1 year
Text
18 + sexy dates for your Mars sign đŸč
numéro un
Mutable signs 🕊
Gemini
~ drunken karaoke
~ strip poker ♊
Virgo
~ exchanging erotic poetry passages
~ taking a shower together after a workout
Sagittarius
~ having sex on the beach or wilderness
~ getting an explicit couples tattoo
Pisces
~ skinny dipping
~ lying naked with candles listening to vinyl🕯
Tumblr media
image via pinterest
500 notes · View notes
evangelinesbible · 2 years
Text
SALOME PERSONA CHART
How do you get what you want by using your sexuality/sex appeal? Are you a great dancer? Do you embody the femme fatals of old Hollywood? Do people tend to think you’re more promiscuous than you actually are? Do you tend to be sexualized for no reason other than the “vibe” you give off?
Tumblr media Tumblr media Tumblr media
Most people (including me 💋) who have this asteroid conjunct or square their ACS, MC, and/or personal planets usually embody almost all of those things. And the persona chart or course can give more insight.
SUN/ 5H
Your basic sex appeal. How you might flirt. Your childlike persona that charms people. How your promiscuity shines through. Your main dancing abilities/ the most notable thing you do when you dance
MOON/IC
How you emotionally manipulate and win over people. Your emotional reasoning for seducing people. Your true feelings towards your sexual nature. How you dance when emotional/ if your an emotional dancer
RISING
How you want people to see you when you seduce them. Peoples first impression of you when your seducing them. They physical attributes you weaponize when seducing/dancing. What people might sexualize about you physically
MERCURY/ 3H
How you flirt/dirty talk. How you use your words to seduce others and get what you want. What you think about your promiscuity
VENUS/7H
What you love about your sexual nature. How your enemies might shame you for your promiscuity. How your long term partners see you as a seducer. Your beautiful features that can seduce and win over others. The aesthetics of your dancing/your dance style.
MARS
The raw sexual nature you use to get what you want. What people find so sexually appealing about you. The drive you have to get what you want using your sexual nature. How people might assume what you’re like in bed.
JUPITER/ 9H
The benefits and blessing you’ll receive using your sexuality to get what you want.
SATURN
The karma you’ll receive when you use your sexuality to get what you want from others. How using your sexuality to get what you might limit yourself
URANUS/ 11H ïżŒ
How friend groups and people online perceive you when it comes to your sexual nature. How your friends or people online might sexualize you or misunderstand your promiscuity. The money you could gain using your sexuality. The unique features and things you do to win over people. What’s unique about your dancing
NEPTUNE/ 12H
What people don’t understand about your sexuality. How you may be victimized because of your promiscuity. What the people you seduce will find enchanting about you. What’s enchanting about the way you dance. The sexual things your insecure or embarrassed about.
PLUTO/ 8H
Also the raw sexual nature you to get what you want expect this is much more darker and intense. How you intimidate the people you seduce. Where people might tend to sexualize you the most.
2H
Where people you seduce might pay you/ give you gifts because of your sexuality. How you use your voice to seduce, what people find sexy about your voice when your seducing them. How people might sexualize your voice.
6H
How you use your promiscuity in the workplace/with co- workers. How you put up the innocent act to get what you want. How co workers might sexualize you or demonize your sexuality.
MC
How using your promiscuity effects your career. How the media reacts to your promiscuity. The career best suited for your sexuality. How the public reacts to your dancing/how you dance.
Tumblr media Tumblr media Tumblr media
I’ll post my chart soon 💋
- âšœïžđŸ’«âšœïž
641 notes · View notes
youremyheaven · 9 months
Text
Sex(y) Astrology Observations
cancer placements often have a breeding kink
aries placements usually have a primal kink
air signs can be really into bondage
gemini's can be very frigid & very sexual at the same time
how your relationship with your partner transpires depends heavily on your venus aspects & where your venus is located in their chart. other aspects will help you understand whether or not the two of you get along but the nature of the relationship itself = venus /it's placement / aspects
6. sun conjunct mars creates great sexual chemistry đŸ”„
7. taurus guys are really the most sensual 😍lovers
8. ascendant aspecting venus creates magnetic attraction between two people 👀😏
9. opposite signs have great chemistry đŸ˜čtaurus & scorpio, pisces & virgo, cancer & capricorn etc
10. saturn synastry aspects signify a karmic connection & a long term one
1K notes · View notes
astrosky33 · 5 months
Text
Sextrology Part Eleven
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Mars - Ascendant Synastry indicates the Mars person is extremely sexually attracted to the Ascendant person. This is because Mars represents who we lust over and the Ascendant represents identity/appearance
Aries/Scorpio Mars and 1H/8H Mars are the most likely to have p*ss kinks (not everyone with this placement will have one obviously but the people that do tend to have this in their chart)
Sun - Mars aspects indicate being sexually attracted to people that are more masculine or dominant
The 6th house in astrology can be associated with your virginity since it’s the house that rules over innocence
Having a lot of sextile’s in Composite or Synastry can indicate good sexual chemistry
Be careful if you have Mars or Pluto in the 11th house in your Composite Chart with someone cuz it can indicate s*x tapes being leaked of you two
Asteroid Freia in the 1st/10th house can indicate being considered an object of lust by others -> code: 76
Uranus in the Mars Persona Chart can give insight on the type of p*rn someone watches -> ex: uranus in the 2nd house can indicate enjoying blowjob p*rn - drake said he watches it and has that placement in his mars pc
Having a 6th house stellium in your Mars Persona Chart can indicate being vanilla -> ex: jack harlow has this in his mars pc and said he’s vanilla on a podcast with alex cooper
Having an 8th house stellium in your Pluto Persona Chart can indicate being very private about your sex life. It can also indicate seeming shy or innocent but secretly being a freak -> ex: timothee chalamet
Tumblr media
MARS PC OBSERVATIONS POSTED ON MY PATREON
MY MASTERLIST - READINGS - MORE SEXTROLOGY
Tumblr media
© đšđŹđ­đ«đšđŹđ€đČ 𝟐𝟎𝟐𝟑 đšđ„đ„ đ«đąđ đĄđ­đŹ đ«đžđŹđžđ«đŻđžđ
891 notes · View notes
hot-astrology · 2 months
Text
"Kama" & Your Sex Style
𝐊𝐚𝐩𝐚 𝐬𝐡𝐹𝐰𝐬 đšđźđ« đŹđžđ±đźđšđ„ đđžđŹđąđ«đžđŹ 𝐚𝐧𝐝 𝐡𝐹𝐰 𝐰𝐞 𝐚𝐜𝐭 đ­đšđ°đšđ«đđŹ 𝐭𝐡𝐞𝐩. 𝐓𝐡𝐱𝐬 đšđŹđ­đžđ«đšđąđ 𝐱𝐬 𝐚 đ«đžđ©đ«đžđŹđžđ§đ­đšđ­đąđšđ§ 𝐹𝐟 "đ€đšđŠđš đŹđźđ­đ«đšđŹ", 𝐱𝐭 𝐱𝐬 𝐭𝐡𝐞 𝐚𝐜𝐭 𝐹𝐟 đ©đ„đžđšđŹđźđ«đž & đŹđžđ§đŹđźđšđ„đąđ­đČ.
(Kama: 1387)
𝐓𝐡𝐱𝐬 đžđ§đžđ«đ đČ 𝐱𝐬 đđžđ«đąđŻđžđ đŸđ«đšđŠ 𝐭𝐡𝐞 đŸ‘đ«đ, 𝟕𝐭𝐡, 𝐚𝐧𝐝 𝟏𝟏𝐭𝐡 𝐡𝐹𝐼𝐬𝐞𝐬 𝐱𝐧 đČđšđźđ« đ§đšđ­đšđ„ đœđĄđšđ«đ­ 𝐱𝐧 đšđŹđ­đ«đšđ„đšđ đČ. 𝐖𝐱𝐭𝐡 "đ€đšđŠđš" 𝐩𝐞𝐚𝐧𝐱𝐧𝐠 "đžđ«đšđ­đąđœ đ©đ«đšđœđ­đąđœđžđŹ" 𝐚𝐧𝐝 "đŹđźđ­đ«đš," 𝐩𝐞𝐚𝐧𝐱𝐧𝐠 đĄđšđ„đđąđ§đ  đ„đąđŸđž đ­đšđ đžđ­đĄđžđ«." 𝐓𝐡𝐱𝐧𝐠𝐬 đšđ„đ°đšđČ𝐬 đ°đšđ«đ€ 𝐱𝐧 𝟑'𝐬 , đ„đąđ€đž đ©đ„đžđšđŹđźđ«đž, 𝐞𝐧𝐣𝐹đČ𝐩𝐞𝐧𝐭, đđžđŹđąđ«đž 𝐚𝐧𝐝 𝐩𝐱𝐧𝐝, 𝐛𝐹𝐝đČ, 𝐚𝐧𝐝 đŹđšđźđ„. 𝐓𝐡𝐱𝐬 đ©đšđ°đžđ«đŸđźđ„ đ§đšđ­đźđ«đž 𝐜𝐚𝐧 𝐛𝐞 đ«đžđ©đ«đžđŹđžđ§đ­đžđ 𝐚𝐬 𝐋𝐔𝐒𝐓 đšđ„đŹđš, đŹđ­đ«đšđ§đ  đ©đšđŹđŹđąđšđ§ 𝐚𝐧𝐝 đđžđžđ© đđžđŹđąđ«đžđŹ 𝐭𝐡𝐚𝐭 𝐩𝐹𝐯𝐞 đČ𝐹𝐼 đ„đąđ€đž 𝐧𝐹 đšđ­đĄđžđ«. đ’đąđŠđąđ„đšđ« 𝐭𝐹 đšđŹđ­đžđ«đšđąđ 𝐂𝐚𝐬𝐚𝐧𝐹𝐯𝐚, 𝐰𝐡𝐱𝐜𝐡 𝐬𝐡𝐹𝐰𝐬 đšđźđ« đŸđ„đąđ«đ­đšđ­đąđšđźđŹ 𝐬𝐱𝐝𝐞, 𝐚𝐧𝐝 đšđ©đ©đ«đšđšđœđĄ 𝐭𝐹 đ­đšđ„đ€ 𝐭𝐹 𝐭𝐡𝐞 đšđ©đ©đšđŹđąđ­đž đŹđžđ±, 𝐛𝐼𝐭 "đ€đšđŠđš" đ°đąđ„đ„ đđžđŹđœđ«đąđ›đž 𝐡𝐹𝐰 đČ𝐹𝐼 đ°đ«đšđ© 𝐭𝐡𝐚𝐭 đ©đžđ«đŹđšđ§ đźđ©, 𝐭𝐰𝐱𝐬𝐭, đŸđ„đąđ©, đ©đąđ§, 𝐚𝐧𝐝 𝐬𝐞𝐝𝐼𝐜𝐞 𝐭𝐡𝐞𝐩 𝐱𝐧𝐭𝐹 𝐚 đŸđ«đžđ§đłđČ đ°đĄđąđ„đž 𝐬𝐡𝐹𝐰𝐱𝐧𝐠 đČđšđźđ« đđžđžđ©đžđŹđ­ đŹđžđ±đźđšđ„, & đŹđžđ§đŹđźđšđ„ đ„đšđŻđž đ§đšđ­đźđ«đž. 𝐈𝐭'𝐬 𝐚 𝐭𝐹𝐧 𝐹𝐟 đšđ­đĄđžđ« đšđŹđ­đžđ«đšđąđđŹ 𝐭𝐡𝐚𝐭 đ«đžđ©đ«đžđŹđžđ§đ­ đŹđžđ±, đ©đ„đžđšđŹđźđ«đžđŹ, 𝐚𝐧𝐝 đ đžđ§đąđ­đšđ„đŹ 𝐞𝐭𝐜... 𝐛𝐼𝐭 đ€đšđŠđš 𝐜𝐹𝐩𝐞𝐬 đŸđ«đšđŠ đđžđžđ© đ€đ§đšđ°đąđ§đ , đ€đ§đšđ°đ„đžđđ đž 𝐹𝐟 𝐰𝐡𝐚𝐭 đČđšđźđ« đŹđšđźđ„ 𝐰𝐚𝐧𝐭𝐬, 𝐚𝐧𝐝 𝐡𝐹𝐰 𝐭𝐹 𝐹𝐛𝐭𝐚𝐱𝐧 𝐭𝐡𝐱𝐬 đ„đšđ§đ đąđ§đ  đŸđšđ« 𝐭𝐡𝐱𝐬 đŹđžđ±đźđšđ„ đžđ±đ©đžđ«đąđžđ§đœđž 𝐰𝐱𝐭𝐡 "đ€đšđŠđš đŹđźđ­đ«đš" đ©đ«đšđœđ­đąđœđžđŹ. 𝐒𝐹 đĄđžđ«đž 𝐱𝐬 đšđźđ« đąđ§đ­đžđ«đ©đ«đžđ­đšđ­đąđšđ§ 𝐹𝐟 𝐊𝐚𝐩𝐚, đ­đšđ€đž đČđšđźđ« 𝐭𝐱𝐩𝐞 𝐭𝐹 đźđ§đđžđ«đŹđ­đšđ§đ đČđšđźđ« đ©đ„đšđœđžđŠđžđ§đ­ 𝐚𝐧𝐝 𝐱𝐭𝐬 đŹđžđ§đŹđźđšđ„ 𝐚𝐧𝐝 đŹđžđ±đźđšđ„ đšđ›đąđ„đąđ­đąđžđŹ.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
𝐊𝐚𝐩𝐚 𝐱𝐧 đ€đ«đąđžđŹ 𝐩𝐚𝐧𝐱𝐟𝐞𝐬𝐭𝐬 𝐚𝐬 𝐬𝐹𝐩𝐞𝐹𝐧𝐞 𝐰𝐡𝐹 đ„đšđŻđžđŹ 𝐭𝐡𝐞 đœđ„đąđŠđšđ± đ©đšđ«đ­ 𝐹𝐟 đ©đ„đžđšđŹđźđ«đž. 𝐊𝐚𝐩𝐚 đĄđžđ«đž đ„đąđ€đžđŹ 𝐭𝐹 đŸđžđžđ„ đŹđžđ±đČ & đ©đšđŹđŹđąđšđ§đšđ­đž. đđ„đžđšđŹđźđ«đž 𝐭𝐡𝐚𝐭 đŸđžđžđ„đŹ đ„đąđ€đž 𝐭𝐡𝐞đČ 𝐡𝐚𝐯𝐞 𝐛𝐞𝐞𝐧 đ«đžđ§đžđ°đžđ & đ«đžđŹđ­đšđ«đžđ. 𝐓𝐡𝐞𝐬𝐞 𝐧𝐚𝐭𝐱𝐯𝐞𝐬 𝐡𝐚𝐯𝐞 𝐚 đ„đšđ­ 𝐹𝐟 đžđ§đžđ«đ đČ 𝐰𝐡𝐞𝐧 𝐱𝐭 𝐜𝐹𝐩𝐞𝐬 𝐭𝐹 đŹđžđ±đźđšđ„ đŠđšđ­đ­đžđ«đŹ. 𝐓𝐡𝐱𝐬 𝐬𝐡𝐹𝐰𝐬 𝐚 đŹđ­đ«đšđ§đ  & đąđ§đŹđšđ­đąđšđ›đ„đž đŹđžđ± đđ«đąđŻđž 𝐭𝐡𝐚𝐭 𝐩𝐼𝐬𝐭 𝐛𝐞 đ«đžđ„đžđšđŹđžđ. 𝐘𝐹𝐼 𝐩𝐚đČ đžđ§đœđšđźđ§đ­đžđ« đ©đ«đšđ›đ„đžđŠđŹ 𝐰𝐡𝐞𝐧 đČ𝐹𝐼 đĄđšđ„đ 𝐭𝐡𝐱𝐬 𝐱𝐧 đŸđšđ« 𝐭𝐹𝐹 đ„đšđ§đ .
𝐊𝐚𝐩𝐚 𝐱𝐧 đ“đšđźđ«đźđŹ: 𝐓𝐡𝐞 đ€đžđČđ°đšđ«đ đĄđžđ«đž 𝐱𝐬 đŹđžđ§đŹđźđšđ„. 𝐔𝐬𝐱𝐧𝐠 𝐭𝐡𝐞 𝐩𝐹𝐼𝐭𝐡 & 𝐟𝐹𝐹𝐝𝐬 𝐱𝐧 đŹđžđ± đšđ«đž 𝐭𝐡𝐱𝐧𝐠𝐬 𝐭𝐡𝐞𝐬𝐞 𝐧𝐚𝐭𝐱𝐯𝐞𝐬 đ„đąđ€đž 𝐭𝐹 𝐝𝐹. đ…đšđ«đžđ©đ„đšđČ & đœđźđđđ„đąđ§đ  đšđ«đž 𝐰𝐚đČ𝐬 𝐭𝐹 𝐠𝐞𝐭 𝐭𝐡𝐞𝐬𝐞 đ©đžđšđ©đ„đž 𝐭𝐹 đŸđžđžđ„ đœđšđŠđŸđšđ«đ­đšđ›đ„đž. 𝐓𝐡𝐞 𝐬𝐞𝐧𝐬𝐞𝐬 𝐛𝐞𝐱𝐧𝐠 đŹđ­đąđŠđźđ„đšđ­đžđ đšđ«đž đąđŠđ©đšđ«đ­đšđ§đ­ 𝐚𝐬 đ°đžđ„đ„, đ˜đšđźđ« đ§đšđ­đźđ«đšđ„ 𝐛𝐞𝐚𝐼𝐭đČ & 𝐯𝐹𝐱𝐜𝐞 đšđ«đž 𝐞𝐧𝐹𝐼𝐠𝐡 𝐭𝐹 đ„đźđ«đž 𝐱𝐧 đČđšđźđ« đŹđžđ±đźđšđ„ đ©đšđ«đ­đ§đžđ«đŹ. 𝐊𝐚𝐩𝐚 𝐱𝐧 đ“đšđźđ«đźđŹ đ„đšđŻđžđŹ 𝐭𝐹 𝐛𝐞 đ©đ„đžđšđŹđžđ & 𝐛𝐞 đ©đ„đžđšđŹđžđ. 𝐓𝐡𝐞đČ đšđ«đž đšđ„đ„ đŸđšđ« đ©đ„đžđšđŹđźđ«đž & 𝐬𝐹𝐩𝐞𝐭𝐱𝐩𝐞𝐬 𝐜𝐚𝐧 đšđŻđžđ« đąđ§đđźđ„đ đž 𝐱𝐧 𝐭𝐡𝐱𝐬 đšđ«đžđš.
𝐊𝐚𝐩𝐚 𝐱𝐧 𝐆𝐞𝐩𝐱𝐧𝐱 𝐬𝐡𝐹𝐰𝐬 𝐚 đŹđ©đšđ«đšđđąđœ đŹđžđ± 𝐬𝐭đČđ„đž. 𝐆𝐞𝐩𝐱𝐧𝐱 𝐱𝐧 đ€đšđŠđš 𝐱𝐬 đ°đąđ„đ„đąđ§đ  𝐭𝐹 đ­đ«đČ 𝐚𝐧đČ𝐭𝐡𝐱𝐧𝐠, đ«đžđšđ„đ„đČ. 𝐓𝐡𝐞đČ đšđ«đž đœđźđ«đąđšđźđŹ 𝐛đČ đ§đšđ­đźđ«đž, 𝐚𝐧𝐝 đ­đĄđžđąđ« đČđšđźđ­đĄđŸđźđ„đ§đžđŹđŹ & đœđĄđšđ«đąđŹđŠđšđ­đąđœ đžđ§đžđ«đ đČ đšđ«đž 𝐰𝐡𝐚𝐭 đŠđšđ€đž đšđ­đĄđžđ«đŹ 𝐬𝐞𝐞 𝐭𝐡𝐞𝐩 𝐚𝐬 đšđ©đ©đžđšđ„đąđ§đ . 𝐓𝐡𝐞đČ 𝐟𝐱𝐧𝐝 đ©đ„đžđšđŹđźđ«đž 𝐱𝐧 đšđ­đĄđžđ«đŹ 𝐰𝐡𝐹 đŠđžđ§đ­đšđ„đ„đČ & đ©đĄđČđŹđąđœđšđ„đ„đČ đŹđ­đąđŠđźđ„đšđ­đž 𝐭𝐡𝐞𝐩. 𝐓𝐡𝐞đČ 𝐰𝐚𝐧𝐭 𝐭𝐹 đŸđžđžđ„ đźđ§đđžđ«đŹđ­đšđšđ & đœđšđźđ„đ 𝐞𝐧𝐣𝐹đČ 𝐬𝐭𝐼𝐝𝐞𝐧𝐭/ đ­đžđšđœđĄđžđ« đ«đšđ„đžđ©đ„đšđČ. 𝐆𝐞𝐩𝐱𝐧𝐱 đ«đźđ„đžđŹ 𝐭𝐡𝐞 𝐡𝐚𝐧𝐝𝐬 & đđžđ±đ­đžđ«đąđ­đČ 𝐭𝐹 𝐚 đœđžđ«đ­đšđąđ§ đžđ±đ­đžđ§đ­, 𝐭𝐡𝐞 𝐩𝐹𝐼𝐭𝐡 𝐚𝐬 đ°đžđ„đ„. 𝐓𝐡𝐞đČ 𝐩𝐚đČ 𝐞𝐧𝐣𝐹đČ 𝐠𝐱𝐯𝐱𝐧𝐠 & đ«đžđœđžđąđŻđąđ§đ  âœ‹đŸœ 𝐣𝐹𝐛𝐬.
𝐊𝐚𝐩𝐚 𝐱𝐧 đœđšđ§đœđžđ«: 𝐊𝐚𝐩𝐚 đĄđžđ«đž 𝐬𝐡𝐹𝐰𝐬 𝐭𝐡𝐞 đŹđžđ± 𝐬𝐭đČđ„đž 𝐹𝐟 𝐭𝐡𝐞 𝐧𝐚𝐭𝐱𝐯𝐞 𝐱𝐬 đœđšđŠđŸđšđ«đ­đąđ§đ , 𝐚𝐧𝐝 𝐭𝐡𝐞đČ đŠđšđ€đž đ­đĄđžđąđ« đ©đšđ«đ­đ§đžđ«đŹ đŸđžđžđ„ 𝐬𝐚𝐟𝐞 & đ§đźđ«đ­ïżœïżœïżœïżœđ«đžđ. 𝐓𝐡𝐱𝐬 đœđšđźđ„đ 𝐛𝐞 𝐬𝐹𝐩𝐞𝐭𝐡𝐱𝐧𝐠 𝐭𝐡𝐞đČ 𝐞𝐧𝐣𝐹đČ 𝐚𝐬 đ°đžđ„đ„. đ€đ«đžđšđŹ 𝐭𝐡𝐚𝐭 đšđ«đž 𝐬𝐞𝐧𝐬𝐱𝐭𝐱𝐯𝐞 đŸđšđ« đ©đ„đžđšđŹđźđ«đž đšđ«đž 𝐭𝐡𝐞 𝐛𝐹𝐹𝐛𝐬. 𝐊𝐚𝐩𝐚 𝐱𝐧 đœđšđ§đœđžđ« đ©đ«đžđŸđžđ«đŹ 𝐬𝐹𝐩𝐞𝐹𝐧𝐞 𝐰𝐡𝐹𝐩 𝐭𝐡𝐞đČ đŸđžđžđ„ 𝐬𝐚𝐟𝐞 𝐰𝐱𝐭𝐡 & đŹđĄđšđ«đž 𝐚𝐧 đžđŠđšđ­đąđšđ§đšđ„ 𝐜𝐹𝐧𝐧𝐞𝐜𝐭𝐱𝐹𝐧 𝐰𝐱𝐭𝐡. 𝐓𝐡𝐞đČ đšđ«đž đźđ© đŸđšđ« đ„đšđŻđž đŠđšđ€đąđ§đ  & đŠđšđ€đž-đźđ© đŹđžđ± 𝐭𝐡𝐞 đ€đąđ§đ đ°đĄđžđ«đž đČ𝐹𝐼 đšđ«đž 𝐬𝐚đČ𝐱𝐧𝐠 đŹđšđ«đ«đČ 𝐭𝐹 𝐭𝐡𝐞 đšđ­đĄđžđ« 𝐰𝐱𝐭𝐡 đČđšđźđ« 𝐛𝐹𝐝𝐱𝐞𝐬. 😉
𝐊𝐚𝐩𝐚 𝐱𝐧 𝐋𝐞𝐹: 𝐊𝐚𝐩𝐚 đĄđžđ«đž 𝐬𝐡𝐹𝐰𝐬 𝐚 đ„đšđŻđž đŸđšđ« đŸđ„đąđ«đ­đČ & đ©đšđŹđŹđąđšđ§đšđ­đž đŹđžđ±. 𝐓𝐡𝐞đČ 𝐰𝐚𝐧𝐭 𝐭𝐹 đ©đ«đšđŻđž 𝐭𝐡𝐞đČ đšđ«đž đ„đšđČđšđ„ 𝐭𝐹 đ­đĄđžđąđ« đ©đšđ«đ­đ§đžđ« 𝐚𝐧𝐝 𝐬𝐡𝐹𝐰 𝐹𝐟𝐟 đ­đĄđžđąđ« đŹđžđ±đźđšđ„ 𝐩𝐹𝐯𝐞𝐬. 𝐋𝐞𝐹 𝐱𝐬 đĄđžđ«đž 𝐭𝐹 đ©đźđ­ 𝐹𝐧 𝐚 𝐬𝐡𝐹𝐰 𝐚𝐧𝐝 𝐬𝐡𝐹𝐰 𝐹𝐟𝐟 đ­đĄđžđąđ« đ­đšđ„đžđ§đ­đŹ 𝐣𝐼𝐬𝐭 𝐬𝐹 𝐭𝐡𝐞đČ 𝐜𝐚𝐧 𝐛𝐞 đ©đ«đšđąđŹđžđ. 𝐇𝐹𝐰 𝐭𝐡𝐞đČ 𝐡𝐚𝐯𝐞 đŹđžđ± đœđšđźđ„đ đŻđžđ«đČ đ°đžđ„đ„ 𝐛𝐞 𝐬𝐹𝐩𝐞𝐭𝐡𝐱𝐧𝐠 𝐭𝐡𝐚𝐭 đ©đ„đšđČ𝐬 𝐚 đ«đšđ„đž 𝐱𝐧 đ­đĄđžđąđ« 𝐜𝐹𝐧𝐟𝐱𝐝𝐞𝐧𝐜𝐞. 𝐊𝐚𝐩𝐚 𝐋𝐞𝐹'𝐬 đ„đąđ€đž 𝐭𝐹 𝐛𝐞 đžđ±đ©đ«đžđŹđŹđąđŻđž & 𝐬𝐡𝐹𝐰 đČ𝐹𝐼 𝐭𝐡𝐚𝐭 𝐭𝐡𝐞đČ đšđ«đž 𝐞𝐧𝐣𝐹đČ𝐱𝐧𝐠 đ­đĄđžđŠđŹđžđ„đŻđžđŹ đđźđ«đąđ§đ  𝐭𝐡𝐞 𝐚𝐜𝐭. 𝐓𝐡𝐞đČ 𝐜𝐚𝐧 𝐛𝐞 đŻđžđ«đČ đŻđšđœđšđ„ đđźđ«đąđ§đ  𝐭𝐡𝐞 𝐚𝐜𝐭.
𝐊𝐚𝐩𝐚 𝐱𝐧 đ•đąđ«đ đš: đ€đšđŠđš đĄđžđ«đž 𝐬𝐱𝐠𝐧𝐱𝐟𝐱𝐞𝐬 𝐚 đŹđ„đšđ° & đđžđ­đšđąđ„đžđ 𝐰𝐚đČ 𝐹𝐟 𝐠𝐹𝐱𝐧𝐠 𝐚𝐛𝐹𝐼𝐭 đŹđžđ±đźđšđ„ 𝐚𝐜𝐭𝐬. 𝐓𝐡𝐞đČ 𝐜𝐚𝐧 𝐯𝐱𝐞𝐰 đŹđžđ± 𝐚𝐬 𝐚 đœđĄđšđ«đž 𝐭𝐡𝐚𝐭 𝐭𝐡𝐞đČ 𝐡𝐚𝐯𝐞 𝐭𝐹 đ­đšđ€đž 𝐭𝐡𝐞 đ©đ«đšđ©đžđ« đŹđ­đžđ©đŹ 𝐭𝐹 𝐠𝐞𝐭 đ«đžđšđđČ đŸđšđ« đšđ« 𝐚 𝐰𝐚đČ 𝐭𝐹 đ«đžđ„đžđšđŹđž đšđ„đ„ 𝐹𝐟 đ­đĄđžđąđ« đ°đšđ«đ«đąđžđŹ. đ‡đžđ«đž, 𝐭𝐡𝐞𝐬𝐞 𝐧𝐚𝐭𝐱𝐯𝐞𝐬 𝐜𝐚𝐧 𝐛𝐞𝐠𝐱𝐧 𝐭𝐹 𝐬𝐞𝐞 đŹđžđ± 𝐚𝐬 𝐚 𝐰𝐚đČ 𝐭𝐹 𝐜𝐹𝐧𝐧𝐞𝐜𝐭 𝐰𝐱𝐭𝐡 đ­đĄđžđŠđŹđžđ„đŻđžđŹ 𝐱𝐧 𝐚 đđžđžđ©đžđ« 𝐰𝐚đČ. 𝐓𝐡𝐞đČ đđžđ«đąđŻđž đ©đ„đžđšđŹđźđ«đž 𝐹𝐼𝐭 𝐹𝐟 đŹđĄđšđ«đąđ§đ  đ­đĄđžđŠđŹđžđ„đŻđžđŹ 𝐰𝐱𝐭𝐡 đšđ§đšđ­đĄđžđ« đ©đžđ«đŹđšđ§. 𝐓𝐡𝐞đČ 𝐜𝐚𝐧 𝐡𝐚𝐯𝐞 𝐬𝐹𝐩𝐞 đ€đąđ§đ€đČ 𝐭𝐡𝐱𝐧𝐠𝐬 𝐭𝐡𝐞đČ 𝐰𝐚𝐧𝐭 𝐭𝐹 đ©đ„đšđČ 𝐹𝐼𝐭 𝐱𝐧 đŹđžđ± 𝐛𝐼𝐭 𝐭𝐡𝐞đČ 𝐰𝐹𝐧'𝐭 𝐬𝐚đČ 𝐱𝐭 𝐹𝐼𝐭 đšđ„đšđźđ 𝐛𝐞𝐜𝐚𝐼𝐬𝐞 𝐬𝐹𝐩𝐞𝐭𝐱𝐩𝐞𝐬 𝐭𝐡𝐞đČ đŸđžđžđ„ 𝐚𝐬 𝐭𝐡𝐹𝐼𝐠𝐡 𝐭𝐡𝐞đČ đŹđĄđšđźđ„đđ§'𝐭. 𝐓𝐡𝐱𝐬 đ©đ„đšđœđžđŠđžđ§đ­ 𝐜𝐚𝐧 𝐡𝐚𝐯𝐞 𝐱𝐬𝐬𝐼𝐞𝐬 𝐰𝐱𝐭𝐡 đŸđźđ„đ„đČ đžđ±đ©đ«đžđŹđŹđąđ§đ  𝐡𝐹𝐰 𝐭𝐡𝐞đČ 𝐰𝐚𝐧𝐭 đ©đ„đžđšđŹđźđ«đž & 𝐱𝐧𝐬𝐭𝐞𝐚𝐝 đšđ„đ°đšđČ𝐬 𝐟𝐹𝐜𝐼𝐬 𝐹𝐧 đ©đ„đžđšđŹđąđ§đ  𝐭𝐡𝐞 đšđ­đĄđžđ«. 𝐓𝐡𝐞 𝐰𝐚đČ 𝐭𝐹 đ©đ„đžđšđŹđž 𝐚 đ€đšđŠđš đŻđąđ«đ đš 𝐧𝐚𝐭𝐱𝐯𝐞 𝐱𝐬 𝐭𝐹 đŠđšđ€đž 𝐭𝐡𝐞𝐩 đ­đ«đźđŹđ­ đČ𝐹𝐼. 𝐘𝐹𝐼 𝐡𝐚𝐯𝐞 𝐭𝐹 𝐛𝐞 𝐜𝐹𝐧𝐬𝐱𝐬𝐭𝐞𝐧𝐭 & 𝐬𝐡𝐹𝐰 𝐭𝐡𝐚𝐭 đČ𝐹𝐼 đœđšđ«đž 𝐚𝐛𝐹𝐼𝐭 đ­đĄđžđąđ« đ°đžđ„đ„-𝐛𝐞𝐱𝐧𝐠 𝐹𝐧 đšđ„đ„ đ„đžđŻđžđ„đŹ. đ‡đšđ°đžđŻđžđ«, 𝐭𝐡𝐱𝐬 đ©đ„đšđœđžđŠđžđ§đ­ 𝐜𝐚𝐧 đšđ„đŹđš 𝐛𝐞 đŻđžđ«đČ đŹđ€đąđ„đ„đžđ & đšđ„đŠđšđŹđ­ đ„đąđ€đž 𝐚𝐧 𝐱𝐧𝐭𝐱𝐩𝐚𝐜đČ 𝐜𝐹𝐚𝐜𝐡. 𝐓𝐡𝐞đČ đ€đ§đšđ° 𝐰𝐡𝐚𝐭 𝐭𝐹 𝐝𝐹 & đ©đšđČ 𝐚𝐭𝐭𝐞𝐧𝐭𝐱𝐹𝐧 𝐭𝐹 𝐞𝐯𝐞𝐧 𝐭𝐡𝐞 đŹđŠđšđ„đ„ đ«đžđšđœđ­đąđšđ§đŹ đČđšđźđ« 𝐛𝐹𝐝𝐱𝐞𝐬 đŠđšđ€đž 𝐭𝐹 đ­đĄđžđąđ« 𝐭𝐹𝐼𝐜𝐡𝐞𝐬.
𝐊𝐚𝐩𝐚 𝐱𝐧 đ‹đąđ›đ«đš: 𝐓𝐡𝐱𝐬 đ©đ„đšđœđžđŠđžđ§đ­ 𝐱𝐬 đĄđžđ«đž đŸđšđ« đšđ„đ„ 𝐭𝐡𝐞 đ©đ„đžđšđŹđźđ«đž. 𝐓𝐡𝐞đČ đšđ«đž 𝐟𝐹𝐜𝐼𝐬𝐞𝐝 𝐹𝐧 𝐠𝐱𝐯𝐱𝐧𝐠 & đ«đžđœđžđąđŻđąđ§đ  đ©đ„đžđšđŹđźđ«đž. đ’đąđŠđ©đ„đČ, 𝐭𝐡𝐞 𝐚𝐜𝐭 𝐹𝐟 đ©đ„đžđšđŹđźđ«đąđ§đ  𝐭𝐡𝐞𝐩 𝐱𝐬 𝐞𝐧𝐹𝐼𝐠𝐡, 𝐛𝐼𝐭 𝐭𝐡𝐞đČ 𝐰𝐚𝐧𝐭 đ«đšđŠđšđ§đœđž. 𝐓𝐡𝐞đČ 𝐰𝐚𝐧𝐭 𝐭𝐹 đŸđžđžđ„ đ„đąđ€đž 𝐚 đ«đžđ„đšđ­đąđšđ§đŹđĄđąđ© đšđ« đŠđšđ«đ«đąđšđ đž 𝐱𝐬 𝐬𝐹𝐩𝐞𝐭𝐡𝐱𝐧𝐠 𝐭𝐡𝐚𝐭 𝐱𝐬 đ©đšđŹđŹđąđ›đ„đž. đ“đĄđžđąđ« đŹđžđ± 𝐬𝐭đČđ„đž 𝐱𝐬 đŹđąđŠđ©đ„đČ 𝐚𝐩𝐚𝐳𝐱𝐧𝐠, đ­đĄđžđąđ« 𝐛𝐞𝐚𝐼𝐭đČ & đŸđžđšđ­đźđ«đžđŹ 𝐱𝐬 đšđ«đ­. 𝐈𝐭'𝐬 𝐬𝐹𝐩𝐞𝐭𝐡𝐱𝐧𝐠 𝐭𝐡𝐚𝐭 đŹđ­đąđœđ€đŹ 𝐱𝐧 𝐭𝐡𝐞 𝐩𝐱𝐧𝐝𝐬 𝐹𝐟 đšđ­đĄđžđ«đŹ. đ“đĄđžđąđ« đŹđžđ± 𝐬𝐭đČđ„đž 𝐱𝐬 𝐟𝐞𝐩𝐱𝐧𝐱𝐧𝐞 ; 𝐭𝐡𝐞đČ 𝐜𝐚𝐧 𝐛𝐞 đŸđšđąđ«đ„đČ 𝐬𝐼𝐛𝐩𝐱𝐬𝐬𝐱𝐯𝐞 & 𝐯𝐱𝐞𝐰 đŹđžđ± 𝐚𝐬 𝐚𝐧 𝐞đȘđźđšđ„ 𝐠𝐱𝐯𝐞 & đ­đšđ€đž.
đ€đšđŠđš 𝐱𝐧 đŹđœđšđ«đ©đąđš 𝐬𝐡𝐹𝐰𝐬 𝐚 đ©đšđŹđŹđąđšđ§đšđ­đž & 𝐱𝐧𝐭𝐞𝐧𝐬𝐞 đ„đšđŻđž- đŠđšđ€đąđ§đ  𝐬𝐭đČđ„đž. đ‡đžđ«đž, đ€đšđŠđš 𝐱𝐧𝐝𝐼𝐜𝐞𝐬 𝐭𝐡𝐞 𝐧𝐚𝐭𝐱𝐯𝐞 𝐰𝐱𝐭𝐡 𝐭𝐡𝐞 đšđ›đąđ„đąđ­đČ 𝐭𝐹 𝐡đČđ©đ§đšđ­đąđłđž đ­đĄđžđąđ« đ©đšđ«đ­đ§đžđ« 𝐰𝐱𝐭𝐡 đ­đĄđžđąđ« 𝐛𝐹𝐝đČ. đ’đžđ± 𝐱𝐬 đ°đĄđžđ«đž 𝐭𝐡𝐞đČ đšđ«đž đšđ›đ„đž 𝐭𝐹 𝐬𝐡𝐹𝐰 đ­đĄđžđąđ« 𝐩𝐹𝐬𝐭 đŹđšđœđ«đžđ, đđšđ«đ€đžđŹđ­, 𝐚𝐧𝐝 đŹđžđœđ«đžđ­ đ©đšđ«đ­đŹ. 𝐓𝐡𝐞đČ 𝐜𝐚𝐧 𝐛𝐞 đ«đžđ„đźđœđ­đšđ§đ­ đ­đšđ°đšđ«đđŹ 𝐱𝐭 𝐚𝐭 đŸđąđ«đŹđ­, 𝐛𝐼𝐭 𝐹𝐧𝐜𝐞 đœđšđŠđŸđšđ«đ­đšđ›đ„đž, 𝐭𝐡𝐞đČ đĄđšđ„đ 𝐧𝐹𝐭𝐡𝐱𝐧𝐠 𝐱𝐧. 𝐈𝐭'𝐬 đšđ„đŠđšđŹđ­ đąđ§đžđŻđąđ­đšđ›đ„đž đŸđšđ« 𝐭𝐡𝐞𝐩 𝐭𝐹 𝐰𝐚𝐧𝐭 𝐭𝐹 đŠđžđ«đ đž đ©đĄđČđŹđąđœđšđ„đ„đČ 𝐰𝐱𝐭𝐡 đ­đĄđžđąđ« đ©đšđ«đ­đ§đžđ«.
đ€đšđŠđš 𝐱𝐧 đŹđšđ đąđ­đ­đšđ«đąđźđŹ đŸđšđ«đžđ­đžđ„đ„đŹ 𝐚𝐧 đšđđŻđžđ§đ­đźđ«đšđźđŹ & đ„đžđŹđŹ đŹđžđ«đąđšđźđŹ đšđ©đ©đ«đšđšđœđĄ 𝐭𝐹 đ©đ„đžđšđŹđźđ«đšđ›đ„đž 𝐚𝐜𝐭𝐬. 𝐓𝐡𝐞𝐬𝐞 𝐧𝐚𝐭𝐱𝐯𝐞𝐬 đšđ«đž đ°đąđ„đ„đąđ§đ  𝐭𝐹 đ­đ«đČ đ©đ«đžđ­đ­đČ 𝐩𝐼𝐜𝐡 𝐚𝐧đČ & đžđŻđžđ«đČ𝐭𝐡𝐱𝐧𝐠 𝐩𝐼𝐜𝐡 đ„đąđ€đž đ­đĄđžđąđ« đŹđąđŹđ­đžđ« 𝐬𝐱𝐠𝐧 𝐠𝐞𝐩𝐱𝐧𝐱. 𝐓𝐡𝐞đČ đ«đžđšđ„đ„đČ 𝐯𝐱𝐞𝐰 đ©đ„đžđšđŹđźđ«đž 𝐚𝐬 𝐚 𝐟𝐼𝐧 đžđ±đ©đžđ«đąđžđ§đœđž, 𝐝𝐼𝐞 𝐭𝐹 đŹđšđ đąđ­đ­đšđ«đąđźđŹ 𝐛𝐞𝐱𝐧𝐠 đŠđźđ­đšđ›đ„đž. 𝐓𝐡𝐞đČ 𝐜𝐚𝐧 𝐬𝐰𝐱𝐭𝐜𝐡 𝐛𝐞𝐭𝐰𝐞𝐞𝐧 𝐛𝐞𝐱𝐧𝐠 𝐝𝐹𝐩𝐱𝐧𝐚𝐧𝐭 đšđ« 𝐬𝐼𝐛𝐩𝐱𝐬𝐬𝐱𝐯𝐞. 𝐓𝐡𝐱𝐬 𝐱𝐬 𝐭𝐡𝐞 đ©đ„đšđœđžđŠđžđ§đ­ 𝐭𝐡𝐚𝐭 𝐞𝐧𝐣𝐹đČ𝐬 𝐭𝐡𝐞 đ«đąđđž 𝐚𝐧𝐝 𝐣𝐼𝐬𝐭 đ„đžđ­đŹ 𝐭𝐡𝐞 đžđ§đžđ«đ đČ đŸđ„đšđ°. 𝐊𝐚𝐩𝐚 𝐱𝐧 đ’đšđ đąđ­đ­đšđ«đąđźđŹ 𝐝𝐹𝐞𝐬𝐧'𝐭 đ­đ«đČ 𝐭𝐹 đŠđšđ€đž đ©đ„đžđšđŹđźđ«đž, đšđ« 𝐭𝐡𝐞 𝐚𝐜𝐭 𝐹𝐟 đŹđžđ± 𝐟𝐱𝐭𝐬 𝐱𝐧𝐭𝐹 𝐚 đ›đšđ±. 𝐓𝐡𝐞đČ 𝐜𝐚𝐧 đšđ„đŹđš 𝐟𝐱𝐧𝐝 đ©đ„đžđšđŹđźđ«đž đ­đĄđ«đšđźđ đĄ đ«đšđźđ đĄ & đ°đąđ„đ đŹđžđ±.
𝐊𝐚𝐩𝐚 𝐱𝐧 đ‚đšđ©đ«đąđœđšđ«đ§ 𝐬𝐡𝐹𝐰𝐬 𝐚 𝐝𝐹𝐩𝐱𝐧𝐚𝐧𝐭 & đ©đšđ°đžđ«đŸđźđ„ đŹđžđ± 𝐬𝐭đČđ„đž. 𝐘𝐹𝐼 𝐩𝐚đČ đ„đąđ€đž 𝐭𝐹 𝐛𝐞 𝐭𝐡𝐞 đŠđšđ«đž 𝐝𝐹𝐩𝐱𝐧𝐚𝐧𝐭 đ©đžđ«đŹđšđ§ 𝐱𝐧 𝐭𝐡𝐞 đ›đžđđ«đšđšđŠ, 𝐚𝐧𝐝 𝐱𝐭 𝐜𝐚𝐧 đŸđžđžđ„ đ„đąđ€đž đČ𝐹𝐼'đ«đž 𝐠𝐱𝐯𝐱𝐧𝐠 đČđšđźđ« đ©đšđ«đ­đ§đžđ« 𝐚 đ„đžđŹđŹđšđ§ đđźđ«đąđ§đ  đŹđžđ±. đŸ€­ 𝐓𝐡𝐱𝐬 đ©đ„đšđœđžđŠđžđ§đ­, đšđ„đšđ§đ  𝐰𝐱𝐭𝐡 đ€đšđŠđš 𝐱𝐧 𝐚đȘđźđšđ«đąđźđŹ, 𝐜𝐚𝐧 𝐛𝐞 𝐱𝐧𝐭𝐹 𝐬𝐹𝐩𝐞 đĄđšđ«đđœđšđ«đž 𝐬𝐭𝐼𝐟𝐟 𝐭𝐡𝐚𝐭 đąđ§đŻđšđ„đŻđžđŹ đ«đžđŹđ­đ«đąđœđ­đąđšđ§. đ‚đšđ©đ«đąđœđšđ«đ§ đŹđ©đžđœđąđŸđąđœđšđ„đ„đČ 𝐩𝐚đČ 𝐛𝐞 đ©đ«đšđ§đž 𝐭𝐹 đ„đąđ€đž đšđ« 𝐱𝐧𝐱𝐭𝐱𝐚𝐭𝐞 𝐬𝐚𝐝𝐱𝐬𝐭𝐱𝐜 𝐭𝐡𝐱𝐧𝐠𝐬 𝐱𝐧 𝐭𝐡𝐱𝐬 đšđ«đžđš. 𝐓𝐡𝐞đČ 𝐰𝐚𝐧𝐭 𝐝𝐹𝐩𝐱𝐧𝐚𝐭𝐱𝐹𝐧 & 𝐝𝐹𝐩𝐱𝐧𝐱𝐹𝐧 đšđŻđžđ« đ­đĄđžđąđ« đŹđžđ±đźđšđ„ đ©đšđ«đ­đ§đžđ«. 𝐓𝐡𝐱𝐬 𝐜𝐚𝐧 𝐬𝐡𝐹𝐰 đ©đ„đžđšđŹđźđ«đž đŸđšđ« đ©đšđąđ§ 𝐚𝐧𝐝 𝐞𝐯𝐞𝐧 𝐭𝐞𝐚𝐬𝐱𝐧𝐠.
𝐊𝐚𝐩𝐚 𝐱𝐧 𝐀đȘđźđšđ«đąđźđŹ, đ­đĄđžđąđ« đŹđžđ± 𝐬𝐭đČđ„đž đ°đąđ„đ„ 𝐛𝐞 đžđœđœđžđ§đ­đ«đąđœ & 𝐼𝐧𝐭𝐚𝐩𝐞𝐝. 𝐓𝐡𝐱𝐬 đ©đ„đšđœđžđŠđžđ§đ­ 𝐱𝐬 đ°đąđ„đ„đąđ§đ  𝐭𝐹 𝐝𝐹 𝐬𝐹𝐩𝐞 đźđ§đ„đšđ°đŸđźđ„/ đšđźđ­đ„đšđ§đđąđŹđĄ 𝐭𝐡𝐱𝐧𝐠𝐬 𝐱𝐧 đ­đžđ«đŠđŹ 𝐹𝐟 đŹđžđ±. 𝐈𝐟 đČ𝐹𝐼 𝐡𝐚𝐯𝐞 𝐭𝐡𝐱𝐬 đ©đ„đšđœđžđŠđžđ§đ­, đČ𝐹𝐼 𝐩𝐚đČ 𝐧𝐹𝐭 đœđšđ«đž 𝐭𝐹 𝐛𝐞 𝐱𝐧 𝐚 𝐜𝐹𝐩𝐩𝐱𝐭𝐭𝐞𝐝 đ«đžđ„đšđ­đąđšđ§đŹđĄđąđ© 𝐭𝐹 𝐬𝐡𝐹𝐰 𝐭𝐡𝐱𝐬 𝐬𝐱𝐝𝐞 𝐹𝐟 đČ𝐹𝐼. đ‡đšđ°đžđŻđžđ«, đČ𝐹𝐼 đœđšđźđ„đ đŸđžđžđ„ đ„đąđ€đž 𝐚𝐧 𝐹𝐼𝐭𝐜𝐚𝐬𝐭 𝐛𝐞𝐜𝐚𝐼𝐬𝐞 𝐹𝐟 đœđžđ«đ­đšđąđ§ 𝐭𝐡𝐱𝐧𝐠𝐬 đČ𝐹𝐼 𝐰𝐚𝐧𝐭 𝐱𝐧 đ­đžđ«đŠđŹ 𝐹𝐟 đ©đ„đžđšđŹđźđ«đž. 𝐘𝐹𝐼 𝐰𝐚𝐧𝐭 𝐬𝐹𝐩𝐞𝐹𝐧𝐞 𝐰𝐡𝐹 đČ𝐹𝐼 𝐜𝐚𝐧 đ­đ«đźđŹđ­ & đŸđžđžđ„ đŸđ«đžđž 𝐰𝐱𝐭𝐡. đ’đžđ± & đ©đ„đžđšđŹđźđ«đž 𝐩𝐚đČ đĄđšđ©đ©đžđ§ 𝐚𝐭 đźđ§đžđ±đ©đžđœđ­đžđ 𝐭𝐱𝐩𝐞𝐬 đŸđšđ« đČ𝐹𝐼, 𝐚𝐧𝐝 𝐞𝐯𝐞𝐧 𝐰𝐱𝐭𝐡 đ°đžđąđ«đ đšđ« 𝐭𝐚𝐛𝐹𝐹 đ©đžđšđ©đ„đž. 𝐘𝐹𝐼 đœđšđźđ„đ 𝐠𝐞𝐭 đ­đźđ«đ§đžđ 𝐹𝐧 𝐛đČ đ©đšđ«đ­đ§đžđ«đŹ 𝐰𝐡𝐹 đšđ«đž đđąđŸđŸđžđ«đžđ§đ­ đŸđ«đšđŠ đČ𝐹𝐼, đ°đĄđžđ­đĄđžđ« 𝐱𝐭 𝐛𝐞 đ«đšđœđž,đ«đžđ„đąđ đąđšđ§, đ„đšđ§đ đźđšđ đž, đœđšđźđ§đ­đ«đČ, 𝐚𝐠𝐞, 𝐞𝐭𝐜. 𝐘𝐹𝐼 đžđ±đ©đžđ«đąđžđ§đœđž đ©đ„đžđšđŹđźđ«đž 𝐱𝐧 đźđ§đœđšđ§đŻđžđ§đ­đąđšđ§đšđ„ 𝐰𝐚đČ𝐬. 𝐒𝐱𝐧𝐜𝐞 𝐀đȘđźđšđ«đąđźđŹ 𝐱𝐬 đ«đźđ„đžđ 𝐛đČ đ’đšđ­đźđ«đ§ đ­đ«đšđđąđ­đąđšđ§đšđ„đ„đČ, đČ𝐹𝐼 𝐩𝐚đČ 𝐧𝐹𝐭 đŸđźđ„đ„đČ đžđŻđšđ„đŻđž 𝐱𝐧𝐭𝐹 𝐭𝐡𝐱𝐬 đžđ§đžđ«đ đČ đźđ§đ­đąđ„ đČ𝐹𝐼'đ«đž đšđ„đđžđ« đšđ« đŠđšđ«đž đœđšđŠđŸđšđ«đ­đšđ›đ„đž 𝐱𝐧 đČđšđźđ« đŹđžđ±đźđšđ„đąđ­đČ/đ©đšđ«đ­đ§đžđ«.
𝐊𝐚𝐩𝐚 𝐱𝐧 𝐏𝐱𝐬𝐜𝐞𝐬, đŹđžđ± 𝐬𝐭đČđ„đž 𝐱𝐬 đžđŻđžđ«đČ𝐭𝐡𝐱𝐧𝐠. 𝐓𝐡𝐞đČ 𝐜𝐚𝐧 đ­đ«đšđ§đŹđŸđšđ«đŠ 𝐱𝐧𝐭𝐹 𝐩𝐚𝐧đČ đđąđŸđŸđžđ«đžđ§đ­ đ©đžđšđ©đ„đž 𝐚𝐭 𝐹𝐧𝐜𝐞. 𝐊𝐚𝐩𝐚, 𝐱𝐧 𝐏𝐱𝐬𝐜𝐞𝐬, 𝐩𝐚đČ 𝐡𝐚𝐯𝐞 𝐚 đŻđžđ«đČ đœđ«đžđšđ­đąđŻđž 𝐰𝐚đČ 𝐹𝐟 đ©đžđ«đŸđšđ«đŠđąđ§đ  𝐱𝐧 𝐭𝐡𝐞 đ›đžđđ«đšđšđŠ. 𝐘𝐹𝐼 𝐜𝐚𝐧 đŹđšđœđ«đąđŸđąđœđž đČđšđźđ« 𝐹𝐰𝐧 𝐧𝐞𝐞𝐝𝐬 đđźđ«đąđ§đ  đŹđžđ±. 𝐘𝐹𝐼 𝐩𝐚đČ 𝐰𝐚𝐧𝐭 𝐬𝐹𝐩𝐞𝐹𝐧𝐞 𝐰𝐡𝐹𝐩 đČ𝐹𝐼 đŹđĄđšđ«đž 𝐚 đ©đŹđČ𝐜𝐡𝐱𝐜 & đŹđšđźđ„ 𝐜𝐹𝐧𝐧𝐞𝐜𝐭𝐱𝐹𝐧 𝐰𝐱𝐭𝐡. đ˜đšđźđ« đŹđžđ± 𝐬𝐭đČđ„đž 𝐱𝐬 đźđ§đ«đžđšđ„ 𝐚𝐧𝐝 đđ«đžđšđŠđČ. 𝐁𝐚𝐬𝐞𝐝 𝐹𝐧 đČđšđźđ« 𝐱𝐧𝐭𝐼𝐱𝐭𝐱𝐹𝐧, đČ𝐹𝐼 đ€đ§đšđ° 𝐰𝐡𝐚𝐭 đ©đ„đžđšđŹđžđŹ đČđšđźđ« đ©đšđ«đ­đ§đžđ«, 𝐚𝐧𝐝 𝐹𝐧 𝐚 đ„đšđ°đžđ« đŻđąđ›đ«đšđ­đąđšđ§, 𝐭𝐡𝐱𝐬 𝐩𝐚đČ 𝐩𝐚𝐧𝐱𝐟𝐞𝐬𝐭 𝐚𝐬 đđžđ©đ«đąđŻđąđ§đ  đČđšđźđ«đŹđžđ„đŸ 𝐹𝐟 đ©đ„đžđšđŹđźđ«đž. 𝐓𝐡𝐱𝐬 𝐬𝐡𝐹𝐰𝐬 đŹđžđ„đŸ-đŹđšđœđ«đąđŸđąđœđąđ§đ . 𝐘𝐹𝐼'đ«đž 𝐚 đœđĄđšđŠđžđ„đžđšđ§, 𝐚𝐧𝐝 đ­đĄđžđ«đž'𝐬 𝐧𝐹 𝐩𝐚𝐱𝐧 𝐭𝐡𝐞𝐩𝐞 đŸđšđ« đČđšđźđ« đŹđžđ± 𝐬𝐭đČđ„đž.
Tumblr media
KAMA - PLANETS
Tumblr media
𝐊𝐚𝐩𝐚- 𝐒𝐼𝐧: 𝐓𝐡𝐱𝐬 đšđŹđ©đžđœđ­ đžđ±đźđđžđŹ 𝐋𝐼𝐬𝐭. đ“đĄđžđąđ« đžđ§đžđ«đ đČ đžđŻđšđ€đžđŹ 𝐭𝐡𝐱𝐬 đŸđžđžđ„đąđ§đ  𝐹𝐼𝐭 𝐹𝐟 đšđ­đĄđžđ«đŹ. 𝐓𝐡𝐱𝐬 𝐱𝐬 𝐚𝐧 𝐱𝐧𝐝𝐱𝐜𝐚𝐭𝐱𝐹𝐧 𝐹𝐟 đŹđžđ± đšđ©đ©đžđšđ„ 𝐚𝐧𝐝 𝐡𝐚𝐯𝐱𝐧𝐠 đšđ­đĄđžđ«đŹ đ„đźđŹđ­ đšđŸđ­đžđ« đČ𝐹𝐼. đđšđ«đđžđ«đ„đąđ§đž, đ©đ«đšđąđŹđž đČ𝐹𝐼 𝐚𝐧𝐝 đ©đźđ­ đČ𝐹𝐼 𝐹𝐧 𝐚 đ©đžđđžđŹđ­đšđ„. 𝐒𝐼𝐧 đšđ„đŹđš đ«đžđ©đ«đžđŹđžđ§đ­đŹ 𝐟𝐚𝐩𝐞, 𝐬𝐹 𝐭𝐡𝐱𝐬 𝐱𝐬 𝐚𝐧 đšđŹđ©đžđœđ­ 𝐭𝐡𝐚𝐭 𝐩𝐚đČ 𝐬𝐡𝐹𝐰 đČ𝐹𝐼 𝐜𝐚𝐧 𝐠𝐚𝐱𝐧 𝐟𝐚𝐩𝐞 đŸđ«đšđŠ 𝐭𝐡𝐱𝐬. 𝐘𝐹𝐼 𝐜𝐚𝐧 𝐡𝐚𝐯𝐞 𝐚 đ«đžđ đšđ„ đŹđžđ± 𝐬𝐭đČđ„đž đ©đĄđČđŹđąđœđšđ„đ„đČ. 𝐘𝐹𝐼 đšđ«đž đŻđžđ«đČ đšđ­đ­đ«đšđœđ­đąđŻđž 𝐱𝐧 𝐭𝐡𝐞 𝐞đČ𝐞𝐬 𝐹𝐟 đšđ­đĄđžđ«đŹ. đ˜đšđźđ« đĄđšđąđ« đšđ« 𝐬𝐭𝐹𝐩𝐚𝐜𝐡 𝐩𝐚đČ 𝐛𝐞 𝐭𝐡𝐱𝐧𝐠𝐬 đČ𝐹𝐼 đ«đžđœđžđąđŻđž 𝐚 đ„đšđ­ 𝐹𝐟 đ©đ«đšđąđŹđž đŸđšđ«.
𝐊𝐚𝐩𝐚-𝐌𝐹𝐹𝐧: đ˜đšđźđ« đŹđžđ± 𝐬𝐭đČđ„đž 𝐱𝐬 đąđ§đŸđ„đźđžđ§đœđžđ 𝐛đČ 𝐭𝐡𝐞 đžđ§đžđ«đ đČ 𝐹𝐟 𝐭𝐡𝐞 𝐩𝐹𝐹𝐧. 𝐀 đ„đźđŠđąđ§đšđ«đČ 𝐰𝐡𝐱𝐜𝐡 đ©đ„đšđČ𝐬 𝐚 đœđ«đźđœđąđšđ„ đ«đšđ„đž 𝐱𝐧 đČđšđźđ« đœđĄđšđ«đ­, 𝐭𝐡𝐱𝐬 𝐬𝐡𝐹𝐰𝐬 đšđźđ« đ­đ«đźđž 𝐛𝐞𝐱𝐧𝐠. 𝐀𝐧𝐝 𝐡𝐹𝐰 𝐰𝐞 đŸđžđžđ„ đđžđŹđ©đąđ­đž 𝐡𝐹𝐰 𝐰𝐞 𝐩𝐚đČ đ„đšđšđ€ đšđ« 𝐚𝐜𝐭. 𝐘𝐹𝐼 𝐜𝐚𝐧 đŸđžđžđ„ đŻđžđ«đČ 𝐜𝐹𝐧𝐧𝐞𝐜𝐭𝐞𝐝 𝐭𝐹 𝐭𝐡𝐞 đŹđžđ§đŹđźđšđ„ & đŹđžđ±đźđšđ„ 𝐬𝐱𝐝𝐞 𝐹𝐟 đČđšđźđ«đŹđžđ„đŸ. đ˜đšđźđ« đŹđžđ± 𝐬𝐭đČđ„đž 𝐱𝐬 𝐬𝐹𝐟𝐭 𝐚𝐧𝐝 𝐟𝐞𝐩𝐱𝐧𝐱𝐧𝐞. đ„đŠđšđ­đąđšđ§đšđ„ 𝐜𝐹𝐧𝐧𝐞𝐜𝐭𝐱𝐹𝐧𝐬 𝐜𝐚𝐧 𝐛𝐞 đŸđšđ«đŠđžđ đ­đĄđ«đšđźđ đĄ đŹđžđ±, 𝐚𝐧𝐝 đČ𝐹𝐼 đ„đąđ€đž 𝐭𝐹 đŸđžđžđ„ 𝐬𝐚𝐟𝐞. 𝐘𝐹𝐼 𝐜𝐚𝐧 đ§đźđ«đ­đźđ«đž đČđšđźđ« đŹđžđ±đźđšđ„ đ©đšđ«đ­đ§đžđ«đŹ. 𝐘𝐹𝐼 𝐡𝐚𝐯𝐞 đŹđ­đ«đšđ§đ , đ„đźđŹđ­đŸđźđ„ 𝐞𝐩𝐹𝐭𝐱𝐹𝐧𝐬. 𝐘𝐹𝐼 đœđšđźđ„đ 𝐛𝐞 đžđ±đžđ«đœđąđŹđąđ§đ  & đ§đžđ±đ­ 𝐭𝐡𝐱𝐧𝐠 đČ𝐹𝐼 đ€đ§đšđ°, đČ𝐹𝐼'đ«đž đ­đĄđąđ§đ€đąđ§đ  𝐚𝐛𝐹𝐼𝐭 đŹđžđ±đźđšđ„ 𝐭𝐡𝐱𝐧𝐠𝐬. 𝐘𝐹𝐼 𝐜𝐚𝐧'𝐭 𝐡𝐚𝐯𝐞 đŹđžđ± 𝐰𝐱𝐭𝐡 𝐧𝐹 đŹđ­đ«đąđ§đ đŹ 𝐚𝐭𝐭𝐚𝐜𝐡𝐞𝐝. 𝐘𝐹𝐼 𝐞𝐧𝐣𝐹đČ 𝐬𝐹𝐩𝐞𝐭𝐡𝐱𝐧𝐠 𝐭𝐡𝐚𝐭 đŠđšđ€đžđŹ đČ𝐹𝐼 đŸđžđžđ„ 𝐬𝐚𝐟𝐞 𝐚𝐧𝐝 đœđšđŠđŸđšđ«đ­đšđ›đ„đž. 𝐘𝐹𝐼'đ«đž 𝐧𝐹𝐭 𝐬𝐹𝐩𝐞𝐹𝐧𝐞 𝐰𝐡𝐹 đžđšđŹđąđ„đČ đŹđ„đžđžđ©đŹ 𝐰𝐱𝐭𝐡 𝐣𝐼𝐬𝐭 𝐚𝐧đČ𝐹𝐧𝐞.
𝐊𝐚𝐩𝐚-đŒđžđ«đœđźđ«đČ: đ˜đšđźđ« 𝐬𝐭đČđ„đž 𝐱𝐬 đąđ§đŸđ„đźđžđ§đœđžđ 𝐛đČ đŠđžđ«đœđźđ«đČ đžđ§đžđ«đ đČ. 𝐘𝐹𝐼 𝐩𝐚đČ 𝐛𝐞 đąđ§đ­đžđ«đžđŹđ­đžđ 𝐱𝐧 𝐬𝐭𝐼𝐝đČ𝐱𝐧𝐠 đŹđžđ±đźđšđ„ đ­đšđ©đąđœđŹ. 𝐘𝐹𝐼 đšđ«đž đŻđžđ«đČ 𝐬𝐩𝐹𝐹𝐭𝐡 & 𝐬𝐞𝐝𝐼𝐜𝐭𝐱𝐯𝐞 𝐰𝐱𝐭𝐡 đČđšđźđ« đ°đšđ«đđŹ. 𝐘𝐹𝐼 𝐩𝐚đČ 𝐞𝐧𝐣𝐹đČ đ›đšđšđ€đŹ 𝐭𝐡𝐚𝐭 đđžđšđ„ 𝐰𝐱𝐭𝐡 đŹđžđ± & đ©đ„đžđšđŹđźđ«đž. 𝐈 đ°đšđźđ„đđ§'𝐭 𝐛𝐞 đŹđźđ«đ©đ«đąđŹđžđ 𝐱𝐟 𝐭𝐡𝐱𝐬 đšđŹđ©đžđœđ­ 𝐱𝐬 𝐭𝐡𝐞 𝐭đČđ©đž 𝐭𝐹 𝐠𝐞𝐭 đ­đźđ«đ§đžđ 𝐹𝐧 𝐛đČ 𝐠𝐞𝐭𝐭𝐱𝐧𝐠 𝐭𝐹 đ«đžđšđ 𝐚𝐧 đžđ«đšđ­đąđœ đ›đšđšđ€. 𝐖𝐡𝐚𝐭 đ›đ«đąđ§đ đŹ 𝐭𝐡𝐞𝐩 đ©đ„đžđšđŹđźđ«đž 𝐱𝐬 đ°đšđ«đđŹ, 𝐚𝐧𝐝 đ°đšđ«đđŹ 𝐭𝐡𝐚𝐭 đšđ«đž đŹđžđ±đźđšđ„đ„đČ & đŠđžđ§đ­đšđ„đ„đČ đŹđ­đąđŠđźđ„đšđ­đąđ§đ .
𝐊𝐚𝐩𝐚-𝐕𝐞𝐧𝐼𝐬: 𝐓𝐡𝐱𝐬 đšđŹđ©đžđœđ­ 𝐬𝐡𝐹𝐰𝐬 đČđšđźđ« đŹđžđ± 𝐬𝐭đČđ„đž 𝐱𝐬 đŻđžđ«đČ 𝐯𝐞𝐧𝐼𝐬𝐱𝐚𝐧. 𝐘𝐹𝐼 đšđ«đž đšđ„đ„ đŸđšđ« đ©đ„đžđšđŹđźđ«đž & đŸđźđ„đŸđąđ„đ„đąđ§đ  đ„đźđŹđ­đŸđźđ„ đđžđŹđąđ«đžđŹ. 𝐓𝐡𝐱𝐬 𝐱𝐬 đšđ„đŹđš 𝐚 đ©đĄđČđŹđąđœđšđ„đ„đČ đšđ©đ©đžđšđ„đąđ§đ  đšđŹđ©đžđœđ­. đ˜đšđźđ« 𝐛𝐹𝐝đČ 𝐚𝐧𝐝 đČđšđźđ« 𝐛𝐞𝐚𝐼𝐭đČ đšđ«đž đŹđžđ±đźđšđ„ đ­đźđ«đ§đŹ 𝐹𝐧 đŸđšđ« đČđšđźđ« đ©đšđ«đ­đ§đžđ«đŹ. 𝐘𝐹𝐼 𝐜𝐚𝐧 𝐞𝐧𝐣𝐹đČ đŹđžđ±đźđšđ„ 𝐚𝐞𝐬𝐭𝐡𝐞𝐭𝐱𝐜𝐬. 𝐘𝐹𝐼 𝐩𝐚đČ 𝐛𝐞 𝐱𝐧𝐭𝐹 đŠđšđ€đąđ§đ  đŸđąđ„đŠđŹ & đŹđžđ±đźđšđ„ đšđ«đ­. 𝐘𝐹𝐼 𝐜𝐚𝐧 đšđ­đ­đ«đšđœđ­ 𝐩𝐚𝐧đČ đ„đšđŻđž đąđ§đ­đžđ«đžđŹđ­đŹ 𝐰𝐡𝐹 𝐰𝐚𝐧𝐭 𝐭𝐹 𝐠𝐱𝐯𝐞 đČ𝐹𝐼 đ©đ„đžđšđŹđźđ«đž. 𝐇𝐚𝐯𝐱𝐧𝐠 đ©đ„đžđšđŹđźđ«đž 𝐰𝐱𝐭𝐡 𝐬𝐹𝐩𝐞𝐹𝐧𝐞 𝐰𝐡𝐹𝐩 đČ𝐹𝐼 đ„đšđŻđž 𝐱𝐬 đđžđžđ©đ„đČ đąđŠđ©đšđ«đ­đšđ§đ­ đŸđšđ« đČ𝐹𝐼. 𝐖𝐡𝐚𝐭 đ›đ«đąđ§đ đŹ đČ𝐹𝐼 đ©đ„đžđšđŹđźđ«đž 𝐱𝐬 đ«đšđŠđšđ§đœđž.
𝐊𝐚𝐩𝐚- đŒđšđ«đŹ: 𝐓𝐡𝐱𝐬 đšđŹđ©đžđœđ­ 𝐬𝐡𝐹𝐰𝐬 đČđšđźđ« đŹđžđ± 𝐬𝐭đČđ„đž 𝐱𝐬 𝐟𝐚𝐬𝐭 & 𝐠𝐼𝐧𝐠-𝐡𝐹. 𝐘𝐹𝐼 𝐜𝐚𝐧 𝐛𝐞 đšđ đ đ«đžđŹđŹđąđŻđž & 𝐰𝐚𝐧𝐭 𝐭𝐹 đ­đšđ€đž đœđšđ§đ­đ«đšđ„. đ‡đžđ«đž, đČ𝐹𝐼 đšđ„đŹđš 𝐡𝐚𝐯𝐞 𝐚𝐧 đąđ§đœđ«đžđšđŹđžđ, 𝐚𝐧𝐝 đŹđ­đ«đšđ§đ  đ„đąđ›đąđđš. 𝐈𝐭'𝐬 đ©đšđŹđŹđąđ›đ„đž đČ𝐹𝐼 đ„đąđ€đž đ«đšđźđ đĄ & đ°đąđ„đ đŹđžđ±. đ˜đšđźđ« đŹđžđ± 𝐬𝐭đČđ„đž 𝐱𝐬 đšđ„đ„ 𝐚𝐛𝐹𝐼𝐭 𝐟𝐚𝐬𝐭𝐧𝐞𝐬𝐬 & 𝐚𝐧𝐝 𝐡𝐚𝐧𝐝𝐬-𝐹𝐧 𝐚𝐜𝐭𝐱𝐹𝐧. 𝐖𝐡𝐚𝐭 đ›đ«đąđ§đ đŹ đČ𝐹𝐼 đ©đ„đžđšđŹđźđ«đž 𝐱𝐬 đ©đšđŹđŹđąđšđ§ 𝐚𝐧𝐝 𝐱𝐧𝐭𝐞𝐧𝐬𝐱𝐭đČ.
ïżœïżœïżœïżœđšđŠđš- đ‰đźđ©đąđ­đžđ«: 𝐓𝐡𝐱𝐬 đšđŹđ©đžđœđ­ 𝐱𝐬 đŹđąđŠđąđ„đšđ« 𝐭𝐹 đ€đšđŠđš đŹđšđ đąđ­đ­đšđ«đąđźđŹ & đ©đąđŹđœđžđŹ 𝐚𝐬 đ„đąđŹđ­đžđ 𝐚𝐛𝐹𝐯𝐞. đ˜đšđźđ« đŹđžđ± đ„đąđŸđž 𝐱𝐬 𝐩𝐹𝐬𝐭 đ„đąđ€đžđ„đČ 𝐚𝐛𝐼𝐧𝐝𝐚𝐧𝐭 & đ›đ„đžđŹđŹđžđ. 𝐘𝐹𝐼 𝐩𝐚đČ 𝐛𝐞 𝐬𝐹𝐩𝐞𝐹𝐧𝐞 𝐰𝐡𝐹 𝐞𝐧𝐣𝐹đČ𝐬 đ„đžđšđ«đ§đąđ§đ  𝐚𝐛𝐹𝐼𝐭 đŹđžđ±. đ˜đšđźđ« đŹđžđ± 𝐬𝐭đČđ„đž 𝐱𝐬 𝐹𝐧𝐞 𝐹𝐟 𝐚 đ€đąđ§đ 𝐚𝐧𝐝 đŁđšđŻđąđšđ„. 𝐘𝐹𝐼 đšđ«đž đœđĄđšđ«đŠđąđ§đ  & đŸđ„đźđąđ 𝐰𝐱𝐭𝐡 đČđšđźđ« đŹđžđ±đźđšđ„ 𝐩𝐹𝐯𝐞𝐩𝐞𝐧𝐭𝐬, 𝐚𝐧𝐝 𝐭𝐡𝐱𝐬 𝐱𝐬 𝐬𝐹𝐩𝐞𝐭𝐡𝐱𝐧𝐠 đČđšđźđ« đŹđžđ±đźđšđ„ đ©đšđ«đ­đ§đžđ«đŹ đ„đšđŻđž 𝐚𝐛𝐹𝐼𝐭 đČ𝐹𝐼. 𝐘𝐹𝐼 𝐩𝐚đČ đąđ§đœđšđ«đ©đšđ«đšđ­đž đŹđ©đąđ«đąđ­đźđšđ„đąđ­đČ 𝐱𝐧𝐭𝐹 đŹđžđ±. 𝐖𝐡𝐚𝐭 đ›đ«đąđ§đ đŹ đČ𝐹𝐼 đ©đ„đžđšđŹđźđ«đž 𝐱𝐬 đŹđžđ±đźđšđ„ đšđđŻđžđ§đ­đźđ«đž.
𝐊𝐚𝐩𝐚-đ’đšđ­đźđ«đ§: 𝐓𝐡𝐱𝐬 đšđŹđ©đžđœđ­ 𝐬𝐡𝐹𝐰𝐬 𝐚 đ«đžđŹđ­đ«đąđœđ­đąđŻđž & đ­đ«đšđđąđ­đąđšđ§đšđ„ đŹđžđ± 𝐬𝐭đČđ„đž. 𝐓𝐡𝐞đČ 𝐜𝐚𝐧 𝐞𝐧𝐣𝐹đČ 𝐼𝐬𝐱𝐧𝐠 đ«đšđ©đžđŹ & 𝐜𝐡𝐚𝐱𝐧𝐬 𝐱𝐟 đČ𝐹𝐼 đ€đ§đšđ° 𝐰𝐡𝐚𝐭 𝐈 𝐩𝐞𝐚𝐧. đ‡đšđ°đžđŻđžđ«, 𝐰𝐡𝐚𝐭 𝐭𝐡𝐞𝐬𝐞 𝐧𝐚𝐭𝐱𝐯𝐞𝐬 𝐩𝐚đČ 𝐧𝐹𝐭𝐱𝐜𝐞 𝐱𝐬 𝐭𝐡𝐚𝐭 𝐭𝐡𝐞đČ đŹđźđ©đ©đ«đžđŹđŹ đ­đĄđžđąđ« đŹđžđ±đźđšđ„ đšđ©đ©đžđ­đąđ­đž. 𝐓𝐡𝐞đČ đšđ«đžđ§â€™đ­ 𝐚𝐬 đŸđšđ«đ­đĄđœđšđŠđąđ§đ  𝐰𝐱𝐭𝐡 đšđ„đ„ 𝐭𝐡𝐞 𝐭𝐡𝐱𝐧𝐠𝐬 𝐭𝐡𝐞đČ đšđ«đž đžđšđ đžđ« 𝐭𝐹 𝐝𝐹 𝐱𝐧 đŹđžđ±. đ“đĄđžđąđ« đ­đ«đźđž đŹđžđ± 𝐬𝐭đČđ„đž đœđšđźđ„đ đ­đšđ€đž 𝐬𝐹𝐩𝐞 𝐭𝐱𝐩𝐞 𝐭𝐹 đđžđŻđžđ„đšđ©, 𝐩𝐞𝐚𝐧𝐱𝐧𝐠 𝐭𝐡𝐞đČ 𝐰𝐚𝐧𝐭 𝐭𝐹 đŸđžđžđ„ đŹđ­đšđ›đ„đž & đŹđžđœđźđ«đž 𝐰𝐱𝐭𝐡 đ­đĄđžđąđ« đŹđžđ±đźđšđ„ đ©đšđ«đ­đ§đžđ«. 𝐖𝐡𝐚𝐭 đ›đ«đąđ§đ đŹ đČ𝐹𝐼 đ©đ„đžđšđŹđźđ«đž 𝐱𝐬 đšđźđ­đĄđšđ«đąđ­đČ.
𝐊𝐚𝐩𝐚-đ”đ«đšđ§đźđŹ: 𝐓𝐡𝐱𝐬 đšđŹđ©đžđœđ­ 𝐱𝐬 đąđ§đŸđ„đźđžđ§đœđžđ 𝐛đČ đŹđ©đšđ§đ­đšđ§đžđąđ­đČ & 𝐱𝐧 𝐚 𝐰𝐚đČ đŻđźđ„đ§đžđ«đšđ›đąđ„đąđ­đČ. 𝐓𝐡𝐞𝐬𝐞 𝐧𝐚𝐭𝐱𝐯𝐞𝐬 𝐰𝐚𝐧𝐭 𝐭𝐹 đ­đ«đČ 𝐧𝐞𝐰 𝐭𝐡𝐱𝐧𝐠𝐬 𝐱𝐧 đ­đžđ«đŠđŹ 𝐹𝐟 đ©đ„đžđšđŹđźđ«đž. đ“đ«đČ𝐱𝐧𝐠 𝐬𝐹𝐩𝐞𝐭𝐡𝐱𝐧𝐠 𝐧𝐞𝐰 𝐱𝐬 đ­đšđ€đąđ§đ  𝐚 đ«đąđŹđ€, 𝐚𝐧𝐝 𝐭𝐡𝐚𝐭 đšđ„đšđ§đž 𝐱𝐬 đ©đźđ­đ­đąđ§đ  đČđšđźđ«đŹđžđ„đŸ 𝐱𝐧 𝐚 đ©đšđŹđąđ­đąđšđ§ 𝐭𝐹 𝐛𝐞 đŻđźđ„đ§đžđ«đšđ›đ„đž. đˆđ§đ­đžđ«đ§đšđ„đ„đČ, 𝐭𝐡𝐱𝐬 𝐱𝐬 đ°đĄđžđ«đž 𝐭𝐡𝐞𝐬𝐞 𝐧𝐚𝐭𝐱𝐯𝐞𝐬 𝐰𝐚𝐧𝐭 𝐭𝐹 đ›đ«đžđšđ€ đŸđ«đžđž 𝐚𝐧𝐝 𝐝𝐹 𝐭𝐡𝐱𝐧𝐠𝐬 𝐭𝐡𝐚𝐭 đšđ«đž 𝐚𝐠𝐚𝐱𝐧𝐬𝐭 𝐭𝐡𝐞 đ§đšđ«đŠ. 𝐘𝐹𝐼'đ«đž đšđ©đžđ§ 𝐭𝐹 𝐩𝐚𝐧đČ đđąđŸđŸđžđ«đžđ§đ­ đ€đąđ§đ€đŹ & đČ𝐹𝐼 đšđ«đž đŁđźđđ đžđŠđžđ§đ­đšđ„ đŸđ«đžđž. 𝐖𝐡𝐚𝐭 đ›đ«đąđ§đ đŹ đČ𝐹𝐼 đŹđžđ±đźđšđ„ đ©đ„đžđšđŹđźđ«đž 𝐱𝐬 đŸđ«đžđžđđšđŠ & đžđ±đ©đžđ«đąđŠđžđ§đ­đąđ§đ .
𝐊𝐚𝐩𝐚-đđžđ©đ­đźđ§đž: 𝐓𝐡𝐱𝐬 đšđŹđ©đžđœđ­ 𝐬𝐡𝐹𝐰𝐬 𝐭𝐡𝐚𝐭 đČđšđźđ« 𝐱𝐩𝐚𝐠𝐱𝐧𝐚𝐭𝐱𝐹𝐧 𝐜𝐚𝐧 đ­đšđ€đž đšđŻđžđ« đČđšđźđ« đŹđžđ± đ„đąđŸđž. đđžđ©đ­đźđ§đž đ«đźđ„đžđŹ đšđŻđžđ« 𝐟𝐚𝐧𝐭𝐚𝐬𝐱𝐞𝐬, đąđ„đ„đźđŹđąđšđ§đŹ, 𝐚𝐧𝐝 đŸđšđąđ«đČđ­đšđ„đžđŹ, 𝐞𝐭𝐜. 𝐒𝐹, 𝐭𝐡𝐱𝐬 𝐩𝐚đČ 𝐬𝐡𝐹𝐰 𝐬𝐹𝐩𝐞𝐹𝐧𝐞 𝐰𝐡𝐹 𝐭𝐞𝐧𝐝𝐬 𝐭𝐹 đžđŹđœđšđ©đž đ«đžđšđ„đąđ­đČ đ­đĄđ«đšđźđ đĄ đ­đĄđžđąđ« đŹđžđ±đźđšđ„ đđžđŹđąđ«đžđŹ. 𝐓𝐡𝐞đČ đšđ«đž đŠđšđ«đž đ„đąđ€đžđ„đČ 𝐭𝐹 𝐝𝐚đČđđ«đžđšđŠ 𝐚𝐧𝐝 𝐟𝐚𝐧𝐭𝐚𝐬𝐱𝐳𝐞 𝐚𝐛𝐹𝐼𝐭 𝐭𝐡𝐱𝐬 đšđ«đžđš. 𝐈𝐧 đŹđžđ±, 𝐭𝐡𝐞đČ đšđ«đž đ«đžđšđđČ 𝐭𝐹 đŸđźđ„đŸđąđ„đ„ 𝐭𝐡𝐞𝐬𝐞 đđžđŹđąđ«đžđŹ, 𝐚𝐧𝐝 đđžđ©đžđ§đđąđ§đ  𝐹𝐧 đČđšđźđ« đœđšđŠđ©đšđ­đąđ›đąđ„đąđ­đČ 𝐰𝐱𝐭𝐡 𝐭𝐡𝐚𝐭 đšđ­đĄđžđ« đ©đžđ«đŹđšđ§, 𝐬𝐹𝐩𝐞𝐭𝐱𝐩𝐞𝐬 đČ𝐹𝐼 𝐜𝐚𝐧 𝐛𝐞 đđąđŹđšđ©đ©đšđąđ§đ­đžđ. đ˜đšđźđ« đŹđžđ± 𝐬𝐭đČđ„đž 𝐱𝐬 đŠđšđ đąđœđšđ„ 𝐚𝐧𝐝 đŹđźđ«đ«đžđšđ„. 𝐘𝐹𝐼 𝐜𝐚𝐧 đŸđžđžđ„ đ„đąđ€đž 𝐬𝐹𝐩𝐞𝐹𝐧𝐞'𝐬 𝐛𝐞𝐬𝐭 đđ«đžđšđŠ. đđžđ©đ­đźđ§đž 𝐜𝐚𝐧 𝐟𝐱𝐭 𝐱𝐧𝐭𝐹 𝐚𝐧đČ đŹđ­đžđ«đžđšđ­đČđ©đž đšđ« đŹđ­đšđ§đđšđ«đ. 𝐓𝐡𝐞đČ 𝐜𝐚𝐧 đ„đźđ«đž đ­đĄđžđąđ« đŹđžđ±đźđšđ„ đ©đšđ«đ­đ§đžđ«đŹ 𝐱𝐧 𝐛𝐞𝐜𝐚𝐼𝐬𝐞 𝐭𝐡𝐞𝐬𝐞 đ©đšđ«đ­đ§đžđ«đŹ 𝐭𝐞𝐧𝐝 𝐭𝐹 đąđđžđšđ„đąđłđž 𝐭𝐡𝐞𝐩. đ’đąđŠđąđ„đšđ« 𝐭𝐹 𝐕𝐞𝐧𝐼𝐬, đČ𝐹𝐼 đšđ«đž đŻđžđ«đČ đœđ«đžđšđ­đąđŻđž & đœđšđ«đž 𝐚𝐛𝐹𝐼𝐭 𝐭𝐡𝐞 đžđ§đŻđąđ«đšđ§đŠđžđ§đ­/𝐚𝐞𝐬𝐭𝐡𝐞𝐭𝐱𝐜𝐬 đ°đĄđąđ„đž 𝐱𝐧 𝐭𝐡𝐞 𝐚𝐜𝐭. 𝐖𝐡𝐚𝐭 đ©đ„đžđšđŹđžđŹ đČ𝐹𝐼 𝐱𝐬 đŸđźđ„đŸđąđ„đ„đąđ§đ  đČđšđźđ« 𝐟𝐚𝐧𝐭𝐚𝐬𝐱𝐞𝐬 𝐱𝐧 đ«đžđšđ„ đ„đąđŸđž. đ“đĄđžđ«đž 𝐜𝐚𝐧 đšđ„đŹđš 𝐛𝐞 đ«đźđŠđšđ«đŹ đŹđźđ«đ«đšđźđ§đđąđ§đ  đČđšđźđ« đŹđžđ± đ„đąđŸđž.
𝐊𝐚𝐩𝐚-đ©đ„đźđ­đš: 𝐓𝐡𝐱𝐬 đšđŹđ©đžđœđ­ đ«đžđŻđžđšđ„đŹ 𝐚 đ€đąđ§đ€đČ đŹđžđ± 𝐬𝐭đČđ„đž. đ–đĄđąđ©đŹ, 𝐜𝐡𝐚𝐱𝐧𝐬, đ›đ„đšđšđ, đĄđšđ«đ đœđšđ«đž 𝐞𝐭𝐜. đ‡đžđ«đž, đČđšđźđ« đŹđžđ± 𝐬𝐭đČđ„đž 𝐱𝐬 đ„đąđ€đž đžđ§đ­đžđ«đąđ§đ  𝐱𝐧𝐭𝐹 đ„đąđ„đąđ­đĄ/𝐡𝐚𝐝𝐞𝐬 𝐃𝐼𝐧𝐠𝐞𝐹𝐧. 𝐓𝐡𝐱𝐬 𝐱𝐬 𝐭𝐚𝐛𝐹𝐹, 𝐛𝐼𝐭 đšđ„đŹđš đ„đąđŸđž đšđ„đ­đžđ«đąđ§đ . đ˜đšđźđ« đŹđžđ± 𝐬𝐭đČđ„đž đŸđšđ« đšđ­đĄđžđ«đŹ 𝐱𝐬 đŻđžđ«đČ 𝐱𝐧𝐭𝐱𝐩𝐚𝐭𝐞 𝐚𝐧𝐝 đœđ„đšđŹđž. 𝐈𝐧 𝐟𝐚𝐜𝐭, 𝐭𝐡𝐱𝐬 đœđšđźđ„đ 𝐛𝐞 𝐚𝐧 đšđ«đžđš đČ𝐹𝐼 đ€đžđžđ© đŠđšđ«đž đ©đ«đąđŻđšđ­đž & 𝐭𝐹 đČđšđźđ«đŹđžđ„đŸ. 𝐁𝐼𝐭 đšđ­đĄđžđ«đŹ 𝐜𝐚𝐧 𝐬𝐞𝐧𝐬𝐞 𝐭𝐡𝐚𝐭 đ­đĄđžđ«đž'𝐬 𝐬𝐹𝐩𝐞𝐭𝐡𝐱𝐧𝐠 đđžđžđ©đžđ« & đđšđ«đ€đžđ« 𝐚𝐛𝐹𝐼𝐭 đČ𝐹𝐼. 𝐖𝐱𝐭𝐡 𝐭𝐡𝐱𝐬 đšđŹđ©đžđœđ­, đČ𝐹𝐼 𝐡𝐚𝐯𝐞 𝐚𝐧 đšđ„đ„đźđ«đž & 𝐩𝐚𝐠𝐧𝐞𝐭𝐱𝐬𝐩 𝐚𝐛𝐹𝐼𝐭 đČ𝐹𝐼 𝐭𝐡𝐚𝐭 𝐜𝐚𝐧 đŠđšđ€đž đšđ­đĄđžđ«đŹ 𝐹𝐛𝐬𝐞𝐬𝐬𝐞𝐝. 𝐘𝐹𝐼 𝐩𝐚đČ đ„đąđ€đž đ©đšđ°đžđ« đ©đ„đšđČ 𝐝đČ𝐧𝐚𝐩𝐱𝐜𝐬, đ°đĄđžđ­đĄđžđ« đČ𝐹𝐼'đ«đž 𝐭𝐡𝐞 𝐬𝐼𝐛 đšđ« 𝐝𝐹𝐩.. 𝐛𝐼𝐭 đźđŹđźđšđ„đ„đČ đČ𝐹𝐼'đ«đž 𝐭𝐡𝐞 𝐝𝐹𝐩. 𝐘𝐹𝐼 𝐜𝐚𝐧 𝐩𝐞𝐞𝐭 đ©đšđ«đ­đ§đžđ«đŹ 𝐰𝐡𝐹 đ©đ„đšđČ 𝐚 đ©đąđŻđšđ­đšđ„ đ«đšđ„đž 𝐱𝐧 đČđšđźđ« đ©đžđ«đŹđšđ§đšđ„ đ đ«đšđ°đ­đĄ/đ­đ«đšđ§đŹđŸđšđ«đŠđšđ­đąđšđ§ đŹđžđ±đźđšđ„đ„đČ. 𝐖𝐡𝐚𝐭 đ›đ«đąđ§đ đŹ đČ𝐹𝐼 đ©đ„đžđšđŹđźđ«đž 𝐱𝐬 đ©đšđ°đžđ« & đ­đšđ°đžđ« 𝐩𝐹𝐩𝐞𝐧𝐭𝐬 𝐭𝐡𝐚𝐭 𝐠𝐞𝐭 đČđšđźđ« đ›đ„đšđšđ đ©đźđŠđ©đąđ§đ .
𝐀𝐧đČ đȘ𝐼𝐞𝐬𝐭𝐱𝐹𝐧𝐬 đšđ« đ«đžđœđšđŠđŠđžđ§đđšđ­đąđšđ§đŹ, đ©đ„đžđšđŹđž 𝐡𝐱𝐭 đźđ© đšđźđ« "đšđŹđ€ đ›đšđ±" đ›đšđ± đŸđšđ« 𝐚 đŹđŠđšđ„đ„ 𝐟𝐞𝐞. đŽđźđ« đ©đžđ«đŹđšđ§đšđ„ 𝐚𝐧𝐝 𝐬đČđ§đšđŹđ­đ«đČ, đœđšđŠđ©đšđŹđąđ­đž đ«đžđšđđąđ§đ đŹ 𝐰𝐡𝐱𝐜𝐡 đ°đšđźđ„đ đĄđžđ„đ© đČ𝐹𝐼 𝐚 đ„đšđ­ 𝐹𝐧 đČđšđźđ« đŹđžđ±đźđšđ„ đŁđšđźđ«đ§đžđČ. 𝐖𝐡đČ 𝐧𝐹𝐭 đźđ§đđžđ«đŹđ­đšđ§đ đČ𝐹𝐼 𝐚𝐧𝐝 đČđšđźđ« đŹđ©đšđźđŹđž đšđ« 𝐬𝐱𝐠𝐧𝐱𝐟𝐱𝐜𝐚𝐧𝐭 đšđ­đĄđžđ«đŹ' đ©đ„đžđšđŹđźđ«đžđŹ đČ𝐹𝐼 𝐛𝐹𝐭𝐡 𝐡𝐚𝐯𝐞 𝐭𝐹 đšđŸđŸđžđ«. "𝐀𝐱𝐩 𝐭𝐹 đ©đ„đžđšđŹđž 𝐧𝐹𝐭 𝐭𝐹 đ đ«đąđžđŻđž."
Tumblr media
𝐓𝐡𝐞 đŒđšđŹđ­đžđ«đ‹đąđŹđ­
𝐏𝐚𝐱𝐝 đ’đžđ«đŻđąđœđžđŹ
đ‘¶đ’–đ’“ đ‘·đ’‚đ’ˆđ’†đ’”: đđ«đąđ§đł 𝐕𝐞𝐧𝐼𝐳 || 𝐌𝐹𝐹𝐧 𝐃𝐞𝐯𝐱
Tumblr media
401 notes · View notes
lunadinverno · 10 months
Text
Astro study
Geisha Asteroid nr 1047
Discovered 17, November 1924 and is approximately 11 kilometers in diameter.
The geisha are a class of female Japanese performing artists and entertainers trained in traditional Japanese performing arts styles, such as dance, music and singing, as well as being proficient conversationalists and hosts.
Geisha entertain at parties often for the entertainment of wealthy clientele, as well as performing on stage and at festivals.
Tumblr media
In my opinion,represents:
- ability in conversation,
- capacity to attract wealthy partners,
- good skill in traditional japanese arts.
Some astrologers say it can be used for sexstrology, I am not sure because geisha were not prostitutes but multi skilled artist.
Lemme know if you are interested in a signs series about the asteroid.
90 notes · View notes
medicinanocturna · 1 year
Text
Understanding the OPPOSITION aspect in SYNASTRY
Tumblr media
An elaborated piece about the essence of the opposition aspect in your natal chart is here.
It is a good point to start before plunging into its meaning in the synastry. 
To summarise. Whether or not we see it, any quality that we have in us is only alive because of its opposition.
SYNASTRY opposition is the sacred tool for us to recognise the opposition in ourselves. Often it is considered being the most difficult aspect between the two charts, and on some level it is. 
The deeper you are willing to explore, the more you appreciate any difficult aspect, and the aspect of opposition -  in particular. 
Besides understanding WHAT does this aspect mean in the charts of the two of you, you really want to understand WHY.
Answering to this question may take your partnership to a new level. 
First, opposition is the same thing that is 
 a conjunction
but - in the opposite way. 
When the two things conjunct, we often think that they become one. There is a union, a mixture. Rarely do we get to see that the new union (which results from the conjunction) has the new opposition in itself.
In the synastry chart, opposition can signify several types of interaction between the energies of the two. 
(Please note that although synastry chart mostly refers to the intimate partnerships or friendships, it also includes any other one- on - one relationship like: teacher - apprentice, doctor - patient, client - provider, etc.)
The first type of the opposition is a fight between the two very different qualities. This energy of “fighting”, however, may give an intense arousal in the domain of sexual interaction. And often it is considered being an aspect of passion. But outside of it, this type of the opposition will hugely complicate things, make the energy sharp, or heavy, or tight (depending on the planets), and the sense of fight (“either this, or that” feeling) will always prevail. One partner will feel like the win is theirs, and the other one will have to feel they have lost. Here the compromise usually feels unnatural, and boundaries-breaking for one of the partners.
Another type of the opposition is the ability (usually unconscious) of the partners to distribute the energy in such a way that both parts feel satisfied and in charge while moving towards the same goal. Usually, it refers to the opposition of the planets that signify manifestation of an outward action. Sun - Sun opposition, for example. Mars - Mars can be extremely constructive for a project building as well. But on the level of the emotional spheres, this opposition is still a huge cornerstone. The two people will intrinsically feel there is a pull - push game going on at the energy level, but both are not willing to give away their “share”. Sometimes this is totally unconscious and stems from an insecurity. Energetic vampirism is a common result of this type of the opposition in the chart. In the intimate sphere, it can be very exciting at first, but irritating in the end.
The next level type of the opposition between the two will provoke a healthy interest, an intense curiosity about the “otherness” of the other. Here, this opposition is already felt consciously as a tool to see one’s own opposite sides that have to unite. Sexually, it will have less physical intensity than in the first type of the opposition, but emotionally and sensually it may bring a vast spectrum of colours between the two. However, on the mental level, the two partners usually become pretty discerning and may be inclined to have a mental game (or manipulation) around each other's opposite sides. Depending on the planets, this game can be very resourceful, or exhausting. But usually, it will only lead these two to a more comprehensive understanding of themselves and the meaning of their partnership. 
And the ultimate level of the opposition would be a union. Here, both partners have accepted the opposite sides of the signs, where the synastry opposition is set, so well that their ability to enjoy this aspect creates the sense of integrity. Whether this is a unified outward action, the energy in the realm of feeling, or a sexual ritual, this opposition will feel like the most complete wholeness. Moon in Capricorn versus Moon in Cancer union will feel like the deepest emotional connection where a healthy structure holds an emotional blanket of another person, and both of them feel centred and deeply seen by each other. (The same aspect at the first level will give lots of tears, coldness and misunderstandings to both). 
The opposition of a Taurus Venus to a Scorpio Pluto at this level may create a union where the esoteric power becomes so harmonious and respectful to the material world of beauty that it creates something healing, earthly, but deeply transformative and sensually hypnotizing at the same time - be it a project, or an intimate act. On the lower level, however, this opposition is a synonym of obsession, jealousy, and lots of tears again 
 
Remember, there is a middle point in any opposition.
On the higher level, this point is a golden ratio, where the two opposite qualities find its perfect balance. On the lower level, it is a grey zone where the opposite qualities mix in a chaotic fight.
Whether your synastry chart is playing out at the higher level, or the lower level, it is exactly what you need.
But if you feel you need more, then it is the right time.
Drop me a line for a personal look at your chart. 
Yours,
AlSheren
149 notes · View notes
saylessastrology · 11 months
Text
Sexy Synastry Series - More on PATREON
patreon.com/SaylessAstrology
8th House Signs & Your Sexual Style đŸ”„
Aries: The initiator. May come off cocky during sex. Will take the lead
Taurus: Slow & sensual. May incorporate food during sex
Gemini: Verbal & multifaceted! Best dirty talkers around!
Cancer: freaky & emotional. Has the best sex when an emotional connection is involved
Leo: The show-off! They will use their best moves on you to get the praise that feeds their ego
Virgo: Overthinkers! They require great mental focus and stimulation to achieve their orgasm
Libra: Fair lovers. These people will surely make sure you get your turn in bed! Very visual lovers
Scorpio: Deep Penetrator emotionally & physically. They want to feel your soul during sex
Sagittarius: Adventurous. These people want to explore every part of your body and try every sexual move they can
Capricorn: The Conquerer. Deep love and sex is associated with accomplishment here. They feel sexually confident when they see you are being satisfied
Aquarius: Detached and independent. They value deep emotional connections that let them express their individually
Pisces: Romantic and Devoted. They associate sexuality with spiritual love. They may stare deeply into your eyes and whisper “I love you”
210 notes · View notes
Text
Being with a libra rising would be deep and intimate for me.
My six taurus placements in their eighth house (sex) and moon in their seventh house (relationships).
Someone with this placement wanted to cheat on their significant other with me

Emphasis on wanted to. Ain’t no way.
86 notes · View notes