Now we've seen Whitestone, I want to comment on Culture in Critical Role, and how there are some fundamental aspects of DnD which make it unsuitable for exploring cultural differences.

I've seen some very valid posts about how Marquet in C3 isn't used to its full potential as a cultural setting, among others because most of the PCs are not native to Marquet. But while I fully agree, I want to broaden the argument even further: neither were Wildemount, Xhorhas or Tal'dorei.

I believe that Dungeons and Dragons is ill equipped to explore cultural differences, because there are key aspects of culture that it actively ignores: language, food and weather.

To start with language. In almost all versions of DnD or fantasy, everyone speaks common. This solves one of the main issues in world building, because it allows the players to travel the world without the issues that stem from not speaking a language. However, language is one of the main tools people use to distinguish themselves from others. Language, accent, tone, vocabulary and even grammar change based on who you are, where you come from and whom you're speaking to. But because everyone in Exandria speaks English like the cast do, they have a uniform culture, whether they are from Wildemount, Tal'dorei or Marquet. Even Caleb, who comes closest to breaking this pattern, is not truly Zemnian, because Liam (and Matt) doesn't actually speak German. Apart from the German accent and some German words, he doesn't speak like a non native German English speaker would.

Next up, food. Apart from some quick mentions of breakfast or dinner, food is almost always an afterthought. The Bell's Hells do not stop for lunch, and rations are almost never a problem. However, food is intrinsically linked to culture. What food is served, when food is served, and with whom food is eaten differs from place to place and from class to class. Is the food imported or is it grown locally? Is food served at 6PM sharp or much later? Do you eat with the whole family and is there always a surplus or do you have to fight for the scraps? What is the street food like? What spices are used? How does Xhorhas' cuisine differ from Wildemount, given that they live in perpetual night? But ultimately, the pie in Marquet is no different from the pie in Byroden, because again, the default will be the casts' default.

Finally, weather. While it might seem arbitrary, weather influences almost all aspects of our lives, from our homes, to our clothes, to our relationships. Is it warm enough to sit outside during the evening? This will encourage parties and late bedtimes. It is cold and rainy? People will sit inside pubs to stay warm. Colder and warmer climates, hot and dry climates, each of these influence when people are active and how they behave. Apart from the extremes, like the snow in Eiselcross, or the heat in the Fire Plane, the characters never have to deal with rain, or mist, or cold. They don't have to take shelter, they don't wake up cold, they don't need to keep a fire going or set up tents. And as such, there is no difference between a warm and hot jungle surrounding Jrusar or a high mountain trail in Zephrah, nor are the people who live there different.

There can be much more said about each of these three aspects of culture, and there are probably more examples to be given. And this is not intended as a excuse, or a reason for Matt not to try better. But sadly, DnD as a system glosses over most of the day-to-day interactions that make a city a particular city, or a culture a particular culture. And the default will always be the players' default.

C1E70 || C3E66

i just think they should wear cute summer outfits and go on little summer dates together that's all

wizards from last month (i forgor) ((close-ups under the cut))

imogen & fearne in c3e83

imogen fumbling shit is just eternally good fodder for memes, alright. and its at least partly BECAUSE of how powerful she is. someone tripping while using a nerf gun? funny. someone dramatically hoisting up an outfit matchin heavy death laser gun and then immediately tripping and landing on their face? phenom. sometimes she goes "GROVEL" and the enemies grovel and we all go "oooooh" and "aaaahhh" and sometimes she just gets fully ignored and gets so huffy and petulant and ineffectually burns a cantrip just to be petty about it. sometimes she smites her enemies into dust with one move and renders a tree in half after threatening and other times she fucking. falls down a flight of stairs and accidentally sets everything on fire. fires a gun at her own team. loses all her hair. turns blue. etc.

Imogen lifts a humongous sand squid into the sky with her mind powers. Imogen is also falling out of a sky ship and landing on the desert sand far below and just. lying there. while her friend plays the flute in the background. epic hot failgirls NEED the HEIGHT to FAIL FROM. u gotta swing and miss sometimes!!! AND you gotta be REAL petty about it when u miss!!!! fucking fantastic.

I can't stop thinking about just how emblematic everything in those conversations of Ashton being "a child" are of how, even at her most beaten down, triggered and traumatized, Laudna is not and will not be what Delilah wants her to be.

For Delilah, "they're still a child" is dismissive, a bit derisive, but doesn't even merit being truly hateful. She doesn't find Ashton worth the attention Laudna is giving them, not when there are such more interesting, important things to pull the attention of an adult. Children are only important when they are useful. She will indulge Laudna on the subject, because Laudna is useful, is her vehicle for action in the world, but she only cares about it in the context of getting Laudna to do what she wants. Calling someone a child is calling them unimportant. (Laudna is a child to her)

But for Laudna, who loves children and who understands intimately what it's like to have the helplessness of child, to be trapped under the authority of someone who will never treat you as a full person, even when they are being ostensibly kind, to be so confused and lost and powerless...a child deserves attention more than anyone else. Of course children lash out. Being a child IS in many ways quite awful because the world is so big around you and you don't know yet how to react to any of it, how to soothe yourself - and if you aren't given the attention, you never learn how. Ashton never learned how. Her instincts - instincts trained into her by manipulation and abuse from inside and the world around her - may say kill him, but she fights them the whole way because her heart is stronger and her heart says that the angriest, most volatile child needs care as much as any other. More, even.

Laudna hears Delilah call Ashton a child and agrees on the word, but they have diametrically opposed understandings of what that means, and diametrically opposed instincts on how to treat a child. Laudna doesn't want to hurt anyone, especially children. She loves children. She loves so much and so selflessly. And Delilah is so very very good at manipulating her but she has tried for 30 years to change the bedrock of Laudna's psyche, the truer thing that drives her beyond the base animal instincts of survival, and it hasn't worked.

i don’t know who needs to hear this, but the only time imogen has ever questioned if the ruby vanguard had a “point” was in the thirty seconds after an extremely emotionally intense dream where she experienced what it was like to be without pain for the first time in a decade, and when she was corrected by orym, she immediately apologized because she knew she was wrong. this is not and never has been some character defining struggle.

even if we consider her pull to predathos as analogous to a pull towards supporting the vanguard (it isn’t at all, but let’s say it is), she hid how she was feeling in the immediate aftermath, again, of an extremely emotionally intense dream that clearly left her feeling overwhelmed and confused, but the next day, when she was back to herself, she told them she felt a pull and that she wanted them to help her resist it. she said herself, “i know what’s right, even if my heart would say otherwise at some point.”

the fandom’s cynical obsession with imogen “betraying” the group despite ample evidence that, in her right mind, she is committed to them fully and would never willingly chose otherwise is one of the most utterly baffling and frustrating takes i consistently see.

Why should Ashton choose a god when they just witnessed the greatest miracle be performed by a simple old turtle lady - making FCG admit that they need help too.

C3E74: witchy bitches plushies (requested by anonymous)

when th when you when. girls!

gotta say, I think the framing of Imogen's childhood as one lacking in all parental love and care because Liliana wasn't there is something that strikes me as both highly unlikely and as a far less interesting way of reading Imogen's early life with her father. If things were always as chilly and distant between them as they were after Imogen's powers developed, then there isn't much change in their relationship at all. But if we acknowledge that in her childhood she had a largely normal, functional, and loving relationship with her father, their estrangement after her powers becomes all the more heart wrenching. Yes, he's emotionally reserved and "was never the master of parental affection," as Matt said, but he's dependable. He cares for her, with actions over words. He's her dad and he's there for her entire childhood, making dinner for her, working to take care of her, teaching her how to ride, bandaging her up when she gets hurt.

Then the powers come. The night terrors that sound familiar to him, this terrifying pain that she's in, the way he doesn't actually know what's wrong with her because Liliana didn't know and she'd barely told him these powers so much as existed before she left him. Being close to Imogen hurts her and it also means she can root around in his head--so he puts distance between them. And that hurts like hell for a kid, to have their father pull away from them like that even though it's more comfortable, physically, that way. A gulf forms. Trust shatters. Their relationship deteriorates and deteriorates. More time passes--eight years of this--and they're further away from each other than they ever have been. Neither of them go into town or talk to people all that much because Imogen doesn't want to hear what people are thinking or deal with the pain of it and Relvin doesn't want to bring home what other townsfolk have said that she might be able to skim off him.

That's shattering for both of them. And so, so, so much more tragic than if there was never care or love between them to begin with. It hurts so much because it used to be so much better than this. There was a comfortable familial love between them before, and now it just feels like empty air

imodna truly makes me go crazy

In the midst of the flow of people that had smudged together in a blur of threatening color, was a woman. She looked almost like a black-and-white photograph, stock still, calm, nearly monochrome, and blinking slowly at Imogen, with a slight considering tilt to her head.

in true form, I couldn’t help myself. thanks to @dadrielle for the fic/update bc ya girl is sooooo in it rn

no one is immune to swolegard