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#salman toor
scatterghosts · 11 hours
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grundoonmgnx · 9 months
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Salman Toor, Fag Puddle with Book and Sneaker, 2022
Charcoal, ink and gouache on paper, 12 x 17.75 in
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nununiverse · 8 months
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Salman Toor
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creativespark · 9 months
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Salman Toor, The Reader, 2022 oil on linen, 18" x 24"
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loveletter2you · 2 years
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Salman Toor, Three Friends in a Cab, 16 x 20 inches, 2021
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pureheroine2013 · 10 months
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the confession (2019), salman toor
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lupismaris · 2 years
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No Ordinary Love, Salman Toor. Details. Special Exhibit, Baltimore Museum of Art, 7.30.2022
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thunderstruck9 · 4 months
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Salman Toor (Pakistani, 1983), Male Audience, 2018. Oil on panel, 42¼ x 42¼ in.
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mehreenkhan · 10 months
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Are we what we do with time, or are we what time does with us?
— Mahmoud Darwish
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anthropoetics · 1 year
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best friend, salman toor
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happyheidi · 1 year
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by salman toor, van gogh, cecilia rosslee, van gogh.
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389 · 10 months
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Salman Toor Three Friends in a Cab 16 x 20 inches, 2021
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grundoonmgnx · 10 months
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Salman Toor Painting queer friendships
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random-brushstrokes · 4 months
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Salman Toor - Two Boys with a Dog (2020)
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metamorphesque · 2 years
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monet violet | salman toor green | van gogh yellow
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mangoslixes · 2 years
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Toor’s scenes possess a kind of solemnity or quietude that does not suggest equilibrium so much as tender regard. Toor’s protagonists, obvious stand-ins for the artist himself, at least at an earlier moment in his life, seem held in suspension between two worlds, Old and New, never entirely at home in either. But he also holds them at emotional arm’s length, as if these images were tempered by time, less observations than memories, and they begin to assume the lineaments of archetype, despite their depiction of technology à la mode.
(Many of the pictures have an overall green palette, appropriate, perhaps, for the nocturnal illumination of bars or apartment parties—although more readily suggesting fin de siècle gaslight—but also reminiscent of the discoloured varnish of old paintings hanging for generations in smoke-filled drawing rooms.)
on Salman Toor
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