Tumgik
#romance in action!
melonsharks · 2 years
Text
Tumblr media
HE SAID YES 🥺🥺🥺🥺🥰🥰🥰🥰🥰🥺🥺🥺🥺🥺😭😭😭😭💥💥💥💥💥💥
↓Peep It ↓
Tumblr media
723 notes · View notes
akmu · 7 months
Text
Tumblr media Tumblr media
luffy, zoro and nami | romance dawn trio
13K notes · View notes
dailyflicks · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Streets of Fire (1984)
4K notes · View notes
okletsgetnuts · 7 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
7K notes · View notes
rainbow-taishi · 7 months
Text
'Random Anime-style story concept'
Snow White but they're a fairy tale demon fighting against the descendant of the Queen and Huntsman
Tumblr media
Tumblr media Tumblr media Tumblr media
+++ Bonus stuff++++
Tumblr media Tumblr media Tumblr media Tumblr media
4K notes · View notes
zorobae · 7 months
Photo
Tumblr media Tumblr media Tumblr media
6K notes · View notes
Text
Tumblr media
sheer panic when one of these is missing
1K notes · View notes
grungepoetica · 2 years
Text
Tumblr media
and my foundations are decaying in this chili's tonight
46K notes · View notes
ribbontales · 2 months
Text
𝐟𝐨𝐫 𝐲𝐨𝐮 𝐢 𝐰𝐨𝐮𝐥𝐝: a little assortment of prompts revolving around painful, bottled up affection and endless yearning, as well as the possible result of finally taking action. remember to tag your dark themes. add +reverse to swap the roles.
Tumblr media
[ 𝐥𝐨𝐧𝐠𝐢𝐧𝐠 ] : receiver notices sender looking at them longingly. [ 𝐝𝐫𝐞𝐚𝐦 ] : receiver hears sender calling their name while asleep. [ 𝐰𝐚𝐫𝐦𝐭𝐡 ] : sender drapes a coat / cape / etc. around receiver's shoulders. [ 𝐬𝐜𝐞𝐧𝐭 ] : receiver is hugging a coat / cape / etc. that belongs to the sender. [ 𝐜𝐚𝐥𝐦 ] : sender is helping the receiver through a panic attack / severe anxiety. [ 𝐡𝐚𝐧𝐝 ] : sender takes a hold of receiver's both hands. [ 𝐫𝐞𝐬𝐭 ] : sender and receiver are spooning for comfort and warmth. [ 𝐚𝐥𝐦𝐨𝐬𝐭 ] : sender and receiver are finally about to kiss, but are interrupted. [ 𝐭𝐚𝐬𝐭𝐞 ] : sender and receiver are finally sharing a passionate kiss. [ 𝐟𝐨𝐮𝐧𝐝 ] : sender has just found the receiver who's been missing for weeks. [ 𝐥𝐨𝐬𝐬 ] : after being misinformed that the sender has died, receiver is grieving. [ 𝐥𝐨𝐮𝐝 ] : sender is expressing anger over receiver's constant recklessness. [ 𝐣𝐞𝐚𝐥𝐨𝐮𝐬 ] : sender is voicing their negative opinion about a person who appears to be close with the receiver. [ 𝐦𝐢𝐧𝐞 ] : sender has just told receiver "you belong to me". [ 𝐰𝐡𝐲 ] : sender has just asked receiver "why don't you love me". [ 𝐯𝐢𝐨𝐥𝐞𝐧𝐭 ] : sender has harmed someone who threatened the receiver. [ 𝐠𝐫𝐢𝐦 ] : sender has killed someone who threatened the receiver. [ 𝐡𝐮𝐫𝐭 ] : sender has gotten injured protecting the receiver. [ 𝐚𝐥𝐨𝐧𝐞 ] : sender is getting frustrated with their repressed affection and asks receiver to leave them alone. [ 𝐜𝐫𝐮𝐞𝐥 ] : unable to handle their fondness towards receiver, the sender lashes out and they end up in a heated argument. [ 𝐚𝐩𝐨𝐥𝐨𝐠𝐲 ] : sender is apologising for appearing cold. [ 𝐬𝐭𝐨𝐩 ] : sender is telling receiver they "deserve better than whatever this is".
2K notes · View notes
rotblut · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
There's only three of us. - Three of us right now. - Well, unless you can find another weird, desperate soul to help us. - Speak for yourself.
LUFFY, ZORO & NAMI in ONE PIECE (2023 - )
2K notes · View notes
fuckyeahisawthat · 2 years
Text
While we like to joke about Izzy being in the wrong genre, I would argue that there are in fact at least five distinct genre universes in the world of Our Flag Means Death, and all of them have different rules.
Stede Bonnet, and his crew when they’re around him, live in a Muppet movie. I didn’t come up with this analogy but it’s so accurate. Insane physical comedy and comedy-action where no one really gets hurt. Mild peril but you know everything is gonna work out. Terrible puns and sight gags, but room for sweet, genuine emotional moments too. The rules of time, space, probability and logic will bend for a good joke.
Izzy Hands is in a grimdark action/drama where if someone gets stabbed in the gut they will behave normally and fucking die. (Probably slowly and painfully, of sepsis.) Crucially I think Izzy also lives in a genre where you can only be subtextually queer, and violence (done for or with or to each other) is the only acceptable form of intimacy between men. This is why being forcibly dragged into Stede’s world, where everyone is busy having silly low-stakes misadventures and being gay and emotionally available all over the main text--and seeing his Subtextual Boyfriend go into this world and love it--sends him round the twist.
The British, Spanish and other imperialist militaries are in a Master and Commander-style naval adventure where they’re the heroes. This is why they all take it completely seriously when Stede (unintentionally) kills Badminton and takes hostages, even though we can see that he bumbled his way into it ass-backwards. This is also why Stede is so shocked to get actually for real stabbed aboard the Spanish ship. (“Did you mean to do that?”) He didn’t realize until that moment that he’d stepped into a different genre. The stabbing is one of the first Surprise Genre Switch moments we get and in retrospect it’s very important for setting up that in this world, the threat of getting hurt or killed is very real--which we need to understand to know that there are real stakes much later, when Stede almost gets executed by the British.
Calico Jack is in Jackass. Everything is funny but especially pain--your own or other people’s. Everything’s a joke and nothing means anything and if you get hurt or hurt someone else (physically or emotionally) who cares, fucking laugh it off, cause genuine care and concern is for LOSERS. You can definitely be gay with your pirate bro but don’t even think about calling him your friend. Life is cheap and painful and short and you can’t trust anyone, so why not at least get drunk and have some fun before it’s over. Jack’s world is pretty fucking dark underneath the laughter, and I don’t think it’s a coincidence that we hear some of the most gruesome Blackbeard stories in this episode. It is not really that far from Izzy’s world, in that it’s also a place where violence is the only acceptable form of connection between men; it’s just played as slapstick around Jack. (Side note but I love that the humor in his episode gets progressively more strained, until we’re laughing uncomfortably, then not sure if we should be laughing at all, then convinced that we definitely shouldn’t be because the violence isn’t funny anymore.)
The fifth genre at work, of course, is romance. Ed and Stede follow the story beats of a rom-com almost perfectly, although in tone their romance ranges from comedic to earnest and heartfelt to bittersweet and heartbreaking, all played with complete sincerity in the moment. One of the reasons the ending is so gutting is that Stede has reached the Epiphany stage of a rom-com (the running-to-the-airport moment) while Ed is still stuck in Crisis (it’s over; I’ve gone back to my old life and I’m unhappy, but I haven’t figured out yet that I need to change things and how). And of course the writers had the brilliant-slash-terrible idea to end the season before the resolution stage, leaving us on an emotional cliffhanger and yearning for a continuation of the story. Bastards (affectionate).
Watching the characters navigate the different genres, and the moments of genre confusion that arise when the world we’re in abruptly shifts, is fascinating. While Stede is lodged so firmly in the rom-com genre that he takes it with him when he leaves the ship, Ed is a genre chameleon. He is able to genre code-switch better than any other character, and generally seems to know what genre he’s in at a given moment. 
Underneath his fearsome reputation, we see that Ed is an incredibly lonely and insecure person, and he’s constantly presenting the version of himself that he thinks whoever he’s with wants to see. We see this most dramatically when he instantly shifts into frat boy mode with Calico Jack, but upon rewatch you can see that he is constantly editing himself depending on whether he’s interacting with Izzy or with Stede, presenting slightly different versions of himself that he thinks they will approve of. And I don’t think it’s quite so simple as Ed being his “real” self around Stede and putting on a persona everywhere else, although I do think that there are ways Stede interacts with him that are categorically much healthier than anyone else in his life. But ultimately all of these personas are the real Ed, which is why I tend to think that a big part of season 2 is going to be Ed’s self-actualization arc, deciding which parts of himself he wants to nurture, what can be accepted and integrated, and what maybe needs to be made peace with and let go of.
While the story is definitely a romance in structure (in that the romantic storyline is the main plot on which everything else hangs), and it’s mostly a comedy, tonally it ranges all over the map. There are times when it’s a pretty dark comedy, and there are times when I think it steps out of the comedy genre entirely (particularly, when talking about characters’ past trauma, and in the second half of the final episode). Managing these tone shifts so they’re impactful but not disorienting requires really good writing and acting, and the more you watch the show the more you see all the brilliant little setups that make this work.
30K notes · View notes
cinematicsource · 5 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Fallen Angels, 1995 dir. Wong Kar-Wai
1K notes · View notes
islandofohara · 5 months
Text
Tumblr media Tumblr media Tumblr media
Romance Dawn Trio
1K notes · View notes
dailyflicks · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
The Mummy (1999) dir. Stephen Sommers
2K notes · View notes
kuravix · 7 months
Text
Tumblr media
YYEEEEEAAAAAAHHHHH!!!!!!!!!
2K notes · View notes
goryhorroor · 8 months
Text
reblog + tag with your ONE favorite movie of all time, your go to, ultimate favorite movie and I’ll be compiling them into this list on letterboxd (x)
it can literally be any movie, no judgements, and it doesn’t have to be from the genre you picked it can be from any genre - poll closed
2K notes · View notes