The Wolf and Romulus and Remus Mosaic, Roman Aldborough, North Yorkshire, 300-400CE, Leeds City Museum.

This panel formed the centrepiece of a large mosaic floor constructed in the Roman town of Isurium Brigantum, now Aldborough in North Yorkshire. The mosaic depicts the legend of Romulus and Remus. They were abandoned in the River Tiber but washed ashore where they were fed by a she-wolf.

Thalia doesn’t keep many things in the hundreds of years she’s been alive. 

But long ago, there were people, their names all but distant memories, who mattered in her 1st lifetime. It’s their things that stay hidden in her bag, reminding her of her mortal life. 

A blue hoodie, worn almost threadbare. The scent of its original owner, long since leached from the fabric. But if she closes her eyes, she can almost see the blue eyes of her first and only love. 

A pair of glasses. Frames cracked and crooked. A reminder of a brother she never got to truly know. 

A baseball cap. It’s magic long faded, branded with a forgotten logo. Memories of a blonde girl laughing hidden deep within. 

A letter. Ink fading, paper yellow. The last words of a dying friend. Words that wish her well, words that wished her well in a world they had fought side by side to save. 

Thalia doesn’t keep a lot of things, but even after all this time, Luke, Jason, Annabeth, and Percy will stay with her forever. The memories of her first family to remind her why life is so beautiful.

kendall, six months later, cradling shiv's baby in his arms: okay yeah I did kill that waiter

hands down funniest thing he's ever said

deleted scenes from anatomy of a fall (dir. 2023) as you can see I’m trying to stay normal.

he was so insane for this

fall out boy tarot cards

the lovers | love from the other side

death | thriller

the moon | get busy living or get busy dying

the devil | my songs know what you did in the dark

the sun | love from the other side

the stars | so much for stardust

thinking about kieran saying that roman doesn't have any friends and wants to hang out with his siblings all the time but doesn't know how to ask them to hang out if it's not about running a business together with regards to roman's "we should all move into our dead dad's house and grow old together like charlie and the chocolate factory" ""joke"" in 4x04 😭

there's something about the way people talk about john gaius (incl the way the author writes him) that is like. so absent of any connection to te ao māori that it's really discomforting. like even in posts that acknowledge him as not being white, they still talk about him like a white, american leftist guy in a way that makes it clear people just AREN'T perceiving him as a māori man from aotearoa.

and it's just really serves to hammer home how powerful and pervasive whiteness and american hegemony is. because TLT is probably the single most Kiwi series in years to explode on the global stage, and all the things i find fraught about it as a pākehā woman reading a series by a pākehā author are illegible to a greater fandom of americans discoursing about whether or not memes are a valid way of portraying queer love.

idk the part of my brain that lights up every time i see a capital Z printed somewhere because of the New Zealand Mentioned??? instinct will always be proud of these books and muir. but i find myself caught in this midpoint of excitement and validation over my culture finding a place on the global stage, frustration at how kiwi humour and means of conveying emotion is misinterpreted or declared facile by an international audience, frustrated also by how that international audience runs the characters in this book through a filter of american whiteness before it bothers to interpret them, and ESPECIALLY frustrated by how muir has done a pretty middling job of portraying te ao māori and the māoriness of her characters, but tht conversation doesn't circulate in the same way* because a big part of the audience doesn't even realise the conversation is there to be had.

which is not to say that muir has done a huge glaring racism that non-kiwis haven't noticed or anything, but rather that there are very definitely things that she has done well, things that she has done poorly, things that she didn't think about in the first book that she has tacked on or expanded upon in the later books, that are all worthy of discussion and critique that can't happen when the popular posts that float past my dash are about how this indigenous man is 'guy who won't shut up about having gone to oxford'

*to be clear here, i'm not saying these conversations have never happened, just that in terms of like, ambient posts that float round my very dykey dash, the discussions and meta that circulate on this the lesbian social media, are overwhelmingly stripped of any connection to aotearoa in general, let alone te ao māori in specific. and because of the nature of american internet hegemony this just,,,isn't noticed, because how does a fish know it's in the ocean u know? i have seen discussions along these lines come up, and it's there if i specifically go looking for it, but it's not present in the bulk of tlt content that has its own circulatory life and i jut find that grim and a part of why the fandom is difficult to engage with.

Chesters Roman Fort Headquarters Courtyard and Roman Phallus Relief, Chesters Roman Fort, Hadrian's Wall, Northumberland

ALL. I. EVER. WANTED

lestappen parallels feat. skyfall

the predestined and the inevitable

BAD BUNNY and PEDRO PASCAL - SNL 102123

"Wash the plate not because it is dirty nor because you are told to wash it, but because you love the person who will use it next."

- St. Teresa of Calcutta

any magic worldbuilding where light is 'free' (does not require oil/candles/other material goods/etc) and people still live in completely medieval-style environments - or where this doesn't have a tremendous impact on architecture and lifestyle, bare minimum, is incomprehensible to me... access to light is like. So critical