I just look out on Rexxentrum and look up the lane, look at the green beans, and I pull the door closed.

:D

do you consider your self made?

Oops.

While learning to control his powers under the guidance of Clockwork, Danny accidentally curses his own bloodline with the Curse of Sentient Food several centuries in the past. Originally, a witch was supposed to curse his family. Oops. Well, the Fentons were always adapting, and technically, either way, he'd end up battling dino nuggets at three am in his underwear, no matter who the curse came from. So he shrugged and continued on.

Unfortunately, this also means that out of nowhere, the timeline shifted, and some of his very distant relatives are now battling their food into submission at every meal because Danny is ultimately way more powerful than some mortal witch from the 1600s. His version of the curse reached literally everyone he could ever be related to for the last few centuries. Even if they were adopted into the family!

So, returning to the present time after training, Danny is a little startled to see some news clips of people's dinners coming to life and beginning revolutions. Wow, John Fentonightingale really got around, didn't he? He felt a little uncomfortable that now all these random people had to deal with their share of Fenton luck, but from some of the interviews, everyone seemed to be handling it pretty well!

Especially his so-distant-they're-on-another-tree cousins, the Kents, who contacted his family directly, asking how best to prepare a zombie turkey. Their son was coming for Thanksgiving with his new wife and some coworkers, and they just refused to make the guests fight for their lives on a holiday!

They invited the Fentons to join them, of course.

I find little Machete being happy over bread baking to be so endearing, especially because I can imagine a world in which helping with baking was one of the few childhood joys he had (due to the lack of art of him happy as a pup), and then remembering the art you did months back of modern Machete making a souffle, I can see reincarnated Machete being drawn towards baking in his free time due to those residual feelings from his past life.

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"Sansa = Ned 2.0 and Arya = Catelyn 2.0" is one of those takes where you can just tell people are more attached to the aesthetic than anything. "The Stark girls are most like the parent they look least like" sounds good on paper and people run with the idea, regardless of how it actually fits into the story. A majority of the justification relies on misinterpreting all of their characters + a healthy dose of fanon. What gets me is that this is the same fandom that insists that Lyanna, only compared to Arya in the text, is equal parts Arya and Sansa but Ned and Catelyn, two fully fleshed-out and complex characters, have to be more like one girl or the other? There's just nothing in the story to justify being so adamant about these comparisons. Arya and Sansa have parallels with both of their parents but at the end of the day, they are unique characters with their own stories. I'll never understand why people want to flatten these complex characters down to their most basic tropes and fit them into restrictive boxes just for a "poetical~" comparison.

Willow | Spike - Clothing

“Why are you still in costume?” “Okay, still having to explain wherein this is just my outfit.”

context: coffee pod holders kinda look like trees

favor tree = f(l)avor tree for the modern-based, reverse entry au

this was funnier in my head

the time that glenn howerton was in a gay period-piece play about crossdressing

so awhile back i was poking around glenn howerton's wikipedia looking for movies and such that i might have missed, and i noticed it had a small theatrical section listed. this was never something i'd given much thought in the past, but on this particular occasion i was so hard-up for new Glontent that i decided to see what i could find about the three plays listed there, because i'd never seen anyone else have much luck with that and i love a good internet scavenger hunt. walk with me.

compleat female stage beauty caught my eye right away-- the title of the play itself is interesting, and i happened to know already that the most famous real-life duke of buckingham was the lover of king james. so of course i went delving...

and what should i find but the entire playscript for compleat female stage beauty, For Free, on archive dot org? anyone on earth can rent it and read it for an hour at a time, or for 14 days if you want to really take your time with it. i have to assume that this is NOT common knowledge among sunny fans (or anyone else), as the archive upload only has 99 views at the time of making this post.

to give a VERY succinct summary of what the play is about-- in the 1660s, during the english restoration, women were allowed to act professionally onstage for the first time in english history. this caused problems for the male actors who had previously made their careers playing female characters, such as edward kynaston, around whom the play centers. outside of his acting career, kynaston is a gay man, and he's in a romantic entanglement with george villiars, the duke of buckingham (NOT the same duke of buckingham who was fucking king james-- that was this villiars' dad. we love gay fathers and their gay sons!) kynaston struggles to find his place in a changing social landscape where it seems as though his talents are no longer needed or wanted.

before getting into the script proper, the book has some information about notable early productions of the play. this is great because it pins down a lot of details about glenn's involvement in the show that wikipedia left unanswered, but there's also an unexpected sunny crossover here-- in an even EARLIER production, the lead role was played by david hornsby!

(i also learned over the course of my deep dive on this that glenn's costar, lead actor brandon demery, was a fellow member of glenn's graduating juilliard group!)

things don't end well for kynaston and villiars, but still, the onstage relationship between the two is both electrifying and heartbreaking as it changes over the course of the show.

now, this WOULD be where i would include cast pictures or footage or any kind of photos of glenn in this show... but if any such material exists, it's not publicly available. i went so far as to email the publicity and outreach coordinator for the theater that hosted glenn's production of this show to ask if they had any archived materials, but she told me that they didn't.

but this production took place in october of 2000, meaning it was pre-that 80s show, meaning we can all sit and think about how a glenn that looked like This was acting in a gay period piece about crossdressing and gender roles and the mystery of human sexuality. dudes rock.

a bit of a disappointing note to end on, i know, but i really wanted to talk about this play and share it with people!! it's a super interesting and overlooked part of glenn's early career, but also i think the script is fascinating and very well-written in its own right. i definitely encourage yall to check it out on the internet archive if you're interested-- again, it's literally free!

the darkling says “fine, make me your villain” because he is. what’s not clicking

man

This whole youtube plagiarism thing makes me very glad that my videos are basically impossible to copy in a quick & easy way.

“You know that’s not one of your strong suits, right?“

barbie doll gore mod where you can do his hair and put him in situations. it's exactly the same mod

Role-reversal AU where Machete opens a library on Florence and slowly becomes a very influencial local political figure, while Vasco's parents become fed-up with his "lifestyle" and send him away to the clergy (he probably has a brother in this AU, to make their decision more believable)

They reconnect in a similar way to the original, but their relationship is much more tragic as Vasco became self-hating and thinks he corrupted/doomed Machete in their youth and meanwhile, this Machete is trying to protect him from the corrupted side of the Church and possible assassination plot, that he's too indoctrinated to see happening around him

A interesting ending for this AU should be that Machete still dies, but results in Vasco finally running away from the clergy/inquisition (not sure if Vasco joins the inquisition or not, you can decide) and hiding in the country-side. Where he grows old dedicating various paintings and poems to Machete and possibly taking care of some noble's horses for a living

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