because it is physically impossible for me to shut up ...
here are some taylor swift songs that remind me of pjo/riordanverse ships and characters!!!
'you are in love' - percabeth my loves
'peace' - percabeth (from percy's pov)
'say don't go' - perachel (no i don't ship this but THIS FROM RACHEL'S POV IM NOT OK)
'clean' and 'all you had to do was stay' - annabeth to luke after his betrayal (ayhtws in a platonic brother/sister way)
'i think he knows' - percabeth
'the 1' - percy & rachel (from rachel's pov)
'tis the damn season' - jason & piper (piper's pov after the breakup)
'begin again' - percabeth (from annabeth's pov!!!! also frazel??)
'this is me trying' - nico di angelo my beloved
'mad woman' - reyna avila ramirez arellano & alex fierro
'would've could've should've' - annabeth after luke's betrayal </3
'mine' - fierrochase (from alex's pov) <3<3<3
'hey stephen' - fierrochase (from magnus' pov)
'it's time to go' - jason's death (+ the jasper breakup??)
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Me when the first coherent thought I have in the morning is that Grim was either abandoned or his biological parents died and the only family he has ever known are three ghosts everyone was afraid of so everybody left them alone for centuries and a human who doesn't belong who doesn't entirely fit there just like them so they were all alone until they found each other.
Ghosts tied to a space which is unsure whether they can leave or not and a human who may have somebody waiting them back home and may leave with no chance of return. Who can't take Grim with them because where they come from things such as fantasy creatures and magic only exist in fairytales so he'd either live hidden from the world or in danger of being treated as a monster and experimented on because when faced with what it's new and different the world reacts with anger and fear and want to control it and tear it apart until nothing it was before is left.
He doesn't know or understand this but MC does and that's why they would have to leave him behind. His dream of studying magic and be the greatest mage wouldn't come true on Earth, that's the reason they would tell him. It's true even though it's not the main reason why. But Grim would understand they just don't want to stay with him and prefer to leave and forget him because if they did love him they would stay.
Then again he could try to dig up in his origins and find his first family but what if time travel exists and MC from a previous timeline was who gave him the ribbon, his first gift and only possession before arriving at NRC? Meaning MC was the person his world revolved around before he even knew who they were and there was no other family he had.
Doubting the trouble squad has ever have a heart to heart conversation about Grim and MC's fates if or when they depart either because they have forgotten or pretend they aren't aware but deep down Ace and Deuce and all of MC friends know but prefer to keep ignoring it instead of confront their feelings. Grim and Malleus being the only ones who may have never think of it until the moment arrives nor accept it. Just like young children who believe their parents, their pillars, their everything that makes them feel safe, would always be there until death knocks at their door. Because MC have friends and a home in Twisted Wonderland and they need them so why would they leave?
They know MC keeps searching a way home and wondering if their loved ones misses them as much as they do and how much time have passed on their planet without knowing MC wishes they could have it all so they didn't have to choose between their previous family and the one they found there. And neither Grim or Malleus won't admit they know because thinking of it brings back the feeling of abandonment and losing everything that make them feel completed.
But the prince will have both Silver and Sebek and his grandmother for the rest of their lives with him once he returns home, people who was there from the beginning. Time to grow with them and accept they'll leave too. Everyone will graduate and go home and except special occasions each one will go their own path.
Grim will stay with somebody else but it won't be the same for him because he already had a family he wanted to keep together and failed to do so and without the dorm ghosts and MC the only thing left for him is the wound he carried before finding them opened once again that will remember him that nobody in this world can stay by his side forever so he'll stay and search a way to reunite with MC again and wonder if they miss him as much as he does and wishing MC have had everyone they loved in twst so they didn't have to choose or if they had to they had chosen him instead in the end and thinking of how all the future plans they shared and promises they made of growing old together were empty and the words that made him happy about how they loved him now hurt and they failed him and he failed to have everything he wanted and they left they left and he's thinking of them even after promising himself he wouldn't anymore a lie just like theirs and he's crying again and it hurts it hurts and
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read chapter 236 again and was reminded of why it’s one of my faves hehe i gotta ramble a bit (SPOILERS UNDER CUT watch out!!)
just . (grabs u by the shoulders)……. these two panels in particular. the mean the whole world to me. some of my absolute favorites in the whole series and they made me sob irl when i read 236 for the first time…. i’m just :((( i know a LOT of people hate this chapter but u have to admit akutami’s art is stunning here ……
(also for the record one of the VERY few times where i prefer the official translation to tcb scans… they ate w ”you were magnificent, satoru gojo.” ok)
first of all; the stsg moment of All time <333
this moment absolutely destroyed me tbh it might be my favorite panel in the whole manga???? just the fact that we got to see suguru again, that we got to hear them speak and be honest with each other for once…. this feels like something out of a fanfic like genuinely. it’s such a heartfelt moment and i’ve never seen anything like it in shounen manga before!!! just… the fact that gojo wanted him to come back even after everything :(( and that he says it out loud. to suguru himself.
what gets me most is suguru’s tears though…. he really did believe that gojo hated him and i think that’s why it guts him. he can be as cruel as he wants but he’ll never receive anything but love from gojo!!! stupid silly idiot!!! you were always so loved by everyone around you!!!! people followed you no matter where you went because you’ve always been haunted by your own sincerity in a world that rewards insincerity!!!! stupid loser idiot. i love you.
also tbh cult leader geto just looks so fucking cute here i’m gonna be sick LOOK AT HIM GRINNING 🥺🥺🥺 we were ROBBED of deranged teacher geto ok can u imagine the chaos….. him pretending to be Normal but when he has to talk to a non-sorcerer he looks like this 🤨 and immediately pulls out the febreze PDHFJS
but w the stsg moment out of the way :33…
THIS PANELLLL GOODDDD THIS FUCKING PANEL i love sukugo SO much okay. almost as much as stsg. sue me. their dynamic was the highlight of the shinjuku battle for sure and i could talk about this moment for genuine hours because it means so much, it means so much that he calls him satoru gojo instead of the strongest, it means so much that his words make gojo smile, it means so much that this is the most at peace we’ve ever seen sukuna. their bond is very special and no one but them can really understand it….. but i think there’s a kind of Love here. even if it’s twisted.
i think gojo really did succeed in teaching sukuna about love because he’s never going to be entirely alone after this — even if he’s destroyed and comes back millennia later, he’ll remember satoru gojo (if no one else). and that’s so!! so beautiful!!!! this moment is so beautiful!!!! he’s smiling and gojo’s smiling and it’s snowing and i cried so hard i couldn’t speak. it’s so heartwrenchingly gorgeous it makes me feel a little nauseous
anyway i love this chapter and i think abt it constantly ✩ gege gave the stsg / sukugo stans everything they wanted (yes he also sliced gojo in half but if u don’t think he’s coming back u simply have no faith and i’m disappointed in u)
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You don't know how much I can Omniscient Reader's Viewpoint code Enstars because I could. Because you have a set up where you are basically taking the place of Anzu--a person created simply to be the reader's/player's self-insert. Because the characters all exist to love Anzu while they're going through their own arcs. Because Anzu also exists to love and support the characters by the game's own coding. She is their world and their hope, and the enstars characters are her idols (and I don't just mean that as singers and dancers).
But slowly, I've seen posts and even small summaries of how Anzu starts becoming her own person, small ways apart from the characters. Yes, she's still quiet. Yes, she is almost always a Viewer. Except for the fact that this is a game story, not just a book or novel story. And games are meant to be played...not by the characters but by someone who is watching them but has not created them.
This is how Anzu has more power than a normal reader. This is also how she has less power than a normal reader. The game allows her to exercise power over the characters' lives that a normal reader of a book cannot--she can help along Trickstar, be the behind the scenes producer for a number of the idol groups in the school, doing something to make them shine. But she is always a puppet, controlled by the player. She has a silly personality with a questionable naming sense and determination and hard-headedness to boot...her preferences for the units and who she builds up are always changing according to the player. Her only goal is to make sure her idols shine (what more does a reader want than to see their characters shine?), yet the goal of the Enstars characters is to adore Anzu and make people like her who support them happy (where would the characters be without a reader?)
Like the Oldest Dream, she is the most powerful and weakest god of all. A puppet steered by the fantasies of many, many individuals yet always loved by the characters for "herself."
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personally I love Victoria but I strongly feel that the dreaming death thing should have been Wrong. authorially, thematically, pulling an arbitrary swerve out of nowhere where it was a good thing for vague nonsense reasons, was the wrong move actually. Victoria should have been forcibly enlisting everyone in a bad plan that she had no good reason to think would work and then it should have not worked. Final Arc Victoria should have been Khepri But If She Definitely Did Not Do Jack Shit Against Scion
What's maybe worse is that I can kind of see what wb was going for with the dreamplague. IMO it was a really interesting idea and good as a narrative goal, but had frustratingly awful execution.
Long post beneath cut.
Ward is about a cape vs civilian conflict-
Capes are people who have agency, and (theoretically) solve problems quickly, definitively, and often through violence. Their powers are usually defined by trigger events, a single moment of trauma, and their passengers put more importance on single, heightened moments and turning points rather than on continual work and effort.
Civilians are often defined by a lack of agency, and gradually deal with problems slowly through continual hard work and effort. When you ask the question of "what is the role of civilians in the cape world" the answers involve things like "slowly rebuilding damaged environments/buildings", "production of equipment", and "therapy and continual medicine". Even answers that involve violence, require more constant training and effort than powers do. Maybe most importantly, all of these answers involve civilians (at least as individuals) having a lot less agency than capes.
Victoria exists on both sides of this divide, being an almost platonic ideal of a cape, whilst also being someone who has had her agency stripped from her (and repeatedly goes up against masters). The rest of breakthrough are similar, each dealing with (often agency related) issues that they are unable to solve quickly and conclusively, and are instead forced to slowly deal with and/or adjust to.
Then, at then end of the story, the dreamplague happens, and it represents a shift. Cape society, who has always had more agency, gives that agency to civilians. When everyone wakes up the world is still broken, and there is no clear, conclusive way of fixing it- they instead have to put in slow, gradual effort to make things better. Simultaneous to this, Victoria gives up her cape identity and throws her costume away.
And I love that idea! I love the concept of heroism being inherently flawed! Of course you can't expect to solve problems with a climactic struggle!
In real life there are Big Moments and epiphanies and turning points, but the vast majority of the time if you want to change things you have to put in continuous, boring effort, and its fascinating for a story about superheroes to state that.
However, the ways in which this statement is explored are incredibly badly communicative and just god awful in general.
There are a bunch of different parts to this and I'll skim over some of them.
The fact that the reader is originally told that the dreamplague is an act of mass suicide (self destruction is more of a cape trait, so is the dreamplague meant to be a cape act or a civilian one?), is a big part of this. The lack of non-cape voice, and the fact that a lot of the civilian perspective isn't made sympathetic. A big part is the role breakthrough played the cape vs civilian conflict, both in how obscurely it communicates that theme and in how it lead wildbow to write some of the worst lgbt representation of his career.
I think a lot of what you're talking about anon, is the fact that it was originally depicted as an act of suicide, and that is was a huge risk on Victoria's part (that paid off with no downsides).
Worm, in contrast, is up front about how damaging the brain-warping is, and involves Taylor taking a risk that destroyed her as much as it saved the world. It was a bad plan in a number of respects, but it also has Taylor paying a price for it, and has a kind of weight because of this. I think that weight is why a lot of people don't like the idea of Taylor being in ward (or the idea of her surviving altogether).
In a way, I kind of have the opposite opinion, in that I'm ok with Taylor surviving Khepri (as a cape or otherwise), and I think some version of the dreamplague could have worked really well.
But I think what we share is a feeling that there should have been more consistency. I feel like if someone makes one of these big risky moves in the parahumans universe, it should be treated with the same kind of gravity, and should involve similar levels of narrative punishment (if there is narrative punishment at all). Similarly I feel that if a character does something suicidal or self destructive, the narrative should be relatively consistent as to how it treats that action.
That's my take anyway.
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