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yellodisney · 4 months

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atomic-chronoscaph · 2 months

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Dune concept art by Ron Miller (c. 1983)

#ron miller #dune 1984 #movie concept art #80s sci-fi art #david lynch #80s sci-fi movies #frank herbert #pre-production #arrakis #sandworm #house atreides #house harkonnen #1980s #1983 #1984

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carsthatnevermadeitetc · 27 days

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Citroën SM Preserial, 1970. Development of "Project S" had begun in 1961 as a grand tourer based on the DS and in 1968 Citroën had bought Maserati to gain access to their high performance engines. The result was the Robert Opron-designed SM first presented at the Geneva Motor Show with its Maserati 90º V6 engine driving the front wheels through a new 5-speed transmission (or 3 speed automatic).

#Citroën #Citroën SM #Citroën SM Preserial #pre-production #prototype #V6 #Maserati engine #Geneva Motor Show

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mensfactory · 1 year

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1972 Pre-Production Lamborghini Urraco,

Courtesy of Weekend Heroes

#art #design #sportcars #sportcar #supercars #supercar #pre-production #1972 #vintagecars #vintagecar #lambo #lamborghini #lamborghini urraco #luxurylifestyle #luxurycars #luxurycar #collector's

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helmstone · 8 days

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Down Cemetery Road to star Emma Thompson and Ruth Wilson

Good news from Apple TV+ for fans of Mick Herron’s Slow Horses — his first novel Down Cemetery Road is being adapted as a TV series, starring Emma Thompson and Ruth Wilson. You can read all about it here. Here’s everything you need from the press release: Thompson (who is also executive producer) plays struggling Oxford private eye Zoë Boehm, alongside Ruth Wilson as Sarah Tucker, who becomes…

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#apple tv #casting #down cemetery road #emma thompson #featured #mick herron #oxford #pre-production #ruth wilson

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thelunarchroniclesproject · 2 years

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Final Character Design

all perfected by Bry <3

#linh cinder #levana blackburn #queen levana #cress darnel #scarlet benoit #the lunar chronicles #character design #pre-production

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trashtasteanimated · 2 years

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Character Designs

Take a look at the three character deigns and turnarounds we created for each of the hosts of Trash Taste! We wanted to capture the three speakers accurately, breaking down key attributes of both their personalities and body types.

We hope you look forward to the animation, more pre-prodcution coming soon! 👀

🍙 What is Trash Taste Animated?

Trash Taste Animated is an animation project which aims to create a 30 sec opening animation for the Anime podcast Trash Taste.

Follow the blog to see our progress throughout this project!

What is Trash Taste? || About Us || Pre-Production || Concept Booklet

#Pre-Production #Trash Taste #Trash Taste Animated #cdawgva #Theanimeman #gigguk #Joey #Garnt #connor #podcast #Fan Project #fanart #Animation #trash taste podcast

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temiree · 2 years

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Pre-production art of Kimber for the second Eddie the Yeti book I recently finished!

1. Various fur pattern designs (some are pretty wild, and are weird to look at now that I've finished the book). Originally we were going to go with a strong red color for her, similar to Jenna from Balto, but...

2. We decided instead to give her a grey main color because the red fur was making her look too much like a fox. This was pretty close to the final design, but the lighter fur around her eyes didn't make it into the book (probably for the best in hindsight - her eyes stand out better without it).

3. I thought Kimber was going to be wearing a different jersey since she's supposed to be from Canada, but turns out she's actually being recruited to the Timberwolves team. None of these jersey designs made it into the book as a result, but they might be used at some point in the future! It was kind of fun to come up with fictional hockey jersey designs for my country. :3

I'm not sure when the second book will be out, but I think it'll be November or December? I'll keep everyone posted. xp

#Kimber #Eddie the Yeti #pre-production #color designs #wolf #anthro #anthropomorphic #furry #my art #sketch #colored sketch #jersey #hockey #sports #athlete #character design #female

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ptxweekly · 1 year

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Some news

#Pentatonix #pre-production #Meet Me Next Christmas #news #speechless actually #!!!

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spdfilmography · 6 months

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h/t Kevin Geiger on facebook

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daveinediting · 9 months

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It's definitely a new experience watching a production spin up online through conversations and photographs, the evidence of a production team working hard to tell a story on the fly... a process that's its own fascinating story.

It also helps me make predictions about my own day.

The morning was, as expected, an exercise in absorbing the script. Reading and making notes. Reading and making plans. Reading and setting up the project in Premiere Pro. Thinking about what's coming my way and how I'll want to engage with it. And so on.

The morning was also about semi-front row seats to the work of two other professionals: the composer and the graphic designer who both got a head start on the day leaving me about 6-8 hours behind. The graphic designer took their cue from the producer about opening titles that also suggested the design for close credits. The composer sketched out some ideas first thing upon getting the script.

One of the challenges of the day on the post production side, was that our composer had to tag out around 10 that night. She wouldn't be available all the way through Sunday when we polish polish polish... so there had to be finished music before the first cut was even on its feet.

And so it was.

For example, she had the music for the fight scene done well before I actually got around to cutting the fight scene. The music was done before I had an idea for the fight scene. Pretty much before I saw the footage for the fight scene.

And guess what?

It turned out brilliantly. As if she'd scored the music to what I cut instead what happened… which was that I cut the fight scene and then laid the music under it.

Speaking of editing, I finished my Saturday on the early side. Around 230 Sunday morning.

What can I say?

When your first time doing this takes you through 5AM Sunday morning...

Two-thirty in the morning seems pretty reasonable.

In other news and once again, the writing team pulled off a quirky script with heart. It seems to be their signature regardless of genre. There's a cleverness in their work, a natural tendency to find the humanity in any circumstance including the fantastic, the strange, and the absurd.

And yes. They also have no problem finding the laugh out loud funny when they want to.

Their signature seems always to be a certain empathy for the characters they create that I find heartening.

I'm told, by the way, they have a secret weapon: one amongst their ranks who seems to thrive in the ungodly hours of the morning.

The reason that came up?

They delivered this round's script, intended for an 830 Saturday morning shoot... at 430 the same morning. After which, between call time and when cameras rolled, the director and producer reconciled diverging ideas for the script's ending with a clever compromise. Something that both served the story as well as each of their objectives, literally (and wonderfully) having it both ways.

I told them there's brilliance in their disagreements.

Which there is.

The major editing challenge of the day was Scene 2 of the script that was one of those very complicated to shoot scenes. It also, therefore, happens to be one of those scenes that's a headache to edit. This time around, we're talking about two speakers and four audience members for which there's three takes of the wide shot encompassing the entire scene, a two-shot of the PTA president and fundraiser, singles of each, a single of one of the group members and a two shot of that group member (the spy, actually) and the person next to whom they're sitting, as well as a two-shot of another pair of group members sitting nearby. Every take of the scene is the complete scene. There's full dialogue in every take. There are reactions in every take. There are different performances between the takes.

Just contemplating all those takes made my brain hurt.

I was still working through all those takes when the producer and director came over after the shoot to drop off the afternoon's footage and talk through what they'd done... as some changes were made on the fly and weren't reflected in the script.

The best thing, though? The absolutely best thing once the director and I commiserated about Scene 2?

He told me Scene 3 was done as a single take. And then it turned out scene 4 was shot as a single. Scene 5 was a short single. And Scene 6 was a fight scene involving a mop and an umbrella for which there was plenty of footage but not egregiously so. It's one of those things where I could see what the director and photographer were going for and I leaned into it.

Hard.

I think in my career, I've done a piece on boxing with actual fighting in the ring. I cut a short film that involved a fight on a beach with a flaming sword. And then this one with the mop, the umbrella, and the guy who gets his feet completely knocked out from under him. I haven't yet been able to stop watching and re-watching that section of film. If I'd been able to resist that temptation, I easily would've been to bed by two in the morning instead of two-thirty.

Oh well.

Anyway, last night's rough cut features full color correction, sound design, and music. We're missing the graphics that are forthcoming today. And I've got the sound mix yet to do.

However.

We're set up today to do what we've always done while some teams are still shooting and some editors are just grappling with their first cuts. When the director and producer wake up, they'll look at my overnight cut and judge it on the spot. They'll track any obvious misstep on my part that needs fixing. They'll think about what's already great and figure out if there's even more great to wring from the footage. Or more funny. Or more intensity or empathy. Then they'll come over later this morning and we'll polish the first cut to within an inch of its life. We'll regard different options available to us, try a few of them out, and when we're done...

You better believe it. We'll be done.

A fully no regrets experience by the time we deliver our work.

And yes. Now that you ask...

There's nothing like it.

🙂

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the-sunflower-club · 1 year

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Our last update on Little Wolf was in 2022 with the TSC Direct!

We hope to share more Little Wolf Updates in the near future!!

Presented by Jenn Rust

Art included by Monajeya Mohamed, Meagan Joyce, Eli, Tanique Thompson, Rei lynn, Alex Quah, Claire Chang, Ivy Bi, Qu-ly, Amelia Bell, Shannon/Cosmicpunked, Jonas Hoellinger, Luana D Souza, Kaitlyn Chen, Eri Guchi

Storyboards by Chris “Chance” Brown, Michelle McKenna, and Jenn Rust

Espere Voiced by Kennagh Leann

Music: Floating autumn by Crowander

Edited by Carlee Coulehan and Jenn Rust

Little Wolf Logo by Leighton Snyder

Title Card background by Jack "ArtChoo"

Watch the rest of the TSC Direct 2022 here:

youtube

#Animation #Indie Animation #Art #Short film #Indie anime #Animatic #Storyboards #Visual Development #Pre-production #animated film #Cartoon #Indie cartoon #Youtube

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atomic-chronoscaph · 1 year

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Alice in Wonderland - Concept art by Mary Blair (1951)

#mary blair #alice in wonderland #walt disney #disney concept art #animation #pre-production #animated features #50s movies #1950s #1951

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mechanized-productions · 2 years

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Pre-production in full swing. Currently storyboarding for our teaser and costume concepts. Stay tuned folks.

#pre-production #mechanizedproductions #indie series #temptation red

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spaceintruderdetector · 2 years

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https://archive.org/details/steve-r.-cartwright-1996-pre-production-planning-for-video-film-multimedia/page/n1/mode/2up

#film production #pre-production #filmmaking

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helmstone · 3 months

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USS Callister mini-series in the works at Netflix

What’s on Netflix tells us a USS Callister mini-series (three episodes) is in pre-production at Netflix. It’s a spin-off from an episode of Black Mirror (yet another series I’ve not watched). Apparently this has been ‘happening’ for some years. Naively I thought it another Orville type Star Trek homage, it may be so, but not in the same sense. The first episode of Black Mirror Season 4, USS…

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#billy magnussen #black mirror #cristin milioti #featured #jesse plemons #jimmi simpson #michaela coel #milanka brooks #netflix #osy ikhile #paul g raymond #pre-production #uss callister

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