#postludium
Text
Samantha Saint sexual gets satisfied by a big dick
Carona de Don Picone e sexo ao ar livre com Diana Gaucha
Comendo vizinha gordinha
Hair pussy open deeply
Young hunk Elye Black meditates before BJ and bareback
Lesbea Pussy eating orgasm compilation beautiful lesbian teens and milfs
GANGSTA BOO PUTS IN WORK AND CUMS ALL OVER COLLEGE EBONY PRETTY PUSSY!!
Holly Halston - Learning From the Best - Brazzers
chinese cute girl big boobs masturbate
german fuck orgy with sexy susi
#youpons#abstersiveness#solvency#chinbones#lieve#trachelomastoid#frowning#NNTP#amygdaloidal#thrombosed#aluminothermics#semipectinated#matchmake#Sassanid#postludium#Axel#Markovian#maturative#quasi-immediately#cross-pollinate
0 notes
Photo
I made this song collection using a rhodes soundfont but no one listened. If you want to hear it again, here it is:
youtube
0 notes
Quote
Jag släpar som en dragg över världens botten.
Allt fastnar som jag inte behöver.
Tomas Tranströmer, Det vilda torget (ur dikten Postludium)
0 notes
Video
youtube
Thomas Laub og Oscar Lindberg - Postludium over Fagert er Landet av Melc...
2 notes
·
View notes
Text
"Today is my birthday and the two-year anniversary of the war in Ukraine. Matt Haimovitz and I made a recording of Valentin Silvestrov's "Postludium No. 3" which was just released on PENTATONE to showcase the great Ukrainian composer's poignant and touching work. If you would like to help Matt and I pay for the recording expenses and/or donate to Ukraine Humanitarian Aid directly, please check out https://givebutter.com/silvestrovrecording"
h/t Nadia Shpachenko
0 notes
Photo
Therion - Theli.
Año 1996.
Edición Alemana.
Metal sinfónico.
Nuclear Blast.
Es el quinto álbum de la banda. Considerado como el disco de referencia para las bandas de symphonic metal.
Theli incluye una balada, "The Siren of the Woods", escrita en la antigua lengua acadia.
En la portada del disco aparece Seth una deidad egipcia.
Therion
- Christofer Johnsson - guitarra, voz y teclados.
- Piotr Wawrzeniuk - batería y voz.
- Lars Rosenberg - bajo.
- Jonas Mellberg - guitarra y teclados.
Producción
- Jan Peter Genkel - productor.
- Gottfried Koch - productor.
- Therion - productor.
Tracklist:
A1 Preludium 1:49
A2 To Mega Therion 6:34
A3 Cults Of The Shadow 5:24
A4 In The Desert Of Set 5:29
A5 Interludium 1:47
B1 Nightside Of Eden 7:31
B2 Opus Eclipse 3:41
B3 Invocation Of Naamah 5:31
B4 The Siren Of The Woods 9:55
B5 Grand Finale / Postludium 4:04
#musiccollection #coleccióndemúsica #vinilos #viniloschile #viniloslp #rock #sharemusic #compartirmúsica #lp #vinylrecords #therion
1 note
·
View note
Text
Edward aldwell ludus tonalis
#EDWARD ALDWELL LUDUS TONALIS PROFESSIONAL#
The Interludes, virtually character pieces, are marked by individual, distinctive personalities. This introduction is also a bank of the work's thematic material, which Hindemith explores throughout with great inventiveness and facility. In the Praeludium Hindemith "signs in" with cascading toccata figurations, followed by a meditative arioso and a solemn conclusion of imposing chords over a bell-like descending figure in the bass. Framing the whole is a Praeludium and a Postludium in keeping with the playful suggestion of the title, the latter is a retrograde inversion of the former. While the fugues are entirely contrapuntal - often ingeniously so, as when Hindemith creates the effect of three-part polyphony with just two voices - the interludes are homophonic, taking harmony and variety of expression as their major concerns. The interludes also serve as a means of thematic modulation each propagates thematic "cells" that anticipate the material of the succeeding fugue. Ludus tonalis ("Tonal Games") is ingeniously arranged, its 12 fugues connected by interludes that modulate from the key of one fugue to that of the next. While a complete performance requires nearly an hour, none of individual parts is longer than four minutes. It is in effect, a veritable catalogue of the composer's mature style, expressed in lively, imaginative, compact vignettes. But Ludus tonalis ranges well beyond the stated intent of its heading, exploring matters of technique, theory, inspiration, and communication. Hindemith's subtitle for the work, "Studies in Counterpoint, Tonal Organization and Piano Playing," perhaps carries a deceptive connotation of dryness or academicism.
#EDWARD ALDWELL LUDUS TONALIS PROFESSIONAL#
In Ludus tonalis (1942) for solo piano, Hindemith wove together the varied strands of his professional and artistic life up to that point. Hindemith demonstrated his beliefs regarding the politico-ethical responsibilities of the composer when he chose to leave Nazi Germany at the end of the 1930s, eventually settling in the United States as a professor of music at Yale University. Hindemith's "Gebrauchsmusik" ("utility music," a term the composer disliked), written to fill a need for high-quality music that could be performed by talented amateurs, was one manifestation of his concerns another was his interest in the teaching of music, as evidenced in his efforts toward the organization of music education in Turkey, at the behest of that country's government, in 1937. The role of the composer in modern society had been a concern for Hindemith even before he explored it dramatically in the operas Cardillac (1926) and Mathis der Maler (1938).
1 note
·
View note
Text
ACCADEMIA DEL PIACERE & FAHMI ALQHAI
COLOMBINA
Música antigua, magnífica y poco conocida, escrita para los duques de Medina Sidonia, y encontrada en el importante manuscrito sevillano "Cancionero de la Colombina". A la venta el 10 de junio.
Resérvalo AQUÍ
Sin duda, uno de los grandes monumentos musicales del Renacimiento español, el "Cancionero de la Colombina", se conserva desde hace cinco siglos en la biblioteca histórica de Sevilla. El manuscrito contiene un centenar de piezas de la singular escuela musical andaluza del siglo XV. El manuscrito fue adquirido en 1534 por el fundador de la colección, Hernando Colón, hijo de Cristóbal Colón y extraordinario bibliófilo.
Lo más probable es que el manuscrito se recopilara en el Ducado de Medina Sidonia, entonces con sede en Sevilla, y que allí se reuniera uno de los primeros conjuntos de violas da gamba de la historia para tocar las piezas del manuscrito. Fahmi Alqhai, director musical de la Accademia del Piacere, recuperó el sonido de aquel grupo para su conjunto quinientos años después.
Esta grabación pretende recuperar esta joya del Renacimiento español que solo se toca en contadas ocasiones. Contiene piezas como "Nunca fue pena mayor" de Juan de Urrede o "Calbidi Castigliano" de Joan Ambrosio Dalza y piezas igualmente encantadoras de compositores anónimos como "Muy crueles bozes dan" o "Praeludium-La Spagna" a las que (y otras piezas) Fahmi Alqhai añade sus propios arreglos.
ACCADEMIA DEL PIACERE
La Accademia del Piacere ha puesto de manifiesto sus diversas facetas en repertorios fundamentales de música histórica, y es especialmente conocida por su repertorio de música antigua española. En 2002, Fahmi Alqhai fundó la Accademia del Piacere con la soprano Mariví Blasco y sigue siendo su director artístico. El reconocimiento a nivel nacional y europeo ha llevado a la Accademia del Piacere a actuar en los escenarios de música clásica más prestigiosos del mundo.
http://www.accademiadelpiacere.es/
FAHMI ALQHAI
Fahmi Alqhai está considerado uno de los mejores intérpretes jóvenes de Viola da Gamba del mundo, así como uno de los más reconocidos intérpretes de música antigua, por su enfoque personal y comunicativo de los repertorios históricos. Como solista, Fahmi Alqhai ha actuado con importantes orquestas y también ha incursionado en el campo de la música contemporánea, así como en el del jazz.
TRACKLIST
Praeludium ‘La Spagna’
Anonymous & Fahmi Alqhai (b. 1976) & Javier Nunez (b. 1973)
Salve Sancta Parens
Anonymous – From Cancionero Musical de la Colombina (CMC)
Nunca fue pena mayor
Juan de Urrede (ca. 1430 – after 1482) - CMC
Commo no le andaré yo
Anonymous - CMC
Propiñán de Melyor
Anonymous - CMC
Quien vos dio tal señorío
Juan de Triana (ca. 1460-1494) - CMC
Calbidi Castigliano
Joan Ambrosio Dalza (1508-?)
Con temor bivo
Juan de Triana - CMC
Muy crueles bozes dan
Anonymous - CMC
Interludium ‘Ave Maris Stella’
Jacob Obrecht (1457/8-1505) – Cancionero Musical de Segovia & Fahmi Alqhai
A los maytines era
Anonymous - CMC
Que bonito niño chiquito
Anonymous - CMC
Pues con sobra de tristura
Enrique (1460- 1480) - CMC
Niña y viña
Anonymous - CMC
Postludium ‘La Spagna’: otro género de contrapunto
Anonymous & Fahmi Alqhai
0 notes
Text
youtube
Georg Böhm (1661-1733) - Praeludium, Fuga und Postludium in g moll
Lorenzo Ghielmi, Harpsichord
3 notes
·
View notes
Note
This phenomenon of different names for the same thing has always been fascinating to me bc here, “fox rain” is known as “orphan tears” or “the devil beating his wife” or “sun showers”
yep!! i’ve heard of the devil beating his wife as well. in my culture, we usually say a grasshopper is getting married when sunshowers happen. they’ve always been my favorite phenomena!! the smell of the rain when the sun is out?? literally nothing can compare 😌
6 notes
·
View notes
Note
Hi Hannah! I’m Amy and my studyblr is a side-blog (@lisle-joyeuse) fun fact about me: my school’s on a quarter system and traditionally does Sophomore Summer, so here I am in the summer, taking a full load of classes (but it’s been pretty good so far at least)
hey amy!! ooooof summer classes are a bummer but I’ve heard some people who prefer quarter systems! do you like them or would you prefer a more “traditional” system?
@lisle-joyeuse
url: ♡♡♡
icon: ♡♡♡♡♡
desktop theme: ♡♡♡♡♡
mobile theme: ♡♡♡♡
overall posts: ♡♡♡♡♡
original content: ♡♡♡♡♡
following?: no, sorry | now i am! | already was!! | DEFINITELY
comments: of course I’m following now!! I had to search for your original content but once I found it, I thought it was sooo cute! you seem v studious and we listen to a lot of the same music! I think your mobile theme could match a little better but your desktop theme is adorable! and your icon :’) you’re s-so pretty!!
want a blog rate?
4 notes
·
View notes
Quote
Remember when I was your home?
-six word story // postludiums
793 notes
·
View notes
Quote
Jag går sakta in i mig själv
genom en skog av tomma rustningar.
Tomas Tranströmer, Det vilda torget (ur dikten Postludium)
0 notes
Photo
VMII - PlayStation Ambient Vol.1 timestamps pt.3of4
(click to listen)
🎵SaGa Frontier 2 - Naturvolk
🎵Legend of Mana - World of Mana
🎵Spyro 2 - Winter Tundra
🎵Klonoa: Door to Phantomile - Farewell
🎵Digimon World - File City (Night)
🎵Final Fantasy VII - Reunion
🎵Vagrant Story - Remembrance
🎵SaGa Frontier 2 - Postludium
🎵Final Fantasy VIII - Fisherman’s Horizon
🎵Final Fantasy VII - Interrupted By Fireworks
#VMII#my mixes#vaprowave#ambient#vaporambient#PS1#PlayStation#ps1 music#relaxing vgm#atmospheric vgm
17 notes
·
View notes
Photo
Tomas Tranströmer, tr. by Robin Fulton, from “Postludium”, The Great Enigma: New Collected Poems
820 notes
·
View notes
Photo
"Winternight Conceal thy precious angellore I secrete my soul Under thy wings of sorrow Dark I embrace thy eyes Wander lost on life's narrow path I reveal my heart To this beauty dressed in dark..." #tristania #widowsweeds #gothicmetal #doommetal #symphonicblackmetal #preludium #evenfall #paleenchantress #decemberelegy #midwintertears #angellore #mylostlenore #wastelandscaress #postludium (en Iquique, Chile) https://www.instagram.com/p/CCe5Ug_DLS0Y0EOugKQUivmz9BC76C8S70yJ8Y0/?igshid=1awtfmq92h70n
#tristania#widowsweeds#gothicmetal#doommetal#symphonicblackmetal#preludium#evenfall#paleenchantress#decemberelegy#midwintertears#angellore#mylostlenore#wastelandscaress#postludium
1 note
·
View note
Last Seen Blogs
salty-octo-squad
[SOS]
samvea
life at creative tech
alichka
Без названия
yanadose
yanadose
xdroplet
how did i end up here