Encanto Wands Husbands Edition
Aspen wood with a unicorn hair core, 12 ¼ and unbending flexibility
Aspen
Wand-quality aspen wood is white and fine-grained, and highly prized by all wand-makers for its stylish resemblance to ivory and its usually outstanding charmwork. The proper owner of the aspen wand is often an accomplished duellist, or destined to be so, for the aspen wand is one of those particularly suited to martial magic. An infamous and secretive eighteenth-century duelling club, which called itself The Silver Spears, was reputed to admit only those who owned aspen wands. In my experience, aspen wand owners are generally strong-minded and determined, more likely than most to be attracted by quests and new orders; this is a wand for revolutionaries.
Unicorn
Unicorn hair generally produces the most consistent magic, and is least subject to fluctuations and blockages. Wands with unicorn cores are generally the most difficult to turn to the Dark Arts. They are the most faithful of all wands, and usually remain strongly attached to their first owner, irrespective of whether he or she was an accomplished witch or wizard.
Minor disadvantages of unicorn hair are that they do not make the most powerful wands (although the wand wood may compensate) and that they are prone to melancholy if seriously mishandled, meaning that the hair may ‘die’ and need replacing.
Agustín Madrigal
Fir wood with a unicorn hair core, 12 ¾ and reasonably supple flexibility
Fir
My august grandfather, Gerbold Octavius Ollivander, always called wands of this wood ‘the survivor’s wand’, because he had sold it to three wizards who subsequently passed through mortal peril unscathed. There is no doubt that this wood, coming as it does from the most resilient of trees, produces wands that demand staying power and strength of purpose in their true owners, and that they are poor tools in the hands of the changeable and indecisive. Fir wands are particularly suited to Transfiguration, and favour owners of focused, strong-minded and, occasionally, intimidating demeanour.
Unicorn
Unicorn hair generally produces the most consistent magic, and is least subject to fluctuations and blockages. Wands with unicorn cores are generally the most difficult to turn to the Dark Arts. They are the most faithful of all wands, and usually remain strongly attached to their first owner, irrespective of whether he or she was an accomplished witch or wizard.
Minor disadvantages of unicorn hair are that they do not make the most powerful wands (although the wand wood may compensate) and that they are prone to melancholy if seriously mishandled, meaning that the hair may ‘die’ and need replacing.
Félix Madrigal
Vine wood with a phoenix feather core, 9 ¾ and pliant flexibility
Vine
The druids considered anything with a woody stem as a tree, and vine makes wands of such a special nature that I have been happy to continue their ancient tradition. Vine wands are among the less common types, and I have been intrigued to notice that their owners are nearly always those witches or wizards who seek a greater purpose, who have a vision beyond the ordinary and who frequently astound those who think they know them best. Vine wands seem strongly attracted by personalities with hidden depths, and I have found them more sensitive than any other when it comes to instantly detecting a prospective match. Reliable sources claim that these wands can emit magical effects upon the mere entrance into their room of a suitable owner, and I have twice observed the phenomenon in my own shop.
Phoenix
This is the rarest core type. Phoenix feathers are capable of the greatest range of magic, though they may take longer than either unicorn or dragon cores to reveal this. They show the most initiative, sometimes acting of their own accord, a quality that many witches and wizards dislike.
Phoenix feather wands are always the pickiest when it comes to potential owners, for the creature from which they are taken is one of the most independent and detached in the world. These wands are the hardest to tame and to personalise, and their allegiance is usually hard won.
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my encanto analysis/headcanon that no one asked for
so, i was just looking through some encanto fanart and headcanons and came across this piece (artist: https://mobile.twitter.com/ye_enc):
abuela had triplets - julieta, pepa, and bruno. both julieta and pepa had three kids - isabella, luisa, and mirabel for julieta, and dolores, camilo, and antonio for pepa.
what i noticed is that for each batch of three, each individual falls under a certain category, and it seems to follow by age.
julieta was, as this lovely fanart shows, likely depended on quite frequently for her ability to heal via her cooking. her gift would have been the most useful and therefore she likely would have been praised the most as “the perfect one”.
this, of course, next falls to isabella, who we see this with the most frequently. abuela very clearly is living the life she wished she could have lived through isabella, and is viewed as the perfect golden child by everyone around her.
dolores is a little different, but i believe she still fits the trope. she is basically the physical embodiment of “seen but not heard.” she keeps quiet on the things she knows would upset her family and doesn’t make herself heard, even when she is in pain, whether physical or emotional. she doesn’t tell anyone that she knows bruno has been living in the walls for the ten years he’s been missing; she doesn’t tell anyone about her feelings for mariano, because she knows that will upset abuela and her cousin’s “perfect for the encanto” arrangement; and one can only imagine how loud certain things are to her, that are endurable for us (fireworks, for example).
next are the middle children: pepa, luisa, and camilo. all of them have some kind of pressure on their shoulders. (and - just a fun thing i noticed - while luisa’s literal pressure is the many things she carries, pepa’s pressure is atmospheric pressure, because she controls the weather. but anyway, lol).
all three of these characters are told in one way or another to bottle up their emotions and keep them buried inside. with pepa, we see this very directly as she is constantly told by the other characters (especially abuela) to, as the fanart above shows, calm down and essentially turn off her emotions because of the damage she can cause with her weather powers. this kind of reminds me of the “conceal, don’t feel” thing that elsa had with her gloves. both pepa and elsa demonstrate the same growth throughout their movies, too - learning to accept themselves and their abilities and thus being able to control them instead of being controlled by them - but, i digress.
luisa, by contrast, is indirectly told to keep her emotions at bay. she is treated as something of a useful tool, both by the town and by abuela, and seen in a very masculine light despite her relatively feminine personality. because of this treatment and the expectation that she will always be strong that comes with it, she falls into the same category as pepa.
camilo, like dolores, is a little different, but still fits. we don’t see much of him in the movie, but i imagine he is depended on as being the funny one. if anyone reading this is into k-pop or bts, think of camilo as like the j-hope or the jin of the group. he’s always expected to be funny and smiling, lifting everyone else’s spirits - but who lifts his spirits?
and lastly, we have the youngest siblings - bruno, mirabel, and antonio. they fit into the roll, of course, of the scapegoat, of family disappointments.
bruno was rejected by the town and by his family, seen as a harbinger of chaos and horror, a bad omen - all because he can see the future, something that he obviously cannot control. but, of course, it’s easier to simply blame someone else than accept the truth or take responsibility for your own actions.
mirabel, of course, is treated in much the same way. she is seen as a bad omen, as well, and is quite literally feared to be the one who will destroy the family and the encanto, because of bruno’s vision.
antonio does not quite fit into this category, but i think if he had not gotten a gift, he would have been shunned in much the same way as bruno or mirabel. it can also be argued that his gift isn’t really very useful, and we can see abuela struggle for a moment to think of how they could put his gift to use at the breakfast at the beginning of the movie (”i told them to warm up your seat”).
anyway - this is all to say that each of the siblings in each of the batches of three appears to fill (or almost fill) the same rolls. i’m sure someone else has already noticed this and i’m just late to the party - but i thought it was cool.
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Before the triplets were born, everyone was probably telling Alma to prepare for heartbreak. Triplet pregnancies are risky. They will be born small, too small. It's unlikely they will all be born alive, and if they are, they will be sickly and may not live long. Having a baby is such a risk anyway. So many things can go wrong.
(It's a small town in 1899. There's no specialist care, no NICU.)
Pedro, taking on all the chores so Alma could rest, told her he would do everything he possibly could to protect their babies and make sure they lived. Everything.
Everything.
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