My Love Mine All Mine by Mitski from the album The Land Is Inhospitable and So Are We - Writer Director Editor: A.G. Rojas

"He’s (Patrick Hyland) the only person I actually trust with my music."

—Mitski on her producer, Patrick Hyland, for Chicago Reader (June 16, 2015)

The Electric Swing Circus by The Electric Swing Circus is Lesbian!

requested by @b4nd4g3-d0ct0r

The Unforeseen

The Unforeseen was a anthology mystery series which aired from 1958 to 1960 and was seen in the UK on Granada television. Each episode was a short play covering the inexplicable, the supernatural, the occult or science fiction. Each episode had it’s own writer, director, and actors. It ran for two seasons (58 episodes). Across its run the likes of Barry Morse, Gillie Fenwick, Ivor Barry, George…

View On WordPress

I am at the airport and very nearly certain that I am infront of Mitski's band and that I just walked past Patrick Hyland and I am wearing an evidently pirated shirt that they were selling outside of the venue

Abdul, Paula Accardi, Gimena Aniston, Jennifer Apatow, Judd Baddiel, David Baron Cohen, Sacha Bass, Lance Bayer, Vanessa Beckham, Sara Benson, Ashley Bialik, Mayim Bieber, Justin Biel, Jessica Black, Jack Bloom, Orlando Braun, Scott Brie, Alison Brolin, Josh Cain, Dean Carr, Jimmy Chastain, Jessica Chenoweth, Kristen Cohen, Andy Collins, Lily Condor, Lana Cooper, Bradley Cox, Courtney Crystal, Billie Curtis, Jamie Lee David, Cazzie Davis, Viola Debose, Ariana Del Rey, Lana Deschanel, Zooey Deutch, Zoey Dewan, Jenna Diddy Combs, Sean Dobrev, Nina Douglas, Michael Dr. Phil Eric, Andre Fanning, Dakota Ferrell, Will Fisher, Isla Foster, Chelsea Fry, Stephen Gad, Josh Gadot, Gal Gage, Lukas Garner, Jennifer Garner, Julia Garrix, Martin Gellar, Sarah Michelle Gelman, Brett Gilmour, David Gomez, Sarah Goodblum, Jason Groban, Josh Groff, Jonathan Haddish, Tiffany Hamil, Mark Hamm, Jon Handler, Selena Hargitay, Mariska Hewitt, Jennifer Love Hudgens, Vanessa Hyland, Sarah Imbruglia, Natalia Jackson, Paris Jenner, Kris Jenner, Taylor Judge Judy Kailing, Mindy Kardashian ,Amy Kardashian, Khloe Kardashian, Kourtney Kemsley, Dorit King, Joey Kiyoko, Hayley Kloss, Karlie Kunis, Mila Lautner, Nicole Leggero, Natasha Levine, Adam Levy, Eugene Levy, Shawn Lohan, Lindsay Lohan, Lindsay Longoria, Eva Lucas, Matt LuPone, Patti Madonna Mamet, Zosia Marguiles, Julianna McGregor, Ewan Mendel, Howie Messing, Debra Meyers, Seth Mia, Pia Michele, Lea Miguel Milano, Alyssa Mirren, Helen Moore, Mandy Morrone, Camila Munn, Olivia Norris, Chuck O'Donnel, Rosie Oberman, Tracy-Ann Ora, Rita Osbourne, Kelly Osbourne, Sharon Oyelowo, David Pascal, Amy Paulson, Sarah Peck, Josh Peele, Jordan Peltz, Kim Perry, Katy Phillipps, Busy Plaza, Aubrey Pompeo, Ellen Portman, Natalie Prisloo, Behati Richie, Sofia Riley, Rachel Rock, Chris Rock, Chris Rose, Ruby Rosenthal, Phil Roth, Ellie Rowling, JK Saldaña, Zoe Sandler, Adam Savage, Ben Schnapp, Noah Schreiber, Liev Schumer, Kylie Schwartz, Lorraine Schwarzenegger, Patrick Schwimmer, David Segel, Jason\ Seinfeld, Jerry Seinfeld, Jessica Shannon, Molly Shields, Brooke Short, Martin Silverman, Brooklyn Snyder, Zach Sommerhalder, Ian Spears, Lynn Jamie Spektor, Regina Stiller, Ben Sting Stone, Sharon Sudeikis, Jason Theroux, Justin Thorne, Bella Timberlake, Justin Tisdale, Ashley Waititi, Taika Walsh, Kate Washington, Kerry Whiterspoon, Reese Wilde, Olivia Williams, Tyler James Wu, Constance Yatra, Sebastian Zimmer, Constance Zinchenko Zoe, Rachel Zuckerman, Jeremy

Looking for someone who could pass as being related (parent, sibling, etc.) to a character can be difficult. If you're finding yourself stuck, try taking a look at some of the below celebrity pairs who share similar facial structure, eye placement, etc. and could pass as being related. 

This will be added to as more suggestions are made and will include a number of celebrities of all different genders, ethnicities, etc. Please feel free to make suggestions to be added to this list.

Kristen Stewart and Alicia Silverstone

Jaime Pressly, Samara Weaving, and Margot Robbie

Sarah Hyland and Mila Kunis

Keira Knightley, Winona Ryder, and Natalie Portman

Will Ferrell and Chad Smith

Eva Mendes and Ashley Graham

Zooey Deschanel and Katy Perry

Blac Chyna and Nicki Minaj

Jeffrey Dean Morgan, Robert Downey Jr, and Javier Bardem

Keanu Reeves and Chris Klein

Tom Felton and Aaron Paul

Toby Maguire, Elijah Wood, and Daniel Radcliffe

Ed Sheeran and Rupert Grint

Sara Bareilles and Chelsea Peretti

Bill Skarsgard and Steve Buscemi

Orlando Bloom and Luke Evans

Minka Kelly and Leighton Meester

Henry Cavill and Matt Bomer

Tom Hardy and Logan Marshall-Green

Zachary Quinto and Eli Roth

Will Arnett and Patrick Wilson

Courtney Cox Arquette and Jared Leto

Ryan Gosling and Ryan Reynolds

Amy Adams and Isla Fisher

Liam Neeson and Ralph Fiennes

Nathan Fillion and Jeremy Renner

Jennifer Connelly and Demi Moore

Zoe Saldaña and Thandie Newton

John Mulaney and Grant Gustin

Paul Reubens and Alan Cumming

Jordin Sparks and America Ferrera

Lucy Hale and Selena Gomez

Zach Braff and Dax Shepard

Jeff Bridges and Kurt Russell

Emily Kinney and Evanna Lynch

Disclaimer: some celebrities do not match exactly on skin tone but still have similar facial structure. They have been included regardless as they may be useful for half siblings or parents/children in a mixed-race family.

MITSKI - MY LOVE MINE ALL MINE

(Mostly) Our Love Ours All Ours

[7.64]

Ian Mathers: Critical support for maybe our greatest current musician, who keeps the really key things in mind. Namely, never releasing a record that crosses the 33-minute mark. Sure, it's more important that this beautifully intense murmur of a song hits me square in the heart in ways that are too personal to articulate here right now, but I don't want to lose sight of the 33-minute thing either. [9]

Andrew Karpan: Sugary and alive, Mitski deserves this, a hit record that will likely be remembered as the millennial answer to "Fade Into You." Or, as Mitski says it best, in a marketing appearance promoting the song for the Genius brand, "to love is truly the best and most beautiful thing I ever did." [10]

Nortey Dowuona: Mitski is apparently a star now. For several years, she made earnest, plaintive songs which were received by a small but willing audience who was delighted to feel the same way as a generational talent who could sincerely speak to them. Then, by Be The Cowboy, she blossomed into a star, something more than a person who made earnest plaintive songs, a massive ball of heat and light who shone so brightly she couldn't see anything anymore. And of course, she tried to return to being at the very least a white dwarf, but supporting a solar system is so tied to the fact of being alive and being an artist that exploding and erasing the ties that bound her could not be done by deleting Twitter. Mitski, just like the sun that spins the planet on which I wrote this word, was not going to implode because it was valid for her health, her ability to live with being a creator of life would return. And eventually she would return to music as well, creating this slight, barely there country ballad about the possessive nature of her love. The sun loves us just as much as Mitski loves you and could exist without us too, but who would behold its beauty? Not Genius, that's who. [9]

Hannah Jocelyn: This song floated by without incident on first listen to The Land Is Inhospitable and So Are We - songs like "The Deal" and "I Love Me After You" were more impressive to me, for its reconciliation of Mitski's claustrophobic distortion with her more traditional songwriting. Then it went stratospheric on TikTok then it went stratospheric everywhere. Maybe it's because the unassuming quality made it perfect as background music, maybe because it's two minutes; it might also be really damn good. The qualities that make Mitski so beloved are still there, especially her unpredictable chord progressions and intensity -- she can't go through a love song without a line as theatrical as "nothing in the world belongs to me." Yet there's no self-sabotage or dissonance; it's just plainly beautiful and timeless. [8]

Jacob Sujin Kuppermann: She's always tended towards the jazzy and dirgelike, but this is Mitski in peak form: the lyric is a sketch exquisitely rendered -- while on Be the Cowboy, she wrote short stories in her stanzas, this is something even more skeletal, a narrative embedded within the slightest of narrative shifts. Patrick Hyland's production work has always worked to accentuate the more subtle accomplishments of Mitski's music; here he outdoes himself, taking what could have been an overly fussy mid-century torch song and allowing it to breathe with a certain country plainspokeness. And yet I do not love "My Love Mine All Mine" quite as much as I want to love it -- it feels like a song that answers all of its own questions from an artist that does her best when she leaves more open to interpretation. [8]

Vikram Joseph: There's really nothing wrong with what Mitski actually gives us here - a tasteful, timeless-sounding ballad, smooth and crystalline with pedal steel melting into the scenery. I think I just miss the angst and dissonance of her older work - even when Modern Mitski sounds sad, she's sad in an oddly arch way which sounds like she's three degrees of separation from the actual sad person. As a pathos-laden expression of dedication, "My Love Mine All Mine" at least works better than "Me And My Husband", a song I will never be able to take seriously, but it does very little for me. [5]

Joshua Minsoo Kim: Mitski is better when casual poignancy isn't the point. Her best songs steamroll over you, be they big or small, sad or extra sad. "My Love Mine All Mine" finds a nice Goldilocks zone to secure her a hit, but this lovely ballad is simply just that. [4]

Alfred Soto: I like Mitski when she gets sinister or worried over programmed beats and yards of guitar. This synth-country landscape flattens her like it did Jenny Lewis and Kacey Musgraves. [4]

Katherine St Asaph: The Nashville instrumentation is just decoration. And the TikTok virality is misleading (or not, if you ignore the conventional wisdom that everything that blows up there is memeshit). On Be the Cowboy, Mitski's music began a slow arc toward Jerome Kern balladry and songbook standards, and "My Love Mine All Mine" continues the drift. What she loses in visceral emotion, she gains in haunting lineage. [8]

Tara Hillegeist: "Lynchian" is an adjective applied to excess most often in film, rather than music; Mitski's career provides ample food for thought as to the reasons for such a disparity. The birthing pangs of her current style were anything but as simple, as many of her past musical compositions often aspired to be -- to pack such naive melodies with enough antic heartache that one's ribcage bears the internal bruise is an aspiration that can easily go awry and leave one stranded in the land of the maudlin and mawkish, rather than piercingly insightful, and there's more than a few examples of both littering Mitski's back catalog by now. But to listen to "My Love"'s almost lysergic deployment of a swooning orchestral blush; the way Mitski's voice ripens almost to rotting with that obsessive slow-dance of a chorus ... this is music for the bugs to pick clean an American corpse to. Angelo Badalamenti would be proud. [9]

Tim de Reuse: Dripping with Nashville cash, Mitski's pathos no longer derives from a plucky indie-upstart unpredictability. There is no unsteadiness in her voice anymore; she chews the microphone to sing about the end of her life, wishing only for a symbolic, cosmic victory. Here she plays a ghost, or a corpse, preserved in a glossy, gelatinous mix, and barely able to raise her voice above a casual mutter. It's gorgeous, and also deeply unnerving. I didn't know Mitski could do unnerving. Even in death, she surprises. [8]

Jonathan Bradley: A twilit romantic slow jam that draws cozy darkness as literally from its slow organ drift and sepia pedal steel as it does its actual moonbeam lyric. This is comfortable terrain for Mitski, whom I picture composing every one of her songs while driving along a rural road on a dark night, but there's no shame in repeating yourself if you're good at it. [7]

Brad Shoup: In my household, "My Love Mine All Mine" is most notable for getting Caitlin Rose into the Top 40. She's only here on vocals, but her ethos -- cozy existentialism that uses the pedal steel like a flashlight -- is all over this. This may not be as distinctive as, like, the plaintive noise-pop of "I Don't Smoke." But the sway is still the same. And her impossible requests are just as devastating. [8]

Oliver Maier: Sometimes I don't think I know how to write about music. I think everyone who tries it has probably felt that way at some point, some sense of the inadequacy of their words, the impulse to throw up their hands and say "just listen to it" (complimentary) or "just listen to it" (derogatory), because what do you say about a song that it doesn't say itself? What an extraordinary act of arrogance to attach yourself to something someone made and try to explain it to anyone, however careful or empathetic you are in doing so, however many times you qualify your opinion. I imagine this anxiety probably lurks in some form, in some place, inside everyone who has tried to do this stupid, circuitous, fucking frustrating thing. People like to talk about things, though. It feels good to do, like a magic bridge that you can feel forming between yourself and someone else when they articulate something that was inside you too. I listened to this song non-stop for a week when it came out, and I barely know what to say about it. I think it's wonderful. Just listen to it. I feel very emotional thinking about Mitski and the path of her career in a way that makes me a bit embarrassed. I feel very emotional hearing her sing about the fundamental, indissoluble value of a feeling that she has, only holding it, not needing to clutch or cradle it, letting its light seep out from between her fingers. I find it so moving to hear someone who has -- largely unwillingly, it must be said -- become a symbol of self-pity and depressive angst sing with such easy generosity towards themselves. It's hard when you are so used to seeing a magic bridge between yourself and another person collapse, or perhaps when you rarely see it built at all, to reserve some dignity for the silly, hopeful part of yourself that keeps seeking out planning permission. Just listen to it. What an extraordinary act of arrogance to attach yourself to another person and think they could see you and think about you the way that you do them. Sometimes I don't think I know how to be in love. I'm going to keep trying anyway. [10]

[Read, comment and vote on The Singles Jukebox ]

is Patrick Hyland british.

Rope's End by Patrick Hamilton

directed by Camilo Verela

Cast List

Brandon Shaw ............................. James Farrow

Philip Morgan ............................... Alexander Vass

David Kentley ............................... Colin Hyland

Kenneth Lawrence ...................... Filippa Costa

Rupert Cadell ............................... Frederick Teasdale

Mrs. Wilson ................................... Wren Stirling

Janet Walker ................................. Meredith Dardenne

Henry Kentley .............................. Ned Walton*

Anita Atwater ............................... Gwendolyn Oswald

* I forced him to be here at crossbow-point. Colborne is in the audience peering suspiciously at the stage.

mitski on the background voices in "that's our lamp":

Asked to choose three words to describe the final track from her Laurel Hell album, Mitski said, "Carnival, happy, goodbye." The bright breakup track meets Mitski pacing the crowded streets outside of her apartment building, where she's fled to cool off after having a fight with her partner. She gazes up and sees their lamp shining in the window like always, but their relationship is about to go dark.

Mitski told Pitchfork how she and her producer, Patrick Hyland, came up with sonic elements to capture the lively vibe she wanted for the song. "So what I wanted to express was like walking down the street with something ending inside of you and in your life, but no one around knows, and life is going on as it always had around you," she explained."I wanted this feeling of liveliness and a lot of people being around. And at first we tried to just make the sounds louder. Nothing felt right and then I realized, 'Oh, if I want to feel like people are all around me, I should just put crowd sounds in.' We also mixed in our own room sounds and talking sounds, and we also sang parts over and over together so it sounded like a chorus, and that really did the trick."

Much of the album deals with the singer grappling with her emotions after the pressures of the music industry nearly forced her to walk away from her career. Coupled with the stress of the COVID-19 pandemic, she wanted to end the album on a high note."I've tended to end my albums on a quiet note," she said. "With everything that's going on and with the tone of the album I think Patrick and I both felt it best if we ended with a carnival and a party."

source

Stay Soft by Mitski from the album Laurel Hell - Director: Maegan Houang

(left to right) mitski, her producer patrick hyland and carmel holt perform "i bet on losing dogs" at npr music live sessions (2016)

These demos are making me think Patrick Hyland should perhaps be thrown in the Jack Antonoff high security prison alongside Jack Antonoff

Mitski and Patrick Hyland BBC Radio 6 discussion for The Land is the EXACT kind of video I want to see for all her older albums

Double foot stomp

1. TRAVIS BARKER'S IN-BETWEEN BOTTOM

2. JACQUELINE LAURITA'S EMERALD FOREARM

3. RAMONA SINGER'S GLARING BOTTOM

4. SONJA MORGAN'S PRIMAL UPPER ARM

5. LUKE WILSON'S IMMENSE EYELASH

6. STEPHEN DORFF'S TWO-LANE ARM

7. PATRICK SCHWARZENEGGER'S UNREGULATED NOSE

8. JOE JONAS'S SIMPLEST BELLY

9. SARAH HYLAND'S SEATED HAND

10. MIA FARROW'S TRANSFORMED LEG

11. SOFIA VERGARA'S RIDICULOUS SHOULDER

12. NICKY HILTON'S NIGHT HEAD

13. STAVROS NIARCHOS III'S BARRELED FIST

14. JUSTIN BIEBER'S BANDED HAND

15. JENNIE GARTH'S ALMOND WRIST

16. LAMAR ODOM'S MEDIAEVAL HAIR

17. CRISTIANO RONALDO'S SQUINT FINGER

18. HUGH DANCY'S TIGHT-LIPPED LEG

19. IDINA MENZEL'S CIVIC LIP

20. DAVID COOK'S FRAGRANT TOE

21. MICHAEL JACKSON'S OPPOSING HAND

22. TOBEY MAGUIRE'S FOOTY TONGUE

23. MAHENDRA SINGH DHONI'S ECONOMICAL ELBOW

24. NICK JONAS'S UNASSISTED TONGUE

25. CARRIE UNDERWOOD'S APPELLATE TOOTH

26. COURTENEY COX'S PERMISSIBLE NECK

27. RACHEL ZOE'S PEACEKEEPING EYELASH

28. FABRIZIO MORETTI'S MIND-BOGGLING HAND

29. CACEE COBB'S EXISTENT THUMB

30. JASON RITTER'S LITERARY BREAST

31. JOHN F. KENNEDY, JR.'S SWEEPING EYEBROW

32. DEMI LOVATO'S AMBIVALENT BELLY

33. SIENNA MILLER'S HITLESS TONGUE

34. NDAMUKONG SUH'S MEDLEY UPPER ARM