I screamed when they did the dance
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Sisters with a huge age gap and their beef that transcends time (they love each other)
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Part 5: Pinto Aureo/Golden Wing 🐞 (1/3)
- might have stolen @/toytle’s fugo and trish/diavolo concepts my bad
- this part takes place a little bit after twilight would become ruler
- Morning Glory already knows how to heal cause of hamon (he doesn’t actually know it’s hamon though)
- poor Glory got thrown out after turning gold cause his parents didn’t recognize him at all :(
- i made Guido flightless because i liked his design too much to make him not a griffin, but at the same time i liked the idea of Divebomb being the team’s sole eye in the sky. plus it’s a lot easier to shoot arrows with digits than hooves
- not a whole lot else to say atm, stay tuned for more
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Phantom Blood / Battle Tendency / Stardust Crusaders / Diamond is Unbreakable / Golden Wind / Stone Ocean
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POV the Italian mafia shows up to the cinema in July 2023
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i had a dream that i was scrolling down my dash and saw this jojo comic and it made me laugh so hard i woke up. so naturally, i had to draw it and make it a reality
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a wild sheila e from phf appears in your inbox
oops i reread phf and had to draw them all !
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At this point it’s a well known fact that Fugo was originally meant to act as a mole for Diavolo and betray Giorno and crew late into the story. I’m pretty sure Cioccolata is his replacement in the narrative, considering that both Purple Haze and Green Day have comparable abilities (I don’t know how Secco would fit into this though).
Maybe it’s just me, but Giorno’s fight against Cioccolata feels so much more intense than anything Diavolo does afterwards (besides kill Polnareff, I will never forgive you Araki). Their beef feels so much more personal despite Cioccolata being some guy that Giorno just met, while Diavolo has tried to kill two of Giorno’s friends at this point in the story and is responsible for the drug trade he hates so much. It gets to the point that the fight ends with one of the longest beat downs in anime/manga history, and it doesn’t feel out of place on this side character encountered right before the final boss.
Now, imagine Fugo in Cioccolata’s role.
Imagine their fight. Imagine Fugo pushing Giorno to die, die, die, while Giorno slowly shifts out of “I don’t want to hurt my friend” and into “I am going to murder this traitor.” Imagine the 7 page muda being performed on Fugo instead of Cioccolata.
It does kind of help put into perspective why Araki axed this plot line, but damn it would’ve made for some good drama
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