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milf-lover42 · 4 years

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Bellatrix and Azula are the same character, change my mind

As most people can tell, Bellatrix Lestrange is my all time favorite character. I might get new favorites every time I watch a new show, and they all share a general similarity (let’s face it… I have a type, and if you’re reading this here on tumblr dot com… you do too, don’t lie). However, no character has ever come close to beating Bellatrix for top spot. And then I watched A:TLA for the first time a few weeks ago. I didn’t watch it as a kid, I was just young enough (2003 babeyy) that I wasn’t watching tv when it was on. Azula is obviously my favorite from this show, and is also the only character to ever come close to Bellatrix’ spot in my heart. But thinking about this and all the headcanons that people have made for the Black family dynamic… it seems like a pretty straightforward connection. Azula is essentially just a young Bellatrix.

Almost all of these Black family headcanons have been taken from fanfictions I have read over the years, and so the credit goes to their respective authors. Many overlap so I cannot pinpoint each author to each one, and it has been a while since reading some of them. Most notable of these would be Glass Silence by Zarrene Moss. There are many more fantastic stories I have drawn from but I couldn’t remember every fanfiction I’ve read to pick out each detail. For all the Azula stuff, I am drawing from Hello Future Me’s video on Youtube “The Psychology of Azula | Avatar: The Last Airbender”. If you want to spend an hour watching that I highly recommend it. Basically none of this is mine, I’m just using the headcanons and research of others to tie Bellatrix to Azula.

Let’s start with their family dynamics. Bellatrix is the oldest of the Black sisters, and has no brother. Although not stated in canon, (because apparently she’s too minor a character to deserve a backstory) it is presumed that all the duties of a male heir fell to her in a way. Marry young and marry a rich pureblood, carry on the family name and power, and secure a high social standing. Pureblood society is extremely archaic, if the treatment of muggle-borns is anything to go by, so we can safely assume that they are a very patriarchal society. Cygnus and Druella Black almost certainly wanted a son to carry on their name, especially given Walburga and Orion had both Sirius and Regulus. We can also assume that they weren’t exactly the kindest parents. At best, Druella was a silent wife subjected to abuse from her husband and ultimately was unable to keep her children safe; at worst she actively joined Cygnus in abusing their children. Each of the sisters have a unique way of dealing with this.

Andromeda handled it by running away, completely rebelling. She fell in love with Ted Tonks, a muggle-born. I doubt this in itself was an act of rebellion, I think she simply realized how stupid blood supremacy was after speaking to him. Once she fell in love it’s clear she wanted to break away from her family so that she could marry him. Clearly her parents knew, and it’s likely she told them herself. Given Ted was a muggleborn I can’t imagine her parents reacting with a simple, “No he is beneath you, we forbid it.” They probably acted harshly in an attempt to make it stick in her head that the Most Noble and Ancient House of Black would not associate with m*dbloods. Either she ran away or was kicked out, but either way she stayed with Ted and didn’t listen to her parents.

Narcissa shut off and blocked all her emotions. Obviously as an adult she actively practices the same beliefs her parents did, but as a teenager I don’t see this as being who she was. As an adult she is very cold and unemotional. The only person she truly cares about is her son, Draco. She cares about Bella still, she just doesn’t show it because she wasn’t allowed to as a child. As for her feelings toward Lucius... it is unclear. Depending on where you stand, she either could have been forced into a marriage with him, or they were in love as teenagers and got lucky enough that their parents arranged for them to marry each other. My personal opinion is they were forced. I think Lucius was supposed to be married to Andy but when she ran away, the Blacks had to hold up their end of the deal with the Malfoy’s and so Narcissa was married off to him. She embodies the whole “Ice Queen” personality. In order to cope with the trauma and her unwanted marriage, she just blocked all emotion to keep herself sane, only showing it for Draco.

And then we come to Bellatrix. Bellatrix, who had too many expectations to live up to, so many roles to fill, and no positive reinforcement from parents who just abused her if she messed up. She felt everything. She was the oldest and cared greatly for her younger sisters, and probably did her best to take any of the abuse that was going to be given to Narcissa or Andromeda. She used herself as their shield because they were the most important thing to her. Even after joining Voldemort and going insane she makes it very clear how she feels about Narcissa. Bellatrix would follow Voldemort's orders to the ends of the Earth, but the second she is asked to trust Snape, she says that Voldemort has made an error in judgement. Cissa wants to go to him and ask him to keep Draco safe, but Bellatrix advises against this. Only when her sister is in potential danger does Bellatrix doubt her master. Even at the height of her insanity her sister is the most important thing to her. We can assume as a child she felt the same for Andy. In fact in my opinion she never really stopped caring about her until Azkaban, I think she pretended to hate her when she came out about Ted Tonks, but only did so so that Andy would run away and live her life with the man she loved. She was safer away from their parents anyway. It didn’t matter if Bellatrix thought negatively about muggle-borns; she just wanted her sister to be safe. After going insane however, she truly seems to hate Ted for being a muggle-born, and she kills their half-blood daughter Nymphadora.

In order to cope with the trauma of her childhood Bellatrix used all of those emotions as fuel for her magic. She is an incredibly powerful witch and is massively intelligent (although why she didn’t just use Legilimens on the Golden Trio will baffle me forever… it would have been so simple…). However because of this coping mechanism, she is driven insane. It’s not instant, in fact it probably took years (probably that stint in Azkaban, lads) for the insanity to fully develop and take hold. All of that exposure to Dementors would have forced her to relive the trauma of her childhood over and over, while taking away the happy memories of her sisters.

Bellatrix was given a support system to break away from her family. Now it’s not a good or healthy one, but it is one nonetheless. After being treated so poorly by her parents, and forced into a marriage with Rodolphus, she needed freedom. When Tom Riddle comes along and praises her skill and offers her a spot as his best lieutenant? Of course she’s going to take that. Finally some recognition, and a good amount of safety. Not to mention missions and tasks given to her and others to her husband that mean she doesn’t have to be around him. Bellatrix was mistreated by her father and mother, but probably always wanted her father’s recognition. Her mother probably preferred Narcissa because she could be groomed into the perfect pureblood wife. Bellatrix latched onto Voldemort to gain recognition, praise, and power. But I can imagine as a teenager, having a complete breakdown at least once, especially after being told she’d be married off to Rodolphus. Demolishing her room with magic, windows breaking, personal items being thrown either by hand or by magic, and screaming and crying at the end. Very similar to Azula’s breakdown in her final scene.

Now we come to Princess Azula. She has an older brother, Zuko, but is always given the limelight. She receives a ceremonial headpiece that she is always seen wearing, but Zuko does not. He might be the boy, but he isn’t expected to take the crown. Azula is even named after her grandfather Azulon, who was Firelord. She was always expected to be the next Firelord over Zuko. Her future was never her own. She is a firebending prodigy, always showing off her skills, whereas Zuko falls behind. She is favored by her father Ozai for sure, but she is never truly praised. She is simply a means to an end to him. She was always expected to be the best. Although it isn’t shown in the TV series, in the A:TLA comics Ursa and Ozia’s relationship is depicted as abusive. He cuts her off from her family saying that he is all she will need.

There are theories as to whether or not Azula has a Machievellian personality type, or ASPD or NPD that could have been a root cause of her diminishing sanity, and after looking into those they seem very plausible. She lacks empathy, she emotionally manipulates everyone, and she has a messed up sense of right and wrong. Altruism just doesn’t make sense to her, and emotions are not genuine, simply stories made to get your way. Ursa rewards empathy, love and trust, which is why she clearly favors Zuko. But Ozai rewards power, cunning, and loyalty. They are complete opposites so it is not possible to please both of them. If she has any of these mental disorders it would be impossible to please her mother, so she focused on making her father proud. But Ozai never really shows any level of praise towards her, so she constantly tries to better herself. If she isn’t perfect, she’s failed.

At the end of A:TLA, Ozai forces her to stay behind in the Fire Nation. He says it’s because they need a Firelord because he will be leaving. Azula is disappointed to not partake in the final battle, but it’s what her father wants, so she obeys. However, he only leaves her so that he can become the supreme leader of everyone, or “Phoenix King”. Azula doesn’t really get a promotion, just a fancy name. In the finale, she is shown as her mental state quickly deteriorates. Her perfect image is gone, her hair is not up, her makeup undone, and she is paranoid that everyone is out to get her. This is the beginning of her breakdown. When she is unable to put her hair up by herself, she cuts her bangs. Her hair is all of a sudden asymmetrical, which is unheard of. She then starts to hallucinate. By the time she fights Zuko and Katara she is extremely unstable, and the fact that she can actually still bend is incredible, because it requires control of your emotions. She instead manages to use her emotions to fuel her bending. At the end when she is defeated, she finally breaks. Her bending is out of control, and she is left screaming and crying.

Azula never had anyone take her under their wing and give her the recognition she craved. Zuko had Iroh. Bellatrix had Voldemort. If Azula had been introduced to someone like Voldemort she would have gone down the same path as Bellatrix. Likewise, if Bellatrix hadn’t been introduced to Voldemort she would have ended up broken just like Azula. Their stories aren’t identical obviously, but there are some strong parallels that place them together, so I can see them as the same person with different outcomes to their story.

Does this stupidly long character analysis have any significant purpose? Nah, not at all. But like… I’m clearly right so… yeah.

#bellatrix black #bellatrix lestrange #azula #princess azula #azula deserved better #A:TLA #A:TLA azula #bellatrix black lestrange #druella black #cygnus black #narcissa malfoy #andromeda tonks #guys im not crazy i swear #i just feel passionately about these characters #bellamione

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delicatefury · 5 years

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AtLA ask (since I believe you only have the one): Do you have plans for how Iroh plays into all of this, and if so, are you willing to share any? :D

UNCLE IROH!

Uncle Iroh weaves in and out of GDB as plot progression, character growth, and most importantly, Zuko, needs him. Because, here’s the thing, I’m pretty convinced that Uncle Iroh’s been planning on helping Zuko become Firelord since before his banishment. Before banishment it was just being a helpful, guiding hand. On the Wani, it was mitigating the damage Ozai had done. In the Earth Kingdom, he was trying to help Zuko grow and heal. And his final pushes were to get Zuko to finally stand against his father and turn towards the right path. Unfortunately, Zuko needed so much emotional healing, Iroh didn’t got a lot of time to teach Zuko a lot of the other stuff. Poor kid has to learn about actually being Firelord as he goes (though, like I’ve said, he’s got the right instincts and the right morality, so he does pretty darn good in the long run).

So, onto GDB specific stuff! Spoilers ho!

Obviously, Iroh’s most prominent in Book I, as he and Zuko are both still on the Wani. But he no longer has to focus primarily on keeping Zuko as grounded and calm as possible despite Ozai’s abuse. Because Zuko’s already had that growth. So now Iroh gets to focus on other things, namely, making sure Zuko’s ready to take the throne (because with the war having to end one way or the other by summer’s end, it’s imperative that Zuko become Firelord. No other result will end in peace. Can’t be Ozia because obviously. Can’t be Azula because she’s broken and doesn’t really see people as people so much as pai sho pieces (plus her increased paranoia and, in this story, desperation for perfection that leads her to make a deal with Koh). Can’t be Iroh because the Earth Kingdom would never, ever accept the Dragon of the West as a peaceful Firelord. Too much personal animosity. ((This is Zuko’s rationalization, by the way. Iroh focuses more on the traits Zuko has that would make him a good Firelord over the other three choices.)))

Iroh then can start focusing on teaching Zuko things like: long-term planning and how one earns, uses, and respects loyalty. And helping him catch up on missed education.

Bigger Spoilers here!

Book II, Iroh, to Zuko’s distress, opts to travel alone relying on his “Pai Sho buddies” for help. He tells Zuko this is to let him spend time with the Gaang and help protect them from Azula, since she’ll now have freedom to pursue them. Secretly, Iroh’s going on a one-man campaign to start coordinating the growing positive rumors about the Firelord’s errant son. Through the White Lotus and the small fleet of ships and soldiers that Zuko has started to collect.

Zuko freaks out at this, because he remembers Iroh begging on the streets and making tea from the white jade plant and nearly dying. Iroh going his own way is a reverse of the send-off at the North Pole, as Zuko, obviously full of anxiety, keeps warning Iroh of all the ways that they nearly died in the Earth Kingdom in the original timeline.

But Iroh intersects with the Gaang at critical points, like during the showdown in the Ghost Town (poor Zuko. The Big Things keep happening. He has a few brushes with fatalism thanks to this). He also plans with Zuko to meet up and enter Ba Sing Se together, since the Gaang naturally draws attention, and Zuko, wisely for once, has realized that “The Fire Prince” maybe shouldn’t announce his presence in a city that his uncle laid siege to for 600 days that’s run by the Dai Li. So Zuko still gets to work in a tea shop.

Book III, I still haven’t decided yet. Book III is where things get increasingly off the rails, and since I’m still going through my rewatch and getting down the timeline (essentially I’m watching the show twice, and listening to a YouTube reaction series while I drive (because first time watchers are so much fun. I can’t wait until my nieces and nephews watch Avatar for the first time!)), I’m not committed to anything yet regarding Iroh. Although the White Lotus, the Fire Nation spiritual problems, and turning public sentiment against Ozai all play pretty big parts of the last arc. I know that much!

All right, I’ve got about five minutes before bording starts. Keep the asks coming, I’ve got another flight and the potential to be in hotels all week!

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karmicagent-blog · 6 years

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|| art I did a thing yesterday while warming up for a commission. This wasn’t just an excuse to draw the babes half naked, I swear -- it was for updated tattoo references and anatomy practice. Totally. Left to right: Ozias ( @errorexecutingfile ), Astrid ( @bionicberserker ), and of course, Quade.

Canon Having been a part of Ozias’s Gunner crew, he was also made to wear their design - and in recreating him as a Synth, they were replicated effortlessly. Given their origin however, it’s part of why Quade typically tries to keep his arms covered. At the same time, he’d refuse having them removed, because he’s accepted his past and how it’s shaped him. Besides, when he gets to kill Ozias, it’ll be all the more satisfying while still wearing the man’s brand. |

#| art;mine |#| ;;a purpose to serve |#errorexecutingfile #bionicberserker #|| gonna be reblogging this on the other muses to add their canon stuff ||#|| sorry if these half naked bods get all up on your dash ||

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steliosagapitos · 6 years

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George Romney

George Romney (26 December 1734 – 15 November 1802) was an English portrait painter. He was the most fashionable artist of his day, painting many leading society figures – including his artistic muse, Emma Hamilton, mistress of Lord Nelson.

Romney was born in Beckside in Dalton-in-Furness, Lancashire (now part of Cumbria), the 3rd son (of 11 children) of John Romney, cabinet maker, and Anne Simpson. Raised in a cottage named High Cocken in modern-day Barrow-in-Furness, he was sent to school at nearby Dendron. He appears to have been an indifferent student and was withdrawn at the age of 11 and apprenticed to his father's business instead.

He proved to have a natural ability for drawing and making things from wood – including violins (which he played throughout his life). From the age of 15, he was taught art informally by a local watchmaker called John Williamson, but his studies began in earnest in 1755, when he went to Kendal, at the age of 21, for a 4-year apprenticeship with local artist Christopher Steele – a portraitist who had himself studied with distinguished French artist Carlo Vanloo. All costs were to be borne by George's father.

In October 1756, Romney married Mary Abbot (a decision he initially regretted), but the couple were immediately separated when he was called away to York on business by his employer. After a year, Steele eventually agreed to cancel the apprenticeship, at George's request, leaving the young artist – now a father of a son – free to pursue his own career as a painter.

In 1757, Romney rejoined his wife and young son in Kendal, working as a portraitist, landscape and historical painter. In this period he became friends with Adam Walker, the inventor and writer, and also pursued musical interests in his spare time. In March 1762, he parted from his wife, son and daughter (the latter dying in 1763), to seek his fortune in London, where he stayed (apart from a few return visits to Cumbria) until 1799. Throughout the separation, he maintained contact with his family and financially supported them, but they never lived with him in the capital.

In 1763, Romney entered his painting, The Death of General Wolfe, into a Royal Society of Arts competition. According to friends of Romney, he was awarded the second prize of 50 guineas, but this was later to reduced to 25 guineas on questionable grounds. It is said that Sir Joshua Reynolds himself was the prime mover behind this decision, a fact which may have accounted for the lifelong aversion of the two men for each other.

Despite his later success, Romney was never invited to join the Royal Academy of Arts (formed 1768), though he was asked, urged even, to exhibit there – nor did he ever apply to join. This decision certainly cost him valuable royal patronage and support from others connected at court. While there has been much speculation about his actual relationship with the Academy, there is no doubt that he normally remained aloof, maintaining that a good artist should succeed without being a member. His own career supported this belief, and it was only towards the end of his life that he expressed the slightest regret for his views.

His early years in the capital were something of a struggle financially. In September 1764, he travelled to Paris (with a friend, lawyer Thomas Greene) for a few weeks to study the works of the old masters (travel abroad was seen as a requisite of a developing artist's training as the opportunity to view great art in London was very limited). In 1765 he again won the second prize of 50 guineas in the Royal Society of Arts competition. In 1768, he made the acquaintance of Richard Cumberland, the dramatist, whose portrait he painted, and who was helpful in introducing him to influential patrons. He also became friends with miniature painter Ozias Humphrey.

1769 was a breakthrough year – he exhibited a large portrait of Sir George Warren and family at the Free Society of Artists, which was greatly admired and helped to lay the foundations of his future popularity. In 1770 he started to exhibit his work at the Chartered Society of Artists rather the rival "Free Society of Artists".

By 1772 Romney was financially secure enough to make the journey (with Ozias Humphrey) to Italy to study the great artists of the past, as he had always intended. He set off in March, making his way through Europe (via Paris, Lyon, Marseilles, Nice, Genoa, Livorno, Florence and Pisa) and arriving in Rome in June. A letter of introduction allowed him to meet the Pope, Clement XIV, who allowed him to set up scaffolding in the Vatican to study the frescoes of Raphael. He spent 18 months in Rome making studies and sketches of the great art works on view there. He returned to London in July 1775 (via Florence, Bologna, Venice, Parma, and Turin) after an absence of over 2 years.

On his return, in 1775, Romney moved to Cavendish Square, in a house formerly owned by noted portraitist Francis Cotes. He was considerably in debt, not only on his own account but also due to being saddled with the debt of his artistic but dissolute brother Peter. Fortunately, he was offered commissions by the Duke of Richmond and his circle of friends, which helped turn the tide of fortune permanently in the artist's favour. In 1776–77, he made the acquaintance of William Hayley, striking up a lasting friendship with the writer, and painting portraits for him.

1782 was the beginning of an important new chapter in Romney's life, for in that year he was first introduced to Emma Hamilton (then called Emma Hart) who became his muse. He painted over 60 portraits of her in various poses, sometimes playing the part of historical or mythological figures.[5] He also painted many other contemporaries, including fellow artist Mary Moser.

In 1797 Romney left his studio at 32 Cavendish Square, where he had worked for more than twenty years, to move to Holly Bush Hill in Hampstead. In Hampstead Romney embarked on a series of costly building projects, and sold the house two years later. Romney's House is now a Grade I listed building, and Romney is commemorated by a blue plaque placed on the property.

In the summer of 1799, his health broken, and after an absence of almost forty years, Romney returned to his wife, Mary, in Kendal. She nursed him during the remaining 2 years of his life until he died in November 1802. He was buried in the churchyard of St. Mary's Parish Church, Dalton-in-Furness.

George Romney is a kinsman of American businessmen and politicians George W. Romney (1907–1995) and Mitt Romney (born 1947); their ancestor Miles Romney was George Romney's first cousin.

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systemkingdom-blog · 6 years

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An introduction to the K.D. system

Orion | Heyo! My name is Orion. I'm 14 years old and use He/Him pronouns. I'm a freshman in high school in Philadelphia. I'm Panromantic and Pansexual as well as a Trans* Boy. When it comes to interest I would call myself pretty well rounded. I'm a big artsy person that loves musicals and writing as well as reading. I like to nerd out over T.V. and movies and videogames. I'm just a huge dork. I'm the host of the Kingdom (or K.D.) system. I do my best to keep order and keep everyone happy and working together. It can be hard but I love everyone so much that it makes all the work worth it. Anyway, yeah, nice to meet you all.

Percy | Percy Green is the emotional protector of the group. She loves witchcraft and is passionate about people and the earth. She loves interacting with people that hold a passion for something. She cares for everyone and is constantly studying and practising things that make her happy. She likes books and reading but spends most of her time in the headspace and when she is out writing and keeping everyone happy. Her first, last, and main priority is keeping the system open and honest about their feelings. Percy is Demi-Girl and uses She/Her or They/Them pronouns. She is panromantic and pansexual, as well as seventeen years old and okay with polyamory.

Milo | Milo Montgomery Darling is a good person all around. There isn't a bad bone in their body. All of what he does has good intentions hiding behind it. Milo is a lover, not a fighter, but will gladly fight for what they love. That is important to have within a system and Milo keeps up strong. Milo is also the creative outlet for the system. They like to draw and sing as well as read and write. They hold a big part of the creativity and would gladly share their work with others. Milo is non-binary (using They/Them pronouns) and polysexual/romantic (being only attracted to males and non-binary people). Milo is fine with polyamory and is sixteen-nineteen years old, even though they most of the time act as if they are seven with their childlike personality. They age slide sometimes but is mostly in a middle ground between the two ages.

Elliot | Doctor Elliot Nigel Killian (E.K.), is a complicated person. He doesn't care for people and find a hate towards humans that overwhelms him to the point of internal conflict. E.K. is a high-functioning psychopath/sociopath that has a passion for psychology and being the "best" doctor he can be. E.K has a long history that leaves him scared, seeing as he is a trauma holder, and broken. He takes out his anger on people and has a strong hate for humans. This is just towards humans though. E.K. loves anything non-human. He likes animals and praises the earth, even going as far to get along with non-human alters. Though he can be seen as evil there is a lot more to him that people can see. Getting to know him is worth it in the opinion of the system. We say this because, at the end of the day, he is getting better and trying his best to be the protector he has the potential to be. Elliot is a male and uses He/Him or even It pronouns. Elliot is demi-pansexual and demi-panromantic, okay with polyamory, and twenty-one years old.

Ophelia | Ophelia (Lia) Grant, twin to Florence Grant, is a beautiful person. They are a wonderful lover and adventurer that cannot be pulled away from the road of spontaneous decisions and mystery. They can not stay in one place too long and loves to explore whatever they can. They bring about happiness to the group with their every and fashion sense. They love people and they love themself. They have the most confidence in the system and takes time to try and share that with everyone else. Over everything, Ophelia loves their brother. They are the type of sibling to tease and play with their sibling but loves them with all their heart. Ophelia uses any pronouns because they are Genderfluid, and is, like their brother, panromantic and Asexual as well as nineteen.

Florence | Florence (Lance) Grant, twin to Ophelia Grant, is a person of psychological interest. He has the same mindset as his best friend Elliot, but with a much nicer execution of his emotions. He takes to people and likes to interact with most people. Though he does have a bit of anxiety that keeps him from being as social and adventurous as his sibling, he does take chances when he feels safe and comfortable. He likes to be cautious and keeps from messing things up with random things that confuse people. Florence is a big believer in taking time to express emotion. He thinks that you cannot love at first sight and every emotion takes its own time to become more than just a fluster of feeling. Much like a therapist, he is a good listener and a very good advice giver. Florence is a male and uses He/Him pronouns. He is okay with polyamory after a build of trust and prefers relationships with males, though he is panromantic and asexual. He is 19 years old, like his sibling.

Ozia | Ozia (Ozzie/Oz) Montague is the most laid back, down to earth, and calm-cool-collected person you'll ever meet. There isn't much to say about him because he is so go-with-the-flow. He is passionate about a lot of things but keeps quiet about what he dives into unless it is brought up. He takes towards people and is the best listener of the group, other than Florence. Ozia loves to smoke whatever he can get his hands on, though he takes a huge liking to marijuana. Ozia is nineteen years old and a male. He uses He/Him or They/Them. He is fine with polyamory and demi-panromantic as well as asexual.

Paris | Paris Renedad is a nerd. A geek. A dork. And they love every minute of it. They are a person that loves to be surrounded by music and records as well as CDs. Paris likes people that like them, but cares for animals before any person they don't know. Pidge from Voltron is pretty much them, but with a raging grunge aesthetic that cannot be satisfied. There isn't much to say about Paris because of how much of an in the moment person they are. They are constantly adjusting and being themself so the best way to learn about them is to talk with them. Paris is non-binary and uses They/Them pronouns. Like the rest of the system, they are okay with polyamory. Paris is panromantic and pansexual as well as seventeen years old.

#dissociative identity disorder #d.i.d.#mpd #multiple personality disorder #split personality

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