Day 4 of femslash February: fields 馃尶馃尭
Cinderella and Tiana meeting in a lavender field in France and having feelings~
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Daisda Orange Beading High Split Strapless Prom Dress.
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Bringing back more of my OCs, bit by bit, doodle by doodle... while the artsy vibes last
It's my plantgirl, Holly 馃
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It's the tail-end of pumpkin season, so I'm going to go hard or go home with orange for the next couple of days. Yes, I suppose you could say these are pumpkins spice dresses.
This French Depret satin confection comes from the cusp of the 1860s into the 1870s, and I love a transition period dress. There's nothing as cool to me as being able to see fashions change before your eyes, gown to gown.
In this case, we still have the monumental skirts, but you start to see some of the trimmings that show up in the 1870s--tassels, fringe, that sort of thing. Plus, the top is a faux jacket, modeled after sporty riding and military coats commonly seen among more masculine designs.
The back of this dress though, is all bustle--but still with the volume of the 1860s, before things go up and back.
I love the play with different silk weaves, here, to give contrast to the design. You get that super shiny satin against a plain weave silk. Ooh la la!
From the Met.
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Maria Theresa of Savoy by Lie Louis Perin-Salbreux, 1776.
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Giovanie Khawam for Antoine Kareh Couture Pt 3
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