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#onion time
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Help I don't want to make soup.
I'm being forced to make french onion soup.
In my first class.
I'm going to smell like onions.
It's going to be three days of making French onion soup.
Three days of smelling like ONION.
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blazestar345 · 1 year
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The fact that I can't look up "Onion Time" and find that post about caramelizing onions is very disappointing to me
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(this is purely about Western™ fans/people using these tropes to death and back)
red string of fate: who're you?
kintsugi: im you but stronger
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marisatomay · 1 year
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there should be an oscar category called “movie my dad completed without falling asleep on the couch” and it’s more prestigious and contentious than best picture
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keirahknightley · 1 year
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Glass Onion: A Knives Out Mystery (2022)  dir Rian Johnson
+ IMDB Trivia (insp)
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danidoesathing · 1 year
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Benoit Blanc really is the most guy ever. He’s a world famous detective. He’s played by a British man but has a fake country accent. He dresses like a cartoon character and smokes cigars. He hates mystery games because he sucks at them. He plays video games with his friends in the bath over discord. He has a soft spot pathetic, righteous, panicky women. He makes up words on the fly. He’s gay. He hates rich people.
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eggdrawsthings · 1 year
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obsessed with his cute little swimsuit
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drbtinglecannon · 1 year
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In Knives Out Blanc wanted to do the murder mystery investigation with Marta so bad, but she was certain she was guilty so she spent a good amount of the movie avoiding/hiding stuff from him
Meanwhile in Glass Onion Helen was fucking carrying the investigation, even while accidentally getting drunk, and even went to investigation lengths Blanc was hesitant to do
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quillyfied · 1 year
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There being two movies now in the Benoit Blanc world, and both movies sharing some recognizable tropes and archetypes to build its flavor, there’s a specific type of character that I’m struck by, particularly as a white woman, in both Knives Out and Glass Onion:
The Sympathetic White Woman.
In KO it’s Meg. In GO it’s Whiskey. They both bond with the (WOC, very important to emphasize) protagonist by being less crappy to her than the rest of the cast, and both signal to the audience that they’re trustworthy as far as the protagonist goes. They tell the protagonist that they’re on her side. They try to be supportive. They’re sympathetic to the audience.
Then comes the moment when the Sympathetic White Woman’s security is threatened.
(Brief added interruption to just say: please dig through the notes and replies on this baby for some additional excellent thoughts from other people, including the very important distinction that Marta is a white Latina and not a woman of color (my mistake thank you for the corrections), and more thoughts on Whiskey’s actual/additional betrayal moments!)
For Meg, it’s her mom telling her she has to drop out of school if they don’t get the inheritance money. For Whiskey, it’s Duke dying. In both cases, the protagonist reaches out—Marta tells Meg she won’t let that happen, she’ll support Meg with whatever money she needs; Helen tries to soothe a hysteric Whiskey by telling her she doesn’t need Duke and he deserved what he got (not realizing Duke is dead, of course). It’s a slightly different moment in each movie, but the basic framework is the same: the woman of color protagonist reaches back to the Sympathetic White Woman, and notably, reaches DOWN, offering the support the Sympathetic White Woman offered earlier.
Only…the Sympathetic White Woman was never intending to be the one the protagonist had to reach down to. So she snaps. Meg tells her family about Marta’s mother and they use it to threaten her. Whiskey latches onto the belief that Helen killed Duke and tries to kill her with a spear gun in what she thinks is self-defense. The Sympathetic White Woman Heel-Turn.
Meg and Whiskey both also sort of try to make amends after their Heel-Turn moments, but…the trust is already broken. The protagonist knows better now. The Sympathetic White Woman is not to be trusted.
Why this sticks out to me personally is the very obvious callout that feminists of color have been making about white feminists for literal decades: that white feminism lacks any true support or compassion for non-white people, that it’s empty promises of support and when the chips are down, white feminism upholds whiteness over feminism in an act to protect itself. And whiteness…is a damn difficult thing to even see when you’re white and raised in an overwhelmingly white community, let alone begin to pick apart and unlearn. It’s reactionary, how Meg and Whiskey turn on Marta and Helen to protect themselves.
It would make Meg incredibly vulnerable to support Marta fully, the way she promised to back when she thought she had the resources for it, but Marta is that vulnerable every day just existing as a Latina woman in America. Whiskey’s Heel-Turn moment is a little more immediate trauma based, but when looking for someone to blame, she doesn’t hesitate to blame Andi (Helen), scrapping together the few pieces of information she has—Andi hates all of the Disruptors, Andi got screwed over by them, Andi fought with Duke just minutes before he died, Andi was in their shared room tearing it apart when Whiskey came in distraught. She’s looking for an outlet. There’s Helen red-handed and in view. Boom. Whiskey grabs the spear gun instead of talking it out with the person she admitted just hours ago to feeling sympathy for.
Growing up white and steeped in whiteness causes defensive reactions when that whiteness is brought up, or, god forbid, challenged. It’s a knee-jerk thing for people who haven’t begun to deconstruct it for themselves; even for people who have, to see just how far and deep in American society that reaches is troubling. Humbling. Enraging. The Sympathetic White Woman archetype is, to me, a warning to not let whiteness overrule sense and morals. To be smart about it. And, crucially, to check myself for condescension, especially when interacting with non-white folks in any capacity.
(Also why the presence of Benoit Blanc is so important. He is also sympathetic, he also offers his own support, but crucially, he just uses his whiteness to clear a path for the WOC protagonist to take her place and do what she needs to do. He doesn’t speak over her, he doesn’t turn on her, he just listens, and presents the truth for her to do with it what she will. Or, in one case, hands her highly volatile crystal hydrogen for when she’s really ready to tear the Murderer’s crap down.)
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comicbookddr · 1 year
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the shot of the fucking robot dog dragging all of their expensive luggage lethargically in the background all while miles bron says "this isn't just a rich-asshole house!" stuck in my mind immediately and will stay there forever.
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thelatecaptainpierce · 3 months
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mash + onion headlines (part 4)
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&&
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2manyflannels · 1 year
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Thank the lord that Benoit Blanc is a detective with compassion and kindness and cares while also being a genius detective because the two don’t need to be exclusive
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creacherkeeper · 6 months
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is this old religion, are we calling it love?
{sweet movie, alisha dietzman / @gaphic / tiktok / @iamalivenow / on earth we're briefly gorgeous, ocean vuong / @manywinged / these violent delights, micah nemerever / the reader, bernhard schlink (trans. carol brown janeway) / hestitations outside the door, margaret atwood / a self-portrait in letters, anne sexton}
[ID: ten images of text together in a litstack
1: Confession: I will think of you forever
2: a post by gaphic: It’s only tragedy if you convince yourself, for even just a moment, that everything could be ok, despite knowing it won’t be. Tragedy lies in ‘so close, yet so far.’ It’s avoidable because it would only take a tiny alteration to prevent disaster, but human nature is in the way- not maliciously, not knowingly, despite trying so hard.
3: a tiktok comment and answer: Are they lovers? / Worse
4: a post by iamalivenow: gay sex won't fix this. it'll probably make this worse. that being said don't you want to see how much worse it can get?
5: Sometimes being offered tenderness feels like the very proof that you've been ruined.
6: tags from manywinged: #technically they know and understand each other better than anyone else alive #but they communicate that in the most fucked up insane unnecessarily complicated way and think thats normal
7: I don't think you've ever felt anything that didn't hurt you. / We've found each other, out of everyone else in the world. Does that hurt, too?
8: "I'm not used to being loved. I wouldn't know what to do."
9: Should we go into it together / If I go into it with you I will never come out
10: of course the love is there. / still, / still, / still.
end ID]
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poisonandpages · 1 year
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I would’ve loved to see the in-universe news reports after the events of Glass Onion. Imagine someone having to put out to the public “Tonight’s top story, idiot billionaire Miles Bron uses experimental energy source to blow up own home, taking with it arguably the most famous painting of all time. At the same event noted streamer and misogynist Duke Whatshisname was allegedly murdered, although according to our sources this was not related to the explosion. All surviving members of the incident have contracted covid and experts are saying this whole case could be tied up in the courts for years based purely on how ridiculous it all is. Celebrated detective Benoit Blanc weighs in.*”
*From home, because he also has covid. 
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peskypawz · 7 months
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rainicorn sona perhaps?
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