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#on the edge of reason
oldshrewsburyian · 2 years
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Any suggestions for books that have a cozy fall feel to them? I'm trying to read my way to cooler weather :P
I sympathize with this endeavor! I have a double confession to make, though. 1) I am never sure what people on Tumblr mean when they say "cozy." 2) Even though I am fairly certain what "cozy" means when applied to subgenres of light fiction, this is not what I seek when I turn to seasonal fall reading. What I am usually looking for in autumnal fiction is some combination of:
death and decay are inevitable; they can also be beautiful
autumn is a time simultaneously of hope and of reckoning with that hope's disappointment
the academic calendar and academic communities (see also above, tbh)
With, um, all that in mind... some recommendations.
Gaudy Night, Dorothy L. Sayers. "Let us go now, and have the truth at all hazards" and also "epic actions are all fought by the rearguard" and "if it ever occurs to people to value the honor of the mind equally with the honor of the body, we shall get a social revolution of a quite unparalleled sort."
Brideshead Revisited, Evelyn Waugh (for its gorgeous descriptions of all seasons, and also everything else)
Embers, Sándor Márai (the end of a life and the end of an empire... but maybe not the end of love)
On the Edge of Reason, Miroslav Krleža (I'm pretty sure this opens in September; it is beautiful and poignant and savage)
Lolly Willowes, Sylvia Townsend Warner (this actually might come quite close to what you are looking for; this is a lovely and tender and melancholy and hopeful book)
A Small Town in Germany, John Le Carré (small town, large stakes, and Le Carré's customary insight and humor)
Radetzkymarsch, Joseph Roth (this is another end-of-empire one)
Georgics and Eclogues, Virgil (his birthday is in October! lots of lovely harvest poetry and also poetry about destructive love.)
Summer in the Country, Edith Templeton (summer must end, empire must end, deceptions... may or may not)
The Last September, Elizabeth Bowen (the last because in the autumn of 1920, in County Cork, old certainties and old loyalties are about to go up in flames.)
The Salzburg Connection, Helen MacInnes (not only is this that too-rare thing, an espionage novel written by a woman, but the thing I remember best about it is the male protagonist's quotation of/meditation on Rilke's "Herbsttag.")
The Dig, John Preston (this takes place, of course, over a summer, from May to September. But this is 1939, so September is always, always on the horizon. I did not particularly like the beautiful film as an adaptation, but I want a motivational poster of Ralph Fiennes saying "We all fail! every day!")
I hope that at least some of these may be interesting! I also always think Ellis Peters does a lovely job of evoking seasons in her Cadfael novels, and you could do worse than going through and reading the autumnal ones.
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pearl-kite · 3 months
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I made a pillow!
It took four months of non-stop cross-stitching, but I finally finished a pattern I bought from @8pxl a little bit ago, and tonight in a bizarre burst of productivity I finally sewed a back to it and stuffed it into a cute little pillow! It ended up being pretty much perfectly sized for a neck pillow, but I'm a bit worried about it getting dirty that way.
I highly recommend the patterns from 8xpl's shop, there are SO many gorgeous ones to choose from. I might end up getting another one soon o3o
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solarpunkani · 11 months
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Hot 4am take but I feel like if we want to get people more interested in making their yards a more habitable space for wildlife like insects, we have to acknowledge that ‘Don’t want bugs in your house’ is still a 100% fair and valid point of view. ‘Loves nature’ and ‘doesn’t want roaches spiders and mosquitoes in the house’ aren’t opposites.
And with that in mind, when we propose to people that spraying pesticides around houses is Not A Good Idea, Actually, I feel like we need to give an alternative asides from ‘deal with it.’
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plesiosaurys · 8 months
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getting emotional over footage of an amateur scuba diver interacting with a coelacanth. they are hunted by large deepwater predators, and here comes a large creature bearing the brightest lights it's ever seen, making strange noises, but it does not shy away. it hovers, calmly, as the diver reaches out and trails a hand down its back. im strongly against the anthropomorphizing of real life animals but the stupid emotional part of me loudly insists this is because it recognizes us, the alternating movements of its four paired limbs matching the diver's four paired limbs, & it is thinking, "hello, cousins, we missed you these 66 million years, it's so good to see you again. welcome back, welcome home."
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kittykatninja321 · 4 months
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When people say “Jason wouldn’t smoke because he died of smoke inhalation” I respectfully have to disagree, because if there’s one thing Jason is going to do he’s going to take aspects of his trauma and use them for himself and push on them like a bruise (he takes the name red hood, he uses explosives and guns, the crowbars were lame but they weren’t out of character), so I don’t think that would stop him from smoking. The way I see it I think Jason would be one of those people who occasionally smokes a cigarette when things are Particularly Bad, even though they swear they stopped smoking, like a maladaptive coping mechanism basically
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inamindfarfaraway · 27 days
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I love how Spider-Man: Into the Spider-Verse said “Anyone can be Spider-Man”. I love how it inspired everyone to imagine their own Spider-People, saving the day in their own universes, with all kinds of cool, interesting personalities and aesthetics and mutations and life stories and relationships. We all put pieces of our soul into these homemade heroes. We had fun. We found community. And then Spider-Man: Across the Spider-Verse said, “Wow, great job! You’ve really taken our message to heart. Well, get ready for even more of everything you liked from the first movie and a new message to complement the first. Anyone can be Spider-Man… and anyone can be pulled into a cult.”
So now we all have to contemplate whether our lovingly crafted heroes would ever be on Team Mandatory Trauma Because Martyr Complex or not and why.
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royalarchivist · 2 months
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I love the QSMP. Not only has it introduced me to many amazing international creators, it's also introduced me to the French and Brazilian community, who are so sweet, funny, and chaotic in their own unique ways. I love seeing fans sharing their culture and learning from one another, and I myself have learned a lot this past year. I think it's incredible how QSMP brings so many different people together – all of us united in our love and passion for this project and its goals.
But passion can often evoke strong emotions, and these strong emotions aren't always positive.
The past few months, I have seen multiple waves of hate, bad-faith generalizations of communities, and racist remarks directed at fellow fans – especially those who are part of the French / Brazilian community. This kind of behavior is inexcusable, and is in direct conflict with the mission of QSMP, which is to break language barriers and unite communities.
We are a global community with a variety of people from different backgrounds. Miscommunications may occasionally occur because of cultural differences and/or language barriers, but we should use these moments as opportunities to learn and engage with other people rather than assuming the worst about them and starting fights.
Although certain issues can be resolved with communication, sometimes it’s better to block and move on. Avoid spreading negativity or hate, and save yourself the headache of interacting with people who are just looking for someone to argue with.
No matter what community we're a part of or what languages we speak, we're all here to have fun. Please remember to be kind to each other. We have more in common than we have in conflict.
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eddiezpaghetti · 3 months
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Okay, so my experience with Stranger Things is a weird one.
I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.
And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.
It's really fucking obvious that Will and Mike are gonna be endgame.
Like holy fuck. It's so fucking blatant I don't even know why people are nervous.
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No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.
And then this?
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They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.
Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.
Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.
But this?
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This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.
It's the same reason you look at this
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And go, "Oh..."
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"Those two are probably a couple."
And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--
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--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.
Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.
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canisalbus · 2 months
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Machete seems like the kind of person to have cold hands / to just have a low body temperature in general
Cold hands and feet (and sensitivity to cold in general) are some of the most common symptoms of anemia, so I'd say so.
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wigglebox · 8 months
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💖💜💙
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taylortruther · 6 months
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taylor truly madly deeply hates to be misunderstood
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hopeswriting · 5 months
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was thinking about takeshi and how he's my favorite brand of unconditional devotion btw. the utter and absolute and all-consuming kind that runs so deep to the very core and is so intrinsic and fundamental to it, it can only express itself in the most casual and natural and certain way. without second thoughts, without any room for doubts or for any moral dilemma to be had over it, because of course he ought to always be breathing and living for his chosen person first and foremost. of course he ought to hang on their every word and make them true no matter what, no matter what he has to do to make it happen, no matter what he has to do to other people to make it happen, and no matter what it might turn him into in the process. because it's obviously the way the world should be for his chosen person. at their feet, ready to bend over backwards and break and build itself again to better answer to all their needs even if they don't ask it for it. it's the only right way it should be for them, and of course takeshi's going to do his utmost at all times to make it a reality as much as possible.
and his devotion comes out as naturally as breathing, comes out lighthearted and nonchalant like he might as well be talking about the weather, but it's not unaware of itself. it's not that takeshi doesn't know it's unhealthy and wrong and that he's willing to go entirely too far in its name for anyone's good. it's not that he wouldn't hear you out if you were to sit him down and explain to him just why he needs to tone it down a little (a lot). logically, he'd agree with you and know you're right. and then he'd tell you he's still not going to do anything whatsoever about it. that he's not bothered by it and doesn't feel the need to change anything to his attitude. makes it a point to never let anyone or anything sway him even an inch in the stand he took when it comes to that, no matter how many thousand of times you might go over the subject with him.
because the morality of his devotion isn't the point at all. is entirely irrelevant to it and doesn't affect the way he expresses it all. it's not the metric with which he draws a line in the sand to hold it accountable to. because the thing is, takeshi's entire world revolves around tsuna--tsuna is his entire world altogether, and it's just a matter of fact, that simple. to him it's a truth as unchanging as the sky being blue, and so being the way he is according to that truth is the only way he can imagine being that'd feel right to him. and so the actual and only metric that matters here is "would tsuna be happier if i were to do this?" and/or "is this something tsuna needs me to do?"
and like. i don't think takeshi ever stops being a kind person capable of compassion and understanding and mercy and forgiveness even ten years later once they became mafia through and through. and i don't think either he grows up to be feared and called a monster per se despite the things they inevitably had to do during those ten years (and the things they'll inevitably keep having to do as long as they keep being mafia), at least not in the way, for example, they'll never stop fearing and calling mukuro one. but i do think that among the tenth gen, he ends up being the one with the most ruthless, merciless and horrific blood on his hands of that particular and distinct loving kind. you know the one i mean, right? he comes to be the one most expected and the one first expected to be willing and to take it upon himself to go through with it when the need arises. and to think little of it after, if anything at all. all in the name of making tsuna's reign as easy on him as possible.
and it's to the point where it's the kind of blood that makes even mukuro pause at times. or, when takeshi is the one coming up with solutions himself during meetings, makes even reborn blink. not because it's unjustified or wouldn't be safe or efficient or anything of the sort, but because it is unwarrantedly thorough in its retaliation. and sometimes, at times like this, he's the one tsuna needs to step in for the most, because he's the only one who can reason with him that "yes, this would work in getting rid of our problem" but "no, please, don't do that takeshi". because if tsuna is the only thing that infers on just how much and in what ways he'll let himself be devoted to him, then of course, he's also the only one takeshi's willing to reign himself in for without second thoughts. because he'd hate to ever do something tsuna would disapprove of or wouldn't want him to do. or do something that'd make tsuna see him differently or love him back less even in the slightest.
and it's also like. his devotion isn't an undisciplined one. it's not one he doesn't have control over, the very opposite. it's a very purposeful and conscious choice he chooses to keep making over and over again every step of the way, and he taught himself to have control over it, to know when it's needed and/or wanted, and how much and in which ways it is when it happens, and to keep it down otherwise. and, yes, to also reign it back in at tsuna's request at times when it still slips past his control. because it's all about making tsuna's happiness easier and secure and long-lasting, and never about burdening him with just how committed he is to do that.
so it comes down to this: takeshi willing to go above and beyond and more for tsuna unless tsuna explicitly asks him not to. and to tsuna needing to ask him not to every now and then. and to other people pointing out to him how too many times tsuna's already needed to stop him, and that maybe there's a hint for him to take there. and to takeshi seeing the hint, looking it straight in the eye and recognizing it for what it is and just. deciding it doesn't apply to him because it's all perfectly normal behavior to him. because it's the only kind of behavior that makes sense to him and feels right.
and so—to circle back to my first point—he can only express his devotion as naturally as breathing, so casually, almost like it's something inconsequential and not worth talking about despite how unmistakably it couldn't be further away from being the truth. it's the only way he could have always known how to express it, because, after all, who has ever taken time to ponder about the details and the hows of the way they breathe?
and i, for one, absolutely eat that shit up every time, thanks for coming to my ted talk <3
#katekyo hitman reborn#khr#khr meta#can i even call this one?? well i'm going to anyway lol#yamamoto takeshi#sawada tsunayoshi#i've never been normal about devotion in stories and characters and won't ever be so sorry if this doesn't make sense#also this is not to say the 10th gen loves tsuna any less unconditionally this isn't a competition#it's just me saying the particularities and specificities of the way takeshi specifically does it appeal to me the most#which is one of the reasons why i have such a big soft spot for 8027#and it's not a problem in their relationship either btw that's also not what i'm saying#like tsuna doesn't mind it and absolutely /does/ reciprocate it 100%#he's just careful to keep an eye out so none of them will lose themselves along the way#also this is within the context of me shifting canon slightly to the left in the way where the 10th gen loves tsuna /so much/#they could just as well actually and properly worship him as a god and it still wouldn't make a single difference#and me liking to lean into that fully and taking it to extremes and it inevitably becoming some extent of dark#because considering the environment canon makes them express it (the mafia) it's like. well how else are they meant to keep it alive#and make sure it survives through it without giving it sharp teeth and claws and jagged edges of its own you know?#so if you feel like this is some kind of ooc-ness you're not wrong#but also consider: i'm not wrong either <3#anyway consider also: unconditional devotion running /so/ deep down to your marrow and to your very essence#even in the face of the whole world telling you how wrong it is and how insane and unhinged you are for it and condemning you for it#it still wouldn't so much as make you consider the thought they might have a point#and i genuinely EAT that shit up every time i love to see it <3
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elvisqueso · 4 months
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"...What is it?" "The drums...they mean trouble. I shouldn't be here—" "I want to see you again—" "I can't—" "Please don' t leave—" "—I'm sorry." "..." "...I have to go now."
—Pocahontas (1995)
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him
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eliduremaybe · 3 months
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One thing I like about the discworld is that the witches can generally be described as an argumentative and petty group of not officially qualified busybodies who generally try* to live a safe distance away from each other and avoid using magic wherever possible.
Whereas the wizards are an argumentative and petty group of officially qualified but extremely unqualified busybodies who all crowd together in a single establishment dedicated to magical academia, and who also avoid using magic wherever possible**
Don't know where I was going with this, but I Just Think It's Neat
*because there is nowhere on the disc that would count as a safe distance away from Granny Weatherwax when she's in a certain mood
**excluding the students of the High Energy Magic building who are statistical outliers adn shouldn't be counted***
***and a few other notable exceptions involving shopping trolleys and suchlike. Particularly the suchlike.
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puphoods · 2 years
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ok im normal now. look at her
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