My Top 10 Favorite Breaking Bad Universe Episodes (+ explanations/analyses because I can't not gush about these shows dammit)

"Face Off" (BrBa, S4E13)- this episode had me on the edge of my seat like no other one in the entire BrBa universe. It's not my favorite in terms of themes or character development-- which are my usual priorities in a show-- but good god, it was an EXPERIENCE. And it held up SO GOOD on rewatch, even knowing how it ends the pacing and buildup is done so phenomenally that it almost feels like watching it for the first time. It's just epic. And that final scene... coming off the thrill of watching an evil villain like Gus Fring be defeated... relishing in Walt's victory and relief... then the camera slowly tracking inward to reveal the Lily of the Valley.... that sudden shift as you realize the guy you were just aggressively rooting for is a monster as well... Oh my god. Perfection.

"Ozymandias" (BrBa, S5E14)- do I even need to explain why I love this episode? It's often regarded as the best episode in this universe, and for good reason. It is Walter White's downfall, the epic culmination of 4 1/2 seasons of steady moral degradation, the consequences of Walter's greed and ego finally brought to horrific fruition. This is one of only two episodes in the BrBa universe to actually make me cry (the other being "Granite State", when Walt Jr. tells his father he should just go and die). Hank's death is abrupt and horrible. "I watched Jane die" makes ME want to go die. Walt's fight with Skyler is both devastating and somehow cathartic. The acting is some of the best I have seen in my entire life. It truly is the peak of Breaking Bad, and there will never be anything else quite like it (although my #3 comes close).

"Plan and Execution" (BCS, S6E7)- this episode is so effective, that I could barely even stand to rewatch it. And not just Howard's death, but everything building up to it. Watching Howard suffer and be humiliated, knowing all the while that this is his last day on Earth. That this is how he is spending his final hours. And the fact that the whole thing has the fun and whacky tone of the other McWexler scams makes me want to throw up. Watching an oblivious Jimmy and Kim dig both Howard's and their own graves with joy and gusto. The inevitability of it all too, how every little detail conspires to put Howard and Lalo in that room together. I never thought a cockroach scampering across a screen could make me want to scream, but here we are. It's honestly unbearable. And then of course the final scene is breathtakingly brilliant. Howard's amazing speech, the sudden tonal shift, the horror of his death. The candle. And this all barely even touches on what it means for Jimmy and Kim's characters, but this is getting long enough, so lets just leave it at P&E is their very own Ozymandias.

"Chicanery" (BCS, S3E5)- I love how perfectly rated Chicanery is in the fandom. I feel like an episode like this would be prone to being totally overshadowed by the more action-packed ones, and I'm so glad that it isn't. Because it is brilliant. To me, Chuck and Jimmy's relationship is the single most compelling dynamic in the BrBa universe. And this is their ultimate showdown, both giving their all to take the other down, Chuck with righteous glee and Jimmy with bitter reluctance. Chuck's final breakdown/monologue is incredible both in terms of writing and acting-- this is the moment we see Chuck McGill for who he really is. Years of bitterness, and jealousy, and frustration, and desperation, finally let loose. And while Jimmy won, it's not a triumphant victory. It's a somber one. Because like Kim said, all they did was tear down a mentally ill man. A man who needed help, beneath all the hatred and envy. Aghh. Chuck.

"Felina" (BrBa, S5E16)- I love the vibe of Felina. There's just this palpaple tiredness and resigned acceptance from Walter. He destroyed his family, they will never forgive him, he is going to die alone. He has realized his ego and selfishness, but it's too late. Everyone is just sitting in the ashes of the world they once knew. And yet, with that acceptance, there also comes a sense of peace. Nothing left to do but make things right in whatever way he still can. Finding a way to get his money to his family, admitting to Skyler that "I did it for me", seeing Holly and Jr. one last time, avenging Hank's death. Then there's Jesse and his resolution, "do it yourself", him crying and screaming and laughing as he drives away, a well earned freedom. The final shot of Walt is bittersweet in the best possible way. A conclusion worthy of the phenomenal series that came before it (rip GOT but BrBa is different).

"Waterworks" (BCS, S6E12)- where Saul Gone is the resolution of Jimmy's arc, Waterworks is the resolution of Kim's. And I think Kim's ending hits me harder, because while we always knew that Jimmy would break bad, Kim's corruption felt like such a betrayal. And it made it all the more sweeter when she redeems herself and begins to come back from that dark place she was in. The Florida scenes were utterly unnerving in how empty Kim was, but then it was so cathartic to see her finally let all that emotion out (and Rhea Seehorn absolutely KILLED IT, she was ROBBED at the Emmy's). Her scene with Jesse was beautiful too, and a perfect example of how to do fan-service in a meaningful way. Also, as a devoted Howard Hamlin stan, I loved seeing him haunt the narrative and watching Cheryl stand up for him again.

"Saul Gone" (BCS, S6E13)- another excellent and worthy conclusion to an amazing show! Jimmy is one of my favorite characters, and like with Kim, it was so beautiful to see him find himself again. I'm very fascinated by Jimmy's coping mechanisms for his grief & guilt, and this episode is where we see them finally be torn down. The whole confession scene is wonderful, A+ writing and acting. Particularly him finally saying out loud that his actions led to Chuck's suicide -- that knowledge has controlled Jimmy for the past three seasons, and him facing it at last is the final nail in the coffin for Saul Goodman. Saul is Gone, and Jimmy McGill remains. I love it.

"Lantern" (BCS S3E10)- this one killed me on rewatch. Watching Chuck completely unravel and destroy his home after he was finally on the road to recovery from his mental illness. Howard and Chuck's falling out, with Howard's pain in having to force Chuck out of HHM and Chuck's pain in losing the last good relationship that he still had in his life. "You've never mattered all that much to me."🫠💔 Chuck's suicide, and knowing how it will haunt the narrative, how it will lead to Howard's destruction in P&E and Jimmy's transformation into Saul Goodman. Daggers. The whole episode - Daggers.

"Fly" (BrBa S3E10)- I am so so glad this episode exists. It wasn't necessary towards the plot at all, but it's such a wonderful little character study. The first half is comedic gold, some of my favorite whacky Walt + Jesse banter. Then the slow shift to the more somber and pensive tone as the sleeping pills set in. Everything is just dripping with importance and symbolism. Especially "it's all contaminated" -- one of my favorite lines in the whole show. And Walt’s speech about the perfect moment for him to have died... I don't even know the word for what that evokes in me. "Beautiful" doesn't cut it. It's ethereal.

"Peekaboo" (BrBa S2E6)- if I wanted to show someone why I love Jesse Pinkman and could only pick one episode to do it, Peekaboo would be that episode. It so perfectly encapsulates his character. Jesse goes to a house to threaten and get money from two junkies, and spends the entire episode trying to look after their neglected child. His conscience and decency at constant odds with the necessity of appearing strong and dangerous. And this is reinforced by the episode's bookends - Jesse delights in a small bug before Skinny P comes along and squishes it, foreshadowing the horror of Spooge getting his head squashed. Jesse is a sensitive soul scrambling for control in a world of the blackest violence. I'm so glad it never was able to fully consume him.

Honorable mentions:

"Point and Shoot" (BCS S6E8) and "Fun and Games" (BCS S6E9)- I feel so bad leaving both of these out of the top 10, because they are such phenomenal episodes. But I feel like my favorite moments are scattered across them and "Plan and Execution", and it's really the triad of episodes that makes up one of my favorite arcs in either show. So as individual episodes they don't quite outrank the others I have, but in spirit they are definitely up there sharing the #3 spot with P&E.

"Better Call Saul" (BrBa S2E8) and "4 Days Out" (BrBa S2E9)- I have to give a shoutout to two of my favorite chaotic and hilarious Breaking Bad episodes. Walt and Jesse's dynamic is so perfect in 4 Days Out, and Saul absolutely killed his introduction to this universe (+ the additional heartbreak of rewatching knowing why he was so freaked out about Lalo).

One of Netflix’s biggest bears says the streaming giant 'burns cash at an alarming rate' (NFLX)

Netflix has a massive cash burn problem, one of the company's most bearish analyst says. 

Wedbush has a price target of just $110 for the stock, which is currently trading above $300. 

Follow Netflix's stock price in real-time here.

Netflix investors are blissfully ignoring the streaming giant’s ballooning cash burn, according to one of the company’s biggest bears on Wall Street.

"Investors are oblivious to the fact that Netflix burns cash at an alarming rate," Wedbush Securities analyst Michael Pachter told Business Insider. His price target of $110 is a full 64% below the stock’s $310 price.

Pachter expects Netflix to borrow another $2.5 billion this year, and another $3 billion in 2019, adding to its already growing debt and negative free cash flow growth.

"If free cash flow continues to get worse, the debt balance could approach $15 billion, or around $30 per share for a company that "earns" $3 to $4 per share annually," he said. "What’s not to love about that?"

Netflix’s massive spending has been largely well received by Wall Street as it ramps up content offerings. Netflix CFO David Wells said earlier this year that the company expects to spend a staggering $8 billion on about 700 new original shows in 2018. 

In February, the company poached Ryan Murphy, the well-known Hollywood producer of "Glee" and "American Horror Story, from 21st Century Fox with a five-year contract worth $300 million. He starts in July. 

The investments are likely to keep pace with competitors like Hulu, which recently nabbed popular shows like "30 Rock" and "Will & Grace." 

HBO, on the other hand, has taken a markedly different approach.

"In a crowded marketplace, it matters how you put things out into the world," the company's president of original programming Casey Bloys told The Hollywood Reporter this week. "We don’t put a new show out every week. We take our time, and we try to make every show feel like an event — something special because they are special to us."

Wedbush's Pachter says Netflix's expensive investments could end up hurting the company in the long run — even if they do create a content moat with shows no competitor has. 

"The vast majority of consumption typically occurs within the first six months of availability, due in large part to the fact that users can binge on the content, with multiple episodes and/or seasons available at the same time," he said in January. "The company’s content library has grown at a steep pace, with a clear disconnect between consumption and amortization."

Netflix is the top-performing of the so-called FAANG mega-cap tech stocks so far in 2018, up an astonishing 54%. Second-place Amazon is up just 22%.

The company will report it’s first quarter earnings on Monday, April 16 after markets close.

SEE ALSO: Netflix is surging as Wall Street anticipates another earnings beat

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