whatever happens, please don’t break

day 9: in the shadows ♡

(femslashfeb prompt list)

monster X monster hunter

Also the reason I write Gortash so obsessed with Durge and literally holding them above everyone else is because

Imagine: You meet a child of god. A child of cruel and evil god who is an awful murderer. Killing is their Sole Purpose, the reason why they were even created.

And that person one day REFUSES their father, their GOD. Why? Because of you. A child of god defies a god for you. They are made for killing but refuse to kill YOU when their god commands them to.

They get betrayed and disgraced because of you. You think they're dead. BECAUSE they chose you over everything else.

And then they return and alright, the memory is lost, but it's still them. You know it's them.

Like imagine the power trip Gortash had to have upon the revelation what Durge disobeyed their god for HIM.

Of course he'd be obsessed. The child of god said only he matters.

Ok so it's like.

The motorcycle scene: Touga is obviously imitating Akio and failing miserably. Represents an attempt at achieving maturity and adulthood through adopting empty symbols of power. Gives the impression of movement and progress, but in reality is going in circles. It gets faster and faster, there's a sense of danger and agitation. Touga is driving and Saionji sits in the sidecar, they're not on the same level and Saionji disapproves. Seems like they're heading towards some destination, but they're going nowhere.

The bike scene: A reference to their shared memories. Represents clinging to the past and trying to return to the time of childhood. The wheels may be turning, but the bike stands in place. It get slower and slower as Touga gets more tired until he finally stops completely. There's a sense of nostalgia and emotional fatigue. Touga is the only one pedaling, but Saionji doesn't comment on it (meaning that perhaps Touga being in control wasn't the problem in the first place. Maybe it was always about wanting to restore their lost connection and equal footing). They're facing opposite directions, but at the same time leaning on each other.

#say your prayers and bottoms up!

Apex polarity but y/n is the orca and Eclipse is the photographer and won't leave y/n the fuck alone /j

There was another ask/variation with Siren Y/N and Eclipse being the photographer searching for sirens for Fazco but an Orca Y/N siren would be a touch different. Side note: I love that even with Y/N as the dangerous, deadly creature, they're still being tormented by grabby and possessive Eclipse because he's Just Like That

but also Siren Y/N swimming along the surface before Eclipse snatches them up like a prized fish but it's okay because they're lonely and they assume this is how animatronics show affection by being so grabby and touchy. Y/N does their best to not get water over him and he always makes sure to give Y/N all the cuddles they want because boy, who knew a siren could be so needy (he says as if he himself isn't needy.)

I love the Light Grows Up In Wammy's House premises but I also think I love it in a very different way than most people do

Like I don't see it as a Childhood Friends/Rivals™ trope for Lawlight, I very much see it as Light growing up being told that there's someone better than him, someone he must not only surpass, but become—and I think he does the opposite of what BB does. He starts to hate L not because of anything L actually did (because they wouldn't have met) but because everyone keeps implying that L is better than him when Light KNOWS that he's the superior one. Beyond finds out that L is addicted to sweets and immediately changes his diet to include cakes and candies, while Light immediately wipes everything sweet from his mental list of desired foods.

He is perfectly polite, he's the baby of the group, and he can do no wrong in every other aspect of life except for the fact that he vehemently doesn't want to take L's place no matter how hard they push him. He wants to become his own sort of detective on his own merit, and he'll be damned if he has to use L's name while he does it. If he solves any cases it's anonymously, under a pseudonym.

And if he ever meets L, they won't be friends. But that vaguely disconcerting teen/man that sometimes sits in the corners of rooms and talks to no one is very interested in what Light has to say, no matter what it is, and seems to both enjoy it when Light talks shit about L and yet is still somehow annoyed by it. They get into heated arguments and he'll steal Light's things and pull his hair and mess up his clothes no matter how many times the caretakers chastise him for it (though even that happens surprisingly rarely). Light would stop talking to him entirely if he wasn't his only hope of getting out of Wammy's little genius factory both physically and mentally intact.

Light makes plans to run away and runs them by the broody teenager he's tolerated, who helps him pick out any holes in his plans, but somehow the staff always seem to catch Light before he can escape. It happens so often that Light even begins to think that someone's snitching on him, but he's only ever told one other person, and he wouldn't care enough to stop Light from leaving....

Would he?

Or, alternatively, Light never meets that stranger in the corner. Instead, Watari happily sternly informs him that L has personally selected Light to help him on cases. Isn't that great? Isn't it an honor? A and B are practically roiling with jealousy, Light should be grateful.

But Light is not grateful. He takes the news with a big ole fake smile, and silently plots L's mysterious disappearance before he's even come face to face with the man. He wants to make it on his own, he doesn't want to be reliant on L's name and Wammy's money and generosity forever, and he loathes the fact that he's been metaphorically chained to L's title in all the ways he didn't want to be.

A tiny Light, accompanying a teenage L places and becoming his face (both because L is petty and because he thinks its funny when police are introduced to a little kid as their Consulting Detective) around the world, all while they throw vicious barbs back and forth and spend quiet Christmases together and throw each other under the bus for fuckups and try foreign cuisines together and struggle to keep (L)/gain (Light) the power and ground they both don't even actually want.

L gives Light all the cases he doesn't want, like he's doing him a favor, and Light regularly calls A and B to smack talk L behind his back and turn the rest of his successors against him.

I can even imagine some amalgamation of both of these scenarios happening, or even eight more vaguely like them in the vein of L and Light being both completely antagonistic towards each other while also simultaneously growing so codependent that they can't stand not knowing what the other one is doing at any point in the day and also get absurdly jealous whenever anyone else even speaks to them.

Or EVEN a scenario where L doesn't pay attention to Light at all until he's grown and out in the world on his own. Light makes a quick name for himself, decidedly divorced from Wammy's influence, and eventually meets L on accident through a case L is working on, wherein L becomes intrigued with him and looks into his history only to find that he's a Wammy kid and L goes "Oh. You're one of mine."

To which Light takes decidedly poorly given that the claim both riles and razes Things™ in him because growing up with the vaguest desires to be like the man in front of you even though you loathe him and those desires were quickly squashed and never thought of willingly or voiced aloud leaves behind both the intense need to alienate yourself from said man entirely and to get close enough to become better than him for all to see and witness—only for Light to find that he can't alienate himself completely from L anymore because L decidedly won't let him and he can never quite seem to surpass him either because L is constantly nipping at his heels, echoing his thoughts with brilliant deductions of his own, and it turns out that trying to intellectually sprint past someone who only starts running when YOU do and has a distinct headstart is harder than it looks.

We don't talk enough about how well ALL of the Vees know and care about each other so much, like--

We first see them when Velvette is calling Vox about Val being upset in ep 2, but there's no way he would have asked for the help himself. Like he's not gonna be like "hey get Vox for me I need him" because that seems too vulnerable, BUT he was expecting Vox to come.

He literally says "Fuckin' finally!"

Which would either mean that Velvette told him Vox is on his way, OR Val knew Velvette would tell Vox to come. (It is possible he expected it because of the cameras, but Vox didn't seem to know Val was throwing a tantrum until Velvette called him, and Vox's plan for the day seemed to involve multiple meetings, so I don't think he watches the cameras often enough for that.)

Also Velvette knew how to calm Valentino down. She was busy with a fashion show and needed to focus on that, and she was mad that Val was wrecking her shit, but even after he was out of her hair and not a problem to her, she repeated to Vox that he needs to go take care of Val.

"Take care of the piss baby!"

I 100% believe she could have done it herself (she probably did partly?? considering he stopped the tantrum and was in his room before Vox got there-- unless her telling Val that Vox was on his way was what did it, but that would still be something she knew to do), but she had a show to run. Still, she wasn't going to leave Val alone to be moping around.

Also the fact Valentino seems to have some level of control over his smoke implies he wanted to be dramatic as fuck or wanted to hide himself and sat in a cloud of smoke on purpose.

Vox obviously knows how to talk Val out of shit, and canon makes it more clear that he understands Val well.

But overall there's obvious intimacy between all three of the Vees in that they care for each other and know exactly what's needed and/or what will happen in situations like that.

my greatest flaw is that i would lowkey ship sokka/azula if i wasn’t so convinced that azula is a lesbian. bc just think about it. they’re both these hyper logical calculating masterminds with debilitating perfectionist complexes to hide their perceived worthlessness, so they’re constantly achieving, and while they never feel any real joy in winning, they get actually suicidal the second they fail at anything. they think everyone who can’t keep up with them is some sort of idiot because they refuse to live in a world where they are in fact more intelligent than most people, including the adults around them. they love making the most insufferable puns you’ve ever heard and get offended if no one laughs. they have daddy issues and mommy issues. they share so many of the things they have wrong with them. so like. just imagine how amazingly awful they would be as a couple. they would indisputably make each other worse , but in the most disastrously entertaining way possible.

The look of awe bordering on disbelief that we can see on Lestat's face in this moment! He had asked Louis to 'nod his beautiful head' and say yes, but despite the confident, clearly rehearsed energy of his proposal, I think Lestat had an enormous amount of doubt and insecurity about whether or not Louis would actually accept it, and may have actually been anticipating a rejection.

Not only is Louis consenting to this, he is pulling Lestat in unprompted for a seal of physical affection that tells Lestat his intense feelings of love and devotion are reciprocated. From Lestat's face I very much get the feeling of, 'You're choosing me? You're choosing me? You really want me?'

i cant stop thinking ab louie and olimar’s relationship dynamic. golden hearted middle aged family man being forced by his company to explore an incredibly dangerous planet away from his wife and children (and his entire species for that matter) and his only two companions on this trip are a snarky AI who is basically just his corrupt company’s mouthpiece… and some young adult guy with no real attachments to his planet save for his nana (god knows where his parents are).

olimar cant stand being away from his family and louie has barely any experience with one. olimar is a chatterbox who is enamored with the dangerous world around him and louie is practically mute but lights up at anything relating to culinary arts. they’re so fucking weird but work so well together is anyone else seeing my vision.

(palette challenge) PINK LEMONADE OR WATERMELON FOR DELIRIS ⁉️⁉️⁉️

@oldworldwidgets — [ palette prompts ]

WATERMELON LEMONADE DELIRIS 💖💚

the other reason this 'only one sheet' thing is sending me is that we know they don't normally sleep together. we see segasakis room when he leaves in the morning. so not oNLY do they refuse to just buy more sheets. there are TWO BEDS

“If you lost somebody important to you, what wouldn’t do you to get them back?”

Hakuba: Kudo-kun is surprisingly calm for a detective dating Kuroba who treats the law as if it's a suggestion and not a rule

Hattori, recalling all times Shinichi has broken in somewhere, has knocked someone out by drugging them without consent countless times, impersonated others, harbored and protected a criminal as well as allowed another criminal to walk away time and time again because "he was just returning the favor": ...Yeah, very surprising.