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tearlessrain · 1 month

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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

#I found their original stuff while I was researching various waterhorses and their folklore for no reason #because one of the characters in their original work happens to be an each uisge #and then it turned out it ALSO included a lot of figures from welsh folklore in general #so yknow if you happen to have my incredibly specific hyperfixations you'll love it but even if you don't it's great #I didn't mean to bring up phantom of the opera so much it just happens to be very relevant to a lot of my talking points #I haven't actually seen it in years

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inkskinned · 1 year

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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

#this was much longer i had to cut it down for legibility #but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion #that is because it deserves its own post with a completely different tone #i am an environmental educator #so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering #that people are going through #without doing my research and providing real ways to help #this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning #to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering #unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this #and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this #and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity #(complaining)#and it's like - this is the individual versus the industry problem again right because im blaming myself #for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion #i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out #rather than being like. yeah so actually the fault here lies with the billion dollar industries actually.#my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free #is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY.#anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i #which is more than their CEOs can say

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wanderer-clarisse · 5 months

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"Mano po."

Pagmamano (Tagalog) - "honouring-gesture;" a sign of respect towards elders

A continuation of sorts, of this other drawing I made of the Feänorians, which was roughly inspired by Filipino culture. I originally planned on completing this for @nolofinweanweek, specifically the first prompt about how Fingolfin and Feänor's families got along, but life got in the way and I didn't finish it in time. More background/my long rambles under the cut:

Pagmamano - touching the back of an elder's hand on one's forehead - is not restricted to family, but it's usually done in the context of elder family members. I have many memories of attending family reunions and being told to follow the other kids to "mano po" a grandfather, aunt, or uncle. While Elves don't have elderly relatives, per se, I thought this image was too fun not to draw. Also, I love envisioning Feänor as that cool uncle who gives the most amazing gifts but like, the kids are intimidated by him, so they have to be told (and supervised) by their parents to line up and greet him properly. Fingolfin's just standing there making sure his kids all greet their uncle. (Maedhros, presumably having already finished his greetings, is sidetracking Fingon.)

All this to say, I think that these guys didn't have the perfect relationship. But. You can't convince me Finwë didn't get the whole family together from time to time on some sort of family reunion camping trip. And Feänor just has to begrudgingly tolerate it because he can't say no to his dad. While the kids, obviously, have a great time.

#are any of the characters' ages canon accurate?? probably not. i did 0 amount of research #in my mind maedhros is quite a bit older than the other kids though i don't know if there's a canon basis for that #but it's more Fun This Way!! so #drawing this type of silm fanart is my guilty pleasure #it took me 6 hours to color this thing #and i don't regret it at all #i love spending too much time overanalyzing the feanor fingolfin finarfin relationship and developing headcanons that will #eventually make me sad Because Canon Happened #sorry if i don't tag all the characters because it can't fit under the tag limit lol #the kids in front:#argon #aredhel #fingon #maedhros #turgon #on the left there is:#finarfin #(with sons)#(feanor's kids in the boat. you can probably tell which one is with the giant dog and which one is lugging around a guitar)#grandpa finwe with galadriel #on the right: anaire and nerdanel making fun of everyone else #uhhh the ambarussa are somewhere there (i forgot to draw them shh)#and finally of course you have the Dads #feanor #fingolfin #about to start the spicy drama in the fam reunion #clarisse doodles #tolkien #the silmarillion #elves

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thelassoway · 9 months

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Jason Sudeikis as Ted Lasso Season 3 » Casual Sweaters/Jumpers

#Ted Lasso #Jason Sudeikis #Theodore Lasso #*mine: gif #tedlassoedit #sweater/jumper game #ugh you idiot with that face #stop staring at me swan #here's a gifset for the sweater/jumper lovers out there and sorry this is a long post. I just couldn't make up my mind on some of these #I spent way too much time overanalyzing the casual sweaters/jumpers. I was trying to only show each one once but then just gave up #deep dived research on the Todd Snyder site that's the kind of overanalyzing that happened #there is a lot of lighting messing with colors and for sure there are some repeats in this but whatever #I had this idea way back when we saw the variety of color sweaters/jumpers for S3 #but after the end of S3 I lost a lot of feelings for this show #my motivation for giffing this show is not so strong anymore but there is a part of me that still wants to maybe try a layout set #I'm thinking of doing all 3 seasons and just an overall sweater/jumper encompassing gifset. both the work and casual together #kind of meh on how some of these turned out ¯\_(ツ)_/¯#it might be the added switch to the new editor and that all of these have been turned into gifv nonsense #also couldn't get the caption font to do what I wanted in html or at least it looked alright in drafts but not in preview #PS: thank you talldecafcappuccino for reading/helping with my color debate/same vs not same sweater/jumper nonsense

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carnivalcarriondiscarded · 1 month

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oh today was a TREAT! makeship drop + howdy ad, no work tomorrow, got free cake, new 911 season.. Yeehaw...

#I CANT WAIT TO SHEAR OFF THE BACK OF MY FLOOF #now that i wear a hair net... fuck it. BYE #the mullet era was good....#AND IT WILL RETURN. EVENTUALLY. MARK MY WORDS #BURY IT SHALLOW BECAUSE IT WILL BE BACK!#anyway i cant wait for my makeship stuff to arrive #i was Literally the other day researching how to make enamel pins so that i could make my own barnaby pin #yk with my own art ofc #AND THEN THIS HAPPENS? OH HAWYEE!#barnaby!!! on my Vest!!! holy shit!#i love enamel pins i love them so much #absolutely unprompted #gonna have some cake & gaze at my purchase confirmation email & enjoy this Brief Freedom #pros of working in a kitchen: so much free food #cons: i am actively losing my whimsical will #OHHHH I CANT WAIT TO WATCH THE NEW 911 SEASON THO #THEYRE BACK!!! THEYRE FINALLY BACK!#AND I SENSE THAT ABC HAS LET THE WRITERS/ACTORS OFF THEIR LEASH!#i still wanna finish my rewatch but babey if im good at anything its Bingeing #we are feelin Good tonight... might even have the energy to create something..#doodles perhaps... there is a certain wiggle i wanna scribble...

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little-mouse-adventures · 1 year

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A Timeline of Events in the Artemis Fowl Series

If anyone's interested, I did do an actual analysis for where I pulled some of these dates from. But because I cannot type succinctly to save my life, it's 5,000 words long, so that's below the cut. I also put the timeline there again, but in three separate images, so hopefully they load well enough to be fully legible if the above isn't.

A thousand thanks to @sadbitchapologist and @zahnie for their help and advice with this, despite neither of them having any more than the barest interest in the series and therefore having no clue what I was on about. Thanks also to @orangerosebush for fielding completely out-of-the-blue questions about the French school system, so I didn't have to attempt to navigate web search results to figure out what mandatory gym classes were like for the sole purpose of plotting Luc's birthday on here.

An Analysis of the Timelines in the Artemis Fowl Series

A Brief Introduction

The Artemis Fowl series is made up of eight books covering a range of years and events. I wanted to see how accurate the timelines present in the books were, as well as try and plot out some other details implied in the novels but not explicitly stated, to have a better understanding of the overall world-building. To that end, I went through the series and made the above timeline. I colour-coded it based on the relevance of the specific items to certain categories, namely Humans, Fairies, Villains, and the Series itself. This does mean that some things could have fit into multiple categories. For instance, you will see some items involving Opal categorized as Fairy-Specific (such as her college years, as those are fairly neutral to the main plot or her villainy), Villain-Specific (such as her setting up her emergency fund, as that is mostly related to her schemes as opposed to relevant to her existence as a fairy, or part of the main plot of the series), and Plot-Specific (such as her opening the Berserker Gate, the primary plot point for the final book).

Before we really delve into things though, we should establish the baseline assumptions I was working with. Firstly, I am only using the original series. I have not used anything written in The Fowl Twins trilogy, given that those books seem to ret-con a considerable amount of the original information, and that is far too many headaches to give myself. Any supplemental series information, such as the short stories found in The Artemis Fowl Files, or anything from interviews is also not included. The premise here is: using just the original books, what is the event timeline of the world? The second thing we need to establish is that I am using the North American releases of the novels. I did make notes on where each bit of information comes from, but there isn’t really a citation style for this kind of thing, so I’m not sure how relevant that is. The third assumption is that the first book takes place the year it was originally published. According to my copy, the original publication was 2001, with the first American paperback edition coming out in 2002, and the first mass market paperback being released in 2003. This means our starting point is in 2001.

For sake of clarity, this analysis will start with setting the dates of the books and continue on from there.

The Basics of The Books

With that out of the way, let’s talk about the first book, Artemis Fowl (AF). It is actually not until the very end of the book that we get a solid answer for when it takes place. It’s only in the last few pages of the novel that Angeline Fowl leaves her attic room after all the plot points are tied up and announces that it is Christmas Day. This might be cause for concern – Angeline had not previously been established as a particularly reliable narrator – but given that we are asked to believe that Holly’s ‘feel better’ mood booster worked, and that neither Butler nor Artemis balk at or question the pronouncement that is Christmas Day, we’ll accept that it’s true and move on. This means that, with Butler’s earlier announcement that he was stuck doing four months of stakeout, we can say with a fair amount of certainty that Artemis obtained and translated the Fairy Book in September 2001, and managed to capture a fairy in December of the same year.

Moving on to Artemis Fowl: The Arctic Incident (TAI), we are given a decent chunk of information, albeit spread out a bit. The first is the announcement that the ransom drop for Artemis Fowl I is to be held on the fourteenth. The fourteenth of what, you might ask? Well, we are told that Artemis is currently thirteen years old. Clearly, things are past September 1, 2002 (we know Artemis’s birthday is September 1 based on information in both the fifth and seventh books). We are also told that Luc Carrere has been trading with the goblins for six months, starting in July. That puts us in either December or January, but we can narrow it down further since Artemis gives us another helpful clue. He mentions they are not expecting to see the dawn while attempting to rescue his father in the Arctic. There are only a few latitudes on Earth where polar night (of any type) occurs, and at Murmansk, polar twilight occurs between December 10 – January 2. Combining all of this, we learn that TAI takes place December 14, 2002, give or take a few days to either side.

This can be corroborated by information in Book 3, Artemis Fowl: The Eternity Code (TEC). After Holly heals Artemis Senior, we are told that it takes over two months for him to wake up. Since we are specifically told two months, as opposed to two and a half or three, we can conclude that the events of TEC take place in March 2003. Mulch gives us some information that confirms this. He was living in LA “less than four months ago,” and since he was conscripted to help with the events of TAI in December, a March plotline fits the bill. We are given further confirmation as well: Spiro mentions that Artemis will be fourteen in six months. A specific date for Artemis & Co.’s attack on Spiro’s Needle can be pulled from the throw-away line that Pex and Chips are “burying” Mulch on the full moon. A quick web search tells us that the full moon in March of 2003 takes place on March 14, and the rest of the events in the novel take place roughly two days to either side of that.

In Artemis Fowl: The Opal Deception (TOD), the fourth book in the series, we are given several very clear indications of when the events take place. Firstly, Artemis is contemplating that at fourteen years and three months old, he is the youngest person to successfully obtain The Fairy Thief. Based on previously noted details that his birthday is in September, the events of TOD must take place in December of 2003. Additionally, we are told that things are the middle of winter and Opal has been in a coma for eleven months and counting as of the end of TAI, another December plot.

Artemis Fowl: The Lost Colony (TLC) requires the most math and interpretation so far to figure out when it takes place. We know Artemis is still fourteen, so the main events clearly happen sometime between January 2004 and September 2004. Beyond that, we are using a fair amount of context clues. Artemis and Butler have evidently been traveling for four months looking for demons, so we are dealing with events in at least May. But that still leaves us several summertime months to work with, so to establish a timeline here, we will need to look forward a bit. In the sixth book, Artemis Fowl: The Time Paradox (TTP), it’s noted that Artemis is not yet fifteen, and has, on multiple occasions, spent the full moon in the study. Ergo, he’s spent at least a few months back from Hybras. If he has been back for two months and not yet turned fifteen, he would have had to have returned by July at the latest, and since he returns almost three years later than he leaves, we are looking at him returning in either May or June. This would have him disappearing to Hybras – and by extension, dealing with the earlier events in the book – in June, July, or August. After his conversation with Minerva, he notes to Butler that they “are planning a June wedding,” which wouldn’t make sense to say if they were currently in the month of June. From all of this, we can extrapolate that the first three-quarters of TLC take place in late July or early August 2004, with the triumphant return of our intrepid heroes occurring in June 2007.

As previously stated, TTP mentions that Artemis is still not fifteen, but is nearly there. He has also been home again for at least two months. This would put the events of the sixth book in August 2007. At least, the events set in the current time period. TTP does bring back time travel, and with it some problems. We are told that Artemis and Holly jump back nearly eight years to Artemis being ten and trying to fund searches for his missing father. This would put the events of the past in early 2000. However, other details presented regarding Artemis Senior’s disappearance, which we will discuss later, make that impossible. Artemis also admits, in TEC, that he was eleven when his father disappeared, not ten. If we take a bit of creative license with our interpretations and base the time-jump to the past on other presented information as opposed to the dates given in TTP, we can say that Holly and Artemis instead return to early 2001. This lines up with further details, such as the sinking of the Fowl Star (as calculated a few paragraphs down in this analysis) occurring in December of 2000, and the textual confirmation in TTP that it’s barely two months past that sinking when Artemis brokers the deal(s) regarding the silky sifaka lemur. Since, at the end of the day, the time jump impacts very little in the grand scheme of things, and the year 2001 actually fits in better with other textual evidence and events, that’s what I’m going with for this timeline.

The seventh book, Artemis Fowl: The Atlantis Complex (TAC) gives us a very helpful base point! It takes place on Artemis’s fifteenth birthday, September 1. From our previous results on setting dates for book events, that would be September 1, 2007. The sections in which Butler and Juliet are fighting mesmerized wrestling fans and meeting up with Mulch are noted in the novel as happening “the day before,” which would fall on August 31, 2007.

Artemis Fowl: The Last Guardian (TLG), the eighth and final book in the series, creates some problems. If we assume that Artemis starts receiving treatment for his Atlantis Complex immediately after diagnosis in TAC¸ that would put him receiving treatment in September 2007. We are told he is certified as cured after six months. Yet we are also told that the rest of the events of the book take place in the week or so leading up to the Christmas holidays. Everything so far has said that the Artemis Fowl series follows the current calendar, in which case there is no way that six months can fit between September 1, 2007 and December 25, 2007. However, the only reference to Christmas is in two lines noting that the Fowl parents were planning on holidaying with their children on a foreign beach. If we simply say that six months have passed, and they are instead planning on spending the Irish school system’s spring holidays in the French Riviera, everything else lines up much better. So that’s what I’ve done. This would also put the resurrection of Artemis, after the events of the book and a further six months have passed, at roughly September of 2008. There is a pleasing symmetry to Artemis being born and then re-born in September, though if you want to get really technical and say the events of TLG take place during the 2008 March full moon as Opal claims (as noted in another web search as March 28), a six-month wait time for the clone to grow would put the resurrection in October. Still, there is something to be said for having a boy’s ghost haunting a clone of himself close to All Hallows. Since it’s the last plot point of the series, you can choose which you’d like; it doesn’t have to lead to anything else after it.

Let’s Talk Timelines: The Beginning of the Line to The End of The 19th Century

Now that we have our baseline book time periods established, we can get into the math used to determine some of the events in the timeline above. Several events are easy; we are given specific dates for them. Turnball Root meets Leonor in 1938, Juliet wins the Miss Sugar Beet Fair beauty contest in 1999. Other things are based on some basic math, such as Artemis claiming his parents got married fourteen years prior to AF¸ putting that event in 1987.

The majority of the items on the above timeline, however, do take some mathematics, extrapolation, and interpretation to plot out. To try and keep everything organized, we’ll start at the far left of the timeline, and work our way forwards, looking at events oldest-to-newest to explain why they are where they are on the graph. I won’t be getting too in-depth on everything in the graph, since I’m not sure how relevant the notes on the very minor side characters such as Carla Frazetti are, but I’ll at least try to touch on some of the more relevant points.

To start with, the Battle of Taillte was noted in the 2000’s as being ten thousand years ago, putting that at 8000 BCE. Similarly, the last dome breach at Atlantis was apparently eight thousand years ago in the 2000’s, so that would be 6000 BCE. Troll sideshows were legal in the early middle ages, which implies they were not legal after that. A quick web search says the early middle ages ended around 1000. The first crusades were in 1096-1099, and as those crusades are the start point of the Butler-Fowl working relationship, a point for noting that comes next on the graph.

From there, we get into more modern – relatively speaking – events. Briar Cudgeon and Julius Root are noted as attending the LEP Academy together and being raised in the same tunnel, as well as having about 600 years of history together. If one assumes “being raised in the same tunnel” is similar to the human equivalent of “growing up in the same neighbourhood,” we can assume the two were born roughly 600 years ago, in the 1400’s. Vinyaya is portrayed as being of a similar age to Root, so her birth can also be put in the same general era. We are also told that Fowl Manor was originally a castle built in the fifteenth century, that in the early 2000’s the theories of timeline corruption were first introduced over five centuries ago, and that cloning has been banned for over five hundred years, so those three events are also tossed into the 1400’s.

Julius Root is noted as doing his LEP basic training 500 years ago in Ireland, so that would have to be in the 1500’s. He would have attended the Academy before then, putting that in the mid-to-late 1400’s. As previously stated, he was in the Academy with Cudgeon. Opal also met Cudgeon in college, and competed with Foaly for science prizes there, so they were all in school at the same time.

Mulch now enters the picture. We aren’t ever given a specific age range for him, but we are told about his career. He has, apparently, spent three centuries in and out of prison after a couple centuries of success as a thief. This would make him at least five hundred years old. There is a brief mention that he tried the athletic route at college before becoming a thief, so he would have to be an adult at that point, putting his age at roughly 550 years during the events of the series.

We then enter a period filled in from one-off lines throughout the series, presumably added to give some depth to the world. Things about the wine cellar at Fowl Manor being a seventeenth century addition, Captain Eusebius Fowl and his crew dying in the eighteenth century, and Mulch first faking his own death over two hundred years ago.

Time Marches On: The 20th Century

There is nothing of much relevance to linger on between the 1550’s and the 20th century, so we’ll jump ahead to the 1900’s, when we have Holly Short’s birthday. She is in her eighties during TLC, and her father died “over twenty years ago” when she was “barely sixty” as of TAI. Based on that, she would have been in her early eighties in 2002, putting her birthday sometime in the 1920’s. What a doll.

A few more birthdays now appear, and we’ll ignore, for the most part, some of the irrelevant ones. I don’t think we are at all concerned with Gaspard Paradizo’s birthday, or Mikhael Vassikin. We are, however, rather more interested in Jon Spiro, Domovoi Butler, and Artemis Fowl I.

Jon Spiro enters the series in TEC, as a middle-aged American. A quick search on the Internet says that middle age is generally noted as being between the ages of 40 to 60. We are told that Spiro has worked in three main industries over the past two and a half decades. Additionally, we are told that law enforcement has been “trying to put [him] away for thirty years.” If we assume he entered the working world at twenty, spent five years developing his professional self, and then started going down a path of questionable legality to get the police after him, that would put him at fifty-five in 2003, and born in the late 1940’s.

It was a bit easier to determine Domovoi Butler’s age, and we can get more specific with his actual birthday. We are told that he is forty at the start of TEC, and he is still forty during TOD. From that, we can assume his birthday is not between March – December, which means it has to be between January – March. Now, we can just leave things there, but contextually, Butler says in late March 2003 that “a lot of people know [him] as a forty-year old man.” Since I doubt he’s the kind of person who introduces himself by announcing that his birthday was last week, we can assume that his birthday is not in March. Since about half the books in the series take place in December, and there is never any mention of Butler’s birthday coming up soon, we can likely assume it isn’t in January. We can therefore conclude Butler was born in February, 40 years before 2003, which puts his birth year in 1963.

We then have Artemis Fowl I. This one took the most extrapolation to determine. We know he has run an ethical empire for a few years as of 2007, which coincides with his return to his family after being kidnapped by the Mafia. He apparently ran a successful criminal empire for two decades before that, though, so in 2007 he has been working for at least 25 years. Based on the interactions he had with his own son, I’ve assumed he was also taught to take over the family business from a young age. If he started working at his age of majority at 18 (as possible in the 1980’s in Ireland, based on a web search), we can assume he was born in roughly the mid 60’s.

Billy Kong, born Jonah Lee, is one to touch on. He plays a large role in TLC, during which we are given possibly the most backstory of any villain in the series. He was evidently born in the early 1970’s, and was eight years old in the early 1980’s. Mathematically, that can only lend itself to so many birth years, so it’s easy enough to put his birthdate somewhere in 1973, and his brother’s death date in 1981.

While we’re here, let’s talk about the 1980’s. A lot of things happen in the 80’s, so we’ll be here for a few paragraphs. Butler would have graduated Madam Ko’s Academy in the early ‘80s, Artemis I would have started working in his family’s business and stolen some warrior mummies (of note, the theft is only noted as being in Artemis Sr.’s “gangster days,” but if you are a young, rich criminal, you’d likely commit a wild theft in your early years as opposed to your thirties, which is why this is put in here). Additionally, in the mid 1980’s, Holly graduates the LEP Academy and her mother dies, as noted in TTP when she is contemplating missing three years of her friends lives.

Butler would have started his five-year stint in Russia with an espionage unit in the mid-to-late 80’s, and become a big brother in 1985. Juliet is noted at being four years older than Artemis in AF in 2001, and he is twelve then, making her sixteen at the time. We can extrapolate the month from TEC, wherein she is apparently eighteen when she is called regarding her brother’s apparent death. At the time, we are told what gifts she received for her birthday, implying it was fairly recent. Additionally, Artemis was only thirteen at that time, which would make Juliet five years older than Artemis. If, however, we trust that acolytes at Madam Ko’s start their training on their tenth birthday and get one chance to graduate per year, it would make sense for that one chance to be on their birthday, or within a day or two to allow for as much training time as possible. Since Juliet was in the midst of this one graduation evaluation when she gets the phone call and joins the crew for the March heist at Spiro’s Needle, she’d have to be born in March. (We can also corroborate this with some details from AF: if AF takes place in mid-September, that would be just after Artemis’s birthday, which puts the 4-year age difference back into play.)

Spelltropy begins for the People in 1987, if it appeared 20 years ago from 2007. Artemis I and Angeline Fowl would get married in 1987. They would have their first child, Artemis Fowl II, in 1989, as calculated by Artemis being twelve during the initial siege of the Manor in December 2001. Artemis II’s grandfather was noted as having been dead for over ten years at that point, and it was mentioned in TEC that Angeline married her husband before he really took over the family business, so those events would likely happen when Artemis was but a baby in 1990.

The ‘90s are a period where a lot of things are happening, but few are particularly important. Spelltropy has a cure found, Minerva Paradizo is born, Juliet begins her bodyguard training and her brother refuses to let her shave her hair. These, and other events in the 90’s, are mostly calculated by math along the lines of “Event A happened X number of years ago,” but since the 90’s was mostly a time of worldbuilding events rather than plot events, we’ll just skim over the specific details.

‘You Are Here’: The 21st Century, and Where The Storytelling Begins

Welcome to the 2000’s! The kick-off point of not only the 2000’s, but also the entire series, is the sinking of the Fowl Star. We aren’t given a specific date for this, but we are given enough information to extrapolate the date. Specifically, in September 2001, in AF, we are told Fowl Sr. has been missing for almost a year. In TAI, in December, we are told he has been missing for almost two years. That does have the potential to have the ship go down in either December or January, so we need to use a bit more details from TAI to make a final determination. Mikhael Vassikin and Kamar were told to dump Fowl’s body in the Kola if he didn’t wake up in “another year,” so they’ve been looking after him for one at that point. Fowl Sr. wakes up two weeks before the deadline, and as noted earlier, the ransom drop for him takes place December 14, after he has been awake for perhaps a week. From that, we can tell that the deadline for “another year” was mid to late December, putting the initial sinking of the Fowl Star in late 2000.

The analysis gets a bit confusing at this point, because 2001 is when future Artemis and Holly join the party via time travel, as well as having their regular selves in the timestream. Essentially, we’ve established the timeline for the events of TTP above, so we know the whole lemur fiasco takes place in March 2001. Artemis wakes up at the end of that book thinking about fairies, which ties in rather neatly to him then dragging Butler across three continents for six false alarms (with an assumed approximate 3 weeks between each jaunt) before striking metaphorical gold in Ho Chi Minh City in September. During their time-traveling, Holly also gets a chance to talk to Root, who wonders why she isn’t in Hamburg, which was noted in AF as Holly’s first major failure as a Recon officer and was nearly preceding the events of AF. The time-traveling would also mean that Opal would have had to harvest her DNA for future diabolical plans before March 2001, when her younger self travels to the future. Since it takes up to two years to grow a clone to adulthood, and her clone has to be ready in September 2003, we are a few months off in the time requirements, but really, for a practice that’s been outlawed for 500 years, I can offer a bit of leeway.

We are now well and truly in the thick of the main events of the series. Most of this will be tied into the initial assessments we made way at the beginning of this essay, where we established when each book occurs. Because of this, we aren’t going to spend time on anything plot-related. However, a brief note on Turnball Root and Artemis’s Atlantis Complex is likely in order. Artemis was, as previously stated, dealing with his return from Hybras and the after-effects of stealing magic during July and August of 2007. His Atlantis Complex, and Turnball Root’s plan to escape the Deeps prison, are in full swing in September of that year. We have a brief note in TAC during the evacuation of Atlantis, that Turnball had, a month before, spied on Artemis and noted his Atlantis Complex developing. Therefore, Artemis’s Complex likely came into play in late July or early August 2007. This is close enough to Artemis’s magic theft to make sense for the deterioration of his mental health, and enough time for Butler to have started to notice something was wrong, as he did. We can therefore assume that Atlantis Complex, at least in the case of magic-stealing humans who have a propensity for time travel and getting involved in supremely complicated and improbable plots, develops relatively quickly.

This leaves just one major discussion point from the last few books: the age of Artemis’s twin brothers, Beckett and Myles. The twins are first introduced at the very end of TLC. They are written as being two during the events of TTP, three during the events of TAC, and four during the events of TLG. Regardless of the time-traveling shenanigans of their elder brother, it is impossible for the twins to age two years in the eight months between Artemis’s return from Hybras in June 2007 and the finale of the series in March of 2008, so we need to look at what makes sense.

Myles has already potty-trained himself, and done so at fourteen months, so they must be at least that old. Their other behaviours would make sense for them to be two in TTP. Diapers are still a part of their lives, and their language and vocabulary fit what a two-year-old would have, at least in Beckett’s case. Since Artemis was surprised by their existence, it doesn’t seem likely that Angeline would have known she was pregnant, or at least not have told Artemis yet, when he went to Limbo. Ergo, they can’t be any older than two, since (one would hope) Artemis would have noticed his mother’s pregnancy if the twins were any older.

Additionally, in TLG, we know Artemis gave his brother a birthday present, so he had to have been around during the twin’s birthday at least once. With this fact, the twins cannot be born between March – June, which just leaves the question of when are the twins born?

The most logical answer is February 2005. If Angeline was early on in her pregnancy, say six weeks (which is when most women start noticing symptoms), when Artemis disappeared in July 2004, she wouldn’t necessarily have told him yet. Then, if we assume that since most twin births occur around the 35-week mark, that would math out to having the twins be born in February of 2005. Fast forward, and they would turn one in February 2006, and two in February 2007, which puts them at the correct age for the events of TTP. [One could argue, of course, that a twin pregnancy in an older woman (unfortunately, there is nothing in the series to indicate Angeline’s age) and in a woman already dealing with significant stress could result in a very premature birth, thereby voiding any of this math and leaving the whole question of the twin’s birthday unanswered. However, since I’d rather not subject the Fowl parents to the strife and misery of having one son missing and presumed dead, and their younger children in the NICU with a low survival rate, I’m working with the assumption that the pregnancy was a healthy and normal one.]

The brief comment from Juliet in TAC about the twins being three can be passed off by them being a little over two-and-a-half and Juliet not being around as she is touring in Mexico. By the time TLG takes place, in March of 2008, the twins would have had their third birthday, allowing for Artemis to give Myles his chair as a birthday present, Beckett to be old enough to no longer need diapers, and the behaviours to act more like children than infants. While this doesn’t quite allow for the repeated textual confirmations in TLG that the twins are four, we’ll go with what mathematically makes sense.

That brings us to the end of the timeline! Not everything is touched on in the timeline, and not everything in the books is plotted (we are never given enough context to know Foaly’s or Opal’s birthdates, for instance). But the main events of the Artemis Fowl series are all analyzed, mathematically or logically or textually corroborated, and plotted out, for use or ignoring as personal preference dictates.

#artemis fowl #af timeline #you have no idea how irritated I am that there is nothing - NOTHING - in the series to give ANY context #on the ages for Angeline Fowl or Arno Blunt or Damon Kronski.#i can make GUESSES but they would be entirely based on my own bias and thoughts and vibes #which is INTENSELY irritating because i have basically EVERYONE ELSE #on the timeline SOMEWHERE #oh well. i think i have most of the events of the series on there?#if i missed something i'd love it if someone could point it out so i have a complete 'map'#oh though to be clear: i did very much do this for me!#this isn't meant to like...take away anyone's headcanons or ideas or whatever #if you wanna do something that directly contradicts the above - go for it!#i am just - as my cousin put it - 'that kind of fic writer' in which i will do insane amounts of research for the smallest of details #the one i wanted this for is honestly in a fic i haven't even started #and that is in fact several ticks down the Want To Write list #but that's neither here nor there!#i now have an outline of when things happen so i can do whatever i want with it :)

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cannibalizedyke · 6 months

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me when people refer to laura lee as catholic

#guys please she is not catholic she is so clearly protestant i will scream #people just default to catholic when they see christian for some reason #and it drives me INSANE with laura lee in particular because she’s so clearly Not!!!#i think the only thing she does that could possibly link her to catholicism is cross herself Once #which some protestants also do!!#she never prays the rosary she wears a cross instead of a crucifix she never talks about mary or a patron saint or anything GUYS #i know this happens because most of the fandom is secular and therefore doesn’t know much about the differences btwn catholics & protestants #but still. please. if ur gonna be talking abt a christian character do your research instead of saying things you don’t actually know #it drives me so bonkers #laura lee #yellowjackets #laura lee yellowjackets #yellowjackets laura lee #yj

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captainbuzzard · 6 days

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was clearing out my phone's gallery and once again realized how much art i never posted here, so here's a stijn strongbody!

[ID: a digital line drawing of Stijn Strongbody, a middle aged Japanese man with four sheep's horns, and, barely visible before the canvas cuts off, four arms. he holds a pencil in one hand as he looks off to one side with a good-natured, contemplative expression.]

#q #blaseball #tokyo lift #never was a stijn fan per se but i always thought he was kinda fascinating. he definitely had Plans for the lift #the extent of which only started to be uncovered by his successors after his death.#it left yusef wondering how much he had actually predicted and planned for. how much the lift was continuing along a track he had set.#what were his plans? the only person who knew (original elwin) got alted and stijn never trusted the plans to another person afterwards #it's likely whatever plans he set failed anyways without having anyone to keep course after he died. but there's always that doubt.#did stijn know this would happen. did he predict the things that would happen. did he predict gerund's death #idk idk his death was just so neat because it left all these questions that could never be answered.#also he was Science Gay with a interdimensional fungus inhabiting a large dead bug until it used their joint research #to hop dimensions again without saying goodbye and pulled some unwilling alternate version of itself to take its place #so there's also that lol #my blaseball art #buzzart #anyways yeah might be posting some more old art

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trivalentlinks · 4 months

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Let F be a Floer homology theory. For the purposes of this talk, you can assume it's any Floer homology theory you like, and if you don't like any Floer homology theory, then pretend you do like one and assume it's that one

-- a conference speaker

#floer homology #math #maths #mathblr #you really should have at least one Floer homology theory you like!!#i have for a while wanted to do a longpost about floer homology #a very cool concept that shouldn't yield anything but miraculously does #and also about the guy who came up with it (andreas floer)#who was a very interesting guy #he died in 1991 at age 34 which is usually when an academic is only starting to build their influence #and thus didn't have any phd students #and most people in the math community don't seem to have known him personally #(his wikipedia page has a section of quotes about him but they're all about his math #which is pretty much universally agreed to be one of the most striking developments of modern mathematics)#but one time they did a memorial conference a couple years ago in his honour at (uc) berkeley #where they talked about the extremely fruitful field of research he pioneered #they put up posters around campus advertising the conference that happened to have a picture of him #and apparently a bunch of old guys showed up who knew nothing about math #it turned out they were his housemates in the gay commune he used to live in #who were going for a walk around campus and saw a poster with his photo and were like #'wait isn't that our buddy who died twenty-some years ago??'#apparently they knew nothing about math so it was totally incomprehensible to them but they attended the whole conference anyway

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kradogsrats · 1 month

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@its-leethee I felt weird reblogging my own huge post for this lmao

I'm totally willing to accept all of that without question (Christian upbringing, I guess?) but what melts my brain out my ears is if Harrow and Viren had swapped bodies, would Viren's dark magic corruption stay with his body, or with his spirit/essence?

I mean, that and "wait why does the coin spell appear to literally draw the spirit out of the body, but then the body also disappears"

#i don't actually know much about what science knows about memory and consciousness now #neuroscience or whatever #i DID learn while researching that meta that bicephaly happens because of conditions during embryonic development rather than genetics #we just don't know WHAT conditions even for reptiles and amphibians where its most common... much less mammals #but we can make tadpole embryos develop two heads by putting the eggs in a centrifuge (citation needed)#only 1 in 100000 live snakes have two heads btw

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moeblob · 1 year

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There's been a change of wooing plans with Koi I think...

#stardew valley #farmer koi #sdv shane #i never really considered it much but then i realized on ps4 there are trophies concerning going the joja route #so im doing my research and read that shane loses his job if you complete the cc #so im like huh wild what if i romanced him so he could get out of that job AND get a wife hmmm #so we will see what happens cause while i did plan on romancing a girl with koi #she is very bi like everyone in the game #so who knows!#also cilantro is my baby i love her shes wonderful

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otiksimr · 1 month

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I am sitting down on the number block carpet I want to hear about him

Bob is an eldritch monster (I've just been calling their species Worldeaters, I don't have any plans to change the name) that eats planets and rocks in general (Stars too but that's a rare snack).

He was laid on Earth sometime during the end of Precambrian Era. And hatched a year BEFORE the Cambrian Era officially started. His parents kind of just left him there (due to their species they can't exactly stay with him, they do visit sometimes though!) with a babysitter so he wont be completely alone growing up.

Bob's just kind of vibing on Earth until he reaches maturity :)

#So yeah. Age wise he's a bit younger than the earth #So at least 3.7 eons old :)#<- that's the age of the oldest known fossils #The earth is estimated to be 4.54 eons old #In Worldeater terms he's still an infant. It's going to be long ways away until he's an adult #I feel like he matures mentally a lot during this time? While he's actively awake and learning I mean #Like his brain's still mushy and s mo o t h since well- not fully developed but he can understand concepts like language and stuff #But he's still in no way an adult.#He'd pretty much sleep until he gets hungry again for the first few centuries of his life cause there's not anything 'fun' happening #So when life starts to develop on land and animals start to move onto the shores he stays awake a lot more often because 'ooo new friends!'#And by the time of the dinosaurs-modern day he is MUCH more awake and actively interacting with the things around him #Bob's lore forced me to do so much research into the earth and space my god.#Kos speaks #[Bob Beloved]

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bl-inkstone · 1 year

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changed my tune so fast just bc of youtube autoplay lmao ok here have some sagau diluc thoughts

the player, diluc thinks, is an incredibly endearing being.

he's come a long way from the curt and wary attitude he used to put on around the traveler (and by extension, you), and today is one of those days where he finds himself privately thanking whatever powers there may be that allowed your paths to cross, with him staring at the reflection of you hidden deep within the traveler's eyes in the wake of his fight with the abyss that fateful night in mondstadt.

as one of the first people to have their constellations manifest in the sky of teyvat, diluc is more than aware that the fact that you still choose to ask for his company in your (or, well, the traveler's) journey is a gift he must treasure deeply. he knows that it is your presence in this world that gives vision bearers a chance to become something greater than they presently are. he also knows that he is no longer as impressive of a companion in battle as he used to be from back when the sky wasn't as bright as it is now (when the world you knew was smaller and he was still a figure that you could look to and proudly call "your main").

but you always come back to him. when he least expects it, you invite him back to your party and diluc can't help but privately think, privately wish, that it's because you're as fond of him as he is of you.

standing in silent prayer while you bestow upon him artifacts that thrum with divine power is an experience he can never tire of. the claymores you give him, the food he eats, all the materials he needs to reach a breakthrough in his capabilities... he understands that you aren't teyvat's creator, but this world and everything in it seems to exist just for you. you, the provider, the sustainer, the beloved of all. sometimes, diluc feels that everything he has and ever worked for have all been for the sake of one day meeting you.

he's not a religious man by principle, and he loathes people of absolute power. the only exception to this, however, is you. he's not foolish enough to believe you're some omnipotent, omniscient being that lords above all. no, you're not like that. he knows this because the longer he journeys with the traveler and feels their bond strengthen, the faint whispers he used to strain himself to hear grow clearer and clearer until finally, one day, he hears you.

you're both nothing and everything he thought you'd be. you view the world of teyvat with so much awe and joy that it's infectious, and he finds himself smiling more often than not to the privilege of finally hearing you. the traveler always looks at him with an understanding smile when diluc slows down in their travels to listen to you. he lives for the moments when you talk to yourself or to someone else (a companion of your own, maybe? from your place beyond the stars?) because this is how he learns. your favorite food, your favorite nations, your favorite "characters" and more. he holds every morsel of information you unknowingly give close to his chest where all his affections and wishes hide. he likes to think that this way, he can be closer and better for you.

but he knows he's not the only one who hears you, and it is the traveler that is closest to you out of all them. even so, diluc harbors no ill will to the avatar you chose to see and travel the world through. you're so fond of the traveler, and how could he ever come to loathe anything graced by your love?

he knows how to play nice. it helps that most of your other chosen are people he can find himself enjoying the company of as well. diluc understands that as much as he wants to be the sole holder of your attention, the world does not function that way. he's willing to extend an olive branch so long as they can all work together to keep you present in teyvat. he can worry about his more aggressive competition later when they aren't at risk of being caught in such an unsightly state by you — all that matters to him, right now, is how to keep your gaze on him for just a little longer and keep you from leaving him again.

it's a daunting thing to be so close to your grace. you take diluc to lands he'd never thought he'd visit again, to ruins of civilizations long past, domains with unimaginable horrors and have him run, claymore and vision burning at his hip, into fight after fight at your command. it's tiring at best and painful at worst, but you always take care to heal him and his companions before leaving, and you always lead them somewhere safe to rest until teyvat brightens and you come again.

his current companions (his "supports", he inwardly preens) rest and talk amongst themselves once they feel your presence leave. it used to be something they, your chosen, would panic over, but now that they've gotten more used to you and all the signs that pointed that yes, this is your will, they've grown to be able to tolerate the harrowing chill that comes when your warmth leaves them. diluc leans back on his chair in front of good hunter to observe them. they're all people he's come to grow fond of in time: diona was prickly, yes, but ha become pleasant to be around once they grew past their misunderstandings. the young master of the feiyun commerce guild, xingqiu, was also a reliable companion both in and outside of battle, and for all his faults, venti has proven himself to be a devout believer, unwilling to be a burden to you or the party you've guided him towards.

under normal circumstances, he never would've met and forged such strong bonds with these people. if not for your own interference, he never would've bothered getting to know any of them at all. though he may have his own gripes and complaints at times of how their dynamic works when you're not around, diluc is still fond of them. he's grateful for the opportunity to grow close to people again, and traveling the world alongside them and the traveler has become one of the few things he's begun to look forward to outside of his duties as "diluc, master of dawn winery." when the day is done and he can sit and relax with them in the tables in front of good hunter, he can rest in the company of others who understand the near-maddening pull in his chest that draws him to try and get closer, closer, to you.

it's days like these where diluc quietly thanks whatever it is brought you to them, and prays that one day, he will no longer have to search through the traveler's eyes to see you.

#miyo.muses #diluc.togo #i wrote this all in one sitting please i love him so much #i hope my research did you justice sir #if he sounds awkward or anything id appreciate feedback on how to improve!#diluc is one of my faves honestly and i wanna write more for him #and as you can see #he is a very generous muse #this is worse than when i wrote for zhongli oml #i wanted to keep this short n sweet #just a silly little hcs or brainrot post #but no #this happened #but im not that mad lmao diluc gets a free pass <3 #also pls dont flame the team ok i asked a friend what their diluc team looks like and they said “diona + xing + venti”#dsdhewu i have a very skewed view on what's considered a long or short post but just to play it safe #i added the read more this time bc id hate to be the person who clogs up the tags with super long posts #ok thats it rambling over i hope u guys enjoy <3 #genshin impact #sagau #self aware genshin #genshin diluc #diluc x reader

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somekindofmoss · 2 months

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Now, I'm not entirely sure what came first, the tcw show or all of the novels expanding on Mandalorian culture, but nonetheless it annoys me so much whenever i watch tcw and they depict the Mandalorian people, one of the most diverse cultures in starwars, all with blue eyes and blonde hair. Mandalorian is a culture, a religion, not a race. A creed anyone of any species or origin can join.

The Mandalorians were so prolific in adoption into their creed, that it lives on despite their ancestors -the Taung- having died out. All you even have to do in Mandalorian culture to adopt someone is speak a vow, (The gai bal manda) which is recognised by Mandalorian law. (and I'm distraught that in the Mandalorian show we didn't get to see Din speak this vow to Grogu, but I digress.)

The show also presents Sundari, Mandalore's capital at the time, as so... clinical and bare? Yes the new pacifist Mandalorians have foregone the war worshipping ways that founded their culture, but the worship of war also bred a celebration of life and relishing each moment and day you get -Shereshoy being the term for it. From a culture like this I'd expect a little more... soul to their home.

They dress everyone in such plain (lack of) colours too!! When the pacifist Mandalorians discarded their armour, did they discard the cultural meanings or importance of colour too? (And I'd love to see New Mandalorians treating their clothing with as much respect and reverence as they traditionally did armour, following the Resol'nare's tenet of Beskar'gam in their own, new way. I have so many thoughts on how the Resol'nare can apply to a peaceful lifestyle, but ultimately I know that's far too much detail for tcw to have delved into, and I'm sure i wouldn't be the first to talk about it, if only there was a show solely about Mandalorians that could explore their culture in such depth-)

Ever since I had a hyperfix on Mandalorian culture a year or two ago I haven't been able to consume Mandalorian related content the same way, and I am trying to resurrect the intense interest because it ended before I was able to learn Mando'a, and by goodness I think it might be working.

#starwars #mandalorian #mandalorian culture #mandalore #star wars tcw #tcw #I learned so much about Mandalorian culture in hopes to use it in a starwars dnd game #playing as my mandalorian oc #but I never got to use the knowledge #because I was the only one in the party autistic enough to have done thorough research beforehand #I named specific hyperspace lanes in my backstory man #I know my man's favourite FOODS #It's Uj'alayi btw #If i could draw people I'd be making sooo much oc content #Well i didn't learn about Mandalorian culture For dnd #the two just happened to coincide timewise i think

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fluffypotatey · 9 months

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*smashes in like the Kool-Aid man*

PENDRAGON SIBLINGS YOU SAY????

I have. So many Feels. About Themst™

The complexity?? The layers?? The angst?? Hello??????

Their relationship is just So Much, because you are right, it's all tangled up in miscommunication and missed opportunities, and so many problems that can be sourced back to Uther "War Crimes" Pendragon, who wouldn't know a healthy relationship if it bit him on the ass.

If Merlin and Arthur are two sides of the same coin, then Arthur and Morgana are edges of the same blade.

Because it's the lonely childhoods, the shared grief, the friendship, the vulnerability, the fondness, the teasing, the envy, the jealousy, the almost romance, the protectiveness, the betrayal, the loss, the hurt, the refusal to let go and the desperate hanging on, and the love, the love, the love.

Indifference is the true opposite of love.

Hate is love that's gone rotten.

“If Merlin and Arthur are two sides of the same coin, then Arthur and Morgana are edges of the same blade.” oh fuck….

OHHHHHHHHHHHHHHHHHHHHHHH FUCK

WAIT HOLD ON WAIT LEMME PIGGYBACK ON THAT BESTIE @0hheytherebigbadwolf (tagging you bc it will be a couple days after you sent this ask)

(Also, for anyone wanting background context on what me and bestie are bouncing off on: voilà)

OK OK SO

we are all familiar with King Uther being the greatest (worst) dad of all time, correct? places such high expectations on his “only son and heir” whilst never officially acknowledging Morgana as his daughter until the very end?

F+ father of the year :)

he is not above sending his children into the dungeon if they disobey him as seen here:

(Jfc he even put Morgana in chains like wtf)

also, he is not above using emotional guilt towards them when he deems it necessary (aka one of the only times he actually acknowledges them as his children)

UTHER (1x02 Valiant) I trust you will make me proud.

UTHER (1x08 The Beginning of the End) I’ve treated you like a daughter. Is this how you repay me?

UTHER (1x12 To Kill the King) You are the daughter I never had.

UTHER (2x08 Sins of the Father) You would believe a sorcerer’s lies over the word of your father?

not to mention that when Arthur or Morgana try to reason with him or argue with him since they are the only ones with the status to do so, he pulls rank

UTHER (1x12 To Kill the King) May I remind you that you are speaking to your King [...] Take care, child, or I’ll have you restrained.

UTHER (2x08 Sins of the Father) I am your king and your father. You will show me some respect!

UTHER (2x06 Beauty and the Beast) We live in dangerous times, I cannot allow you to undermine my authority.

UTHER (3x10 Queen of Hearts) You have caused this to happen, Arthur. My decision is final.

ngl i could include more but i have already spent hours searching for shit (YOUTUBE WILL DIE BY MY HAND THAT STINGY BITC—) but y’all get what i mean: Uther is an abusive fucker and it has messed up the conditions of Arthur and Morgana

now, about the double edged blade…..

as previously established, Uther is a fucking dick and wants his children to obey him but also adore him. with this behavior, the Pendragon siblings react in two ways: with anger & contempt or submission and remorse

way #1

i’m gonna start with Morgana because anger is the easiest to pick out throughout the show. in the first episode of the first season, our introduction to Morgana’s character is her lecturing Uther about executing the man Merlin witnessed upon entering Camelot (such a warm welcome for Emrys, mh?)

MORGANA I just don't think chopping someone's head off is cause for a celebration. That poor mother. UTHER It was simple justice for what he'd done. MORGANA To whom? He practiced some magic, he didn't hurt anyone. UTHER You were not around twenty years ago, you have no idea what it was like. MORGANA How long are you going to keep punishing people for what happened then?

early on, it is easy to pick up on Morgana’s resentment and anger at Uther, who she believes is blinded by his fear of magic and his need for control (which she isn’t wrong about). also, we find that she isn’t one to back off when poking the bear (Uther). she does it constantly in seasons 1 & 2

MORGANA (1x03 Mark of Nimueh) Why would she kneel on a cold stone floor morning after morning when she could make these things happen with a snap of her fingers? Like an idle king!

MORGANA (1x08 The Beginning of the End) How can this child be your enemy? He's just a boy. UTHER He is a Druid. MORGANA Is that such a crime?…What have these people done to you? Why are you so full of hate?

UTHER (2x04 Lancelot and Guinevere) How many men would you have me sacrifice to save a servant? MORGANA As many as it takes!

to be honest, i wouldn’t be surprised if screaming, arguing and berating Uther about his morals and ethics is her way of proving that she is not weak or submissive to his actions. i mean, Morgana grew up in a household the complete opposite from her time in Camelot. Gorlois, the man whom Morgana considers to be her father and one and only family member, was said to be “just” and “kind” and someone that Uther even considered a good friend who openly kept him in check. Morgana, until the age of ten, understood parental love and empathy unlike Arthur, who spent his whole life without any good or healthy substance of it.

the culture of Camelot and Uther’s wrath is not something Morgana was ever able to fully acclimate to as Uther himself pointed out in 1x12. She “was at odds with [him] since the beginning” and could never picture herself as a Pendragon (point further proven in 4x05: she looked revolted when Queen Annis compared her to Uther) because she didn’t share in their idea of magic = evil and a king = absolute control.

ironic in terms of future plot events, isn’t it :’)

way #2

compare that to Arthur: man’s respressed af. keeps all his emotions under lock and key if they are anything but haughty and serious. y’all, Arthur even says it himself how he “[can't] disagree with Father [Uther] in public.” whenever Arthur finds himself at odds with Uther, he holds his tongue and waits until he can disobey secretly (2x05 when he leaves to rescue Gwen, 1x08 when he helps Morgana sneak out Mordred in the dark of the night, 2x08 when he sneaks out to meet Morgause for more info about his mom, etc). it is only the rare moments when Arthur feels impassioned enough to speak up without fearing any retribution does Arthur talk back at him (so satisfying 👌)

ARTHUR (1x03 Mark of Nimueh) [Morgana’s] right, Father. You hear the word magic, you no longer listen.

ARTHUR (2x08 Sins of the Father) This is what fuels your hatred for those who practice magic. Rather than blame yourself for what you did, you blame them….You hunted her kind like animals! How many hundreds have you condemned to death to ease your guilt?!….You speak of honour and nobility! You're nothing but a hypocrite and a liar!

ARTHUR (3x10 Queen of Hearts) You can't forbid my feelings any more than I can. I won't deny them any longer, I love her. I love Guinevere.

we can even compare how the two react to Uther’s violence towards them

(ahahahahahaaaaa what a wonderful dad)

on the left, you see Arthur’s face right when Uther crushes the morteus flower needed to heal Merlin (his manservant/friend/????) and on the right, is Morgana after Uther discovers she was harboring a Druid child in her chambers and she refuses to listen to his reason.

notice how both faces are remarkably similar 👀

however, Arthur’s look of shock and dismay come from his hope that Uther would do the right thing. that he would help save Merlin’s life from dying of poison. that he wouldn’t use this as a method to teach Arthur “what it means to disobey and cross the king.” he truly did hope, just like he always does with the people he holds close. Arthur cannot help but hope and trust that those close to him will not betray him and yet so many do. hence the remorse

looking at Morgana, her shock comes from the fact that this might be the first time Uther reacted to her words and actions in a physical manner. my suspicion is that most of the time, all Morgana previously got was Uther reprimanding her and yelling at her to stop questioning his methods (bc, let’s be real, she was the favorite child.) never has he lifted a finder on her like Arthur and i have proof (cue transcript!)

AND! and, Arthur is constantly warning Morgana about not angering Uther any further because of the consequences she might face (consequences this boy is very familiar with) when Uther deems it necessary to “teach” his children obedience.

UTHER (1x04 The Poisoned Chalice) You have to learn there's a right and a wrong way of doing things. I'll see you're let out in a week. Then you can find yourself another servant.

UTHER (3x10 Queen of Hearts) You have caused this to happen, Arthur. My decision is final [...] This is for your own good. - UTHER She will die. The enchantment will be broken. You'll see I was right.

UTHER (2x08 Sins of the Father) I am protecting you from your own foolishness!

so educational 🥰 but see, because Uther presents his punishments as lessons, Arthur himself views them as just a fucked up but meaningful way of his father’s concern because “yeah, I am the first born son and only heir to the throne. of course I need to learn not to do silly things like disobey, talk back to him, be my own person.” <- I’m paraphrasing here

Arthur does and has never seen a way out of the life thrust upon him by Uther (see 3x06). succeeding Uther as king, marrying a noblewoman of high standing for heirs and alliance strength was always expected of him. Arthur never saw a way out of this. even when he and Gwen were in their secret relationship phase, Arthur had to remind himself that this would never last. he loved her and knew she loved him, but there was always that reminder (that sounded a lot like Uther) in the back of his head telling him that it would never last so long as he was prince. he had a duty (constructed by Uther) to serve Camelot and going against his father would mean (in his eyes) that he is going against Camelot (as Uther always presented it to be).

so unlike Morgana, he did not kick and scream but stood firm because that was what he believed was stronger. if he stayed in his lane and did his part, then he would be a good king, maybe even a better one than his father, for Camelot. however, the show proves that differentiating himself from Uther actually made him the better king and more respected, but this is not the meta for that. I am getting side tracked.

OK: so we’ve established parental issues between the two siblings. now onto their very complex, complicated yet beloved dynamic

sO, as i mentioned in this post (because i am lazy and too tired to copy/paste the evidence from there), these siblings do care for one another. they just go about it in the most hilarious and repressed and in-denial way (hilarious to me 😤)

when we meet them, it’s established that these two have known each other for some time. enough for them to bicker and have banter, you know, as you do with a Pendragon. also, should add, neither character are ever aware they are blood-related until s3 (because of some weak-ass bitch named Uther), so you have that very, uh, interesting subplot in s1 that everybody forgets about until you rewatch it. (honestly, I have so many questions. number 1: why???? number 2: it’s only in s1—was it scrapped??? is it like it never existed???? what was its purpose to the plot??? bbc explain yourself—)

however, despite how much it is shown that they do care for one another, they’re relationship in s1 is still undefined and vague as if they also don’t know how to accurately define what the other means to them. it’s very similar to the whole “i really love this person so much but is what i’m feeling platonic, familial, or romantic?” because….you know, guy and girl besties who are close are typically expected to grow romantic feelings for each other, so tbh i would not be surprised if both mistook their love as romantically inclined in the beginning bc, reminder, neither of them were aware they were siblings until much later.

[and this is ALL i am saying on this subplot. i do not want to cause any negative discourse, so if anyone has a few choice words about it, either keep it to yourself or feel free to talk about it with people you know. personally? not a fan of the ship and never will be, but i am not here to post about that.]

anyway, have some featured receipts showing Arthur and Morgana slipping up and showing how much they care for each other.

SEE!!!! LOOK AT HOW THE CARE!!!! SEE HOW THEY WORRY FOR THE OTHER AND WISH TO PROTECT THEM FROM HARM!!! (and see how even when they’re on opposite sides there is still that same love. just more warped and corrupted T^T)

^worried/protective Morgana

^Arthur’s face after Merlin informs him that there’s an intruder heading to Morgana’s chambers

Morgana is very aware of Arthur’s trusting nature. Arthur is very aware of Morgana’s empathy and righteous nature. they understand each other so well which is why Morgana knew just how to harm Arthur in later seasons and why Morgana’s betrayal hit Arthur so hard. it’s also why he never stopped trying to reach out to her in s4 & s5. as @merlinemrys said in this lovely post, the show’s driving force is love. love of all kinds. whatever conflict it is, love is there at the center of it all and, in Arthur and Morgana’s case, it does not save them (just like how love does not save Merlin or Arthur from what lies ahead, as the op of the post pointed out).

that is what makes their relationship/love be like a double edged sword!! that is why they are edges of the same blade!!! they protect and fight for what they believe in and for the people they love, but the same blades cut deep and twist their wounds into a lasting scar.

it is because of Arthur’s love for Morgana that he cannot help but hope and mourn the woman he once knew. it is because of Morgana’s love for Arthur that her feelings of hatred are so strong and ugly.

like honestly,

look at them T^T compared to before

their relationship is so tragic T^T because we knew them before it all went wrong. we knew they cared and understood each other. we knew that for some time, they only had each other to rely on for a friend, a crutch, a breather for when the royal life was too much. both of them were fighters and strive to honor their values. both of them had once leaned on the other for support, had wanted nothing but happiness for each other.

fuck, they didn’t even get the chance to really be siblings because they found out too late, and by then Morgana was on a war path and Arthur only found out at the last minute.

like fuck, man

two sides of the same blade: forged with love, yet used for blood

screencaps brought to you by me, @sourdough-morbread, and farfarawaysite

#i will spare you the gorey details of me trying to fine decent screencaps & screenshots for this fucking post or else i’ll get pissed again #(i am considering whether it is worth it to go to war with youtube)#special thanks to my bestie mor for being there for me at the gorey times and helping me find more screenshots #fucking love you bestie 💕💕💕💕#also only including s1-2 bc i am tired and they are the ones where we get pendragon siblings not trying to kill each other #forgive me for always bringing up uther and the pendragon sibs’ upbringing with him it will happen again #also after hours of rereading transcripts and rewatching clips of bbc merlin: it is so obvious that uther cared and treated Morgana like hi #own child more than Arthur. like jfc he let’s her get away with so much stuff he is way for gentle with his words towards her #when he realizes that he was too cruel or rude like bro…..where tf was that for arthur #it just adds to the complicated sibling dynamic because there is the added jealousy and resentment of knowing a parent loved another more #literally most of Morgana’s time with Uther was her at odds with him and yet he views her as his child more #well no ducking dur that Arthur ‘i-would-do-anything-to-receive-my-father’s-love-attention-and-pride’ Pendragon resents Morgana for #always being the one Uther goes easier on and finds ways to turn a blind eye for like wtf #also during my research i was reminded of how done dirty Gwen’s story was by bbc #loses her father to a king fearful of magic barely gets to mourn him bc she now has to keep up the smithy and her maid job; reunites #with her brother who’s been AWOL for some years and still they don’t get a moment to talk about their dad and mourn TOGETHER #her storyline is pushed aside by s4 bc now she’s fulfilling the role of Arthur’s love interest and oh yeah they still need to incorporate #the lanceot/guinevere scandal and then banish her for some episodes without even letting her brother be mad about it like ?????#anyway #continued saga of fluffy rereading transcripts -> uther: ‘it’s been a long time since Ygraine…since anyone’ me: ducking liar >:(#[sir leon begins the slow clap] king you dropped this 👑IT IS 1AM HELP 😂#place your bets on where my laziness for evidence came in! (I honestly don’t know lol scavenging evidence is all a blur)#spent 2 days on this post lol #me: ok i think that’s enough evidence for this argument…………ok maybe ONE more won’t hur—#me after day 2: ….am i done???? am i free????#pendragon siblings coming behind me with a steel chair: nah mate!#me: FUCK THERE’S MORE #bbc merlin #merlin meta #pendragon sibs

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