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#no other thoughts on this drawing tbh; it did take me much less time compared to some of my other art w backgrounds.
luckycloverforducks · 2 months
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Fuck it, HH swap AU
Their core personalities and backgrounds stay the same, it's mostly a role switch
Niffty <--> Husker
Angel Dust <--> Vaggie
Alastor <--> Charlie
(the typical for swap AUs, I know,,)
Everyone else stays the same
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These r edits bc I was just figuring out their designs for the AU, I'll draw them normally another time (Husker isn't here cuz I can't find a good png of the mf)
(+) ANGEL'S EDIT IS AT THE END CUZ I FORGOT
In this AU Alastor started the hotel mostly because he randomly thought up the idea once and thought, "that's fucking hilarious, I'm doing that" + a secondary sentimental reason he'd kill me for saying (he got genuinely fully invested in the cause eventually)
He advertised it on his radio show suddenly out of the blue after 7 and a half years of radio (lol) silence. Alastor still owns Husker's and Niffty's souls but they're also obviously friends (or atleast close to it)
Also he can read tarot bc why not :3
Charlie is closer to her dad in this AU and more sheltered, adopting a more aloof, smug, and dangerous persona so sinners take her seriously, she also has a very slight condescending outlook towards sinners but she's at her core still compassionate and still views them as her people and want to protect them to a certain extent, and she still thinks the Exterminations are unnecessary and cruel, but she doesn't feel like she can do much about it since according to Lucifer's stories and discouragement, she knows heaven likely wouldn't listen much if at all, but when she heard of Alastor's little project it resparked hope in her and she decided to invest in it, becoming co-owner and funder for the hotel.
Angel Dust/Anthony never made a deal with Valentino and actually stayed in his family's crime/mafia business for the 1st half of him being in Hell, but his dad is a POS and kicked him out for being gay so he started doing s3x work, and then he met Alastor after he brutalized his harassers one day, and Angel wanted to repay the favor somehow. Alastor seems interested in him so they struck a deal (not a soul deal, just a simple deal) which has Angel/Anthony is under Alastors protection in exchange for Angel/Anthony's loyalty and assistance when needed (which is a rare case so Angel still feels like he owes Alastor). They grow friendly with time, and Alastor offers to have him be patient zero for his redemption project, and he accepted.
Vaggie/Vi is still a fallen exterminstor and still met Charlie the same way she did in the show, but after that they went their separate ways and Vi finds herself making a deal with Velvette. Instead of being a pornstar like Angel in the show, she is an influencer and a rockstar/singer, she does enjoy making music and playing the guitar but Velvette tends to overwork her and make her do things she doesn't really like for views/popularity. Velvette is the nicest to Vi/Vaggie compared to with her other employees (which isn't a very highly set bar tbh) but she also frequently break her boundaries.
Vi met Charlie again during one of her concerts and they got close and started dating. (Also one sided Velvette x Vaggie is sort of slightly maybe canon in this AU bc toxic Yuri is fun (and it's only fully one sided after Charlie and Vaggie/Vi started dating))
She helps manage the hotel when needed, but is honestly only there cause Charlie is.
Not much about Niffty changes tbh (she's perfect the way she is, utterly unhinged 😍) she's just a bit more mellowed out and less hyper (she's still hyper just not all the time like in the show) and she's also a bartender and has surprisingly good taste for alcohol, and also frequently makes borderline poisonous drinks while experimenting, but when she gets it right it's really good. Doesn't stop the others of being terrified of her drinks though
Husker is a more smiley and charming in this AU, using a laid back attitude to put people at ease and more willing to open up to him if they need to (he used to use the information people share as blackmail when he needs to back when he was an Overlord, although he never actually needs to spread anything, just threats), and he's still very observant but he's also slightly more unhinged- He's a sort of butler/cleaner for the hotel
He still gets grumpy time to time, but mostly when he's drunk, which isn't as often anymore ever since Niffty was put in charge of the bar (understandably so)
He has a bit of an anger issue and also gets annoyed easily, and sometimes makes unhinged threats as a sort of joke (they stop being much of a joke once you genuinely piss him off)
He likes things clean and tidy because it helps him pretend to be put together
He and Alastor are a bit friendlier compared to in the show, hes still one of the few people that knows more about Alastor, though hes still bummed about the whole being owned by Alastor thing (Husker can also read tarot to a lesser extent bc Al taught him for funzies and Husker thought it's interesting)
His gambling addiction is also ever so slightly worse
Angel Dust --v
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creative-crybaby · 1 year
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Thanks a lot for indulging into my fantasies I loved the little drabble you did of them😭😭.
I just checked you're an INFJ so I'm guessing you know bout the mbti types. I've always wanted to see some mbti personality mixed in fanfics, you know. Very very self indulgent ask of me but if you're willing to humour lil ol' me(a girl can dream big) I'd ask for your thoughts on entp reader(basically Kuroo's type) X characters.
Sakusa is what's on my mind specifically since I barely see content on entp X istj, (that also brings me to the idea of sakuatsu but I can't ask for so many things at once so I'll just leave that for later) and ofc I'm can't for the good of my heart live without a bit yandere mixed into stuff so do spill your thoughts on this pairing (Imsosorryimjustsodeprivedbarewithmepls)
P.s. do tell me if my asks are being too much!!
So sorry for the delay!
Ngl the only reason I know my MBTI type is because I had to know it for a little in-class assignment (idk why and tbh I don't think the prof knew either). Just got a wee bit curious and took a peep at ENTP--pretty intrigued, honestly.
Note: I love when people send me asks, and people wanting content they can't often find isn't unreasonable. That said, if you want me to write a fic, that's a commission, to which you can DM me to discuss the specifics as well as the price. As much as I love writing, creating a whole story takes time and energy. Otherwise, I'm sticking to a drabble.
Upon doing my bit of research on the ENTP type, I immediately thought of sakuatsu, mainly because I can imagine Sakusa's irritation around the personality type (in an enemies-to-lovers way, ofc). However, we're also adding yandere shit into the mix (as we should), so I view the enemies-to-lovers dynamic to be the front Sakusa sets up to hide his true feelings. A mix of love (if you can call it that) and jealousy for being almost everything he isn't, he knows his thoughts of you would be frowned upon.
The wing-spiker can't say he's a fan of your rule-breaking and spontaneity--it's just begging for chaos to ensure, and with what he has to deal with from some of his teammates (you know the ones), he doesn't need any more of that. But those concerns are nothing compared to how he greatly admires your creativity (not that he'll ever admit it), and while he hides from crowds, you welcome them, though he can't say he particularly enjoys your attention being elsewhere (especially when other people are involved).
The fact that you're willing to interact even with him intrigues him. Dare I say, he wants you to come back, perking up when you call his name to start a conversation. Sure, you do most of the talking, but he's more than willing to listen, so long as you don't notice his staring, or that his thoughts are stuck on you, morphing farther away from innocent. At least you don't suspect anything malicious when you catch him zoned out. He'll scoff at your teasing if it means keeping you unaware of his true desires.
Now he's listening in on more conversations, even the ones that he's not in. He hates crowds, but he'll deal with them if it means seeing your lips curl upwards while you talk. He's just looking over you, of course. He's seen how others look at you--the curses of having charisma, he supposes. Keeping them in line is the least he can do for you.
That excuse doesn't work when you're home alone. You're talking on the phone--to whom, Sakusa couldn't care less. So long as you didn't have a partner, he'll gladly watch you go on about your day from his little hiding spot. Learning whatever he can, hoping to somehow bring it up in your next conversation without drawing any suspicion. Maybe you'll come back to him more often afterwards, grow closer until your feelings match his. He's willing to change for you if it works, if you'll stick around a second longer.
Just a little longer.
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singscribbles · 2 years
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tactitician’s tent
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theseerasures · 3 years
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Re: that anon who asked about the shuffle step of the themes of sacrifice
I also found the ideological shift in the volume very interesting, and I think she most interesting bits are with Team RRAYNBOW. Like I think the dynamic between Yang and Ruby and their respective missions this volume is very interesting (if maybe a bit underdeveloped, atm at least). You said a little about it with Team JOYR in Chapter 7. Do you have anymore thoughts about the "shuffle step" in regards to that?
i’m gonna admit upfront that i find this question kind of perplexing, because i don’t know what “ideological shift” it could be alluding to when imo our heroes didn’t so much pivot (or shift, or shuffle step) ideologically so much as make a series of context-specific decisions according to what they felt in the moment they could live with, or would die for (don’t make me tap the sign, etc).
what i DO think might be helpful, though, is to lay out what was at stake in each of the weighty choices/discussions our heroes took part in, from the very beginning of the Long Night to the end of volume 8, to see what (if any) throughlines persist or change. so:
Cordially Invited (7.8) to Out in the Open (7.10): our heroes are all in accord. transparency (telling the truth to Robyn) and collaboration (working with/helping Mantle) are paramount, and Ruby specifically takes steps to remedy her own wavering in that earlier in the season, by letting Oscar tell the whole truth to Ironwood. what’s key about this run, though, is that our heroes aren’t calling the shots yet. they advocate for certain actions when advising Ironwood, but they still trust him to take charge of deciding Atlas/Mantle’s fate.
Gravity (7.11): the Big Shift in terms of status quo. our heroes (JNR more implicitly) remain in accord--abandoning Mantle is the line in the sand they refuse to cross. but what does RWBY advocate for, if not Ironwood’s plan? they all agree that the best thing to do is to stand their ground, but for what? Blake and Weiss are comparatively silent on that front, but Ruby and Yang are more explicit. Ruby makes her plea about Amity--that if they hold out long enough, they can do what they always planned, and unite the world, and get help. Yang’s argument is that Huntsmen and Huntresses don’t back down from a fight. (she’s also the first person to suss out that Amity isn’t ready for launch.) this difference is going to come up later.
The Enemy of Trust (7.13): Oscar makes his last individual plea to Ironwood. his reasoning, much like Blake’s (and presumably Weiss’), is simply that abandoning Mantle is a sacrifice of such magnitude that it becomes unconscionable. it’s wrong because it’s wrong, and Ironwood’s rebuttal that it’s pointless to argue about philosophy when Salem’s right on their doorstep, is dickish, but not incomprehensible. Oscar is still looking to retain the advisory capacity that Team Unwieldy Acronym has had for the entire season, and guide Ironwood to making the right call, but that bridge has already been burned. they have to decide the fate of Atlas/Mantle now if they want to save both.
Divide (8.1): The team is no longer in accord. Ruby and Yang recognize that though they agree about Ironwood, their reasons for not abandoning Mantle are different. Ruby’s looking at the big picture, both in terms of what they have to do for the world, and what the world can do for them. Amity looks to be the only obstacle to getting both and saving everyone. Yang thinks it’s pointless. Yang didn’t want to abandon Mantle because that’s just not what you do, but she has no expectation of fighting toward any good outcome. she’s gonna do what seems more readily achievable, which is saving whatever lives can be saved. Ren and Nora split along similar lines more acrimoniously, because Ren at this point is desperate for tangible success and Nora is...just as desperate for total consuming optimism. Blake throws her lot in with Ruby, Weiss abstains, remaining the most quiet on the fate of Atlas/Mantle despite being Atlesian. Jaune and Oscar, though they go with Yang, mostly go for pragmatic reasons.
Refuge (8.2) to Midnight (8.6), Yang’s Team: the plan to help with Mantle is almost immediately derailed when the Hound kidnaps Oscar. i’ve talked about JYR’s plea to Winter in War, but that of course is not the first time that team chooses the few over the many; they do that IMMEDIATELY after Oscar is kidnapped, when Fiona calls for their help and they--without even verbally consulting with each other--go for Oscar instead. in that moment the more proximal thing they can and need to achieve becomes rescuing their friend, whose captor was still in view. but crucially: as soon as they lose Oscar in Fault, and especially after they discover the Grimm River in Amity, JYR had been on their way back to Mantle, and presumably, back to the less impossible thing to do, the thing they promised the Happy Huntresses they’d help with. running into the AceOps and Salem’s invasion throws a monkey wrench into that plan. suddenly rescuing Oscar becomes possible (though not probable)...
War (8.7), Yang’s Team: but not if Ironwood blows up the Whale, whereupon the equation changes again because now doing nothing for Oscar means leaving Oscar to certain death. tbh the confrontation on the airship is about like fifteen different things at once, because the variables keep changing and everyone is having their own argument over whether to rescue Oscar, and why. Yang’s response once she hears about the bomb is mostly you can’t; it is once again just not what Huntresses do, with some personal stakes thrown in. for the AceOps it is about the weighing of lives, and how they can’t put the mission to save Atlas on hold for one life. Jaune is the one who thinks of an idea where they might be able to do one without delaying the other (the second time this season Jaune has suggested the “go for both” option), where they would be the only ones risking their lives, and no harm comes to the greater good. only then does Ren jump in and shift the argument to caring and friendship; that is to say, after the stakes have been lowered so it’s not Oscar vs. Atlas anymore. i don’t think it takes away from his big moment, though: we know from Fault that Ren has taken Yang’s challenge of “let’s do what we can do” and run with it, and come up with “and what we can do is nothing because we’re not ready and we get everything wrong,” so him vowing to do whatever we can here is important. the point is clear: Team Hero draws their strength from their friends, and they’re willing to die for each other...but the question of if they’d let the world burn for their friend is put off for now.
Strings (8.3) to War (8.7), Ruby’s Team: in contrast to Yang’s plan faceplanting at the first hurdle, Ruby’s plan...works. they accomplish their primary objective! but they had to pay a steep price, and the only immediate consequence of that victory was entirely negative. Nora threw so much of herself into Ruby’s optimistic gamble that she now has lasting scars, and if they had never gone to Atlas Command Penny would not have been hacked (so easily; she might have been regardless). Ruby successfully put the ball in the world’s court, but that the problem: the ball is in the world’s court, and the longer it stays there the less sure she is that help will come. and it IS just about the help they’ll receive by War; Salem batting away Atlas’ hard light shields has shifted the goalposts from “hope the other Kingdoms can prepare :/” to “BLAKE’S PARENTS CAN YOU PICK US UP???” the question of Atlas or Mantle rears its ugly head for the first time since Gravity, and this is the first time Weiss is the first one to advocate, and she says we can’t leave--which, not coincidentally, is also what RWBY said to Ironwood in Gravity. May’s argument, of course, is driven by far more compassion: the need in Mantle is greater, and having finished facilitating Ruby’s (and Robyn’s) plan she’s going to do what Yang decided to do, what Joanna wanted them to do, which is fight for every last life. there’s no longer any big wheels to turn, nor any big powers to convince; all they have to do is decide what they themselves will do, and who to fight for. and Weiss finally shows her hand here. she believes in not leaving Mantle behind, but when it comes to the faces she’d fight and die for, Weiss’ are still in Atlas. Blake and Ruby are the ones to abstain this time, and notably when Ruby tries to argue that they’re all in this together it’s much less effective, because...there’s nothing left for them to do together. Ruby is out of concrete solutions.
Witch (8.9): what goes easily missed here that in retrospect is very important is...Oscar kills Hazel. (which means that an Ozcarnation killed BOTH of the Rainart twins.) we all thought he doubled back to make a sacrifice play, and he did, but not for himself. he received Hazel’s verbal consent, and Hazel would have died regardless, but the point still stands. he had to kill Hazel to neutralize Salem, to buy them the time they desperately needed. an unsettling portent for what comes later, innit? it highlights what his own kidnapping, Nora’s injuries, and Penny’s hacking already illustrates, which is that they are now risking every inch of their body and souls in this fray, and it also illuminates the other part of that, which is that by continuing to throw themselves back into this conflict, they now control the fates of other people as well. Hazel trusted Oscar to make the right call, but Oscar had to make the call.
Risk (8.11): where we ultimately land with the splitting of teams is that: Yang’s team went out to achieve the easily graspable, and they ended up forging alliances they never anticipated and dealing a devastating blow to Salem. Ruby’s team went out to achieve what should have been much more difficult, and they did, but with little palpable impact beyond the negative. what comes out and blends exquisitely with their conversation about Summer is that yes, Ruby sent out the call to warn the world, because she believed in humanity and unity, but Ruby sent out the call because she wanted help. she wanted people--say, parental figures--to save her and tell her things would be okay, and she wanted back the innocence to believe them. Ruby didn’t ask to be the face of the war against Salem, and she most certainly does not want to be in charge of it; she has lived with the material consequences of her family being the centerpiece of that war for her entire life. the Hound reveal is the final twist in the knife of Ruby’s childhood, because now the figure on the highest pedestal in Ruby’s mind has been perverted to a malevolent specter, and if that’s the case there are no more adults. THEY have to be the adults now, and look what a terrible job she’s done with that. Yang’s response is that Ruby is not alone--either in her traumatic fall into adulthood, or in her choices not panning out as expected. all they can do is the best they can in the moment, and Yang’s probably going to keep defaulting to what feels more tangible to her, but that doesn’t mean she wants Ruby to stop going for pie-in-the-sky options, either. Summer is still Yang’s hero, which means Ruby is too. what matters most is that they remain responsive to the moment, and don’t get bowled over by despair when something inevitably go off the rails.
so given all these developments, what are we to make of the plan from Creation (8.12) to The Final Word (8.14)? we start with the archetypal Third Option, as championed by Ruby and Jaune: use the Staff to save Penny and Mantle, and Atlas along the way. but the priorities of the plan--civilians first, presumably even before the Relics or the Maiden powers (though the question of one of them or a Relic is really only answered by Winter, who does not speak for Team Hero)--have Yang all over them. we have to do this for Yang isn’t just because Yang’s gone, it’s because they know it’s what Yang would have wanted, and they will respect that. they made a Ruby n Jaune style Big Plan, but when that plan fell to pieces there was no time to think of a fourth, or fifth, or sixth option that would get everyone out, so they had to improvise and double down on what they all agreed was most important. the choice between their friends or the people could no longer be deferred, or augmented, so they chose. civilians, then the Relics and the Maiden powers, then each other. and when any of them wavered--Blake, Ruby, Jaune--someone else checked them, reminded them to trust and respect what they all committed to. they’re still drawing strength from each other, still dying for each other, but they acknowledge that they are not directing just their fates with their decisions anymore. they took a huge desperate gamble to save Atlas/Mantle, and it worked, but what they gambled with was their own lives. and they made themselves make peace with that--that they’d have to do what they can, everything they can, without hoping for salvation for themselves, even from friends or family.
in the end, what comes across just from doing a close reading of these moments is that RWBY’s views on sacrifice, logic vs. sentiment, the greater vs. the few, etc can’t really be plotted on a solid line. that’s why i can’t really think of what happened this volume as a palpable shift--because so many of these choices were context and character dependent. what i DO think happened with our heroes’ ethical beliefs (or “ideology” ig) is that they were tested across a sequence of stressful and traumatic situations, and as a result they had to compromise on a few things they hoped to never have to compromise in order to shore up defenses on what they were certain they could not live without, or would die for (or both! in the case of six of them). if they have to die like every other Huntsman in history so be it, but they refuse to be so cavalier with the lives of others. none of that is meant to be definitive, however: in-universe RWBY is far from over, and Team Hero is going to get to re-litigate and reexamine these questions from lots more angles, out-of-universe...RWBY is far from over, and the point of the show is not to provide an ethical rubric against which the audience can judge themselves and the characters. there are things--like y’know. genocide--that this show will always consider to be beyond the pale, but in terms of grayer complex questions it is content to simply feel out what is and is not allowable in each particular instance, without trying to resolve all options into One Correct Option.
because sometimes you do just have to sit with the discomfort of there not being one right choice or one golden rule, and sometimes you are awash in the consequences of not only your own actions but the actions of others. and then you have to keep going.
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you’re someone i just want around: I
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“And I can't wait another minute
I can't take the look she's giving
Your body rocking, keep me up all night
One in a million, my lucky strike.”
— Lucky Strike, Maroon 5
A/N: this idea started as just random concept drabbling between leyla @sunflowervolvimp3​ and i and we never really thought it would amount to anything tbh!! but as we started putting more and more into the plot and characters, we made the spontaneous decision to make it a full on, multi-chaptered collab fic! we have so many ideas planned and so much to elaborate on and we’re just so mfing excited to share it with you guys :’) any and all feedback is greatly appreciated 💌 we hope you enjoy the first part and that you fall in love with this stupid emotionally unavailable moron the way we did! happy reading!!
andrea’s askbox : leyla’s askbox : ysijwa masterlist : andrea’s masterlist : leyla’s masterlist : 
word count: 17.2k
content/warnings: vampire!harry being a lowkey asshole while downing straight tequila like a psycho, getting to know The Crew, Mitch being the iconic legend he is, mentions of smut, and Harry working his immortal charm on an unsuspecting human girl with a peculiar scent and intriguing personality
///
Harry hates clubs. 
In his two hundred years of life, through many trials and tribulations, through tricky scenarios and annoying encounters, through thousands of unappealing circumstances and patience-testing events, he doesn’t think anything quite compares to the crowded, nerve-wracking experience that is a Los Angeles club on a Friday night during peak hours. 
According to his wise, humble opinion, it’s absolutely fucking petrifiying. He’d rather swallow a stake than have to spend hours in a dimly lit room with synthetic smoke choking his lungs, half-conscious humans stumbling around into him, and the stench of sweaty bodies mixed with liquor fumes, alongside the faint yet unmistakable waft of vomit. 
Yeah, Harry would definitely rather eat a red oak spear than have to shoulder that.
Despite his intense hatred for this Californian city during its after-hours, he can’t deny that he fits right into the scene perfectly. Decades of grooming and practice have made him a prime candidate for the fast-paced characteristics that come with the party nightlife. 
Fitting into these aspects aren’t something he had learned willingly; he didn’t really have a choice on the matter, considering his entire existence depends on mortals immature tendencies to get properly shit-faced and make stupid decisions in tightly-packed glorified bars. Harry never understood that— how a fog machine, strobe lights, and an undergrad amateur DJ could ever seem more appealing than the quiet, stable ambiance of a semi-formal bar. How deranged do people have to be to actually enjoy strangers spilling alcohol on them while attempting to shag someone else two feet away on the dance floor? 
Whenever he dwells too much on that thought, he gets a spiking migraine. After this long, Harry’s just come to terms with the fact that humans are regressing as a species. His conclusion is a bit cynical, perhaps, but hardly difficult to accept. One look at a news outlet provides enough proof to launch an Ivy League research project on the matter. 
He really shouldn’t be complaining, however, because the combination of overflowed close quarters and dampened inhibitions makes it the ideal hunting ground. Picking up a living blood bag at a club is basically as easy as walking through a vineyard and plucking grapes right off the stems. It’s practical, it’s fool-proof, and if he plays his cards right, he gets to feed and gets his more intimate needs tailored (a combo that he and his friends refer to as Laid and Drained).  
So regardless of his distaste towards clubs and their eager inhabitants, Harry had learned to mold his persona to fit the bill, making himself as approachable and desirable as possible. His life literally hangs in the balance; he’d put up with throngs of drunk sorority girls and their affinity for shitty perfumed drinks if it means avoiding desiccation. 
It’s not like it’s hard. All Harry has to do is make himself look more appealing than the other hundred men milling around the establishment, which— if he’s being brutally honest— isn’t that challenging. The moral, physical, and ethical standards of men have dropped frighteningly low since his time. Most of the ones that creep around clubs are overconfident, overzealous, boundary-lacking douchebags who think they’re entitled to a woman’s attention, and therefore make complete, utter fools of themselves in the process of trying to court one into their pants. Buying a girl one Sex On The Beach and dry-humping to Daft Punk isn’t the way to convince her to come home with you. 
Harry has developed his own guidelines and tactics for securing a nightly bedroom companion, and his ideas have been working wonders for him for decades now. 
The first and foremost rule is to clean up nicely. Personal appearance is everything. Humans are visual creatures; they build first impressions solely based on outward attraction. That trait is enhanced the higher their blood alcohol content rises. The drunker someone gets, the shallower they become, and it’s Harry’s job to work that to his advantage. And at the risk of sounding shallow himself, he thinks he does pretty alright in that department. 
Especially tonight, present in all the elements of his physique. He’s clad in a pair of high-waisted tan trousers that have been ironed to a crisp, his fitted graphic tee tucked neatly along his waistband beneath his black leather belt. His t-shirt is probably his favorite part of the entire look. It’s a baby blue sturdy cotton number with pastel yellow detailing along the cuffs and collar and a giant cartoon puppy in a striped bowtie taking up its center, smiling cheekily at the onlooker. Arranged around the doodle in faded Times New Roman bubble letters are the words WE’RE IN THE SHIT. 
Harry loves the irony of the article— the innocence of the drawing juxtaposed by the crude message. The piece is a conversation-starter— people almost always comment on it— and that’s exactly what he needs. Something to draw attention to himself and shadow all the other men. Something that shows he has a personality; that he has taste and a good sense of humor and isn’t just another walking genital. Plus, what person doesn’t enjoy a funny little contradiction, especially when it’s this cute?
On top of his graphic top, he’s wearing a tartan cropped blazer (open, of course) with a creme background and royal blue lines. The hem ends at the bottom of his ribs, exactly where his pants begin, and the jacket's hand-sewn buttons and strap detailings show that it's an expensive garment. It shows that he puts money and effort into how he looks, which is something anyone would appreciate when scoping for a possible hookup.
Harry’s shoes are the most casual factor of his fit. They’re a pair of light yellow Vans that match the collar of his tee. They’re plain, but he keeps them clean and they tie the whole look together without a hitch.
Accessories are everything, as well. Aside from the pearls arranged around his prominent collarbones, the gold-dipped cross hanging from a delicate chain around his neck, and the matching dangling cross earring on his right earlobe (again, he adores irony), he’s sporting a plethora of chunky rings on his hands, each unique and effortlessly complimenting his appearance. On his left hand, his index finger dots a ruby jewel embedded into a thick rusted band, another large metal one with dancing bears on his middle, and two clunky golden letters on his last two digits— his initials, HS. On his opposite hand, he has a medium-width plated ring on his middle finger with peace engraved along its rounded edge, an elegant lionhead number with an amethyst stone snug in its mouth, and along his pinky is a decently-sized opal set into a delicate polished frame. 
His two last rings are the most important of all. The lionhead is his daylight ring, which he hasn’t taken off since he transitioned. It keeps him from bursting into flames everytime the sun hits his skin. The opal was his mother’s, and it was her favorite. 
Harry’s attire is something he’s immensely proud of, even though a good amount of people deem him eccentric in the eyes of modern masculinity. He couldn’t give less of a shit. With his lightly tanned skin, alluring cologne and lacquered nails, his shirt stretching across the defined muscles of his chest and stomach, his broad shoulders and tapering waist, his thick thighs, sharp jaw, jade eyes, loosely tousled chestnut curls, and the vast array of dark ink littering his arms...
He looks good and he knows it. And all the people whose gazes glue to him as he passes by know it, too. Especially a random group of young women in line, who ogle at him shamelessly as he casually strolls past. He treats them to a sly wink, an irresistible dimpled smile, and a soft, cheeky greeting of, “Ladies.”
He gets off on the way they swoon at his refined English accent, giggling and waving. 
The only other component Harry has for succeeding in the club environment is simple, but it’s important: Don’t seduce, romanticize. 
Anyone— even inebriated idiots— can try and seduce a woman. And if she’s had enough tequila shots to cloud her thoughts, they just might succeed. But only a real man can romanticize a girl, and it yields way better results. 
Females are an emotional sect (Harry says that with zero misogyny; it’s just a scientific fact and he actually praises it), which means that if you entertain their interests and fluff their egos, they are bound to fall right into the palm of your hand. It changes the game completely because then they don’t feel that they have to pleasure you, they want to. They pursue the guy who flirts without being too vulgar, who appreciates and acknowledges their efforts, and who can go head-to-head with their wit by carrying unforced banter. They chase after him because he’s showing genuine kindness rather than just sexual interests and if he’s that attentive on the getting-to-know-you front, one can only imagine how skilled he could be in other bases. Chatting up a girl the right way, with patience and courtesy, builds credibility and prowess. And as a thank you, they’re usually more than willing to pay special attention to your needs, as well. 
Thus, romanticizing is always the expert move. So, yes, Harry detests clubs and the disaster that is adult recreation. But he’s fucking amazing at playing it to his favor. He’s great at calculating everything down to the smallest detail and he’s going to piggy-back on those skills for the rest of eternity. He’s so good at what he hates that his closest friends have anointed him the title of Walking Paradox. He’s more than happy to keep it. 
All of these thoughts are circulating around his skull, hyping him up for the game ahead as Harry and his friend group walk up to the bouncer at the entrance of the club they had chosen for the night, faint stars twinkling in the dark sky as the sounds and lights of the city fall away into background static. 
They cruise by the long line of people, hearing sounds of disagreement and grumbling coming from the other patrons waiting to get in. Harry casually tucks his large hands into the pockets of his light brown slacks as he pulls up in front of the burly bald man, who is wearing a black shirt with the club’s name printed in neon letters. The security guard is at least five inches taller than him, overswollen biceps and pectoral muscles rippling under the flimsy material of his work outfit as he crosses his arms over his barreled chest, cocking a single thick eyebrow at the seemingly young vampire. 
Harry delivers a good-natured smile up at the employee, despite the man’s obvious begrudging disbelief at what he is about to try and do. His friends chat quietly behind him, uninterested in what is happening; after years of being acquainted, they know that Harry is going to get exactly what he wants. He always does. 
He’s the best of them, that much is obvious. Not only when it comes to his experience with persuading sexual partners and getting himself a decent dinner, but he’s the best at convincing just about anyone to do anything, neutral of gender. He’s the second oldest of the crew, yet he seems to have the most knowledge and practice under his belt; his easygoing charisma, undeniable good looks, and dazzling smile could sway even the most stubborn of souls. Frankly, he’s so successful in getting his way that no one cares to try and argue for the leader position. Not when they can just sit back and let Harry do all the work. 
“Good evening.” Harry’s deep voice chimes giddily in the direction of the bouncer, his accent particularly heavy for no real reason. “How you doing tonight, mate?”
The guard— whose name tag reads Brock and Harry has to actively stop himself from snorting at how fitting the name is for such a brick of a human— looks down at him with a stony expression, voice flat. “I’m good.”
“Well, that’s great to hear!” The curly-haired boy’s simper widens, dimples popping into place as he skates into his next question with dramatic friendliness. “Haven’t had anyone cause you any trouble tonight, have you?”
Brock blinks once, attitude remaining coldly indifferent even in the face of Harry’s cheeriness. His words, however, are snipped and pointed. “Not yet.”
“I’m guessing you’d like to keep it that way.” The young man comments sympathetically, nodding his head along with the worker. “Totally understandable.” 
“Good.” The employee remarks in the same detached tone, shifting on his feet, obviously growing uncomfortable and irritated with the conversation. “So I’m guessing that means you know you have to get in line.” 
Harry glances over his shoulder at the lengthy expanse of people gathered along the side of the building, a light wind filtering through his freshly-shampooed ringlets as he studies the way the bright sign on top of the club casts alternating rainbow colors across the crowd. 
He makes a disapproving sound by sucking at his teeth, lulling his sight back onto the guard. “I don’t know, man. At this rate, I feel like by the time we get to the front of the line, it’ll be last call.”
“Maybe.” Brock shrugs offhandedly. “It is what it is, right? Fair’s fair.”
“Yeah, you’re right.” Harry returns his gesture, but his posture shows no intention of moving, the corners of his rose lip set in a knowing smirk. “But since you’ve been having a good night, do you think you could find it in yourself to just let us through? We’d greatly appreciate it.” 
The bouncer’s face hardens, any shred of professional amiability washing out of his defined features. “I don’t think so.” 
The vampire’s shoulders sag in exaggerated disappointment. “Are you sure? It’s just five of us. Don’t think we’ll do much damage. Right, guys?”
Harry glimpses over his back to his friends, who let their conversation falter for a moment to throw out a chorus of half-assed agreements, trying to keep themselves from snickering. 
“We promise we won’t cause any problems.” Xander speaks up, jutting his chin encouragingly at the man as his lips twitch slyly. He lifts one of his hands, the smallest finger sticking out stiffly and wiggling around. “Pinky swear.” 
The rest of the group bursts into a round of light laughter, causing Harry to release a few airy giggles of his own.  
Xander looks over at Niall, raising his eyebrows and quipping in an innocent manner. “Right, Ni? No funny business tonight. That means no climbing onto the bar again and stripping down to your socks.” 
“That happened one time!” Niall exclaims incredulously, socking the taller boy in the shoulder as the others laugh harder than before, his blue eyes narrowed and face pinched. “Once! And it was only ‘cause Harry challenged me to a tequila shot contest.”
The Irish vampire’s accented voice drops darkly as he reminisces. “Fuckin’ hate tequila. Makes me act like a moron.” 
“As if you’re not one already.” Mitch pipes up in his usual soft dialect, chuckling as he ducks away from Niall’s vengeful fist. 
Harry cranes back to face Brock, thumb playing with his daylight ring as his hands stay relaxed inside his trousers. He shrugs one shoulder easily for emphasis. “See? You can let us through. We pinky swore.” 
The entire charade seems to have only infuriated the security guard more than before, his brows now fully furrowed and a deep, unamused frown etched across his previously pursed lips. His voice is on edge with barely controlled anger. “I’m not putting up with any shit. If you want in, go to the back of the line. If not, leave.”
Harry sighs grandly in defeat, head shaking slightly. “Guess I’ll just have to go the other route, then.”
The creature takes a step forward towards the employee, close enough that their chests almost press together. The bulky man stands his ground, though there’s a flicker of surprise in his eyes at seeing the smaller boy make such a bold move. 
“What the f—?”
Harry locks gazes with Brock, pupils dilating to twice their size, the usual emerald shade of his irises flickering a haunting red and looking sinister in the buttery light of the street lamps. Horror breaks across the worker’s face, the ability to form coherent sentences disappearing from his demeanor. Harry’s heightened senses can hear the way his heartbeat spikes, blood instinctively rushing into his chest as a response to the adrenaline materializing in his veins. The activation of human’s fight-or-flight modes is always so oddly pleasurable. Just feeling how they react so drastically makes Harry’s fangs tingle with longing. Fear is a good condiment, he’s learned; it gives blood’s usual metallic flavor a certain twang.
But at the moment, a beverage from this specific tap isn’t the one Harry has in mind. He has his interests set on something much tangier and full-bodied; maybe Casamigos golden tequila, or Don Julio's Blanco. Preferably mixed with a young office secretary or a Bath and Body Works employee instead of lemon and salt. 
All in all, Brock is just collateral for a much bigger prize, which lies behind the roped off area he holds dominion over. It’s Harry’s job to break that dam. 
Before the large man can fully react, the vampire begins working his compulsion strategy, tone coming out level and soothing, thick with persuasion and teetering along a sleepy undercurrent. “You’re going to let us through, and you’re going to forget we ever met.”
The guard’s pupils enlarge to match Harry’s, the look of utter terror on his face melting right off. His features go slack as the monster’s magical influence works its way through his brain, coating every neuron and bending him to the deliverer’s will. The man reaches over and removes the velvet rope blocking the group’s path, stepping off to the side obediently with an empty expression present across his appearance. 
The leader of the group smiles just as brightly as he had the second he’d walked up to the door. He passes by the worker, giving him a hard pat on the shoulder and feeling the muscular man strain under his supernatural strength. “Thank you very much. You have a nice night, Brock.” 
Harry’s friends follow behind him, echoing his parting message and sharing a collective chortle.  
The second the group dives past the frame of the club entrance, the whole ambiance of the atmosphere changes. Harry walks across the top ledge of the establishment, coming to a halt at the railing that overlooks the main level of the club, his inhumanly sharp eyes bouncing around all the corners of the building to construct some type of familiar layout in his head. Amidst the blinking lights, thick artificial smoke, and swaying bodies, his keen instincts sketch a mental image for tonight’s hunting ground. 
The bar is at the far left corner of the club, squared off and taking up a large chunk of the colorful tiled dance floor. The music station extends across the entire wall at the opposite end of the tavern, stocked with massive speakers and a professional turntable. Harry’s brows jump in mild surprise— it’s not every day that a club puts so much effort into their mixer. 
The animated dancing area is packed with people, the crowd all jumping and grinding to the beat of the bass, moving as one large mass while the rotating strobe lights hang from the cavernous ceiling, bathing their moving silhouettes in neon reds, drunken blues, groggy purples, and electric yellows. The dim surroundings and heavy fog make all the hues more intense, giving the endless party that timeless quality which people tend to enjoy about nightlife. It’s the night to remember effect that movies and shows always hyperbolize; he thinks this way because he’s well aware that not even a third of these people are sober enough to know what the fuck they’re doing, let alone recall it the following day. It’s comically ironic, really. 
But Harry profits off that liquor amnesia, so he brushes away his sardonic skepticism for the time being, settling his lean forearms onto the metal railing that lines the second story of the venue, which is meant to keep shit-faced customers from creating a messy lawsuit. He carefully absorbs the grandeur of it all, leaning his weight forward with a detached sigh, already flickering through the mental menu of his favorite drinks that he has expertly memorized. 
He’s in the process of choosing between a Manhattan— it isn’t a very complicated drink, which is exactly what he’s looking for; something simple and strong— or just straight tequila in a glass when he suddenly feels a familiar presence arrange itself beside him, bumping his shoulder playfully with their own.
Harry snaps out of his recipe retrieval, eyes casting to the side to land on his best friend of almost a century. He cocks an eyebrow expectantly, waiting for the thin, bearded man to make the first move towards conversation.
“You’re a real dick, y’know that?” 
The green-eyed vampire sputters into spontaneous laughter, the edges of his eyes crinkling as the small pits in his cheeks jolt awake. His tone is humorous and full of fake insult for the hell of the joke. “Wow, alright. So I get us into the club that you chose and that makes me a prick? Good to know. You can handle the muscle next time, then, if you’re gonna talk shit.”
Mitch cracks a gentle jesting grin, which is very on brand for him. He doesn’t seem like much, with his skinny, lanky frame, delicate features, shoulder-length hair, and somewhat scraggly stubble. He’s quiet, reserved, and hardly engages with anyone outside of their immediate group. He’s always been that way for as long as Harry could remember. 
When they had met back in 1924 at a speakeasy in New York, Mitch had given off a mysterious vibe that Harry had found amusing and intriguing. His slightly sickly appearance and distant persona made the younger vampire want to get to know him better; it was just so peculiar that this seemingly impassive man was working at an illegal bar as a live musician. One would think that a performer would have to display an engaging character to keep a loyal audience, but Mitch had been all the talk of the underground despite his unemotional coolness. It was startlingly unorthodox and Harry just had to know more. 
Therefore, with a bit of help from his convincing supernatural abilities, he’d secured a spot as the black market club’s leading vocalist. He wasn’t anything worth a Grammy, but he could keep his singing in tune and follow Mitch’s guitar rhythms easily enough, all thanks to his limited experience with piano. He fit right in. 
From the first show they had put on together, it was like they had known one another in a different lifetime. They clicked so flawlessly it was almost fictional. 
Harry was lively and charming on stage, working the crowd to his favor as easily as he could knock back a shot, wrapping every single patron around his jeweled pinky without breaking a sweat. His witty temperament countered Mitch’s timid disposition perfectly and that uncommon dynamic had been the foundation to their friendship. Their humorous shenanigans on stage (which included Harry pinching at Mitch’s ass and making vague vulgar motions at each other while harmonizing) was a hit within the drunken community, and it bled into their personal lives. They went from only interacting on stage to sharing drinks together afterwards, to hanging out outside of work, to deep late night conversations about the world and their experiences.
Soon enough, they were closer than either had expected to become. And once they found out each other’s true identities (Mitch had transitioned during the American Revolution, when a vampire in his battalion had given him blood to heal from a wound, unaware that the next day, Mitch would suffer a fatal gunshot to the stomach that would trigger his transformation) they grew inseparable. They had remained that way ever since. 
Despite his friend’s withdrawn tendencies, the older vampire never hesitates to make his opinions heard, obvious in how he’d just full-bodied Harry with that snarky comment. Even when it’s at his expense, Harry appreciates and respects the rawness of it. He loves the way Mitch is honest and straight-forward with everything that crosses his path— it’s one of his favorite traits about him and definitely one of the characteristics that had led Harry to deem him his best friend. He’s probably the most fulfilling person Harry has ever met and their friendship brings him a type of comfort that he doesn’t receive from anyone else.
Vampires can be so detached and cold not only towards humans, but towards one another, and it gets old at times. It’s unsettling not having someone to truly confide in, and Harry is grateful that Mitch had been so willing to fill that position.   
Due to this, Harry rarely takes genuine offense in Mitch’s digs. They’re normally expressed as a joke and they’ve both been alive for so long that thick skin is a default.
“How was I dick?” Harry inquires, slinking his head to the side with entertained curiosity. “If anything, he was the one being an asshole. I asked him to let us in nicely and he practically spit in my face!”
Mitch snorts in amusement, shaking his head lightly as his eyes streak across the humongous room in the same cunning manner Harry’s had. “You and Xander didn’t have to mock him that way.” 
That’s another thing that makes Mitch the better half of their power duo— he still has a decent shred of humanity in his unbeating heart. Pessimistic conclusions aside, Harry does have a bit, as well...but his is more like a paper-thin pencil shaving than a shred. Barely there, but there, at least. 
The young man returns his companion’s snort, rolling his eyes up to the hanging lights over their heads. “Was just some harmless teasing. Nothing bad came of it.”
Mitch scowls scoldingly. “It was unnecessary and mean.”
Harry mimics his expression with his nose scrunched sarcastically. “We were just taking the piss, and it’s not like he’s gonna remember it anyways. Stop being such a kill-joy.” 
“Stop being such an arrogant little shit.” 
“Or what?” Harry tilts his chin up challengingly, the amber specks around his pupils glinting tauntingly, faint black veins momentarily webbing across the whites of his eyes. He sweetens his voice into a honeyed drawl. “Are you gonna spank me, daddy? Have I been a bad boy?” 
Mitch belts out a feathery chuckle, shoving his friend with enough strength to send a regular human flying across the deck. But since the taller vampire matches his force, he hardly moves an inch. “Fuck off.” 
“I’m being serious!” Harry cackles, turning his hips and sticking out his ass towards his visibly disgusted acquaintance. “Go fucking in, if you want.”
He lowers his voice into a sultry hum, wagging his backside jestingly. “I like it rough, baby. Why don’t you bend me over this railing and show me who’s boss?”
It’s Mitch’s turn to roll his eyes to the ceiling, voice deadpan. “I think I’ll pass.” 
Harry juts his lower lip into a theatrical pout, sniffling faux tears. “You’re rejecting me that quick? Who’s the asshole now, huh?”
His best friend doesn’t even blink. “Still you.”
“I can live with that. And it’s probably a good call on your end to give up all this,” he signals vaguely up and down his tight torso with a ringed hand, grinning as he watches the veteran vampire pretend to gag, “because I don’t think Sarah wouldn’t be too happy about it.” 
Mitch’s humorous face immediately drops, eyes narrowing at the change in topic. “Very funny.” 
“I know, right? I’m a proper comedian.” Harry quips proudly, batting his lashes mockingly. “Where is Sarah, anyways? Have you heard from her lately?” 
Sarah and Mitch...They’re a complex couple, if they can even be called a couple. The two are more like occasional friends with benefits, “occasional” meaning “once every couple of months, if Sarah happens to be passing by.” 
Their relationship is open and very loose, mostly due to the fact that Sarah is fairly new to the world of blood-driven immortality and has decided to take full advantage of it. She’s been using compulsion to travel the world for the last three years since she changed, which had been the result of an unfortunate car accident. 
Mitch had been seeing her casually beforehand, keeping her around for the purpose of having a conventional feeding arrangement. Every time vampires feed, they heal the wounds they inflict with a bit of their blood, proceeding to then wipe the person’s memory with compulsion in order to eradicate any chances of getting caught. The caveat is that if a human dies with vampire blood in their system, they become one. 
Sarah’s death happened the day after she’d spent a night with Mitch, and one can imagine how distressed she had been when she'd awoken atop a metal table in a morgue within the basement of a hospital. Mitch had been there from the very first second she’d opened her eyes to her new life. Or rather, her dead life. He had helped her get accustomed to the next stage (meaning having to cut family ties in order to avoid a catastrophe— the less people that know the truth about the supernatural, the better) coaxing her through transition and teaching her the way to go about the rest of eternity without putting herself and others in danger. 
Vampires rarely have any compassion for life (usually out of spite, which stems from how their own lives were taken from them), so it’s not uncommon that bodies are found drained of blood in back alleys, abandoned warehouses, and washed up on banks of oceans and rivers. It could be either of two reasons, or even both: the monster doesn’t care about the consequences of their actions, or they never learned to control their urges. 
Harry’s crew isn't that careless. Through Mitch, they had learned restraint, taking up his practice of feeding enough to satisfy themselves without killing the host, healing them, and then erasing the occurrence from their memories. Mitch had come up with the tactic to cling to his humanity— to be as kind and nondestructive as possible— but if Harry’s being honest, most of their friends only play along because it’s convenient. No bodies means no police involvement, and no police involvement means being able to settle down in one place for an extended period, not having to stress about the annoying process of bouncing around the world for the rest of their lives to avoid detection. 
Keeping low was for the best, and when things get rough— whether it be a mistake on their part or a disastrous bender caused by another vampire passing through— they resort to drinking from blood bags until things tide over. Mitch has a contact at the nearest hospital, which is how he gets access to the stock, as well as how he managed to clean up Sarah’s passing so quickly. 
All in all, Harry had only mentioned Sarah to tease his friend, knowing the slight sensitivity that comes with the subject. Vampires rarely form emotional bonds, typically because it can get really messy, really fast, whether that connection be to a mortal or to another creature of their species. All of them have baggage of some sort— you can’t die, resurrect, be forced to abandon your family, and be a slave to drinking blood for the rest of eternity and just...be normal. That type of extreme emotional turmoil is corrosive towards love. It’s always better to just avoid it all together. 
That’s why this is so habitual to joke about; it’s a way to deflect. 
Mitch sighs grandly, Harry’s question echoing in his skull. “I don’t know where she is, to be honest. Last we talked was, like, four weeks ago, I think. She was in Japan, said she was drumming for a new upcoming band. Haven’t heard from her since.”
Harry nods his head once in understanding, itching to steer the theme of their conversation elsewhere now that he knows the topic is in a more sensitive state than he’d imagined. He doesn’t want to push Mitch into a depressive episode when they’re supposed to be having a good time. Spending the night consoling his sulky friend in the bathroom of a club is the last thing he wants right now. 
“I guess that makes Sarah the asshole, then.” He pokes jokingly, bumping the older vampire’s hip with his own. “She’s ghosting you. Get it? It’s funny ‘cause she’s actually dead.” 
Mitch’s sad expression shatters like glass, replaced by one of unamused secondhand embarrassment at the shitty pun. “I fucking hate you.”
“All the people who were ahead of their time were hated.” Harry sing-songs, turning up his nose haughtily. “Copernicus, Socrates, Einstein— all of them were hated for being geniuses. I’m willing to carry that same burden.” 
Mitch blinks at him three times. “No one hated Einstein.”
The curly-haired boy’s lips twitch darkly. “I’m pretty sure Japan did.” 
“You’re going to hell.” 
“I’m already there, mate.” 
Mitch shakes his head, but even through the black lights, Harry can see him trying to ward off a laugh. After a moment’s pause, he speaks up again softly. “It’s not that hard to refrain from humiliating innocent people who are just doing their job, H.” 
“Oh, for fuck’s sake, you’re still on that?” The broad monster groans in exasperation, palms slapping down on the metal rungs below him. “We were just having some fun! But fine. If it helps you fake sleep at night, I’ll try and keep my condescending flare to a minimum.”
“That’s all I’m asking.” Mitch responds peacefully, tapping his nimble fingers casually along the railing, his action much less violent than his companion’s. “S’not too difficult.” 
“Whatever.” Harry scoffs, returning his intent gaze to the dance floor, scoping out the scene once again in hopes of finding a proper meal for the night. 
He zones in on a group of young women gathered along one side of the bar, their messy giggling and lack of balance giving away that they’re obviously sloshed off their faces. Seems promising enough. 
When he talks once more, his tone holds an attitude that plays on a grumble, but it’s somewhat distracted. “The least you could do is let me have some fun, considering I didn’t even want to come.” 
Mitch huffs, making an entertained noise in the back of his throat. “You say that every single time we go out, and yet you always end up taking someone home. Don’t know why you’re complaining.” 
Harry side-eyes him from his peripheral vision, the corners of his pretty cherry mouth dipping down grudgingly, mood defensive. “You drag me to these things so I’m not going to apologize for making the best of it. I put a lot of effort into my pick-ups! I deserve to get my dick wet.” 
“God, please don’t say that again.” His best mate physically makes a vomiting sound. “You’re acting like a spoiled fraternity douche.” 
Harry’s gaze ignites into flames, his back straightening out as he fully turns to face the shorter man. He’s never been insulted so low before. “Take that back!” 
“Take that back!” Mitch mocks in an exaggerated, high-pitched British accent, attempting to stifle giggles. 
“Take it back! You know how much I hate Gen Z.”
“Okay, boomer.” 
“You’re older than I am!” 
“I know. Your lack of maturity is a constant reminder.”
Harry opens his mouth, prepared to make a sharp comeback about how Mitch should have left the shaggy-haired stoner aesthetic back in the eighties, but then a heavy Irish accent interrupts his rebuttal. 
“What’s all this about getting your dick wet?” 
Both of the vampires turn towards Niall, finding Xander and Adam accompanying him in a loose semi-circle. 
Xander isn’t paying any attention, too busy tapping away at the screen of his smartphone, apparently engaged in a very riveting conversation with whoever is on the other side. Adam has his hands tucked into the pockets of his plum purple wind-breaker, looking over Harry’s shoulder, seeming to be adamantly searching for someone in particular amidst the mob on the level beneath them. Niall is the only one interested in their dying conversation, probably only because he heard something crude being mentioned. 
“It’s nothing.” Harry dismisses, but he can’t help but stick Mitch with a glare. “What’s the plan for tonight, then?”
Adam speaks up for the first time. “Charlotte and Ny texted saying they got here about ten minutes ago. Mentioned they were dancing near the DJ station, so I think I’ll go find them.”
“Sounds good.” Harry bobs his head in accordance. “We’ll see you out there, yeah?” 
Adam returns his action, turning on his heel and heading for the stairs that lead to the bottom floor. The leader of the group watches him trot onto the large spiral staircase, disappearing into the thick throng of people scattered across its wide steps. 
Harry shifts his attention to Xander, snapping his fingers a few times in his direction and giving a two-toned whistle. “What about you? What’s got your head?”
“Not what, who.” Niall teases, wiggling his eyebrows suggestively and making kissy faces at their friend. 
Xander ignores him, glancing up at the green-eyed brunette to let him know he’ll be with him in a second, returning his focus back to his iPhone. After a few more elongated moments of typing, the older man finally locks his device. 
“I have a date.” He throws out casually, almost as if it should be obvious. 
“A date?” Harry reiterates slowly, not quite buying it. Xander doesn’t date. He couch-surfs just as much as Harry does. 
“Mmhm.” Xander glimpses behind his fellow vampire, eyes carrying intention. “It’s just a random dude from Tinder. I thought it’d be easier to set something up beforehand, just so I don’t have to spend the whole night trying to figure out if a guy is making eyes at me or trying to keep his whiskey down.” 
“Smart.” Harry shrugs his sculpted brows, impressed. A cocky grin toys with the corners of his mouth. “But we both know no one will ever compare to me.” 
“Right.” Xander scoffs in a deadpan manner, gifting him a tight, aggravated smile. “If only you weren’t such an emotionally unavailable prick.” 
“Oh, like you’re mentally stable enough for a relationship?” Harry bites back, but it holds no true malice, just some petty rivalry. “Piss off.”
“Happily!” The other vampire exclaims, clasping his hands together for dramatics. “Have fun finding someone out there. I’m just gonna grab a to-go box for my already prepped meal.” 
Harry doesn’t bother watching him leave. Instead, he turns to Niall, pointing at him to symbolize it's his turn to share his plans for the night. “What have you got, Lucky Charms?” 
His friend breaks into a jolly cackle at the nickname, arms falling crossed over his chest, hands absentmindedly squeezing his elbows in thought. “Well, I dunno, Tea and Crumpets. What’s your game plan?” 
Before Harry can answer, Mitch butts in, feeling left out of the banter and somewhat hurt that no one had assigned him an alter ego. “What’s my country-derived nickname?” 
Niall gives the American a slow once-over, shifting in his dark brown Clarks boots, fitted navy slack riding up his thighs and allowing his rainbow polka-dot socks to peek out. He hums lowly in the back of his throat, a grin spreading across his rosy cheeks. “Biscuits and Gravy.” 
Harry chimes in, his own arms casually folding over his strong chest, index finger tapping on his bottom lip as if mulling something over. “I quite like We The People, actually.”
The Irish lad snaps his fingers as if having a sudden epiphany. “Uncle Sam!”
Harry’s emerald eyes twinkle with glee at seeing the way Mitch’s go half-lidded, no longer entertained. “Four Score And Seven Years Ago.” 
“Okay, I think that’s enou—”
Niall wags a finger at Harry, lifting one shoulder in question, seeking approval on his next idea. “Star Spangled Banner?”
Harry copies the boy’s motion from before, snapping his fingers and making jazz hands. “I Pledge Allegiance.”  
“Ok, I get it!” Mitch whines with annoyed finality, pushing off the metal railing with a curt grimace on his scraggly face. 
“You asked!” Niall rationalizes between hiccups of evilly delighted joy, cupping his stomach as if to keep it from splitting open. 
“Won’t make that mistake again.” The older creature grumbles, leaning his back against the rungs and looking off towards the distance, communicating that he’s done being a part of the conversation. 
Once Harry manages to reign in his giggles, he rubs at his nose with the side of his finger, releasing a wistful sigh. He refers to the question Niall had stated before their little bullying fest. “I think I’m just gonna do what I always do— sway a nice, pretty girl into doing some not-so-nice but very pretty things.” 
“Solid.” The Irish bloke remarks, toying with the plastic buttons on his silk beige top. “Not much to do other than that, to be fair. Adam’s usually my wingman, but I guess he abandoned me for a girl’s night.” 
“Mitch is mine, and he knows better than to dip on me.” Harry roughly nudges his best friend with his elbow, dodging to the side when Mitch tries to hit him in return. 
Niall hums softly in amusement. “Maybe I should make Adam sign whatever contract you drafted for that poor bugger.” 
The curly brunette snorts. “Good luck. Adam’s as stubborn as they come. But, hey, if you can’t find anyone, just come to me.” Harry’s irises flit crimson for a millisecond, an ominous smirk buckling his features. “You know I’m always happy to share.” 
“Thanks,” his friend exhales flatly. “I’ll keep that in mind.”
“If you’re taking tips,” Mitch pipes up, vaguely signaling at Niall’s shirt with his chin, “maybe don’t wear that stupid shirt next time. The elephant doodles look ridiculous.”
“It’s a good thing I’m not taking fashion tips from anyone who actually enjoyed living in Ohio, then.” Niall snaps in an exaggerated American accent, middle finger jutting towards the other man. “The only thing you know how to dress is a cornfield scarecrow. Must be why you look like one.” 
Harry forces down more laughter, clearing his throat softly. “You’ll be fine. Just don’t get hammered— girls hate that.” 
“Note taken.” The pale boy runs his fingers through his hair, fixing it up and adding texture to appear more laid-back and rugged. “I’ll see you later, then.”
“Later.” The younger vampire recites, giving a big thumbs-up. 
“Good luck out there. You, too, Boston Tea Party.” 
With that, Niall saunters away, leaving a fully laughing Harry and a grouchy Mitch in his wake. 
The two acquaintances decide to follow in everyone else’s example, descending down the looped staircase and chatting about Mitch’s latest gig at a new bar downtown. 
Harry praises Mitch's talent with his guitar, specifically the fact that he found a hobby which he enjoys so much that he’s willing to keep it as a permanent part of his life. It’s easy to get bored of things when you have hundreds of years ahead of you; everything can seem pointless, in the end. But Harry doesn’t think Mitch has ever let himself fall into those types of dark headspaces and he finds that extremely admirable. 
Harry wishes he could say the same. He’s no musical prodigy, that much is obvious, but he is an expert at playing a few specific French songs on the piano by memory. He rarely does it, though; only when he’s in a low state of mind, which— given the origin of how he learned said classical pieces— isn’t something he’s proud of. They’re tied to a very gruesome part of his past that he’d rather bury deep inside, but he can only push back his troubles for so long before they begin to leak out, staining the clean sheet of recovery he had sewn into place. Those arrangements just bring him a warped sense of comfort he can’t explain.
Even though he’s aware of the destructive aspects of the songs, he finds himself humming one now out of instinct as he elbows through squished bodies and flailing limbs. The second he notices he’s doing it, he cuts it off, focusing all his intention on making it to the other side of the room to the bar. It’s a hard trip when it feels like the walls of the building are closing in on him. 
When Harry finally breaks free from the Human Centipede re-enactment that is the club dance floor, he practically collapses onto the sleek glass counter. Death was less painful than that walk. 
He cranes his neck to the side wildly, suddenly remembering that his much smaller, much skinnier, much more crushable friend had been in tow behind him. To his utter shock, he watches as Mitch calmly weeds around grinding drunk couples with the poise and grace of a swan, filling the empty spot besides him without a single ailment in the world. 
Harry blinks at him blankly in silence, almost as if he’d grown an extra set of fangs. 
Mitch flags the bartender from all the way down the counter, not bothering to meet the green eyes peering at him in disbelief. “You’re so fucking dramatic, H.”
“How did you not die? Again?” Harry sputters, sight jutting all around the older vampire’s body, looking for any battle wounds or missing appendages. “I almost lost an arm in there!”
“It’s a good thing it wasn’t your favorite one, right?” Mitch smirks at his own lewd joke, the simper molding into one of genuine kindness when the mixologist slides up in front of them. “Hi, how are you? I’m good, as well, thank you for asking! Yeah, I’ve got something in mind. Don’t worry, I’m not one of the ‘just make me something sweet’ type of assholes.”
Harry zones out the rest of the friendly chat Mitch entertains with the employee, letting his gaze wander around the large auditorium-like room. He dances his vision over the DJ remixing music on top of the stage, head beginning to bop along to the beat that is currently shaking the seven foot tall speakers. He’s pleasantly surprised at how good this specific producer is. 
He continues scoping out the rest of the venue, taking notes of the different clusters of people that seem to hold promise for the plans he has in store later tonight. A small group of hippie friends here, a two-party duo of tipsy stoners there, and a clump of college students at the edge of the ruckus, stumbling around loudly. Things are looking somewhat decent, in his opinion. The hippies seem to be catching his attention more than the others— specifically, the one that looks similar to Stevie Nicks. That’s a fantasy that’s been waiting to be fulfill for decades now. 
Harry lulls his head forward again when he feels Mitch give a squeeze at his elbow, telling him that the bartender is waiting to take his order. He decides to go for the gold tequila, asking for it straight in a highball glass without any garnishes. The worker’s eyebrows jump up slightly at the unorthodox request, but he drops a polite, “Coming right up.” either way.
“You truly have no flavor.” Mitch tuts once their waiter has stepped away to prepare their drinks. “No taste buds whatsoever.” 
“Yeah? Well, you can suck my flavorless dick.” Harry chimes brightly, eyes crinkling shut as a result of a theatrical smile. 
The younger vampire goes to turn back around, legitimately interested in the girl he’d seen that looked like one of his seventies celebrity crushes, already running through scenarios in his head on how he’d get her into his bed for tonight. Weed and ABBA are probably good conversation starters for that, if Harry’s undisputed people skills have anything to say about it. 
As he’s rotating his torso, a blurred image catches his eyes. He does a double-take, honing in on a group of girls that look faintly familiar. He scans them carefully as they huddle around the corner of the bar area, laughing and toasting along to the multiple conversations they all have going at once. They look like the typical posse that would be a backdrop clique in a mainstream movie. 
He knows where he recognizes them from— it had been the same girls he’d spotted earlier up on the second deck.
Harry expertly surveillances each woman, picking out potential candidates as easily as he’d pinch petals off a flower. The one in the center of the group is obviously the leader, present in how she’s the prettiest and is somehow managing to juggle all of these interactions at once. It means she’s used to being the center of attention— probably strives under it. He throws her out as a potential; the last thing he needs is someone who everyone knows and seeks out. He wouldn’t be able to sneak away with her quietly. 
The rest of the girl crew all seem to be the same status-wise, appearing as supporting characters to the main one in the middle. He could choose any one of them blindly and it wouldn’t make a difference. They all seem so tight-knit, they probably share personalities, at this point. It’s like dipping his hand into a jar of jelly beans and they’re all the same flavor. That notion makes him laugh to himself a bit; maybe Mitch was right about his lack of taste. 
Then, Harry spots her, and all the other women immediately go up in smoke. 
It’s hard not to spot her. She sticks out like a sore thumb, but not in a good way. 
The prospective contender is off to the side, sitting atop a barstool with her feet tucked along the footrest, tapping them against the metal rung awkwardly. She’s talking to one of the other people in the group, but the interaction seems forced and not very satisfying, obvious in both of their faces. She’s tracing her middle finger around the edge of her glass cup distractedly, the contents inside barely touched, the ice in her drink long-melted. She seems disinterested in the chaos her friends are causing, her expression bored and borderline regretful, as if she doesn’t want to be here. 
The further he sizes the girl up, the more appropriate she looks for the role he needs filled. Since barely anyone is paying attention to her, that means he can lead her astray without too much resistance from her acquaintances, if any at all. She appears somewhat unimportant to the narrative— merely a background extra— and it makes him wonder what she’s doing with this clique of women that can’t seem to be bothered by her presence. It’s sad, really. Sad, but beneficial, because that means he can succeed in making her the supporting protagonist of his narrative, at least for tonight. 
The girl is attractive, but not anything astronomical. She’s unconventionally pretty in a way that makes her relevant, but not particularly distinct in the eyes of regular men with presumptuous standards. She’s easy to pass up, and if Harry hadn’t been actively pursuing someone of her bashful persona to card into his plans, he wouldn’t have noticed her. At the risk of once again sounding shallow, Harry’s aware that— physically speaking— he’s very much out of her league. His above-average appearance gives off the vibe that he’d fit better with the leader of the group instead of with her, but he doesn’t want someone that would raise suspicions as a result of their absence. This girl, sitting along the edge of the party with barely any purpose and no one to really question her whereabouts, is exactly what he’s looking for. She’s perfectly imperfect for the cause. 
Harry continues to examine her meticulously, analyzing other traits that can give him a better feel for her character. She’s clad in a pair of high-waisted pastel pink silk pants that stop right at her ankles, accompanied by a flouncy creme lace blouse tucked into her waist. Tan wedges, no accessories, delicate rosey nail polish, and minimalist makeup. The boldest thing about her is the brick red shade of her lipstick, which is easily shadowed by the sparkly sequin dresses, five inch heels, and layered tops her friends are wearing. 
Harry likes her outfit, though. It’s concise and safe, which he can appreciate. Yes, perhaps she looks like she belongs in a dentist’s office rather than a Los Angeles nightclub, but he thinks there’s beauty in simplicity. She looks cute, and that’s good enough for him. 
“She seems interesting.” Mitch’s soft voice snaps him out of his detail-hungry haze, drawing him back into the reality that is the black lighting of the club and the deep booming of the music’s bass. 
His friend slides his tall drink across the glass counter, the amber liquid inside warping his reflection. 
“I suppose so.” Harry answers passively, shrugging one shoulder in indifference while accepting the cup, ringed fingers clinking against the crystalline surface. 
He takes a leisurely sip from the straight tequila, its tangy kick sending a warm surge up through his ears and down his throat, spreading into his chest and along the trench of his tummy. Alcohol really is the cure to everything. 
Mitch gives him a deadpan look, the strobe lights alternating across the glossy surface of his hazel irises, highlighting smugness. “You’ve been gawking for five minutes. Put your pride back in your pants and go talk to her.” 
The curly-haired vampire flashes him a light smirk over the rim of his drink, absentmindedly tapping his two initial rings along the bottom of the highball cup. “Ever so blunt, aren’t you?”
Mitch scuffs, taking a swig from his trusty beer bottle. Out of everything, that’s the one aspect Harry despises about his best mate— that he goes to a club and orders the same drink every time. Where was the fun in that? Where was the excitement of trying something new? When you have an eternity, the least you could do is utilize it to your advantage. Cycling through every cocktail in human history is a prime example of making the best out of immortality.  
But Mitch is a creature of habit— as are most of their kind— and Harry knows he won’t shake easily. Not when it comes to surrendering his preferred beverage, and definitely not when it comes to sticking his nose in Harry’s intimate business. Meddling and being irritating are what best friends are for. 
“What can I say? Pep talks are my forte.” The older monster remarks sarcastically, bumping his bottle against Harry’s glass in encouragement, using the spout of his container to point in the general direction of the mysterious girl. “Now go make dinner.”
“But, darlinggggg,” Harry whines playfully, a smirk still tugging at the corners of his slightly liquor-swollen lips. “I made dinner last night. Isn’t it your turn?”
Mitch rolls his eyes and shoves Harry’s shoulder harshly, with just enough force that it actually has some type of impact this time around. “Just go, before she gets creeped out by your staring.” 
Harry’s own irises copy his friend’s actions as he pushes himself up from the bar, rubbing at the new sore spot on his shoulder with an exaggerated pout present. “Ow.”
Mitch blinks at him flatly, fighting off a grin. “You’ve had worse. Go.”
Harry swivels on his heel, once again facing the group of tipsy girls at the other end of the counter. It appears that most of them have dispersed into the dance floor, having found partners to entertain them for the time being, moving to the music as if there are no other people in the room. They had left behind three of their companions, one of which is Harry’s aspiring hookup; he gets the feeling that the two girls had stayed behind out of the kindness of their hearts, feeling too guilty to leave the runt of the litter all on her own. He hopes that’s the case because if so, the second Harry inserts himself into the situation, they’ll take that chance and split, leaving him to tend his meal in peace.
He tucks one large hand into the front pocket of his trousers, the grip on his glass tightening a smidge, rings biting into his skin as the condensation of the chilled tequila cools the small spike of pain. He spins his lionhead ring around his finger within his slacks, gradually drifting closer as he goes through a checklist of prized pick-up lines he could use to garner her attention. He ducks and dodges inebriated club-goers with ease now that he’s had something to take the edge off, finally reaching the end of the bar, slowly coming to a halt right behind his target for the night. 
Harry nearly passes out as soon as her scent hits him. 
It’s faint and tender and nothing quite like anything he’s encountered before, a mixture of honey and lavender that permeates through her normal perfume. He feels like his head’s been put through a wringer, his whole body clenching for a moment as raging sparks erupt across the pit of his belly. He indulges a deep breath, willing the blazing current away in order to keep his cool, but all he can see flashing before his eyes are images of her leaving traces of that smell smeared all over his face as he bobs his head between her quivering thighs.
He takes another penetrating inhale, centering his mind back into the present. He needs to behave.
Her friends spot him immediately, their side of the conversation faltering to ash. They give Harry a wide-eyed once-over, mouths parting in slight shock as they drink up his attractive appearance, gazes lingering along his thick chest as it strains the baby blue material of his tee. Their sights drag across his broad shoulders, dainty collarbones, and strong neck, faces gawking without remorse, blinking emptily at the slope of his sharp jaw and the peaks of his prominent cheekbones. They seem to be at a loss for words the second his dimples indent into place, his brows shrugging in a half-assed greeting before he cocks his head to side a tad, voice velvet as it directs towards the girl they had forgotten existed.  
“I’m guessing you’re the designated driver?”
Y/N jumps slightly in response at the new addition to the painfully dying conversation, not recognizing the heavy English accent and deep baritone that booms behind her. She had been wondering why Melissa and Isabel had stopped talking so abruptly, and she now has her answer. 
Y/N slowly goes to cast a curious glance over her shoulder and Harry can hear the pulse flaring in her neck from the sudden intrusion to her surroundings. His fangs prick along the inside of his bottom lip due to carnal instincts; he has to will them back into receding. 
 When her eyes land on the owner of the random words, her finger immediately halts its swirling motions along the hem of her glass.
‘Fuck.’ is the only thought that registers through her short-circuiting mind. 
The lanky, curly-haired brunette that stands before her gives a gentle yet confident smile, the gesture dazzling even in the low lighting of the atmosphere. He’s absolutely gorgeous, with deep pits carving into his cheeks, perfect teeth complimenting full cherry red lips, eyes the color of a rainforest canopy, and a broad frame that is somehow not overwhelming. He’s sporting neatly ironed tan slacks, a fitted cotton shirt with a cute yet crude graphic at its center, a fancy plaid coat, and crisp yellow Vans without a single smudge in sight.
Y/N can’t help but take notice of all the little details of his fit, especially the accessories. A beautiful pearl necklace laid along his delicate clavicle, a cross resting between his defined pectorals, and a matching earring dangling from his earlobe. Not to mention the array of clunky rings arranged along nimble fingers, hugging a tall glass carrying caramel liquor and somehow managing to dwarf the cup’s size. The extra decoration is sensual in such an unexpectedly delicious manner. 
The hand he has tucked in his pants ducks out to comb through his dark auburn ringlets and Y/N can feel her mouth water at the new round of elegant rings. The action activates the cologne Harry had thoughtfully spritz in specific pressure points along his body, the scent of tobacco and vanilla traveling through the fog-heavy air and causing Y/N’s stomach to summersault. 
The young man is as close to flawless as anyone could ever come. 
Y/N feels an unmistakable sharp pain shoot through her ankle, and she comes to the realization that it had been the tip of one of her friend’s heels. The reality check jars her out of the embarrassing daze he’d spelled onto her, open mouth snapping shut and her lashes fluttering over her previously unblinking eyes. 
“Oh! Uhm—uh—” She clumsily twists sideways to fully face him, swallowing thickly and tasting the remnants of the alcohol she’d barely been nursing. “N-No. I’m not— well, I don’t think…? We Ubered here so that wouldn’t make any sense ‘cause I have no car to drive...so...” 
The boy chuckles softly at her choppy monologue, his laughter warm and inviting, similar to the look reflecting off his shiney irises, the golden flecks around his pupils seeming to swell and shrink from the rainbow lights cascading across them. Despite being caught off guard and utterly embarrassed, she can’t seem to break eye contact with him. The longer she gazes into his eyes, the more relaxed she begins to feel, a fuzzy heat stemming from the center of her belly and spreading up her neck and ears. 
Y/N gulps heavily like before, willing her tongue to produce a less embarrassing comment. “Sorry. Let me...Let me start over…Hi.”
“Hello.” He quips back playfully, lopsided grin widening in fond amusement. He lifts his drink up a bit in greeting. “M’Harry.”
“Y/N.” The girl squeaks out, copying his gesture because it’s easier than forcing her disoriented brain to try and come up with its own. 
Harry flirts his intent up and down Y/N’s body slowly, checking her out without any subtlety. He wants her to know he’s interested. 
When his sight locks with hers again, he bats his lashes sultrily and pours as much passion as he can into his tone, accent weighing in just right. “S’nice to meet you, Y/N.”
Her entire face prickles at how her name sounds dripping from those faultless raspberry lips. She’d pay anything to hear him say it again. “You, too.” 
This is not what Y/N intended. This is most definitely not what she’d intended to happen when she’d reluctantly agreed to go out with some coworkers on a Friday night, giving in simply because she had promised herself she’d be more social within her new job. 
She had moved to California roughly two months ago, wanting to get away from her old life in the small, boring town she hated to call home. Buying the flight had been a drastic decision made when she had been under the influence of something she’d rather not admit, but the following day— after she had sobered up from a wicked hangover— she found herself not wanting to cancel the trip. Found herself craving the excitement and adventure of beginning anew somewhere far away from everything she had ever known. 
All of Y/N’s friends back home had supported her without hesitation, egging her preposterous idea and congratulating her on “getting the fuck out of here.” Her family had been a little less supportive, but after a few heartfelt chats about following your ambitions and a budgeting lesson from her cousin, they had gingerly gotten on board. They understood that keeping her trapped in that lame town where nothing really happened wasn’t the way to ensure her success in life. Therefore, the people closest to her had swallowed their opinions and respected her choice to dive off the deep end, in search of something better beyond the borders of their tiny city. 
Within a week, Y/N had secured a decent job at a semi-popular cafe, courtesy of a connection from a family friend. Within two weeks, after many sleepless nights full of Rocky Road ice cream and the bright white pages of ApartmentFinder.com, she had managed to book a nice flat close to her place of work. It was a miracle, if she’d ever seen one. Especially within the crowded, expensive community that is Los Angeles. Within three weeks, she had been walking out of the giant glass building that was LAX with only two suitcases in tow, boarding an Uber to her new life. 
Things had never seemed more picturesque, she’d thought. Everything was falling into place in a way that seemed almost blessed by the universe.
Then, the culture shock hit. 
California was different. It’s was so fucking different than anything she’d ever faced and she wasn’t prepared for the social difficulties she’d have to hurdle. All her life, Y/N had grown up with the same people around her, spending every school year with them up until graduation, expanding her friend group as time passed. Even after high school, she’d remained closely connected with most of her graduating class. The region she lived in was tiny, tight-knit and friendly; it was hard not to. She couldn’t even go to the store for groceries without bumping into at least three people from her Algebra II class. 
Point being, it had been ages since Y/N had been put in a situation where she actively had to try and make friends. She’d been through that challenge way back in kindergarten and had never been hit with it again. 
Until it smacked her across the head here in LA.
Y/N didn’t mesh well with Californians, she quickly found out. They were all about crazy parties and club-hopping, whereas Y/N had been raised on community cookouts and mass sleepovers. They enjoyed getting cross-faded and streaking down the beach at two in the morning, meanwhile Y/N liked stripping down to her undies and spending the night binging Queer Eye while stuffing her face with Cheeze-Its and Snickers bars. They freely boasted about their sex adventures while bussing down tables at the restaurant, while Y/N’s intimate life had been nonexistent since the move. 
It was just...startling, to put it lightly. It wasn’t what she had expected at all, and that’s mostly her fault for not doing the correct amount of research before jumping headfirst into a cliche LifeTime film. 
Therefore, Y/N had made a pact with herself one month in, swearing to let loose and allow her surroundings to sweep her into a new dynamic— into a new, social butterfly version of herself. She’d started accepting the invitations from her coworkers to go out at night, and she’d started putting more effort into being open to wild experiences, no matter how scary they might seem. Shutting down and refusing to mold to her environment would only result in her having to return home with her tail between her legs, and she’d rather jump naked off a pier than see her parents’ faces wracked with pity. 
And that’s exactly what she’d done a couple nights ago, at the encouragement of the group of girls she was at the club with now. It had, in turn, ended in her coming down with a mild cold, but at least now she’d be able to tell her friends back home a cool story about dropping inhibitions. 
Dropping inhibitions is also why Y/N’s here tonight, dressed in the most party-like outfit she could put together, prodding an overly-boozy drink into her system, attempting to release some of the tension that had been building in her head for the last couple of weeks since she’d left her old life behind. That’s why she’s here, with strands of her blow-dried hair catching on the dark red gloss Melissa has slathered on her mouth in a thick layer. That’s why she’s here, with synthetic smoke scratching at her lungs and drunken men and women bumping into her every two minutes, most of them too busy sticking their tongues down each other’s throats to realize they’d almost toppled her off her seat. That’s why she’s here, with a blasé expression plastered across her features as her coworkers talk over her head without a second thought, her mind far away from the walls of this overhyped horror house. 
Y/N had been thinking about how she’d just started her Disney+ membership, finding comfort in putting together a mental checklist of all the movies she’s going to plow through the second she sets foot past the doorframe of her apartment. Indulging on her childhood was an ideal form of escapism, in her opinion. She’s positive Walt Disney would agree. 
That’s what her brain had been lost in when Harry’s deep, melodic voice had interrupted her daydreams, sending her spiraling into an embarrassing performance of nerve-induced hysteria. 
Now here she is, blinking back at him dumbly, eyes the smallest bit damp from the smoke machine and neon flashes of light. And here he is, smirking at her over the rim of his glass, eyes raking down her wired up body suggestively as he takes a calm sip from what appears to be the straight tequila in his colossal, bejeweled hand. 
The English boy takes a gradual step closer to her, wanting to make sure he’s not crossing any boundaries that would make her uncomfortable. The scent of his cologne intensifies and she feels a fiery heat suddenly pour between her clasped thighs. It just hits her how long it’s truly been since she’s gotten laid and fuck, it’s sad.
Harry begrudgingly peels his attention away from Y/N for a second, aiming his words towards the girls standing behind her with their mouths still opened stupidly. Even from a respectful distance, his warm breath still washes across her jaw and cheek, causing electricity to zip down her spine. “You don’t mind if I steal her for a bit, do you?”
‘Yeah,’ Y/N thinks in the back of her muddled skull, ‘that’s definitely tequila.’
Isabel and Melissa slowly shake their heads in unison, glancing at each other as if to confirm he’d just spoken to them. 
The edges of Harry’s lips jolt into a kind, easygoing smile. “Thank you. Promise I’ll keep her safe.” 
Y/N feels her heart hiccup at his statement. If she’s not insanely mistaken, it appears to have carried an undertone of dirty intentions. God, she’s praying she’s not mistaken. 
The two girls clamber away on their tall pumps, rounding around Harry and pausing for a moment. They make moaning faces and vulgar motions behind him, encouraging Y/N to pursue the stranger. She then watches them disappear into the throng of crowded bodies, leaving her alone with the beautiful boy and her heart slamming against her ribs. 
Y/N focuses back onto Harry, licking her itching lips lightly, not knowing what to say next as he settles himself beside her. He rests his forearm on the counter along with his drink, tucking his other hand back into  his trouser pocket and fixing himself into a comfortable standing position, crossing his ankles nonchalantly. The friction between his jacket and the bar rides his sleeve up an inch or so, and Y/N gets a view of the anchor tattoo he has along his wrist, as well as the upside-down cross inked between his thumb and index finger. 
Harry catches her looking, mouth twitching with a smidge of arrogant self-assurance. He loves when girls drool over his tats. 
“I have more.” He remarks lightly, a pang of condescending pleasure shooting through his chest at the way she jerks and pins her gaze down to the floor. 
Blood rushes into her cheeks at the realization that she’s been caught and Harry’s teeth grind. It’s so hot watching her fidget for him. Maybe he finds her more attractive than he’d originally let on. “Would you like to see them?”
Y/N timidly coaxes herself into locking stares with him once again, looking up at him from beneath her lashes, barely nodding with a soft, “Sure.” 
She looks so pretty like that, he notices, staring up at him all doe-eyed and shy. It’d probably look even better if she were on her knees.
Yeah, he definitely likes her more than he’d thought. 
Harry proceeds to shift about, shrugging his coat off his strong shoulders, letting it slip down his lean arms and reveal the plethora of dark tattoos strewn across his left arm. Y/N watches avidly, drinking up every flex of his biceps under the black paint and every twitch of his pecs beneath his cotton shirt, the tendons along his throat going taut for just a moment. That moment is enough for her to etch the image into the back of her eyelids for the rest of her life. 
Harry tosses the article onto the table, extending his arm over its surface for her to get a better reading. She doesn’t miss the chance, her pupils tracing over every line and stroke of the pen, over every shaded area and meticulous detail. 
His voice comes out as a low, garbled murmur, his own irises studying her features with just as much intensity. “You can touch them, if you’d like. I don’t mind.”
After a moment of hesitation, the brim of her crystalline cup is replaced by the ridges of his smooth, tanned skin. She drags her digits over the naked mermaid, tracing the curve of her figure and the dip of her tail, then passing onto the stem of the large rose, ghosting over every thorn and prickle. Harry can feel her heartbeat through her fingertips and it’s making him throb. 
“They’re very pretty.” Y/N whispers, allowing her touch to fall away, palm finding refuge across the counter. “Did they hurt?” 
“A bit, yeah. But I’ve gotten so many done that I think I grew numb to the needle after a while.” Harry answers, shrugging one shoulder to show it’s no big deal. He grasps his glass once again and takes a drawn-out swig, extending the action just so she can see the way his Adam’s Apple bobs as he swallows. Once the cup is back in its place, his tongue peeks out and swipes any leftover liquid from his rosy lips, which then settle into a coy simper. “Plus, I kinda like the pain.” 
Y/N’s breathing stutters in her lungs and she swiftly swerves the topic onto something much less explicit. “So why’d you ask if I was the designated driver? That’s kind of an odd question. Very out of the blue.” 
Harry lulls his middle finger across the hem of his glass, exactly how she had been doing earlier, the motion weighed by an innuendo. She seems to understand it, present in how she bites into the inside of her cheek. “I just figured that a pretty girl like you would have easily found someone to dance with. So when I saw you sitting here looking all bored with your drink barely touched…I just assumed, I suppose.” 
And there it is again— the blood pouring into her face. Christ, if she keeps that up, he’s going to fucking lose it.
“Thank you, that’s— that’s really sweet. Proper gentleman.” 
Harry runs his bottom lip between his teeth, eyes snapping to her tinted mouth for a second, establishing some sexual tension that he’ll expand on as they go. “Who doesn’t like a guy who knows how to treat a girl, right?” 
Y/N clears her throat softly, obviously phased by his forward compliment, but she tries to play it off. “To answer your question, I— uhm...I’m not really one for the club scene, I guess. Don’t really like it, but I didn’t want to be rude and turn down the invitation.” 
‘Good girl,’ Harry thinks, silently cheering her on for having more brain cells than the typical human. 
“Well, that’s where we share some common ground, then.” He chimes brightly, a soft smile bringing his dimples to life. “I don’t care for clubs, either, but my friends have an affinity for them so here I am.”
He gestures vaguely towards the general direction where he’d left Mitch, continuing his rant. “The choking smoke, the annoying strobe lights, the crowded floor, the drunk morons—”
“Bumping into you without giving a shit.” Y/N finishes his sentence, her vulgarity drawing a boyish giggle from her companion and now she’s convinced she’d do anything to hear him laugh like that again. “And there’s always a faint smell of vomit coming from somewhere.”
Harry slaps his hand down against the glass table in passionate agreement, voice pitching up slightly as his brows jump in emotion. “Right?! It’s fucking disgusting. Don’t understand how anyone could genuinely enjoy it.” 
Y/N nods vehemently, sharing the same expression of utter distaste towards the subject. “It honestly doesn’t make any sense to me, either. Why come here when you can go to, like, a nice bar somewhere, y’know?”
Harry blinks at her in astonishment, her opinion mirroring his own with psychic-like accuracy. “My thoughts exactly.” 
“Great minds think alike.” Y/N responds playfully, taking a hearty gulp from her drink since the first time he’d spotted her from across the room. 
After a comfortable pause, Harry speaks up, also entertaining another sip from his own drink, which is now nearly empty. “Are you from around here?”
She can’t be. Rarely anyone born and raised here is willing to bash the status quo, and never so openly. 
She’s once again mesmerized by the attractiveness of his rings, but manages to get her composure in check. “Kinda. I moved here about two months ago.” 
Precisely his point.
Harry releases a curious hum over the cup between his lips. “Let me be the one to officially welcome you to Cali, then! Where people go to shitty clubs for fun and tan themselves into a strip of leather.”
Y/N sputters out a half-suppressed giggle and Harry’s brows almost furrow at the weird fluttering in his stomach. He rarely gets it.
Y/N takes another deep gulp of what he thinks is probably an Old Fashioned, silently praising the way she’d finished it off so quickly. She crunches an ice shard between her teeth and lets it melt across her tongue before engaging again. “I’m guessing you’re not from around here either though, are you?”
Now it’s Harry’s turn to chuckle a bit and she fights off an endeared smile. 
“What gave it away?” He asks, purposefully doing a thicker, fuller accent, his teasing nature making the grin she’d just stifled fully break through.
Y/N lifts a shoulder offhandedly. “Your accent seems a little too…posh for this area. Or even this hemisphere.”
Harry scoffs softly, the pinky around his glass sticking up jokingly as he kinks an eyebrow at her, a few rouge curls falling across his forehead. “Keen ears, mate.”
Y/N lifts her drink up a bit with a playfully knowing air, mimicking an English dialect. “Cheers.”
He places his empty cup down on the counter, his middle finger once more ghosting around the edge absentmindedly. She notices the pastel yellow polish covering his nails, tiny black smiley faces decorating the lacquer.
“I like your nails.” She admires, tipping her empty lowball towards his hand for significance. “Did you do them yourself?”
Harry glances at his fingers, stretching and wiggling them out, his features taking on a bit of pride. “Sure did.” 
“Don’t think I’ve ever met a guy at a club who could pull off nail polish so easily.” 
The left edge of his lips flicks upwards. “How do you mean?”
Y/N’s gaze bounces back to his and the tone twirling in his jade irises tells her everything she needs to know about keeping this conversation going: he enjoys being praised. 
She chooses her next words carefully, wanting to appeal to his interests. “I mean that it looks amazing on you. The color suits your skin nicely, makes your hands look good.” 
Harry breaks eye contact, glimpsing down at his shoes and she realizes he’s actually trying to hide a blush. The fact that she had managed to coax one out of him boosts her confidence while simultaneously making his own waver. He’s never like this— never so easily flustered. He needs to get it together.
Harry tilts his chin back up, lower lip strung between his two front teeth. His voice comes out as a flirty laugh.
“Known you for maybe,” he looks at the beautiful watch on his wrist symbolically, “ten minutes, and you’re already stroking my ego just the way I like it. I think that’s a record.” 
Y/N doesn’t know if it’s the liquor she’d just consumed too quickly, or if it’s Harry’s intoxicatingly alluring scent dulling the region of her brain that controls fear, but she’s suddenly filled with a strange surge of courage and her thoughts are spilling down her semi-numb tongue before she can stop them. “I’ve been told I’m pretty good at stroking, so an ego’s not too hard to handle.”
Harry cocks an eyebrow, surprised at her brazen reply. He might have misjudged her more than he assumed. However, he can’t say he doesn’t enjoy this girl more than the one he thought he was going to receive. There’s just something about how she can match his banter without a problem, and how they share a lot of the same thoughts and opinions, that just lights a fire in his stomach. 
“Is that so?” His voice lowers in pitch and he scoots a step closer, fingers just barely brushing against her arm as he repositions himself against the bar. His question comes out as a sultry murmur. “What else can you handle?”
Y/N knows that she’s starting to cross a line, and with every passing moment, the likelihood of returning to her friends is getting smaller and smaller. She’s not mad about it. Riding off of the wave of confidence that had inflated her ego earlier, she mumbles her response back with the same tone and texture. “How about you buy me another drink and then maybe you’ll find out?”
Harry gives her a boyish grin and the indents that pop into his cheeks nudge his appearance from an incredibly attractive man to an adorable cheeky boy. He motions to the bartender for another round of drinks, only letting his eyes flicker away from her for the moment it takes to do it. “How do you like LA so far?”
“It’s...alright.” It’s Y/N’s turn to move closer to him now, flicking her hair off her shoulder, hoping that the motion releases the perfume she’d dabbed on her neck while getting ready. Judging by the darkening of Harry's eyes, it does just that. “It’s definitely a change in pace from where I used to live, but I think I’m slowly gaining the reigns. I feel like once I get acquainted, I could grow to love it.”
“LA’s definitely a toggle. You could either vibe with it, or it’ll eat you alive and spit you back out.” 
She bats her lashes at him in stunned fright at his bluntness, his face deadly serious without any twitch or give. 
Harry then bursts into high-pitched laughter, eyes crinkling shut and nose scrunching. “I’m just fucking with you, love. Ease up, hm?”
“You asshole!” Y/N exhales grandly, half in relief and half in indignation, slugging him on the shoulder. All she feels is hard muscle beneath. 
He continues to cackle, sticking his tongue out at her. “Looked like you were about to cry.” 
“It definitely crossed my mind, yeah!”
The bartender arrives with their fresh drinks and Harry tells the man to but both of Y/N’s on his tab. She feels her cheeks glow, telling him he doesn’t have to, but he waves it off and says he’s more than happy to serve such a nice girl as herself. Especially if she “hates the same things I do. Think of it as your initiation gift into the Anti-Club Club.” 
A handful of heartbeats tick by, full of comfortable quietness as they both savor their new beverages. Harry pipes up first, regaining their topic from before.
“But, yeah, Cali’s for sure a special place. You meet some cool people if you hang around for a while. But sometimes,” he pauses for a second, eyes gleaming with something she can’t quite interpret. “But sometimes you can meet a really interesting person in just one night.” 
“I don’t doubt it.” Y/N clicks her nails against her Old Fashioned distractedly as Harry fixes her with that beautiful emerald gaze that makes her ears tingle. She cocks her head to the side knowingly, flashing him a soft smirk. “Sometimes, you just happen to meet that one in a million.”
“A lucky strike.” He adds, lifting his tequila an inch off the counter and tilting it towards her in what appears to be a toast, irises dancing with a certain type of suggestive mischief. “To meeting interesting people.”
The human girl clinks the rim of her lowball to the edge of his cup, shrugging her brows and reciting his comment back to him. “To meeting interesting people.” 
Y/N measures how the rest of their interaction goes by how quickly her drink shrinks. 
When she reaches down to the first ice cube stacked on top, Harry has managed to coax multiple rounds of laughter out of her, his humor startlingly similar to her’s in the most refreshing way imaginable. She quickly learns that despite his broad shoulders, lean torso, dark inking, and flawless features, he’s a complete and total dork. His personality consists mainly of voice impersonations and contorting his expression into an endless array of silly faces, which she takes to easily.
By the time Y/N’s amber drink has reached halfway down its container, the default touch barrier between the two has broken completely. There had been a few caresses prior, but now it’s more frequent, more noticeable, and each touch extends in time. She had been the one to initiate getting physical, which had sat so right in her stomach because that meant he was respectful and patient— definitely unlike most men in clubs. 
The mortal girl had gently shoved Harry’s chest when he’d made an nonchalant joke about how losing his swim trunks at a nude beach had been both the best and worst experience of his life, her cheeks boiling as she had felt nothing but more toned muscle beneath the cotton fabric of his top. She had gone back to tracing at his tattoos the further they got into sharing anecdotes and opinions, glancing up at him for permission in the middle of their exchange and smiling to herself when he’d nodded casually without a second thought. As the conversations continue, they both unintentionally get closer in distance to the point where the arm Harry had settled on the bar is now fully wrapped around the small of her back. She willingly leans into him, their knees and thighs brushing with every shift of their bodies and those minute moments begin to pile up their excitement.
By the time the alcohol in her possession bottoms out, she is nearly sitting in his lap, faces only a few inches apart. Y/N can’t recall half of what she had said, the subject having steered into so many different places that she couldn’t be bothered to keep track. Besides, she’s too focused on trying to keep a straight face as Harry plays footsie with her below the counter, his light yellow sneaker toying with her heeled velvet wedge. 
An important question on his behalf snaps Y/N out of her flirty stupor.
“So how do you like your new home?”
She blinks at him slowly, partially to try and give a seductive tinge to the interaction and partially because the liquor has started to truly settle in. It takes her a few heartbeats to process the inquiry. “I love it, actually. It’s a place of my own, for the first time ever. I couldn’t be happier.”
The corners of Harry’s swollen lips tick in genuine happiness on her behalf. “That sounds amazing. Congratulations on such a big step.” 
“Thank you! What about yourself? Renting anything neat?”
“Oh, I own a condo here.” He mentions casually, outlining the criss-cross pattern along the circumference of his highball glass. “I used to visit so often that I finally just decided to pull the trigger on one.”
“Look at you, investing in real estate.” She says in a teasing voice, her heel grazing around his calf slowly, cheeks sizzling as he parts his legs a bit to allow her the pleasure of traveling higher up.
“Mmhm.” Harry licks his red lips, free hand starting to trace over her own. The tips of his fingers are calloused and cold, the motion of them over her skin almost pulling a tremble out of her body. She does her best to restrain it, not wanting to give him the satisfaction. “Is it nice?” 
“Hm?”
His lips twitch in endearment at how he’s managing to make her lose her train of thought. “Your apartment, darling.”
She rests the rim of her drink on the bottom of her lip as she speaks. “It’s nothing huge or fancy, but it’s a decent size and l can call it home. Can’t get much better than that.”
Y/N loves how Harry's eyes flit to her lips for what she thinks is the billionth time tonight, his vision sketching along the curve of her cupid’s bow and dotting every peak.
Another warm glow of confidence spikes through her veins and she’s talking before she can analyze her thoughts. “Well, at least I think it can’t get much better than that. Although, I could just be biased. Could probably use an outside opinion.” 
It takes Harry a moment to register what she’s suggesting, a light blush creeping up the base of his neck as he realizes how he’s stopped so abruptly. Humans usually never get him this unnerved and it’s one of many times she’s made it happen. “An outside opinion?”
Y/N lists her head to the side. It sounds like he’s accepting the vague invitation, but she’s so anxious to mess this up that she’s second guessing herself with every passing second. However, with every touch, she wants Harry more and more, and that’s enough to propel her towards a more direct approach. “Mmhm. Like yours, maybe. Would you like to come back and see it?”
Harry pauses for a few of her heartbeats, and then bobs his head in acceptance. She can breath again. 
He finishes off the last inch or so of his tequila, a wicked grin creeping its way across his pretty, flushed mouth, long fingers carding into his loosely arranged curls. “I’m more than happy to be of service.”
A smile works its way onto Y/N’s own face at his response, her foot dropping back down his leg slowly. “I’m glad to hear.”
“Mm.” Harry takes her hand completely now and she almost moans at how much bigger his are, his rings pinching a bit, skin rough in some areas, but silky smooth in others. And strangely icy, but she enjoys it. “Shall we say goodbye to your friends first? I wouldn’t want them to worry about you.”
He knows her “friends” couldn’t care less, but he wants to be as much of a gentleman as possible. Romanticize, romanticize, romanticize.
Y/N snorts, knowing full well that they’d probably purposefully embarrass her in front of him as a joke. 
She squeezes his grasp lightly, giving him a soft smile. “You’re sweet, but it’s fine. They were actually behind you earlier, encouraging this whole thing, so I’m pretty sure they won’t mind.” 
Harry hums deep in the back of his throat and the sound melts into a cute chuckle. “I’m glad they helped, then. Think you can deliver them my thanks some other time?”
The young woman chews on the inside of her cheek at his comment, realizing that it suggests he aims on keeping her occupied for the rest of the night and well into the morning. She has to will herself not to lurch forward and kiss at his annoyingly perfect lips right then and there. “I’ll make sure to pass the message along.” 
With one last cocky simper, Harry helps her down from the stool and pays off their tab, offering her his jacket since most of her outfit is made of flimsy fabrics. Y/N takes it appreciatively, lashes fluttering when his scent envelopes her like a blanket. It’s the unique smokiness from his cologne, mixed with a slightly sweeter smell that she assumes is his shampoo, and a bit of something that reminds her of a vanilla candle. The aromas are sewn into every thread of his coat and she can’t wait to have those scents glued all over her more deliberately later tonight.  
Harry turns and plunges them into the throng of partiers, weeding through bodies with a type of determination that makes her insides twist. His arm comes up in front of him as he plows people out of the way with absolutely no regret, leaving her to throw out a few half-assed apologies in his wake. The idea that he’s excited to be alone with her has Y/N’s insides churning. 
Once they escape all of the grinding limbs and tight spaces, stumbling into the cool air of the starry night, she takes a huge gulp of air. She prays it will tide over the jitters running along the inside of her tummy. She has just now realized how riled up he’d gotten her and it’s all coming to a raging boil. 
Harry paces past the bouncer, throwing up two fingers in parting. “Later, Brock.” 
The security guard gives the young vampire a confused look, not recognizing him at all and wondering how he knows his name. 
Y/N repeats Harry’s phrase for the hell of it, squeezing his hand jestingly and he glimpses over his shoulder, grinning at her with sheer amusement and something much deeper swirling around the specks of copper in his irises. If there was a bit more light, perhaps she would have noticed the way his irises had glinted blood red instead of olive green.
She ogles at the way his back muscles shift and flex below his pastel blue shirt, her mind vaguely taking note of the light yellow detailings along the cuffs and collar. The tee is intriguing and fun and she hopes he’ll let her sleep in it after they’re done. 
She also gets distracted by the baby curls decorating the nape of his neck. She’s itching to tug at them and see what his response would be. Would he shiver in her grasp and let out a soft moan, or would he smirk darkly and tell her to go harder?
Harry suddenly halts, snapping her out of her thoughts as he presents his car. Y/N’s jaw nearly falls off. “This is yours?!”
She gawks at the vintage jet black convertible before her, feeling like she isn’t worthy of its chic presence. It looks new, shining in the street lamps like a thousand diamonds, not a scratch or dent in sight. 
Harry unlocks the passenger’s door, opening it and guiding her inside with a gentle pull at their clasped hands, shrugging his brows playfully. “Hope it’s not too shabby for your liking.”  
“Are you kidding?” The human mumbles in awe as she ducks down into the patented leather seat, running her free hand over the elegant cover. She sighs softly at the way his smell is lingering inside the vehicle, just as much as it sticks to his clothes. “I feel like I should bow to it or something.”
He laughs fully now, leaning down to get a view of her sitting prim and proper in his favorite car, looking gorgeous in her flowy silk pants, lace creme blouse, and his own clothes. He gnaws at his bottom lip to withhold a needy groan. “I think you fit right in.” 
Y/N feels warmth erupt into her face and she tucks a strand of hair behind her ear, trying to distract her fingers from shaking. “Looks like I’m not the only one that’s good at stroking egos.”
“S’hardly a task. You make it easy, doll.” 
It’s the second pet name he’s called her tonight— it’s strangely vintage, same as his car— and she can’t wait to hear what others he has in store. Preferably in the form of breathy pants and broken whines.
Y/N flicks her gaze up at him through heavy lashes, attempting to stifle a sheepish smile. “Quite the charmer.”
A moment of silence suspends in the air, a light breeze filtering through Harry’s curls, swaying the jewelry around his neck as well as the earring hanging from his lobe. Harry speaks up with a type of hushed desire she hadn’t heard from him yet. “Can I kiss you?”
She blinks up at him once in mild surprise and then releases a sigh of utter relief. “Fuck, I thought you’d never ask.” 
Her hand reaches upwards outside the confines of the car, knitting into the thick fabric of his shirt and yanking him down. The second their mouths meet, it sets off a dozen fireworks in the pit of her stomach. His is softer than she had imagined, wet and warm, and his tongue carries the sourness of the tequila he’d been swishing the whole night. 
Harry’s breath hitches in his throat, and then a quiet whimpery moan streams down his tongue onto her itchy skin. “Christ, that was hot.”
As much as she loves the taste of him— the tartness of the alcohol mixed with an inherent sweetness his lips carry— she forces herself to pull away, but keeps her sweaty forehead pressed to his. “Yeah. It was.”
With one hand still gripping the car door, Harry uses his other to cup her chin lightly, guiding her into another kiss. Now that they have both developed a feel for the other, this one is less tentative than the last. She tastes so fucking good on his tongue, like strawberry syrup—probably from her lipgloss— orange bitters, and bourbon. He just has to have more of it.
A helpless gasp escapes Y/N when Harry's teeth graze against her upper lip, only nipping enough that she craves more. More of anything he has to offer. 
He pulls away and the whine that plucks her vocal chords feeds his eternal soul like nothing else has in a while.  
The young man grins at her for a moment, half in smug satisfaction, half red-faced and desperate, before carefully closing the car door and making his way to the driver’s side. He slides in with ease, shuts his own door and buckles up with a click of the belt. The simple action has never looked so attractive before, but she’s certain that anything Harry does with his ring-covered hands would be attractive.  
He fishes his keys from his front pocket, asking her where she lives in order to try and orient himself. As it turns out, she’s not too far away from his own flat. He knows exactly which condominium she’s referring to without having to even search it up— a perk of living here for a few decades.
He also chuckles to himself a bit at the fact that she hadn’t mentioned he shouldn’t drive under the influence. Vampires have an extremely high tolerance due to their self-healing properties, so the drinks he’d had only gave him a soft, warm buzz. He just finds it comical— and slightly arousing— that she’s so eager to get at him that she’d let that detail slip her mind.
Harry starts the car, but doesnt pull out of the parking spot. Instead, he glances at Y/N as a crease appears in his beautifully sculpted brows. The idea of something displeasing him bothers her, and she’s about to ask what it is when he murmurs a quick, “Just a second, dove.” He reaches across to grab her seatbelt, pulling it over her body and securing it into place on her behalf, making sure it’s nice and proper before leaning back in his seat. He doesn’t know why he cared to do it, but he had. 
The simple action leaves another layer of heat on Y/N’s cheeks. Having him bent over her like that was just a teaser of what was going to unfold later and it already has her mind spinning. She can only imagine how much of a mess he’s going to leave her when there’s no clothes restraining them.
“Thanks.” She whispers, playing with the tips of her fingers.
“No need to thank me. Just wanna keep that pretty face in one piece.” 
He plops one hand on the steering wheel as he shifts into reverse, carefully backing out of his spot. His arm ducks behind her seat, head turning and veins chiseling into his neck. It takes all of Y/N’s willpower not to lean up and begin to darken his tanned skin with hickeys. 
Harry cruises up to the exit of the club parking lot, waiting impatiently for the turn signal, digits tapping away at the leather below them. Y/N can see him throwing pained little glances at her from her peripheral vision, obviously restless to feel her skin sliding against his. Each look causes the warmth between her thighs to swell. 
She’s talking before she can stop herself, voice bashful and soft as ever, yet full of boldness from the liquor she’d consumed. “If you keep looking at me like that, I’m going to do something to you that’s gonna get us both killed.”
The tapping of his fingers halts and he cranes his head to face her fully, ignoring the flashing green arrow on the stoplight before them. 
Harry reaches over the center console, his nose dragging up the length of her cheekbone, causing her to squeak out a tiny whimper at the feathery sensation. It’s the first time tonight he’s touched her so intimately. 
The sentence he grits out next makes her entire body visibly shutter, his breath hot against her ear, damp lips smearing over her jaw as his oath burns into her flesh.
“And if you say something like that to me again, I promise you I’ll pull this car over and make you eat every fucking word.” 
2K notes · View notes
shurisneakers · 3 years
Text
shut in [4]
Summary: When your high profile mission goes terribly wrong, you’re forced to hide in a safehouse with a man you’ve never met before. With seemingly nowhere else to go, you’re forced to work together to figure out who is trying to have you assassinated before it’s too late. (Sam Wilson x Reader, Hitman AU)
Warnings: cursing, threats
Word count: 3.7k
A/N: greetings everyone!! how are we all doing? i have nothing to say here tbh so anyway stan sam wilson being a lil shit whenever possible. 
i also appreciate feedback so if you would like to, please consider dropping me an ask or comment ly guys!! also if you want to be on the taglist, it’s mentioned at the bottom of the chapter.
here’s my ko-fi if you’d like to support my writing <333
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Previous Part || Shut In Masterlist
“I’ll keep an eye out.”
“Alright, thank you.”
You hung up the call, trudging back to the house, discarding the battery along the way.
The air had a chill to it and there was an occasional breeze that went past, rustling leaves providing an eerily comforting background score. The temperature tended to rise as the day went on but nights were especially cold due to the abundance of trees. 
Even though the stress of the situation you were in constantly consumed all your waking thoughts, you still found the time to appreciate how beautiful your surroundings were. 
The last few days were barely memorable. Sam and you tended to stay out of each other's way unless your meal time coincided or you watched the local news together. The schedule had worked out favourably.
He wasn’t very hard to live with.
Most of the time.
His commentary and small jokes were never-ending but were not as unwelcome as you initially thought. It brought some much needed light into your otherwise dreary day. When it came to figuring out how to do laundry due to your now extended stay or whose turn it was to do it, things got a bit messy but were resolved quickly.
He used to disappear often for hours on end. You never concerned yourself with going after him to find out where he went, figuring that unless he was hatching a plot that led to your demise, he was entitled to his own privacy. He’d return a while later, calmer than when he left.
It was fine. Nothing to write home about. Neither of you were dead yet.
“What are you doing on the bed?” You were reconsidering your last thought when you walked into the bedroom to resume your self-interrupted sleep, only to find him face down on the sheets. “It’s my day today.”
“Just give me some time. I’ll be out of here soon enough.” His voice was muffled as he spoke into the sheets.
“You can take all the time you need tomorrow when it’s your turn.” You swatted at his legs, earning a grunt of chagrin from him.
“Go eat some soup and maybe you’ll calm down,” he fired back, unmoving.
“Today’s not soup day. Which you would know if you paid attention to our schedule. That we made. Together. The same schedule which says it’s my turn today.”
He groaned, shoving his face deeper into the pillow. “My back’s killing me. Just give me a few.”
“Why, what’d you do?” you asked curiously, letting go of his leg.
“Combat training. Took a few beatings, fucked up my spine.”
“Does it hurt a lot?”
“It comes and goes.” Sam finally rolled onto his back, giving you a view of his face. His bone structure was amazing, even from quite possibly the ugliest angle you could have over him. “You should’ve seen the other guy.”
You just stared at him as he linked his arms behind his neck, elevating his head to look at you. He had a small stubble that was starting to grow longer. You wondered if he would shave it. He looked good regardless.
“How’s your beloved?”
“Huh?”
“The person you keep sneaking around to talk to on the phone. I’m not your dad, y’know. You can talk to them inside the house, ‘m not gonna ground you,” he quipped, a small, teasing smile on his face.
“He’s not my lover. Just... an acquaintance.” You felt the awkwardness starting to set in after you trailed off. “Anyway since you’re awake, we need to talk.”
“‘Bout what?”
“What happened that day. We’ve been avoiding it but we need to figure out what went wrong. Or at least a clue.”
“Okay,” Sam agreed, wincing as he sat up straight. “How do you want to do it?”
“Just talk me through how you got put on this mission and what exactly happened that day, I guess.” You took a place on the bed, leaning backward on your hand for support.
He nodded, delaying for a second to collect his thoughts before beginning.
“So basically-”
The sun was particularly relentless that day.  
The ringing bell above the door of his favourite coffee shop was a welcoming sound. The barista smiled at him in greeting, asking if he wanted his usual to go.
His park bench was empty as it always was. Sam liked to think of it as a small gift from the universe; the fact that it was perpetually unoccupied.
He liked to sit there and watch people’s day go by. His iced coffee-
“I don’t really require that much detail.”
“Patience. I’m getting there.”
It was arguably one of the most peaceful days he had had in awhile, and he was hoping to keep the streak going. Nothing seemed like it would phase him, not even the phone ringing, drawing his attention away from the scene in front of him. Caller ID didn’t trace who it was.
“Hello?”
“Wilson.”
Sam gripped the cup so hard he thought it might spill over onto his jeans.
“I told you not to call me, Ransone.”
“But honey we had such a good time last night,” he faux cooed, “You know I have needs-”
“I’m not getting involved in your stupid organisation, Vincent. I told you I’m done,” Sam broke in, not wanting to waste time listening to his stupid dramatics.
“Listen here, Wilson.” The swift change in his tone was looming, threatening. “You’re done when I say you’re done-”
“Wanna bet?” Sam took a sip of his coffee. “I thought we made it clear in Detroit that we’re done. Honey.”
He added the last part out of pure spite just to get a rise out of him. Much to his glee it seemed to work as Ransone let out a deep exhale before continuing.
“That was before we found out there’s a mole in my gang. I want you to kill him.”
“This is way below my pay grade. Have one of your interns do it. Your shitty murder warehouse hasn’t seen much action in a while.”
“This is Pierce we’re talking about. If he’s working for another organisation, his ass is going to be so guarded, these kids couldn’t wouldn’t even get past the gate. Besides, you know my murder warehouse is for special guests only-”
“Man, it must suck real hard to be you right now,” Sam didn’t wait for him to complete his sentence. He finished the last bit of the drink he had left, gathering his things before standing up. “Find someone else. I’m out.”
“You might want to reconsider that. We found him.”
He stopped in his tracks.
“I don’t know what you’re talking about,” Sam said steadily, grip on the phone tightening.
“I think you do, though. Had us fooled for a while there, thinking he’s dead. A little more research, some cash into the right pockets and boom! There he is, clear as day.”
Sam felt a chill go up his spine.
“He doesn’t know we know. We’re just keeping an eye on him for now.”
“If you even fucking think of touching him-” his fists were balled up, struggling to keep his anger from rising.
“Oh, don’t worry, I won’t.” Ransone laughed. “I’ll just have one of my interns do it.”
“Don’t fuck with me, Ransone. It’s not somethi-”
“Do this hit and I’ll leave him alone,” Ransone interjected. “You’ve worked so hard to pull him from our radar, Sammy. It would be a shame if it all went to waste.”
Sam’s jaw clenched. Suddenly the day didn’t seem as bright as it was a few minutes ago.
“I’ll text you the details. You tend to leave me on read so I thought I’d make it more fun. Do you want the confetti with the message or the lasers-”
Sam just hung up the call, feet firmly rooted in his spot. He had no idea what he was going to do.
The notification of a new text alerted him. Pierce’s address along with the exact timeline of when he’d be home.
It was across the country. If he botched the mission on purpose, Ransone wouldn't be able to find him for a few days at least, much less reach him. He could go on the run-
‘Do it or he dies.’
His train of thought was interrupted by a picture that made his blood boil.
Especially when it exploded with the stupid confetti effect.
“Okay, basically he threatened you with something to go do the hit.” You didn’t ask him what exactly he was threatening him with and Sam didn’t really elaborate.
“Yeah. Didn’t leave me with much of a choice. He’s batshit fuckin’ crazy anyway, I knew he’d do whatever he felt like.”
“So you ended up going.”
Pierce didn’t seem to get many visitors. Not that anyone could be blamed, this guy was one of the biggest pieces of shit Sam had had the misfortune of meeting.
Over the two days he had staked out in front of the mansion to find out if this guy had as much security as Ransone had boasted of, Sam had come to the conclusive truth that no, he very much did not. He had a standard home security system which was lacklustre compared to the rest of the house.
Maybe he just assumed that being a senior member of the mob would garner some fear to his name. Dumbass.
He found the tall shrubbery surrounding the property to be out of the line of sight of the camera, and climbing it wasn't very hard. He landed softly on the manicured lawn, adjusting his gloves and checking his surroundings before pulling his gun that was secured in the waistband of his pants.
He removed the safety, keeping it close to him as he stalked through the front yard.
The red car parked at the side earned an eye roll from him. If he had one, there was no doubt there’d be more. He just had to find a basement or garage.
Walking around the house, he kept close to the wall, searching for any opening to the basement.
It didn’t take long before he found a set of stairs to the exterior entrance of the basement. He checked to see if anyone was around before making his way down them. The lock was unsurprisingly easy to pick.
The basement was mostly dark save for a few strategic lights placed to highlight the magnificence of his several race cars. The man was moved slower than the second coming of Jesus. The cars just seemed like an overcompensation.
The switchboard was not difficult to find. He pulled open the cover, glancing at the switches before turning all of them off, plunging the whole basement into darkness. If his security system was as outdated as Pierce was, it would have turned off along with the rest of the house.
“Oh, that’s why the cameras weren't working when I showed up.” Bits that seemed amiss were beginning to place itself together the more his story progressed. “I assume you entered the house through the window on the side?”
“Sure did.”
Your guess was right. He’s the reason why it was ajar by the time you arrived.
As soon as he entered he had his gun raised. Scanning the room as he went past, his senses were dialed up to eleven. If he was really under the protection of Serpentine, they were doing a terrible job. He had gotten in completely unscathed.
As he made his way deeper into the house, the sound of some movie playing became louder. But he had cut off the power supply to the house.
His eyebrows pulled together tightly into a frown, he made his way down the hall towards the sound. No one was in the dining or living room he canvassed.
Finally, Pierce’s silhouette became clearer. He appeared to just be sitting there idly while a smaller screen played in front of him. It wasn’t a TV, just an iPad.
If Pierce was asleep it would just make the job easier. Gun raised, Sam made his way into the room silently.
Pierce was still. Sam raised the gun, taking a step closer.
A floorboard creaked.
He immediately cringed, shoulders tensed as he came to an immediate stop. It seemed like forever as he waited for Pierce to wake up, to brandish a gun and try and defend himself.
He didn’t.
Taking a step to the side, Sam moved diagonally. Each one was slow. Ready for any sudden movements from his end.
He finally stopped in front of Pierce.
A bullet hole in his forehead. Eyes open. Chest still.
He was dead.
“Fuckin’ hell,” Sam breathed out, lowering his gun. Pierce’s glassy eyes stared blankly ahead. He didn’t look like had been dead for too long.
A soft thud in another room made his head snap up. It was in the same direction from where he came.
He silently moved backwards to the corner of the room, hoping that the darkness was enough of a disguise as he saw someone stalking down the hallway.
“And that’s when you come in. Thought you were comin’ back to make sure he was dead.”
“I had just got there. Saw that everything was off, and just assumed it was a power outage.”
“What about you? How’d you end up there?” Sam had his legs crossed, leaning forward to listen to you.
“Ransone told me that there was a spy who was sending information out for nearly two years. Needed him gone and he wasn’t sure if his other agent would show up-” you mentioned to him- “I guess that’s you. Told me I had an opening at 8pm. When I got there, the CCTV was off. Found the window open so I just used that.”
You were replaying your memory, step by step to remember what exactly you had seen. 
“Heard the movie playing, found no one when I went down the hall. I saw the car keys on the island, which came in handy later. Entered the room, pushed his head with the gun and he just slumped over like a damn rag doll. That’s when you made your grand entrance.”
“Got one chance to make an impression. Had to make sure I looked cool, emergin’ from the shadows and whatnot.”
“It doesn’t make sense though.”
“Ouch. Thought it was pretty legit, actu-”
“No, no-” you waved him off. “Not your entrance. The henchmen thing.”
He paused, mulling over what you said. “If he was working for Serpentine, he would have been more careful. Why did they show up after he’s dead?”
“I don’t think they work for Serpentine. If Pierce was giving them information, they wouldn’t kill him.” You had good reason to be confident about that. You thought you did, from previous assessments.
“Unless they were scared that he’d switch again,” Sam suggested. You looked up from your fidgeting fingers to him. “Didn’t want any of their secrets going back to Ransone. They got to him before we did.”
“Why’d they shoot at us then? If they killed him and left, why’d they wait for us to show up? Why did they try to kill us?”
“I think we’re ignoring the important thing here,” he paused. You looked at him expectantly, prodding him on. “How did they know we were coming? They should have killed him and disappeared but they expected us.”
You tilted your head. “Are you saying-”
“There might be more.”
“Pierce might not have been the only one,” you finished. “There are more spies.”
“Tipped ‘em off. Told them we were going to be there.”
“And killing us was just to poke Ransone with a stick,” you murmured, eyes downcast, fidgeting with your fingers again. “But that just seems random. It doesn’t make sense.”
“None of this makes sense, sweetheart.” Sam scoffed, leaning back again.
“We’re missing something. There’s something wrong.” You looked at him. “If it’s just a random attack, why did they release our face to the whole fuckin’ country? Why are they specifically targeting us?”
“Finishing what they started. Covering all their tracks from that day. If we’re not dead, we’re a liability.”
“What if it’s not Serpentine at all? What if it’s another gang?”
“Serpentine has the most motive.”
“We don’t know that.”
He looked at you incredulously. “I think there’s substantial evidence to suggest they fuckin’ hate us. Besides, they’d want me dead specifically.”
“Why?” you inquired, eyes narrowing.
He opened his mouth like he was going to explain but closed it a second later, leaving you guessing.
“Fine, but it doesn’t mean they’re the only ones who do.” You made a point to ask him later or at least conduct your own research into it. 
“Okay,” he said, shifting to lean on his elbows, “who else could it be? If Pierce was working for Serpentine and Ransone found out, sends someone to kill him, it’s essentially an attack on one of their own members. I’d say that's a pretty good motive.”
“I don’t know. Hydra doesn’t like us either. There’s Ten Rings too. But Serpentine just doesn’t work out.”
“How are you sure?” he asked. “You a spy for them too?”
You rolled your eyes at him as he raised his eyebrow. “It doesn’t make sense. What if we’re missing something? Did we go through everything?”
“I just went through my entire story down to the most irrelevant details. Twice. Nothing’s missing on my end.” He pushed himself off the bed, taking a long stretch before looking back at you.
“I think we should do it again. Just to make sure.” You rotated your torso to look at him. “We can figure it out-”
“You’re going to lose your mind if you keep at this any longer for today. Take a break.”
“I can’t take this lightly. Everyone’s out there looking for us and there is no one we can trust-”
“And going through our stories for the third time today is going to solve that how?” He had his hands crossed over his chest like a stern parent.
“I’m sorry but our faces are probably plastered in every damn police precinct in the country,” you snapped, “And I think that us remembering something some stupid detail might actually help rather than, I don’t know, taking naps and eating sandwiches. So no, I’m not going to drop it. Because I actually want to get out of here.”
You didn’t mean to sound so angry with him. He had told you everything twice already and patiently answered questions that you had. You didn’t think he was lying. You had no way of knowing but you hoped that some sort of allegiance was being formed between you both.
There was silence for a minute, leaving enough time for the guilt to creep in when he didn’t fire back. It’s what you expected.
“I’m not asking you to drop it. I’m saying take a break,” he said calmly. “You’re thinkin’ enough for the both of us anyway.”
You let out a small exhale, forcing the edge to retreat from your voice.
“I’ll be back in a while.” With that he turned around and left the room. A few minutes later you heard the backdoor open and shut.
Great.
You massaged your throbbing temples, eyes closed. He was right. Your mind wasn’t clear and you had been at this for hours. You wouldn’t be able to think critically.
Or at all.
You dropped back on the bed, grabbing a pillow and pressing it to your face. The coolness of the fabric felt nice.
You just let out a sigh, turning to your side to hopefully get some sleep.
_____
You woke up what seemed like hours later to a dark room.
It took your eyes a while to adjust stepping out into the hallway illuminated by the light in the kitchen.
“Hey,” Sam’s voice rang out. “Made you a sandwich.”
You rubbed your eyes groggily, looking where he was pointing. Sure enough, there was a sandwich on the table. He sat at the seat adjacent to it.
“Thank you.” You contemplated sitting next to him for dinner. It would be a first.
In the end you just grabbed your plate, giving him a half smile before making your way to the couch. You settled on sitting on the floor instead, leaning your back against the foot of the sofa.
The TV was already halfway through playing Megamind so you just let it continue, mindlessly chewing on the bread. As far as peanut butter sandwiches go, it wasn’t all that bad.
“Wilson,” you called out sheepishly, eyes not leaving the movie. “I’m sorry for snapping at you. It wasn’t right.”
“It’s okay.”
How he let go of it so easily was beyond you. The sandwich was surprising too, but you took it, not wanting to change his mind. He couldn’t have poisoned it. You had checked his stuff.
You sat in silence for the rest of the movie. Your mind kept slipping in and out of thought but it was a comfortable atmosphere you found yourself in.
After the credits started rolling, you went to leave your plate in the sink. Sam brushed past you, grabbing the blanket at the foot of the couch, launching himself onto the cushions.
“What are you doing?” you asked, puzzled as he snuggled in.
“Going to sleep?” He tilted his head to look at you.
“Use the bed.”
“It’s your turn today.”
“Your back’s fucked up. I’ll take the couch.”
He didn’t budge.
“Go on.” You mentioned to the room with a shrug of your shoulder.
“You’re not going to let me argue, are you?”
You pressed your lips into a straight line to hide a smile, shaking your head lightly.
“Well, okay.” He let out a small noise as he got up. “Guess I’m sleeping business class tonight.”
Sam walked past you, careful not to bump into you. You swapped places with him, making your way to the couch, readjusting the blanket that was haphazardly left there.  
“Y/N.” You peered at him from the corner of your eye, only to fully turn when you caught his gaze. “I appreciate it.”
You just nodded, tossing the blanket over yourself as he switched off the light.
Next part
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palmett-hoes · 3 years
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I like your meta and I got to thinking about all the stuff in these books that requires the suspension of disbelief to roll with and tbh the biggest thing Nora ever asked us to overlook is Riko's entire schtick. Tell me who in real life looks at a short, West Virginia college freshman, even the ones who are good athletes, and says 'oh yeah they are definitely the authority on who should be thought of as the best players in the league, the tattoos are normal, he's normal' Like !??? Hello???
yea i personally have a lot of questions about the moriyamas as they’re presented to us in canon. i think they’re a very confusing detail, and also a not-exceptionally well-considered one on account of the unfortunate racial implications
personal take: the moriyamas should have been russian bratva instead of japanese yakuza. it would change absolutely nothing about the story, but would fix a dozen small details that i’ve been leaping through flaming hoops to justify watsonianly in how i flesh out the extended universe
nora is VERY much a character writer, not a world-builder. her characters are SO nuanced and life-like, but her world-building often feels random, disjointed, and unaddressed
that being said though, i don’t think riko’s schtick is really one of these details
calling riko just a “short, West Virginia college freshman” is very uncharitable to exactly what he is. riko is a celebrity, the ward of a celebrity, and he’s been in the media eye since he was born. it would be accurate to compare him (and kevin) to people like blue ivy carter and north west kardashian, children of a-list, instantly-recognizable celebrities who got added to their guardians’ brand as children. blue ivy is nine-years-old and has already won a grammy
(i don’t want to imply that either the knowles-carter or the kardashian-west family, or any other celebrity i might mention here are abusive like the moriyama family. while there are plenty of concerns about the psychology of child stars, i’m not talking about their personal lives or the way these children are being raised, because that’s none of my business. i’m talking about them from the perspective of their media visibility and the legitimacy that gives them with the public)
journalists LOVE celebrity kids. every argument and wardrobe choice is headline news in a-list houses, and why some celebrities (like famously michael jackson) have to go to such extreme measures to give their kids even a modicum of privacy, because they're hounded by reporters and photographers every time they step outside.
tetsuji, however, took much more of the joe jackson approach and turned his nephew and ward into a public brand and set them loose on the media circuit as soon as he was able
you have to think about exy as a global movement, one with two distinct figureheads at the helm. it came out of nowhere and completely reshaped the world of sports in an extremely short amount of time. think of kayleigh and tetsuji as being like mark zuckerberg or steve jobs: innovators and figureheads
and even if they’re “just” sports celebrities, they’re sports celebrities on a tier with people like babe ruth, michael phelps, tom brady, serena williams, usain bolt, lance armstrong, the rock, muhammed ali, john cena. people whose sports celebrity is SO great their names enter the mainsteam. that’s the MINIMUM level of fame and influence they have
it's no stretch of the imagination for me to think that the Princes of Exy brand was inextricable with the rapid growth and popularity of the sport. kevin and riko were mascots, ambassadors, and symbols, not just for the ravens but for exy itself. the sport viewed as coming of age alongside them
even if it seems ridiculous to us from outside their universe, inside it people have been hearing about the Perfect Court for over ten years. it’s something their sportscasters and news anchors talk about. you’ve heard it on every early-morning and late-night talk show. it’s a tagline on the covers of magazines and up on billboards. every little league kid who picks up an exy racket dreams that they’ll be the next pick and wear that three or four on their jersey
riko and kevin may have been two of the most famous children in the world
and with celebrity comes extensive forgiveness of... “eccentricity.” remember when jared leto started a cult and everyone just,,, let that happen? gwyneth paltrow’s new age wellness pseudoscience brand? tom cruise is literally a scientologist? even if it’s absolutely ridiculous, it’s okay if a celebrity does it
in-universe, riko isn’t just a “good athlete,” he’s a house-hold name with a consistent vision, every tool at his disposal to get it done, a massive platform of people listening to his every word, and the mainstream media spreading it for free
some tattoos at 16? that’s nothing. ESPECIALLY if they’d been drawing them on for years before
once you think about these things in the context of things that are familiar to us, rather than strange and random and contextless the way they (admittedly) come across in canon, riko starts to make a little more sense
also, while i think it could have been pushed more, i think that nora actually did a pretty decent job of conveying this idea of Celebrity as a theme in the books. there are a lot of very consistent references to kevin and riko’s fame and influence. however, because of how much of an unreliable narrator with such a narrow scope of interest neil is, it’s a detail that can slide past you especially if you haven’t read the books in a while and you mostly engage in the fandom. fandoms tend to be character driven, not theme driven, so a lot of the recurring themes and imagery of a work tend to get lost over time
however i try to keep in touch with the canon. the last time i fully read the books was less than a year ago (and i’ve been in the fandom for like,, 5 years?) and i fact check it often for posts, meta, and fic beta-ing. at some point i’d really like to do a series of scene breakdowns and literary analysis of the lesser-acknowledged themes bc ideas like Celebrities In The Public vs Private are interestingly approached and i think we’re missing out a bit by only talking about them from a character-first perspective
i think one thing i would LOVE about getting some kind of visual-media adaptation of aftg (animated series or visual novel preferred) would be all the passive worldbuilding we could get that neil declines to describe to us. things like billboards and magazine covers and t-shirts and commercials for exy and the Princes of Exy in particular. i really think it would push so much more dimension and context into the story for us to really SEE these things
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rodneymckays · 3 years
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stargate episodes that should have been, part 20: an alternate reality episode where cam went to atlantis and sheppard joined sg-1. in this universe cam wasn’t injured in antarctica and i think that he is the kind of guy who would go to another galaxy for fun and also because he has to do the Best thing he can possibly do and that’s going to another galaxy. sheppard for whatever reason didn’t sit in the chair but did still fly jack down to antarctica so when they’re looking for sg-1’s fourth jack is like “well there’s this guy i met who kinda reminds me of me except he likes antarctica for some reason” so he becomes sg-1’s fourth under sam’s command. i think at first that would cause issues because of his problems with following orders + sam is new to her command and feeling somewhat insecure about it BUT these issues aren’t with sheppard disobeying sam’s orders they’re just sam worrying that he will. because sheppard only disobeys orders that he sees as bad and from what i remember of s4 + his personality in general he really respects sam. anyways this is actually a 3-parter because you have the sg-1 episode where our sg-1 meets the other sg-1, the atlantis episode where our atlantis people meet the other atlantis people, and then the crossover where they all meet one another because you can’t have the sheppards and the cams not meet themselves. i have no idea where in the timeline it is beyond “not season 4” because there are inconsistencies, but whatever. it’s also very long so i am using paragraph breaks for once!! also i will be putting a 1 after the duplicates from the show universe and a 2 after the duplicates from the au for clarity. (everyone without a number is the only one of themselves present and is from the au). also i definitely got carried away and this is too much plot and not enough character interaction even though i originally thought this one up for the character interactions, oops.
EPISODE 1: SG-1. somehow, our sg-1(1) is pulled through to this other reality. something to do with ba’al messing with some ancient tech in the other reality. the sg-1(2) of that reality, led by sam2 and featuring a major sheppard2, has snuck onto the ha’tak ba’al is using as his base of operations. they run into our sg-1(1) and there’s some spider-man pointing meme and then sam1 and sam2 start discussing how this could have happened while the valas compliment each other’s hair and cam1 and sheppard2 go “wait but you’re supposed to be in atlantis” “no, YOU’RE supposed to be in atlantis.” eventually we find out that ba’al is using ancient tech to develop a hyperdrive capable of traveling between galaxies, which the goa’uld don’t have. his test destination is the pegasus galaxy because he figures that if it works for one jump but then fails, then he can just turn up at atlantis and ask the tau’ri for help again after threatening them lightly to save face. obviously the humans don’t want ba’al going to pegasus, because we like our villains to stay confined to just one galaxy, and also if his hyperdrive works then he could destroy atlantis or ally himself with the wraith or be defeated by the wraith and have his ship captured and now the wraith have an intergalactic hyperdrive or—well, there’s lots of ways it could go wrong, and sg-1(1) gets the point that they need to help sg-1(2) stop ba’al. they spend much of the episode tracking ba’al and sneaking around the ship, until they finally corner ba’al in the engine room and teal’c2 shoots him. unfortunately, they enter hyperspace almost immediately after this, and are captured by… another ba’al. END.
EPISODE 2: ATLANTIS. somehow, our atlantis team1 is pulled through to this other reality. something to do with mckay2 and zelenka messing with some ancient tech in the other reality. our atlantis team1 is quickly locked in interrogation rooms because who are they and why is major sheppard with them instead of colonel mitchell? this tips off mckay1 to the fact that they’re now in an alternate reality. fortunately mckay2 and zelenka have already reached this conclusion and they’re let out of the interrogation rooms just in time for news to reach atlantis that a ha’tak has arrived in pegasus. (and also before ronon1 and ronon2 start fighting instead of just glaring menacingly at one another, because who thought it was a good idea to have ronon2 interrogate ronon1. he didn’t even ask any questions.) alternate weir decides to send the atlantis team2 in to investigate but mckay2 is like “i’ll need someone to help me with the goa’uld tech, we’ll take zelenka” but zelenka is immediately like “no?? there’s another you here. take him. i don’t like leaving the city” so it’s decided that both mckays will go, and you can’t send mckay1 without the rest of his team so EVERYONE is going. they take two jumpers because mitchell2 and sheppard1 both want to fly the jumper. when they arrive through the space gate that the ha’tak is near, they see a badly damaged wraith hive with no life signs. the ha’tak has also taken some damage, but much less, and they’re able to fly through a hole in the hull to board. they detect minimal life signs: two on the bridge, eleven in the cells, and a few others scattered around that must be ba’al’s jaffa. the group decides to split up; they toss a coin and mitchell’s team2 goes to the bridge while sheppard’s team1 goes to the cells. when sheppard’s team1 arrives at the cells, they find them unguarded but locked. mckay1 cracks the lock and we see the cell doors slide open. cut to the bridge. when mitchell’s team2 arrives, they see one of the dots on the life signs detector begin to fade. mckay2 gets the door open just in time to see ba’al collapse to the floor, having been fed on by a wraith. END.
EPISODE 3: CROSSOVER. what the hell, ba’al is in a wraith now. (i’ve always wondered about what would happen if the goa’uld met the wraith; would they fight and if so who would win? or would a goa’uld take a wraith as a host? is that even possible? i say yes because it’s Fun.) the symbiote entered the wraith and then promptly fed on his former host because he was hungry. this is obviously Terrible News because the wraith are bad enough but tbh they’re not very smart. ba’al is. mitchell’s atlantis team2 all point their weapons at him and radio sheppard’s atlantis team1 to let them know there’s now a goa’uld with a wraith host. sheppard1 responds and says “ok, we’ll we’ve got two sg-1s here. and also todd” to which mitchell2 replies “who the hell is todd?” (“pale skin, long hair, likes to suck your soul out with his hand but makes it weird by returning your soul ten minutes later?” “oh you mean casper.” “what the hell kind of a name is casper?” “what the hell kind of a name is todd?!”) we find out that “casper”, who is of course alternate todd but was named casper by mitchell2, was on the hive ba’al disabled. he and one other wraith were taken aboard the ha’tak, and he was put in the cell for later in case the first implantation of a wraith didn’t work. he’s willing to help everyone defeat wraith ba’al, because goa’ulds taking wraith as hosts is bad for the wraith too. so they do some stuff, and with much difficulty, kill wraith ba’al. it’s harder than killing a normal wraith because he has the goa’uld regenerative ability, and also he keeps feeding on his jaffa to recover after being shot. eventually they manage to trick him into a set of rings and space him. then they have to decide what to do with the ha’tak. casper wants it for himself because of the intergalactic hyperdrive and turns on them. they manage to activate the self destruct and flee back to the jumpers. they believe that casper is destroyed in the self destruct, but he survives somehow. the rest of the episode is the sams, mckays, and zelenka trying to figure out how to send sg-1(1) and the atlantis team1 home. we also get a few character moments between everyone and their counterparts: cam2 and both sheppards discuss puddlejumpers while cam1 is sad because he doesn’t have the gene and never received gene therapy so he can’t fly a puddlejumper. they break into medical to convince beckett to give cam1 the gene therapy; they’re pretty sure it’ll work on him since it worked on cam2. it does, and the cams and the sheppards immediately have a race to the mainland and back. (the sheppards win, but it’s close, and the cams try to blame it on the fact that cam1 has never flown a jumper before while everyone else has.) the daniels go to the library together and share their knowledge about the ancients and the ori; mostly they know the same stuff but they do both learn a few new things. the ronons fight one another. it’s a draw. the teylas and the teal’cs watch the ronons fight, and then meditate. the valas flit between each of the groups and compare their versions of everyone. vala1 ends up in weir’s office and bugs her with a bunch of questions until weir actually puts down her work and just Hangs Out. vala2 ends up with the cams and the sheppards because she’s absolutely best buds with sheppard2 and desperately wants to meet sheppard1. anyways after everyone hangs out for awhile they go home and it’s a very :) ending, which is what they need after All That.
i like this character swap idea a lot because after watching the pegasus project i was kinda chomping at the bit for more character interaction between sheppard and the rest of sg-1. particularly vala. more after the cut cause i wanna yell about all the other stuff i love about this!!
i also like the idea of sheppard not being in the team leader position. it makes me wonder what him following orders offworld, particularly sam’s, would look like. i don’t remember him and sam butting heads over command decisions in quite the same way him and elizabeth did at the start (sheppard wanting to go go go, make slapdash decisions, usually in an effort to help people, altho sometimes misguided, particularly in hot zone, vs elizabeth who was often looking towards a less militaristic approach, i.e not trading explosives to the genii, not torturing a POW etc. and who took her time making decisions). but then again, both sam and john are military. so, it’d be interesting to see how sam manages him along with the rest of the team. also, since hes not in a leadership position (no ones counting on him to keep the team together), would he be even more gungho about the self-sacrifice play? or just the same as ever? anyway, enough about john (once i start, i can’t stop, it seems), let’s get into the episodes!!
Episode 1:
“if it works for one jump but then fails, then he can just turn up at atlantis and ask the tau’ri for help again after threatening them lightly to save face.” LMAO truly ba’al’s modus operandi.
and the wraith potentially stealing hyperdrive technology is DEFINITELY something sg teams of all universes and galaxies should team up to put a stop to. a whole new galaxy to feed on?? not to mention earth??? NOT GREAT. the situation definitely calls for earth’s mightiest heroes squared.
also i appreciate a good sneak on an alien ship. especially times 2. and who would partner with who?? so many fun character combos!
Episode 2:
LMFAO OKAY. ronon vs ronon is such a ronon thing that i laughed out loud. both of them would definitely wanna know which one was tougher. also. also. i would love for zelenka and mckay1 to have a science twin moment and mckay2 to get all proprietary and be like “get ur own!”
i can’t imagine rodney would get along all that well with himself so its a good thing the rest of the teams will be there to run interference. and be separated on the ride there bahaha. cam and sheppard would totally fight over who gets to fly the cool spaceship (the teylas look at each other with raised eyebrows of sympathy and respect. both teams require them to pull on their reserves of infinite patience).
OOOO and ending on a CLIFFHANGER and INTRIGUE, QUICKLY, to the next episode!
Episode 3:
u kno, i was thinking earlier, after reading the first episode, what would an interaction between goa’uld and wraith look like? my immediate thought was, they are either gonna join forces to crush the stupid humans or fight because the goa’uld kinda need those humans for indentured servitude and, u kno, living. or, u kno, they would fight just because their ginormous egos clashed. but NEVER did the thought occur to me that a goa’uld might take a wraith as its host for its superior genetic makeup over humans (super strength, jedi mind tricks, telepathy etc.) and this is why ur brain is amazing. and a smart, conniving creature in control of a wraith body…spells trouble. and i didn’t even consider the double healing factor which would make any wraith on par with an uber wraith (that i dont remember ever seeing after the defiant one lol).
also cam naming his todd casper means everything to me. his ability to drop movie/pop culture references no one gets/appreciates is extremely endearing.
another amazing thing about this; sam actually gets to science with mckay and zelenka FOR ONCE. i’m really sad we were deprived this in season 4, like i get sam was the leader of the expedition in that season, and it wasn’t her job to be doing science/where is the time, but u can’t take the science out of the girl, no sir. i just wanted the beautiful mind children to be techno babbling it up, all with a begrudging respect for one another, as everyone stares in awe and confusion.
and cam gets to fly cool spaceships!!!! for leisure! with no one threatening his life! he did not get to do enough flying imo. and the teyla’s definitely deserve meditation time after dealing with double of their rambunctious team. and YES elizabeth deserves to have fUN. vala is the best person to help her with that. and vala and sheppard!!!! being buds!!! ALL I HAVE EVERY WANTED FROM STARGATE! what a fantastic ending to a wonderful series of episodes.
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hopekiedokie · 3 years
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The Dreaded First Day of School (single dad!jimin)
SUMMARY: On his son’s first day of school, we learn that the badass, leather jacket wearer, and tattoo clad single dad might not be so tough after all. Or maybe, his soft little son isn’t as pure as he ought to be. (In short, Jimin’s baby is growing up and he’s not prepared for it.)
GENRE: fluff, humour, maybe angst if you squint hard enough
WORD COUNT: 1.6k
NOTES: So Jimin isn’t supposed to be a mean or awful dad here. He’s just still not totally equipped to be one even after five years now. This might become a mini series with Ms. Y/n being Haneul’s teacher in the future. Who knows? Also, the photo is not mine.
POSTED ON: 26th March, 2021
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What the actual heck is this??
Jimin has seen a lot of crazy things in his life but this, whatever is happening in front of him, is something he truly cannot believe.
You see, today is his son's, Haneul, dreaded™ first day of school.
The kid was up until 3 in the morning, crying his eyes out. He kept begging Jimin to not let him go, saying things like “I’ve been a good boy.” or “I don’t know those people.” or “Please, daddy, I don’t want to go!”
Half of the time, Jimin didn’t even understand what he was saying because he was crying so much.
The worst part is that Jimin had half the mind to give in to all these excuses and to just let Haneul attend school next year.
Contrary to popular belief though, he’s not entirely an awful example of what a father should be. In general, yes, he’s done a lot of questionable things. But in particular, as a father, he does like allowing his son to eat whatever junk food he wants, watch whatever is on the tv, or letting him up way past his bedtime (as late as 4am).
BUT he still has a smidge of decency left in his being and he actually wants his son to grow up decent.
(Which for the most part, is going along fine since Haneul is probably one of the sweetest and softest kids he’s ever seen. How though? Jimin has no idea.)
So with tired eyes and barely 4 hours of sleep, he dragged his son to school.
Even during the drive, Haneul was still adamant about skipping school and all the while, he kept using his cute crying voice that ALWAYS turns Jimin into mush.
Not this time though.
“It’s gonna be okay. You’ll meet a lot of friends and you’ll play with them! It’s gonna be fun, I promise.” This is one of the many things he said to lift his son’s spirits up.
All his efforts are still not enough to pacify Haneul as the tiny boy kept throwing a tantrum. Jimin even had to carry him after getting out of the car and during the entire walk to the school gymnasium where the assembly is, Haneul held his arms tightly around his neck.
To be completely honest, Jimin thought that it would be embarrassing but actually, he found the entire thing quite endearing.
Maybe it’s the narcissistic prick inside him that’s talking but seeing and hearing his son say that he’d rather spend time with him makes him feel like perhaps he’s not so bad of a dad after all.
Which brings us to the present.
To reiterate, Jimin cannot believe what’s happening.
One moment, his son is clinging to him for his dear life, then in an instant, he watched him grow up right in front of him.
In the worst way possible.
Not to be dramatic, but it was like watching his entire life slip away from his grasp.
The beginning of the end started when Jimin pointed to these three boys and insisted Haneul to introduce himself.
Boy, oh boy, oh boy, BIG mistake on his behalf!
He probably should’ve pushed his son to the “nerdier” looking kids. That would’ve helped him in the long run, as well!
At first, he watched in awe from a far as Haneul progressively turned less tense and more comfortable with those boys. They started with cute small smiles but it quickly turned into wildly animated gestures while comparing their Paw Patrol themed trolley backpacks.
“That’s my boy! Already making friends and it’s only been 5 minutes.” Jimin proudly thought to himself.
Okay, maybe Haneul is going to be fine. All that crying thinking Jimin did the entire night was for nothing! His cute soft son can totally do this.
Now, Jimin’s life altering moment comes. The time to actually say goodbye is here.
A teacher announces that they’re taking the kids to their respective classrooms and even if they cry or make a huge fit about it, the parents or guardians should stay where they are. They should refrain from “babying” their child.
Alright, now’s the time for Haneul to cry again! There’s no way he doesn’t cry even just a tiny bit…....Right?
Jimin makes eye contact with Haneul and, without any second thoughts, proudly mouths “I love you” while pointing to him.
Normally, Haneul is quick to return the gesture. Heck, he even goes as far as drawing a huge heart with his tiny pointer fingers!
But today, he doesn’t do that. No no no no no!
Instead, Haneul discreetly looks around him to check if anyone is watching him then……….
He shakes his head towards his father then faces back to his new friends.
Gasp! What is this???
Jimin has never felt so betrayed in his entire life! Not to mention, by his OWN son too.
This irks him so much.
So much so that he stands and gets close to his son, opposing the teacher’s instruction of letting their kids be.
Bitch, no. He’s getting his “I love you” from his son no matter what.
As he walks towards Haneul, it’s apparent that the kid had somehow done a complete 180 from his mood 10 minutes ago.
How can this be? How is he suddenly so cold towards his own man?
When he finally gets to Haneul, he literally, no joke, had to call his name 4 times to get his attention. The actual audacity of this kid!
“Hey, Haneul. Daddy’s gotta go!” Jimin says with his world famous “no eyes” smile.
Haneul’s face drops.
Bingo!
This kid is about to get a huge reality check or so Jimin thinks he is.
He’s waiting for any signs of despair, a sniff or maybe some glassy eyes but nothing happens.
Come on, where are the water works?? Where are all the hugs and kisses???
Haneul is like (・-・) to Jimin.
O-okay…….
“...”
“...”
“...”
Nothing???
“There’s a lot of scary strangers here……”
Okay, so that was really mean for Jimin to say bUT HE ONLY WANTS TO SQUEEZE EVEN JUST A DROP OF AFFECTION FROM HIM. Sue him!
Haneul finally opens his mouth.
Jimin quietly anticipates his son to return to his warm and loving self that he still doesn’t quite know where he gets from...
“So what, daddy? I’m a big boy! I don’t need you.”
(´⊙ω⊙`)?!
Uhm exCusE mE, but W H A T??
Needless to say, that statement hurt Jimin like a buttcheek on a stick.
However, he’s not gonna break away from his badass persona in front of all these people, especially around these little shits that they call “children”. He has an ✨𝓪𝓮𝓼𝓽𝓱𝓮𝓽𝓲𝓬✨ that he strictly abides to, people!
And frankly, he’s not gonna let his son walk all over him.
So without any word, Jimin leans down to give Haneul a kiss. If he’s not gonna receive any affection through words then fine! He’s gonna get it through a different way.
Jimin’s lips are almost in contact with Haneul’s plush cheeks. They are literally a hair away that Jimin can feel the heat emitting from it but all at once, that heat is gone.
You know why?
Because Haneul is quick to do that matrix shit where he bends his back to avoid his father’s lips.
Then he saunters away, leaving Jimin hanging.
(๑´⊙ ₃ ⊙`๑)
Jimin calls him a couple times but again, he did not look back.
S I G H
Alright, then. He doesn’t normally raise his voice towards his son (nor disciplines him tbh) but oh boy, oh boy! This kid is practically asking for it.
He doesn’t give a fuck if he’s five, no son of his is gonna be allowed to treat him like that!
“HANEUL! GET BACK HERE. NOW!”
Well, that got him looking back towards his father.
Jimin points in front of him to which Haneul begrudgingly complies after taking a peek from his new found friends.
Haneul hears the other boys snicker behind him as he trudges towards his slightly pissed father.
When he’s standing right where his father wants him, Jimin leans his cheek down again for him to kiss.
Now, the other boys are blatantly laughing at him.
Maaaaaaaan. He can’t be a laughing stock on his first day of school! He needs to be as cool as his daddy!
As Haneul contemplates his life choices, Jimin patiently waits for his kiss. There’s no way Haneul is gonna reject him for the third time in a row within a span of two minutes!
Within a few seconds, he feels Haneul’s lidol babie hand against his cheek.
O M G
How 😭 cute 😭 is 😭 this 😭 ??
This has got to be one the softest moments they have shared together. AND it’s in front of all these people!
Take that Namjoon hyung for saying I can’t be a gentle and tender loving father!
Jimin is about to place a hand over Haneul’s small one to caress it but then Haneul pushes his face away.
“Just go, daddy!”
Before Jimin is able to process what just transpired, Haneul is already strutting towards the other kids, feeling like a king or a boss for bitch-slapping his own father.
This little fUqer!!!
Who does he think he is to act like this towards Jimin iN FRONT OF OTHER PEOPLE??
This is what happens when he lets his son spend too much alone time with his Uncle Jungkook and Uncle Taehyung.
But to be fair, Haneul is still Jimin’s son at the end of the day so…..like, maybe he shouldn’t be too surprised??
Yet, still, he truly cannot believe it.
All it took was 5 minutes and a rowdy set of friends, then his kid has grown up.
He apparently “doesn’t need him” anymore, according to the kid.
To think that Jimin got up early to make him those cute bento boxes. He even specifically made them look like various pokemons that Haneul fancies!
Wow. Just. WOW.
Excuse him, but he’s just gonna get in his car and crank up “Slipping Through My Fingers” by ABBA while he ugly sobs.
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seijohsfairy · 3 years
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𝙸𝙼𝙼𝙾𝚁𝙰𝙻
In where your boyfriend likes watching you get fucked, and you are a bit too late to tell him that maybe it’s a bad idea. 
.word count. 2.8k .pairing. miya atsumu x fem!reader x sakusa kiyoomi .genre. smut (m), slightly angsty
tw cuckolding, tbh incel!omi, spit play, voyeurism, masturbation, praise vs. degradation, atsumu’s fingers (yes this deserves a warning, i’m obsessed), unprotected sex, possibly cheating-ish?
.author’s note. “I absolutely don’t thirst for Atsumu or Kiyoomi, don’t know what it is but I just don’t,” I say all bright eyed, you know, like a liar. Anyway, I don’t know how this happened either but I hope you enjoy it!
+
The first time was a once-off, you’d thought. You had been clingy all day, and your boyfriend had been so tired from practice. So he asked someone to help out for you, and that’d been that. No big deal. You’d been a bit surprised that of all people, he’d asked Miya Atsumu to do the job, but considering the setter’s long fingers had soon been stuffed deep into you it didn’t occupy your thoughts much. You’d all be going your separate ways anyways, you and your boyfriend back to your apartment, and Atsumu would stay in his own little world far enough away.
So when not three days later Atsumu was seated on your couch with a brilliant smile on his face, right opposite your significant other, it’d made you a bit cautious. From as soon as he’d gotten comfortable around you, Kiyoomi had liked prodding at your boundaries. Reaching at but never past ‘em. It made intimacy fun, made your heart beat and so you’d always been pretty open with his suggestions. But this had been difficult to grasp. “I want to try something new. I think you should let him fuck you,” he’d said, and you’d been able to close your gaping mouth just long enough to catch the intrigue in Atsumu’s eyes.
“W-What? But what about you, Omi?”
“I want to watch. If you’re comfortable with that. I think you’ll like it.”
Looking back, you had liked it. It made you feel desired, hot and flushed and it didn’t hurt that compared to your boyfriend, the blond loved showering you in endless praise. Telling you how pretty you were, how sexy your sounds and how great your touch. You had liked it once and twice, and with that, had learned to like his attention too. Slight touches brushing past your hand in public just made you feel like you had a secret of you three. But maybe you should’ve talked about it with Kiyoomi more than you did. Atsumu fucked you in front of your boyfriend more than he did himself after a while, and you started missing his touch. Any time you’d initiate something, he’d tell you to shower, and by the time you came out of the hot water Atsumu would be at the door to help you out.
“Yer a bit touch starved, aren’t cha? Pretty girl,” he’d whisper, pressing kisses to your crown when drawing you close. “I’ll make ya feel good, baby.” The more Atsumu came over, the less touchy Kiyoomi grew. But in daily life, he was the same man you’d fallen in love with, which made it so much harder to complain about the strange dynamic. He wasn’t touching you, but he seemed happy to stay on the sidelines and watch. And you were getting all the sex you could ever need, even if it wasn’t with your boyfriend. Maybe you should’ve talked about it more, but you’d been thrown into the dark so suddenly that it felt easy to cling to the strong arms wrapped around you every other day.
“Keep yer eyes right here, baby girl,” the lithe voice calls, fingers under your chin and aiming your face up. Atsumu hovers over you, pressing you back into the plush of the bed with his weight supported on his forearms. He presses a few kisses to your lips, giggling when you whine at his slow movements, before he trails his fingers down your naked chest and over your nipples. He’d been at this for quite a while, and you are definitely growing more impatient by the second. When you reach up to wrap your arms around his neck with another whimper, he tutts his lips. “Shh, pretty thing. Play nice.” He flicks his finger against your pointed bud as a punishment, before continuing his slow, meticulous movements a bit longer.
But you can tell even he’s getting testy. His fingers keep going back and forth between messing with your lips, your tits and your drenched panties, as if he can’t decide which of his toys to play with first. He smacks his lips before dropping his mouth to the swell of your breasts, starting to mark you up in the places the bruises of previous nights aren’t scattered. The warmth of his mouth leaving more obnoxious blots of color. Atsumu lifts his face from your skin for long enough to settle back between your legs, rutting his hardness against you with slow drags of his hips. “Stick yer tongue out for me,” he breathes, and as soon as you do he pinches it between his fingers to tug. “I’ll get ya nice and messy for me, don’tcha worry. Would’ya like that?” With your tongue still held out of your mouth, he peers down at you with those pretty browns for an answer.
Saliva builds up in your mouth as you breathe out, humming in reply. Always concerned about your pleasure first, he rolls his hips into yours harder. “Good.” He leans down to press a kiss on your tip of your tongue, and as messy and overly intimate as it is, you’ve long grown appreciative of all of it. Even if it makes you feel dirty, you savour the feeling. You’re more than happy to take it all if that means you’re being touched. You let your eyes drop closed when he lets go of your tongue, leaving it out still. Spit’s collecting in your mouth and going down your face, and the blond grunts like it’s the best sight he’s had in a while. “Keep it out, good girl.” He leans down to you again to lick up the length of your tongue, before he sucks on the wet muscle, moaning.
While he traces your tongue with his, his hands grab at your ass to drag you into him more, and you grind back on his slow motions to the best of your ability. His hard cock pushing exactly where you need it to, though you’d love it even more if he just gave up and fucked you already. Alas. When he pulls back to let you breathe, you frown at him and try to speak without disobeying his order. You compromise by pulling your tongue back but keeping your mouth mostly open. “You’re so nasty, ‘Tsumu,” you manage to mumble, swallowing some of your spit before you make more of a mess of yourself.
Atsumu just laughs, a soft, breathy one, burying his face into your neck. “Yer one to talk. Droolin’ all over yer own face.” He presses wet kisses to the expanse of your neck in between the words, leaning up to wipe some of the spit on your chin away with a thumb. “But ya look so pretty like that, ya know I can’t help myself.” He slowly pushes your tongue back into your mouth with one finger. Then he slides his hand back down your body to rub over your covered slit and to give a mind-numbing pressure on your clit. You groan at the feeling, both at his calloused fingers being used so well and at the way your wet panties feel on your skin. He’s quick to silence your noises with a proper kiss, lazy pulls of his tongue around yours and his lips melting to you in a perfect rhythm to drive you crazy. It still surprises you, how good his is with that loud mouth of his.
A soft click sounds through the room. You don’t have to look to know that your boyfriend is freshly showered, and will take his seat in the chair positioned right next to the window soon. Atsumu doesn’t allow you to tense up though, pulling back from your body to start shimmying your panties down your thighs. “Finally. Poor thing’s been wet for fifteen minutes.” You would’ve been able to start much sooner if he hadn’t insisted on a rule that you can only have sex from the moment the spiker is in the room, and not a second earlier. Hell, you would’ve been able to start much sooner if he didn’t want to watch you get fucked more than he wants to do it himself.
Kiyoomi gives only a soft sigh in response as he plops down in the chair, springs creaking. You open your eyes and are met with Atsumu’s adoring gaze, one which he keeps as he taps the sides of your hips. “Lift ‘em, please.” He takes off your panties and tosses them at the foot of your bed, before he finally uses those pretty hands on your dripping slit, working you perfectly. He swirls around your clit for a moment, dragging two digits up and down to slick them up and you’re already so worked up from all the teasing that this makes you shudder. He always is a dream when he gets to put his hands on you. His tongue peeks out between his lips when he glances between your bodies, focussing on every twitch and tug. He’s so pretty.
You take a moment to glance away though, meeting Kiyoomi’s calculated expression. His dark hair still damp, shirtless and slouched into the red chair, he regards you. His stare is blank. You can’t remember the last time he looked at you with genuine lust, but then again, you’re not sure he ever actually did. Even so it’s been months, you can barely remember what his touch feels like. The tenseness of dredging through the thick tar of your thoughts must follow through into your body, because Atsumu looks back up at you with a slight frown on his handsome face. “You okay?” You nod right when he slips in a finger and kisses you on the temple. “Yer so tense, baby girl.” The faint kisses down your neck and collarbones feel like heaven.
He rubs his thumb over your sensitive clit as he sucks and bites at both nipples. His long fingers curl inside you just right as soon as he adds a second and a third one, stretching you out. His fingers are so thick and strong, able to hit the right spot inside you every pump. And the added feeling of his breath on your wet chest, the weight of his body on you. You whine out his name, tangling your fingers in his hair as your back curls off the mattress. Atsumu grins, even with shut eyes you can hear it in his voice and you call for him again, the coil in your belly already winding tight. “Feels good?” he asks, giggling when you nod your head up and down without thinking. Yes, yes, he feels so good. He always does.
Your legs are spread wide apart, thighs trembling the longer his brutal pace continues on your body. “Ah— ‘Tsumu, I’m close.” Beads of sweat pool under your breasts, and you open your eyes long enough to catch the look on his face. There’s nothing there but devotion to bringing you pleasure. You couldn’t believe it when he fingered you the first time, and it’s still hard to believe now. Your body shudders at the sight. His thumb gives a particularly hard few circles on your clit, making your head spin. And his other hand is pinching at your tits, using his nail to flick over the peaked knob. It’s rough, but so good. “Uh, oh- p-please Atsumu,” you ramble, “‘Tsumu, wan’ cum. Wanna cum, please. Please.”
The squelching of your sloppy pussy fills the room, as Atsumu groans. “Yeah? Yer gonna cum all over my hand, huh?” The deep tremble of his voice feels deafening, you’re so close it’s almost painful. You pull him closer, wanting to feel him, his warmth, the smoothness of his skin, anything at all—
“Let her cum on your cock,” Kiyoomi orders, drawing your attention over. He has his hand wrapped around his cock, lubed up with lotion and jerking his wrist to slide over the pretty, pink head. The time you were allowed to do it for him seems distant. At the soft moan he lets out you fight the urge to call out his name, because that too isn’t allowed anymore. Something about breaking the immersion. You can’t help but think anyone would be hurt that the sound of your voice bothers him when he’s jacking off. Maybe you just sound gross— no, Atsumu loves hearing you. He could get off on your noises alone. And turning back to find reassurance in the man nestled tight between your legs becomes easier each time it happens.
You hold the immensely frustrated pleads that work up your throat to bite your bottom lip, instead just going along with it. There was a time where you’d have pleaded to let you cum, a time where he’d have his own fingers on and in you, where your begging actually meant something. But you know by now that the more you talk back, the less Kiyoomi allows you to receive. The blond seems almost as angry at the denial of your orgasm as you are, because the slight twitch of his brow stays. But as he stills his fingers, he curls them obscenely once more and presses his lips to yours. “Sorry princess, ya heard the man.” He then pulls the digits out of you to slip them into his own mouth, cleaning your juices from them with a lewd ‘pop’. He shoves his boxers down his thick thighs to expose himself, giving himself a quick few pumps.
“Bend back yer legs for me, pretty girl. I’ll make it up to ya.” He helps you lift your knees to your chest and runs the flushed, leaking head of his cock up your slit until he’s as wet as you are. Then he presses another kiss to your parted lips, and smiles into it. He pulls back with a low whisper, slowly starting to push in as he pushes out the words. “I love stuffing this pretty cunt. It’s mine.” The stretch feels so good, so so good and he’s so warm, you mewl as he sinks into you. And as you reach one hand back up to his shoulders to steady yourself on his big cock, the other searches out his touch. His long fingers tangle easily with yours, slotting perfectly together.
“Ahgh,” you moan at his first thrust, “so full. S’big, ‘Tsumu.” He leaves kisses all over your face as you get used to the overwhelming feeling of his cock, and you glance over for just a moment to the chair. Kiyoomi is dabbing at himself with tissues. You didn’t even notice he already came. You want to feel bad, you should have noticed, you should have— But then Atsumu switches out the slow draw of his hips for a faster rhythm and you’re gone from the world. You babble out his name and cling to him as the orgasm that was so cruelly denied earlier builds back to a peak, the heat in the pit of your stomach overflowing. “Oh fuck, oh fuck, oh fuck, ohfuckohfuckohfuck, Atsumu!” Your legs tremble, your walls squeezing around him so hard he can barely pull himself out enough to thrust. Black and white marks the edges of your vision.
You’re still far off from the world when you feel the setter’s lips on yours, but the vague words from your side filter in not too much later. Your boyfriend clicking his tongue. “You’re such a filthy slut, cumming all over someone who’s not even your boyfriend. You just need any dick to get off, tch.” You come down after that, feeling too hot but slightly cold as well. Atsumu pulls his hips back far enough to allow you a moment more to get back to yourself, before he touches your chin to draw your face back to his.
“Can ya do another, baby? I wanna give ya another.” It’s sweet. He’s sweet. You nod. So ever so slowly he starts back up, giving your sensitive body extra attention. You bury your face into his neck as he hovers himself back over you, his chest heaving up and down from the effort. “Yer so pretty. So good, so tight for me. Always so fucking tight for me.” You plant kisses there until Atsumu starts groaning out his words, your name over and over and you forget about the stinging gaze on the both of you. Maybe you should have talked about this with Kiyoomi more. No, you definitely should have. Then you wouldn’t be falling so hard for the guy your boyfriend brings in to fuck you when he can’t be bothered.
///
in this house we love and adore the miya twins equally and i don’t take criticism. he’s a fucking treasure, i will bop you on the head if you say anything different. anyway, this was my first time writing these boyos so i hope they’re not too ooc! thank you so much for reading, you’re all beautiful humans. (๑◕ㅂ▰)
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book notes
for anyone who is interested in a nuanced take on fairy beliefs vs the Christian Church in the Middle Ages, this book by Richard Firth Green was actually so good, if your library has it:
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[Image: Front cover of the book ‘Elf Queens and Holy Friars: Fairy Beliefs and the Medieval Church’ by Richard Firth Green]
like, obvs it’s just one person’s take on a very complex topic, but it’s well-written, well-researched, and it uses a bunch of Arthurian examples throughout to explore this dynamic (see under cut)
really interesting exploration of how the Church’s response evolved from the early-High Middle Ages (”dude, you believe in fairies? hhhmmm, do penance for 10 days”) to the Late Middle Ages/Early Modern Period (”kill them for heresy and witchcraft!”) 
and how it enfolded vernacular/fairy beliefs into Christian doctrine as fairies being either a) demons or b) the illusions of demons (and how dangerous/bad these demons were depended on the time/location/cleric in question - some packaged fairies as “neutral” demons who fell when the rebel angels did, and who must be punished on Earth but will return to Heaven on Doomsday - potentially doing this to soften things for their parishioners, who often held these fairy beliefs and reconciled them with Christianity, uh, differently than the Church officially would prefer)
and enduring belief in fairies existed in both common and aristocratic circles (can see this in medieval romances, although they’re not the only source of evidence), rather than just being used as cultural “decoration” by a more sceptical upperclass
aaaaand because of this conflation of fairy = demon, you get a really interesting blend/overlap with medieval demonology and enduring “folk” beliefs (obvs not all of medieval demonology was just rebranded fairies, but some of it defs was - you see stories being retold with “devil” instead of “elf”, for example)
INCLUDING in Arthuriana - how you get Morgan the Fairy (”le Fay”) vs Morgan who was raised in a nunnery and learned dark magic there, the Lady of the Lake as a (largely) positive force, Merlin inexplicably as a (perceived to be...) Good Guy despite being the literal antichrist, the Green Knight and all the overlap with Christian symbolism in that story, etc, etc. and they all just either??? co-exist in the same stories or appear through either more fay or more ~Christian lenses depending on the version
and it creates a very interesting and very confusing soup of Stuff stemming from a very confusing - and sometimes dangerous - soup of official and unofficial beliefs evolving over hundreds of years
anyway, WRT Arthuriana it’s got (and ymmv on these, but they’re all interesting thoughts):
(i think in Gottfried’s Tristan???) apparently Tristan has a rainbow fairy dog called Petitcriu...name a knight less deserving of such a Good Boy smh
Chretien’s Yvain flooding out Laudine at the fountain (...jerk) as a continuation of the beliefs surrounding a magical Spring at Barenton 
Gingalain moving from being the son of Gawain and the fairy Blanchemal (and having a fairy love interest, Pucelle) in the French OG version (~1200-ish) to being the son of Gawain and his human mistress (with Pucelle also being human) in a later 15th-C Middle English version)
AJDKN UJ IOE E Merlin’s conception, that one’s a wild ride - theologians REALLY didn’t like the idea of demons being fertile, and the work-arounds they came up with were...incredible. but skipping over that sheer comedy, the author draws links between Merlin’s conception and the general trend of claiming a fairy lover/whatever when a difficult-to-explain pregnancy arose. He also theorises that Geoffrey’s idea for Merlin’s father being a demon/fairy may have come from Nennius saying that Merlin/Ambrosius’ mother “never knew a man”. Later adaptations of this storyline made it even more fay-like (when they weren’t, like Robert de Boron, making it more fucked-up) by making Merlin’s father invisible (Wace) or a super attractive guy in swanky gold clothes (Layamon) - and Vortigern’s advisor explaining the creatures that lived between the earth and the moon until doomsday, etc, etc (walking that line between fairy and incubi, whichhhhhh was not clearly delineated in the Middle Ages the way it is now). also there’s one 13th-C Anglo-Norman poem where Merlin’s father is a bird that transforms into a dashing young squire, which isn’t terribly demon-y. So even though most versions of this story describe Merlin’s dad as an incubi-demon, what people understood this to mean may have been more fay-ish that we’d expect nowadays (depending on the reader, and also on authorial intention - some are pretty explicit that he’s a demon [many clerics keen to push this as the main narrative], while others refer to him as an elf or fairy). some contemporary scepticism during this time about Merlin having any sort of supernatural parentage as well
[none of the same Church anxieties about explaining away how the Plantagenets and other aristocratic families claim a female fairy ancestress - maybe bc there’s none of the stress about patrilineal bloodlines??? who knows! but yeah, much less thought given to those stories in ecclesiastical circles, and they were very popular in vernacular romances (male aristocratic wish fulfilment?). also, fairy enchantments =/= necromancy, so there are stories like the non-cyclic Lancelot where the Lady of the Lake is found out to be “a fairy by education, not by nature or heredity” (Elspeth Kennedy), with the spirits used in necromancy being demons, not fairies. also potential trend of female-associated magic becoming more passive and book-learned, gradually demonising it leading up to early-modern witch hunts.]
Geoffrey of Monmouth in his Historia and in the Vita Merlini being actually pretty circumspect about saying whether or not Arthur was alive/dead, returning/not returning, maybe due to his work/text being a (hypothesised) defence of the Welsh as being “civilised” (and having been so for centuries before the Normans came) - with the corollary that believing in Arthur’s return was somehow “uncivilised”. Author argues that this may be due to an association with fairy beliefs, and that Layamon is the one that makes Avalon explicitly fey. Also the author describes Arthur as living in a “feminised version of the Christian heaven” (iconic) and says that later writers and people could be very scornful of this belief held by the Britons/Welsh/etc, and that it was contrary to orthodox ways of thinking. 
Links the “discovery” of Arthur and Guinevere’s bodies in Glastonbury in the late 12th-C as similar to when individuals found the bodies of their loved ones, thus making it much harder to believe (and hope) that they were still alive in fairyland. Makes a suggestion that the monks in Glastonbury who “found” these bodies may have been trying to curry favour with the English crown (i.e. champion/hope of the Welsh isn’t coming back) but also may have been trying to “help”/”save”/correct the thoughts/ideology of the Welsh (i.e. “set them on the correct path to salvation”). Lots of medieval writers describing Arthur as living in “fairyland”. Precedent of people visiting fairyland and returning, so Avalon/fairyland =/= a place only for the dead (i.e. Arthur isn’t dead). An Arthurian example, albeit a less explicitly fay one, is Lancelot getting in and out of Gorre (with Gorre as a “typically supressed and rationalised” version of fairyland) in Chretien’s Knight of the Cart.
Some stuff about the wild horde (distinct from the wild hunt) being presented by some writers as very penitential (i.e. they are departed souls that may look like they’re bearing arms/hunting/whatever as they did in life, but really they are in agony e.g. because their weapons burn them) and tbh demonic (black armour, carrying torches, ominous aesthetic). Other writers thought maybe it was - once again! - demonic impersonators rather than actual mortal souls. (Should note also that the wild horde/wild hunt motifs were not always associated with their being dead). Relevant in the Arthurian context because Arthur and his court were sometimes associated with the idea of the wild horde (as in, sometimes the wild horde is described as Arthur’s court living it up in a cool, undying sort of way - “in the likeness of knights hunting or jousting, commonly known as the household of Hellequin or of Arthur” [Etienne de Bourbon, a medieval writer] - with Hellequin’s household often being used to encompass either the wild hunt or the wild horde). Ultimate point made by the author (props to him, he’s always like “if i’m right” lol) that for many clerical writers, it was very uncomfortable to leave people with the impression that Arthur and his court were living it up in fairyland (and similar for other figures associated with the wild hunt/horde) and this idea needed to be corrected/shaped to suit more orthodox perspectives - e.g. tying in with notions of purgatory, etc. 
Aaaand this one was exciting to me just bc i’ve vaguely heard about Arthur and his knights snoozing under a hill, but for some reason i could only remember this being in Victoria-era-and-onwards poetry. 3 versions of the same tale, where a servant looks for his master’s lost horse on a Sicilian mountain. Version 1) servant of a bishop finds his master’s horse in the beautiful palace of Arthur’s court beneath Mt Etna. Aside from the fact that the ancient wound Arthur received from Mordred opens once a year, it’s not very purgatory-like. Version 2) a dean’s servant is told by an old man that King Arthur has the horse on Mt Gyber (Mt Etna). he is told that his master must attend Arthur’s court in 14 days, but the dean laughs it off...then sickens and dies on the appointed day (whoops). Enough differences to this story compared to the first to suggest an oral circulation. Also a note in the version/text that such mountains are said to be the mouth of hell, and only the wicked are sent there, not the chosen. Version 3) Etienne again! Also likely changed with intervening oral circulation. The master is not an ecclesiastical figure, and Arthur’s palace is now a populous city - also Arthur is not referred to, just a nameless prince. There is a gatekeeper who warns the servant not to eat or drink while he’s there (that...is a very fairy-ish proscription). This mountain is apparently reputed to be the site of purgatory. The book author (Richard, i mean) ties these versions in with other stories/accounts of different entrances to purgatory (e.g. one on an island in an Irish lake) as being part of a gradual process of “rendering [...] fairyland purgatorial”. 
Finally, Gawain in Roman van Walewein: To get to an ‘earthly paradise’ [i.e. King Assentijn’s garden with its fountain of youth - side note that ‘earthly paradises’ were often popularly described to be fairyland/where fairies live, in addition to their theological functions, e.g. Avalon was sometimes described as an earthly paradise...i should also say that purgatory was frequently thought to be located beside earthly paradise, so there’s the proximity element] and the castle containing it, Gawain must cross a river (guided by a magical talking fox) that a) has waters that burn like fire, and b) can only be crossed by using a bridge sharper than a razor. His reaction? “Is it the enchantment of elves or magic / that I see?”. He is then guided by the fox underneath the river through a tunnel, and is told that the river’s source is in the depths of hell, and “[the river] is the true purgatory / All souls, having departed from the body / Must come here to bathe.” So it’s a very strong intermingling of fairy and purgatorial imagery/ideas!
I dunno, I just found this very ??? satisfying to read
it leaned towards lit-crit at times (which, considering the subject matter, is honestly fair enough), but it was more respectful of vernacular beliefs than so many other academic takes i see (ofc ymmv re: anything to do with non-Christian major religions, but i think the author’s pretty solid on this!), and it had an explanation for the survival of these beliefs that imo made a lot of sense, especially from a pan-European perspective, not just a Celtic one 
plus it explored the undeniable damage done by Christianity over history without making up some “ranged battle between paganism and the Church” that i see  e v e r y w h e r e  in casual Arthurian circles...which, like, i empathise with the vibe, but also! that’s just straight-up historical revisionism! (i blame MZB and the 80′s for that one)
(there was a fantastic post floating around a while ago about how the religious syncretism in Arthurian literature is much more interesting than peeling away all of the Catholicism in the medieval lit (...you ?? don’t end up with much left?) and saying that this is more “accurate” to some obscure original)
anyway yeah yeah ymmv but it’s v interesting 😊
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songofclarity · 3 years
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Hi cat anon back again I absolutely loved your response to my ask though I doubt WRH sleeps 16 hours a day lol. On the contrary I think he's more likely a workaholic who rarely if ever gets a full night of sleep. even if he delegates a part of his workload, leading a sect as large as qishan wen is still a very hard and demanding job and there are things that just can't be delegated and there's also his cultivation that he must put a lot of work in to be that powerful I would be surprised if he ever gets time to rest. If I were to compare WRH as a leader to anyone it would be Miranda Priestley from "the devil wears Prada", all those working under him are terrified of him not because he's needlessly cruel but because he's extremely strict, demanding, and has very high expectations of everyone starting with himself and the higher you go in the hierarchy of the sect the higher his expectations of you will be and if you can't meet his expectations you will be kicked to the curb without mercy (srsly if you haven't watched that movie you absolutely should especially if you're looking for inspiration for WRH because Meryl Streep slays the role of the demanding and tyrannical leader in it).
Also I'm curious what kind of parent you think WRH is. We never get to meet WX in the novel so there's no way to know what he's really like but WC strikes me as a sort of spoiled kid who was used to getting all his demands met without question and was never disciplined for anything ever in his life but also there are WQ and WN whose upbringing WRH had more or less involvement in depending on the adaptation and who seem to be far better adjusted people than WC even if WN seems to suffer from near crippling social anxiety and stage fright. I personally think he has no idea how to parent because he was mostly raised by nannies and tutors and barely had any relation with his own parents if he had any so his idea of being a father is buying his children anything they ask for no matter how extravagant and having dinner with them once in a while.
Sorry for the rant but you're my favorite writer who writes WRH I just love the way you write him ❤️
Ahaha, 16 hours is indeed much too much, he needs to have time to work on his cultivation! I'm so happy you love the way I write him and I love hearing you talk about him, so thank you for sharing your thoughts with me!
I will confess I, too, have a soft spot for workaholic/insomniac Wen RuoHan. It’s a big sect and there is a lot to do! At the same time, I also have a soft spot for well-rested and idling Wen RuoHan who is purposefully kept oblivious to most things happening in his sect, either because other people are doing a good job taking care of it all, because they just don't want to look bad in front of the boss and so don't tell him, or both lol
To be honest, I don't see Wen RuoHan as someone who is that critical of people! I just don't see him dropping people simply because they make a mistake. The way he lightly jokes with Meng Yao after Meng Yao nearly gets himself killed is kind of something I can see Miranda Priestly doing though lol But she knows she's top brass and has the attitude for it. There is an arrogance about her that when she says something disparaging, it's really not a joke even if she might smile and laugh. By comparison, I don't think Wen RuoHan is nearly that arrogant or, if I may, that rude. I think politeness and proper manners are actually very important to him (and there is a whole essay in me about that lol). Wen RuoHan says "you good-for-nothing" only after Meng Yao was being self-deprecating, and then they laughed and carried on with Wen RuoHan going along with Meng Yao's ideas. Meng Yao's status doesn't falter in the slightest.
(So yes, The Devil Wears Prada is a great movie and I have definitely seen it!)
Instead of Wen RuoHan creating a toxic environment where he plays an active hand in making people fight for privileges and status, I can better see people around Wen RuoHan vying for his attention that it becomes a dog-eat-dog situation. It's like with the guest cultivator who threw Nie Dad under the bus. Wen RuoHan did not pose a question that needed to cause a sect-sect incident, but the guest cultivator made it into one. No one is quite sure why he would say such a thing, although one of the assumptions is that he said it simply to stand out and gain attention.
Although I may just have some rose-colored glasses on lol Wen RuoHan just kind of has that personality, to me, that draws people in. They see Wen RuoHan, recognize his power, and are like, "If I can have 5 minutes of his time, my whole life will change for the better." I do think Wen RuoHan thought he was making things better with his policies. The problem is that some bad people are taking advantage of this offer, and it in turn reflects badly on Wen RuoHan. I will say this though: I think there is some room to argue that Wen RuoHan does follow the teachings of Wen Mao.
For the record, I like to completely ignore what CQL did to the Wens, tbh LOL Wen RuoHan is Yikes, Wen Chao is more just evil asshole rather than pompous asshole, and Wen Qing and Wen Ning are like desolate orphans for some reason. I love the younger actors, acting, and the aesthetics (although white and red will always be Wen colors to me!) but the changes to their story line and their relationships with each other made a complete mess and I don't like to see it ;;
But man, I wish we knew, like, anything about Wen Xu! Wen Chao is absolutely spoiled though. Although one thing I like is how he's being given opportunities to practice leadership, management, and organization skills. He's the one arranging the Wen Sect team for the archery competition and he's put in charge of indoctrinating all the juniors when he himself is the same age as them. We see evidence that he's getting the right education and opportunities to maybe even become Sect Leader one day (Wen Xu, who are you!?), but we also know he's a rather rotten, arrogant person who seems to enjoy his power and privilege more than anything. Wen Chao is also the second son and we get a nice comparison with Nie HuaiSang, who also enjoys all the wealth and the pretty things of his station but doesn't want the responsibilities that come with it.
My headcanon is that Wen RuoHan adores children and is very good with them. I want to believe he was very good to Wen Xu, Wen Chao, Wen Qing, and Wen Ning. This is in part because every other parent in MDZS is awful so statistics says at least one of them needs to be good, so let's give it to Wen RuoHan LMAO
But for the actual teaching of said children, I can definitely see them being given tutors and Shifu and all that good stuff. Then when they have learned something, they show it off to Wen RuoHan, who I think is someone who likes seeing others learn and improve. I don't think utilizing nannies and tutors would make him a bad parent though! It might make him somewhat distant, however, which might explain why Wen Chao lies about killing the Tortoise of Slaughter. That would be a great way to get his father's attention! But it might not be because his father is distant. That lack of attention could also be because he's competing, as I mentioned before, with all the other people vying for Wen RuoHan's attention.
Considering Wen RuoHan gave Wen Chao his strongest bodyguard, a whole ton of disciples to lead, and opportunities to prove himself, I think Wen RuoHan is arguably a decent father. That Wen Chao was desperate to get back to him when it all went south shows that his father is someone he knows will protect him, which no other kid in the series (except Lan SiZhui who has the benefit of being from the next generation lol) ever displays. Considering how Wen RuoHan protected Meng Yao in the Sun Palace with Extreme Force, I like to think Wen RuoHan really doesn't mess around with the safety of his kids (with Meng Yao as honorary kid). Even Wen Qing and Wen Ning had ZERO fear running around as they did right after the massacre of Lotus Pier. No one and nothing is going to harm them--not with Wen RuoHan around.
(As a side note, Wen Qing said she wouldn’t be able to protect Wen Ning from Wen Chao if Wen Chao really wanted to kill him, but there is no mention of harm coming from Wen RuoHan. It really does sound like a sibling spat of “He’s going to fucking kill you when he finds out you ate his pudding and there is NOTHING I can do to stop him.”)
With all that said!! I really like your headcanon that Wen RuoHan wasn't close with his own parents and thus having no idea how to parent. It makes me sad, but in a good way lol So I'm definitely willing to run with you on it! Although I love the idea that Wen RuoHan is trying to be different than the generation before him. His parents weren't close to him, so he is close to his own children. He cultivated to a high level because no one was around to protect him, so he makes sure he's around to protect them. Wen ZhuLiu is an extension of Wen RuoHan and it shows when he protects Wen Chao, despite not liking the kid in the slightest.
So Wen Chao grows up spoiled and Wen Ning grows up fearless and Wen Qing grows up prideful because Wen RuoHan is just one letter away and no one wants to mess with Wen RuoHan.
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Saw you've been sucked into the MMO life in the form of FFXIV and I was wondering if you had any input into the debate I've been having about what class archetypes tfw would play. I think Sam would be most likely to tank because it requires a reasonable amount of leadership and is also more of a quiet, backbone type role compared to dps. Dean seems more the type to be singularly focused on the big damage hits tbh. He also tends to take more of the charging in and fighting role in their normal life with Sam being the one reading up on everything more carefully and being his backup. Which leaves Cas as healer which may just be me projecting because I play healer/support at every opportunity but literal angel healing aside I think that sorta fits too, he cares a lot for them and tries to keep them safe and shield them as best he can in their adventures? Idk half formed thoughts please completely contradict me if you want I'm genuinely curious about other people's opinions here
Heyooo :D It is less sucked into and more like I’ve returned to the warm cushiony nest of MMOs lol
If you’d asked me back when I was a WoW player I’d have fully agreed because you could only have one class per character and these are definitely the snap decisions that the fam would make when on the character screen. Dean would grab the sexiest DPS, Sam the stoutest tank especially as he’s the one who has read into the classes and strats beforehand, and Cas would ask what to do and be given the healer role because the other two in this scenario would know better about the game and sort of lump it onto him like, oh, we need a healer and you can do this.
(In my own gaming journey, this is what my friends and brother did to me, as they needed a healer to round out their party... I took druid because it was spoopy, and discovered in WoW that while you can’t change classes you can pay gold to respec your character’s role within that class... Promptly re-specced to a melee dps/tank feral druid instead of the healer one, and had a lot more fun :D)  
In FFXIV you can take all the classes on your character (which I have done, natch) and it’s a much more interesting levelling approach, especially seeing how my friends playing the game have gone when it comes to taking classes as they level and why they claim to have tried and then rejected others. It’s an enormous personality test, even for peeps like me and my brother who have all the classes up at max level, which ones we prioritised and which ones we sort of struggled with or found a bit meh. 
Hm so in the scenario that Charlie comes bursting into the Bunker demanding that she needs some friends for dungeons and raids and they’re all sitting on their asses scrolling the internet between a case, they can bloody well play final fantasy with her for a bit, let’s go for some headcanons :D Long because FFXIV has become my current obsession and I have the same in-depth feels about it as I do about SPN but I just never get to write about them with anyone... 
First off, Sam of course has deep nerdery about it and will ask Charlie a ton of questions about what the right class to play is and do the same thing as we’ve already discussed and go for Paladin (which starts as gladiator), and also take all the crafting and gathering side classes because he’s a nerd and you learn nonsense lore while doing it. He’s also in the same starting zone as Thaumaturge which transitions to Black Mage and I BET he’d be tempted to have a little safe witch!Sam emotional release on the most un-Sam class. It’s the big unwieldy spell caster whose literal class quests and stuff make fun of how you’re small and squishy and will be standing in a very bad spot debating whether to finish a long-cast spell and get hit or stop DPS and run for safety. I think he could do with the perspective and learning to be selfish either way to blow off steam from tanking and also learn to prioritise himself IRL :’D Also the paladin quest is WEIRDLY pro-cop from 30 onwards for some reason until the writers saw sense and just. stopped. doing paladin stuff and went back to the Gladiator storyline for the class quests, so idk if he’d enjoy that or start to question other things. Whatever it is he’s getting challenged XD
At 60 he grabs Gunbreaker because it sounds more cool and is thankfully way less emotionally stressful tanking as it’s entirely about being a badass bodyguard and sick flips. This is far more aspirational for Sam, especially as he could just tie a knife to a sawn off shotgun and do these moves for real in his day job. He won’t, but like with black mage, the thought that he COULD is very emotionally satisfying to him.
He might also have decided to check out scholar to see how healing is but idk if he would be able to handle Dean teasing him for having a fairy follow him around so he’d only dabble with the nerd class on the side :P  
Now, Dean can’t take ninja until level 10 or machinist (gun shooty DPS class) until 50, so his start point as DPS would either be pugilist (eeeey brass knuckle class!) or the other DPS classes to start with are Thaumaturge/Black Mage, Arcanist/Summoner, Archer or Lancer. Now. He’d probably think the first two are sissy because magic is for girls/arcanists literally only have a book as a weapon. Archer becomes bard and I think is ultimately a place he’d be very happy as it is a very supportive class to the whole party and basically the mom friend class. But I would love if he went lancer/dragoon because the level 50 class weapon is (folklore inspired name) “Gae Bolg” and every time I equip it I can’t help giggling at the name even though I know it’s a real thing and I shouldn’t. But. Like. It’s the class about waving enormous lances around. It’s got Implications, and Dean is drawn to those. 
He’d probably, however, take rogue/ninja as soon as he could because stabbing things with knives, and the class trainer is the kinda guy who’d have wild gay tension with him while they both try to boast about women to each other, were they to meet irl. Ironically, the rogue trainer (a womanising charmer) and the ninja trainer (an intense, honourable guy bad at social cues even among his own people who ends up falling from grace and choosing to stay in the vicinity of said rogue trainer) are an interesting pair of NPCs to teach Dean about where to stick knives. :) 
He’d go back and power-level dragoon once he starts Heavensward though, because Aymeric is also super intense with messy dark hair and big blue eyes that see right through you. :D He’s getting that gae bolg for him, you know? 
If they’re going to bully Cas to be their healer, he’d probably get really dedicated to the discipline especially as he can stay up all night to play and doesn’t need to take breaks to pee so he’d probably level conjurer/white mage (nature healing) and scholar (ancient book lore with a class quest which mixes ancient curses on a whole people, family drama and a bit of interspeciesish love) and then also pick up astrologian, which is good because it’s spooky star and making your own fate magic. The storyline for that is garbage in the sense that it’s really weakly written, but my favourite character randomly picks up AST in the latest expansion, and has an absolutely fucking wild subtextual romance with another character, including SPN level adopting of a random child who matches Jack in many respects, with said character. And in many respects emotionally they’re Cas and Dean but without any of the personal baggage between them specifically so they really are just chill and married, whatever else they’re stressed about (I say, dreading the next patch is going to finally bring up some questions about what is going on with them as it’s getting weirdly conspicuous while still utterly unsaid). So I would hope if Cas started projecting onto an astrologian character it would be him :P 
Cas also would get into summoner as the other branch of scholar because honestly those two classes are about as close to the random sigil drawing and reading things from books etc analogy to his own occult magic, except you can summon cool dragons and elementals to fight for you. 
they’d buy Jack a boost to 60 and he’d pick up dark knight and white mage probably just to subtly fuck with Dean 
(I am still not over Dean trying to test him to see if he was evil or not by whether he chose devil or angel cake) 
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cardentist · 4 years
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I’ve talked about how the misconception of hoodie and masky as proxies clashes with the plot of marble hornets before and how the implications of them being interpreted as proxies impacts the themes of tim’s characterization and storyline. (link)  that said, I’ve noticed that even people who Know they aren’t proxies still tend to interpret them as more violent or antagonistic than they really are, sometimes still interpreting them as working for or being controlled by the operator. 
so ! I wrote up a manifesto rambling on about my thoughts on why hoodie and masky come off as more threatening than they actually are, on what the operator’s influence actually is, and on masky’s role is as an alter. I’m putting it under a readmore for length ! so warning for major spoilers under the cut.
as a note, this is all based on my own understanding of the series, I don’t want to have to write “in my opinion” after everything I say so I’m saying it here fjlsdk
but to start with, I wanna address the idea of hoodie and masky (and even alex) being puppeted by the operator.
troy has gone out of his way to state multiple times that there are no proxies in marble hornets specifically to counter the notion that the operator has direct control of the characters’ actions at any point. the operator can affect people’s moods, their perception of reality, but it can’t puppet people’s actions. They’re in control of themselves even if they aren’t thinking clearly or rationally.
compare jay and alex. they were both unmedicated throughout the series (for the most part), and there’s evidence to suggest that jay was affected by the operator all the way back during the marble hornets shoot (he mentions how cold he feels just like tim, and he doesn’t remember alex’s change in behavior in the present at all), but they both were in Very different places mentally. it isn’t fair to just say that alex was more Violent than jay, we didn’t see much of him pre-operator but we were meant to get the idea that he was just a normal guy, but he had a very different reaction to the operator’s influence.
likewise, brian and tim were both taking medication throughout the series and Very Obviously had different reactions to the operator’s influence (brian self isolating and giving into paranoia while tim tried Very hard to live a normal life and get better despite his lack of support).  
if the operator could just control people’s actions then the differences in their personalities and environments wouldn’t have mattered. why bother creating an alter that’s less openly violent than alex was? why leave jay to be self destructive but ultimately harmless when he was vulnerable for so long? if the alters and changes in behavior were caused by a Direct influence by the operator, controlling what they Do rather than just how they feel, then they All should’ve been as murderous as alex was.
personally? I see masky as a protector that stemmed from tim’s childhood trauma. we don’t know exactly what happened for sure, like tim said we’ll never know if what he experienced was the operator or his own schizophrenia or both (or if the difference even matters), but we Do know that from his perspective he was locked in a room with a monster with nowhere to go and with no one to help him. the people who were Supposed to take care of him (his parents, his doctors) were the ones confining him there and he didn’t have anyone else in his life (brian was his first friend). that’s Plenty of reason for DID to occur naturally !
masky’s job as a protector would be to get tim (and the people important to him depending on the situation) away from danger by either fighting or running away, because tim didn’t Have the power to help himself when he needed it. moreover, that’d explain why masky tends to front in response to seizures and being Taken by the operator, it’d be to protect tim from whatever caused the pain (whether it can actually be protected against or not) And to deal with painful memories ! it’s a trauma response because masky exists in response To trauma and tim’s inability to cope with what happened to him on his own
so ! why does masky come off as so intimidating if he’s supposed to be a protector? because he was supposed to ! out of universe, the series was presented out of order with jay getting bits and pieces of what happened to slowly pull together a more complete narrative. hoodie and masky were written to Look like antagonists the first time through (in the same way that alex looked more sympathetic in the beginning), but slowly putting the pieces together makes their actual goals clearer as well as adds context to situations that made them look bad because of how they were presented in release order. this isn’t a failing of the storytelling by any means, we thought they were threatening because Jay thought they were threatening !
and well, in universe obviously part of it is that hoodie and masky are, you know,   running around wearing masks and acting shady, especially when you have no idea who they are or what they want. But a lot of times their actions Seem threatening but can either be explained by them purposefully appearing threatening to try to scare jay away from danger/into helping someone Or can be explained by them being affected by the operator in the same way that jay and alex were (more on that later :3c)
this distinction is important because hoodie and masky’s whole goal is to combat   alex and the operator ! the operator can make them more aggressive/act out in ways that they otherwise wouldn’t, but it isn’t making them do it’s bidding !
tbh the only thing holding me back from explaining every single instance where hoodie or masky come off as threatening is my own thinning self control, but the fact that I haven’t yet means that I have limited examples jlksfd. that said ! I can think of a couple!
the most obvious example of them being threatening on purpose was entry ####, when hoodie and masky stopped speaking in codes for the first time and made an overtly threatening video saying in no uncertain terms that they were coming to “get” jay just before the season 1 finale. They even posted it on His channel so he couldn’t ignore it. they Knew alex was going to go after jay, but they also knew that alex was watching him and watching them. if they warned him that alex was the one coming for him then alex wouldn’t make his move and would wait until jay was vulnerable again (plus the risk of him just not Believing them since at this point he had no reason to think that alex was truly dangerous). so they made Themselves the threat and scared jay out of his apartment before alex could burn him alive in it.
an example of them appearing threatening because of Circumstance and how the story was told is actually one series of events split up into several parts ! chronologically it starts with entry 52. alex invites jay and jessica into the woods, holds them at gunpoint, and tries to shoot them only to be tackled by masky. jessica and jay manage to run away and meet up at a hotel only to be tracked down by the operator. jay tackles it and he and jessica are knocked out and  have their memories wiped.
then jay wakes up in entry 27 with no idea what’s happened, and posts about exactly that to his youtube channel. both alex and totheark have been paying attention to jay’s channel and they both find out that jay and jessica are vulnerable at the same time. they don’t know exactly where jay and jessica are right off the bat, but jay made it clear that he wasn’t going anywhere. so it’s a race against the clock to see who can get to them first while not drawing any unwanted attention.
finally it’s jessica’s disappearance, split between entry 33 and 76! jay has Just posted about how he’s gonna leave with jessica to try to figure things out, and hoodie and masky both know that if alex had already found the hotel then that would’ve push him into action. So that’s what leads to 76 with hoodie and masky grabbing jessica to try to get her out of danger. masky carries her down the stairs and then sets her down outside before heading back into the hotel.
Cutting to entry 33, that’s when he confronts jay in his hotel room. At the time it Looked like he was attacking jay because we didn’t have the context, but this was Immediately following him trying to save jessica and him Successfully saving them from alex shooting them. Moreover, he didn’t actually try to hit or overpower jay (and considering he just finished carrying a grown unconscious woman over his shoulders down the stairs he definitely could’ve).
What’s more likely is that hoodie was going to carry jessica to safety while masky carried jay, and he only Didn’t because jay was conscious to fight him off. (why jessica was unconscious probably has to do with why jay and jessica lost their memories in the first place and why jessica didn’t seem to think anything was off at the end of the series, that’s to say that slenderman wanted alex to get to them and was likely thrown by hoodie and masky’s presence). masky was hauling ass because he was trying to get to jay before alex did and he was taken off guard by the fact that jay wasn’t out like jessica was !
so then back to 76! jessica wakes up and hoodie tries to help her through the woods only to get shot at by alex, alex tricks her into trusting him and tries to convince her that they’re both hoodie’s victims. when alex tries to take his second chance to kill her she grabs his gun and hoodie comes to beat his ass ! hoodie stayed close when he ran off so he could catch alex off guard ! Unfortunately the operator gets to her while they’re fighting each other off. it’s unclear exactly what happens but jessica gets taken and we see alex put his gun away. personally I think jessica was knocked out rather than shot and he was just retrieving it from her before she got taken (seeing as she’s still alive by the end of the series) though what happened to hoodie isn’t exactly clear beyond the fact that he lived.
so ! to put all of that shorter fjdksl hoodie and masky’s goal here was to protect jay and jessica from alex. masky came to stop alex from shooting them the first time and they both tracked jessica and jay down after they lost their memories because they knew alex would take the opportunity to try to kill them again. masky not being able to grab jay (or more accurately, getting throttled by jay jldsf) meant that he wasn’t there to help hoodie defend jessica against alex leading to her getting taken anyways. but it scared jay into escaping the hotel without having to encounter alex himself. That’s why jay said he understood. it isn’t just that tim had no control over his alter’s actions, it was that masky and hoodie Looked threatening but were actually trying to help. It’s just that tim had no way to know that when he found the tape originally.
and finally ! what I think is an example of masky coming off as threatening because of the operator’s influence, but specifically on Mood rather than action! This being the events of entry 61 and 62!
Hoodie wants to force jay and tim to team up, and he does so by acting as the villain to get jay to move again (while he had masky pose in front of the camera before it’s more likely that he planned and edited entry ####). He takes tim’s pills, tim goes into a seizure, the video cuts out, and hoodie tells jay to go find him. this is followed by masky attacking jay in the woods and them both waking up in the abandoned house in rosswood.
now before I say anything else, let's contrast this with jay in entry 82 and 77. jay tries to stake out the rosswood tunnel (the last place jessica was seen in the tape before she disappeared), and after not finding anything he calls tim to apologize, tell him that he understood, and to say he wanted to work with him again. He’s scared and he says that he thinks he’s seeing things, he Specifically sees the same abandoned building that they woke up in during 62 Moving Closer to him. Jay then has a seizure, the video cuts out, and tim never gets the phone call. the next time we see jay chronologically is 77, where he comes to tim with zip ties and his (piddly) pocket knife to try to “interrogate” him about jessica.
we don’t see exactly what happened to him after the video cuts out, but we know whatever it was affected his memory, made him far more aggressive and paranoid, and played into his anxiety and fears notching them up to 11 (like him shouting that it “wouldn’t have been (his) fault” when tim says that jessica is gone playing into the fact that jay blames himself for losing jessica when she was one room over).
it’s the exact same situation with masky. 61 and 62 follows tim and jay’s blowout in the parking lot and jay sharing tim’s medical records online. at this point tim had a lot of anxiety and frustration surrounding jay. so when masky woke up after tim’s seizure, shaken up by the operator, he saw jay as a threat to tim’s safety in the same way that jay saw Tim as a threat keeping him from finding jessica. the operator is Most Likely responsible for teleporting them both to the abandoned house and teleporting masky specifically to the woods !
the operator causing aggression is pretty much a constant ! though how much a specific person reacts to it depends on the situation, the amount of exposure they’ve had and how recent it was, and how much Help the person has access to (like medication, support, and solidarity). alex became an Extremely aggressive person, and it wasn’t just because of the stress of the situation. he self isolated and didn’t have access to medication. he fell into paranoia and catastrophizing, deciding that everyone around him either deserved to be mercy killed to save them from the operator or saw them as a threat spreading the sickness to other people.
That’s why he went easier on jay at first. He was trying to kill him from the beginning, but he tolerated more from him because he saw jay as someone that needed to be saved from his fate. It isn’t until his mental health declined even further and jay continued to get in his way that his attitude changed, giving us who he was at the very end.
we also know that audio/visual glitches are signs of the operator, and you’ll notice the audio glitching when people yell Throughout the series. the three standouts for me being alex yelling “I’ll kill you” after hoodie and masky try to smash his head in with a rock, tim yelling “but what if I’m right” while he’s spiraling thinking about how he could’ve been the cause of all of this while telling jay about his backstory, and jay yelling “I need it” after tim refuses to leave the camera for him when jay is zip tied on the floor.
the operator causes paranoia and aggression as a baseline, it just affects everyone to different degrees at different times depending on their access to help and how direct the operator is being with its influence, hoodie and masky are no different !
that doesn’t make their actions Okay, alex isn’t off the hook for Murder, but it does make them all Victims and it does mean that they deserved help (think back to tim offering to help alex during their final confrontation, even after everything).
All of that to say ! while hoodie and masky come off as threatening, their overall goals are to be helpful, they just tend to act extremely because of the situation they’re in on top of dealing with the same operator-influenced aggression and paranoia that everyone else is trying to manage. This is only emphasized by the method of storytelling deliberately obscuring the order of events to make them appear more threatening than they really are on top of their own attempts to scare jay out of harm's way.
I’ve gone on just, frankly way too long. so ! if you’re interested in more meta about how mental illness ties into the core Themes of marble hornets as well as misconceptions in the fandom (and specifically some dunking on night mind’s masky theory jlkfsd) I have a google doc where I’ve been just, chewing on it here (link)
it’s written like it’s laying out points for a response video that I’m frankly never gonna make, but I’ve been putting off making a post about it instead for This Exact Reason (this post is just over 5 pages in google docs jlkfds). and if you’d like to do more research on DID and OSDD there’s an Excellent playlist with resources ! the uploader has OSDD and they have other playlists as well that are worth checking out too ^^ (link)
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yunsoh · 4 years
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i still dont really understand why kakeru said all that stuff to tohru at kyokos funeral. it just seems pointlessly mean and kinda ruins his character for me 😷
yeah i feel like this is kind of the point of contention for his character for a lot of people lmao, but i think it seems so out of left field because we don’t get to really sit with kakeru’s personal issues for very long in the series -- we get them in bursts and have to draw our own conclusions about some things that aren’t explicitly stated.
what makes kakeru’s character kind of hard to know is that he himself doesn’t dwell on his issues very much, especially not like the other characters who also go through a considerable emotional development over the series -- we usually see characters feeling particularly stuck on what happened to them in their childhoods, and can then make pretty clear lines between their traumas and how they act in the present story. 
kakeru’s childhood, though, is shown pretty briefly, and there’s even a fair amount of time between him getting out of his family’s situation and the funeral that we don’t see (the timeline isn’t very clear, but i assume it to be about two years). kakeru’s very much a “present moment” kind of person in a cast that’s prone to dwelling on the past, and i think that reflects a lot in how his narrative is presented. we first meet him when he’s already over a year into his personal moral shift (that is, over a year since komaki got upset with him over what he said to tohru), and we don’t get the story behind that personal shift until near the end of the series, at this point over two years out from when he first decided to change. he doesn’t dwell on his childhood very much at all, even when we do get a chapter from his pov. the only thing mentioned about his childhood during that chapter is from komaki; compare this to other chapters where the pov is shifted to other secondary characters, and they more often than not go into their childhood trauma. 
this reflects more on the aspect of his character that doesn’t shift the blame of his words or actions onto how he was raised or traumatic events -- which comes from his distinct rejection of being bound by forces out of his control. he constantly counters that by taking responsibility for the things that he does as a means to solidify his individual control, to the point where he’s very independent and self-reliant (which comes in part from his complicated/strained relationship with his mother; she’s not home very much, which i think kind of has this dual-outcome of exacerbating his lack of dependency on her and also allowing him the room to really grow on his own, versus what was the case as a child where she had heavy control over him. it has pros and cons.)  
this doesn’t mean that he always acts kindly or even normally (a lot of his responses to when he’s asked why he said or did something is “well x happened, so i did y”), but he never presents this as placing blame on a situation or person for his own actions -- in the case of him being shown that the way he reacted was actually harmful, he usually tries to apologize and correct himself. there’s a line that he’s aware of though when it comes to this; he apologizes when he sees that he’s legitimately hurt someone’s feelings, but he doesn’t apologize over teasing, or otherwise just somewhat embarrassing things. he builds rapport with people by being a nuisance honestly.  
anyways, i think the way that his narrative is presented makes sense for his character, but i think it also lends to people misreading him -- although he presents himself as being someone who moved on quickly from his childhood, this doesn’t mean that his upbringing didn’t hamper his means of socializing with others. while he was freed from the stress of his family situation, he was left with a lot of catching up to do in terms of socializing with his peers; komaki recalls him being very quiet, cold, and angry, and we can infer from the ways that both kakeru and machi talk about their upbringing that he wasn’t really allowed to just be a kid. he was asked to focus on his studies, and that was about it; anything else was a distraction, including his own feelings (ergo, being deeply cold and angry out of repression). i think, too, that any socializing he did have was more on par with unhealthy competition in academics, but that’s just me. regardless, i highly doubt he had friends growing up or was otherwise able to learn how to socialize with peers.
although he doesn’t place blame on his childhood for his actions whatsoever, his upbringing is still massively influential over how he views and reacts to things. it’s why his character arc is so focused on learning things that seem like basic human compassion and sympathy -- he didn’t gain the social skills that normal children should, and that immensely stunted his interpersonal development. while he presents a major personality shift, his actual behaviors are something he has to actively work on improving, as he isn’t even aware of how detrimental they are until he’s confronted with consequence from his peers (namely komaki and yuki).
(now, ofc, yuki is also a character who was heavily compromised in the socialization department as a child, but he had an opposite reaction and instead became overly compliant to other people’s feelings out of a fear of rejection; kakeru i think was raised in such an environment that he only had the room to focus how he compared academically to other kids, so i would imagine that he was more prone to rejecting other people than ever fearing rejection himself. machi too is obviously someone who’s socially stunted, having been in almost the exact situation kakeru was, and we see her struggling between being compliant and rejecting other people; she’ll often do what she’s told, but she struggles to understand her placement in the equation of interpersonal relationships and often tries to avoid engagement.)
when it comes to why he said what he did to tohru, there’s a few things going on at once that more or less lead up to his reaction: 
a) he’s probably about two years out from having left his family’s situation; he’s taken his personal change completely onto himself, which is good in some regards but he also lacks the perspective to criticize his own behavior (particularly his issues of being selfishly single-minded and having issues understand perspectives that aren’t his own). he’s more or less just rolling with things at this point. he hasn’t really been challenged during this time (complicated relationship with mom since she backs off from him, komaki’s general disposition to just grin and bear things...)
b) he’s been dating komaki for two(ish) years; komaki is shown to be the first person who really likes him, and he completely cherishes her in that regard. but she’s also the only person who really knows him (the next person he allows to really know him like she does is yuki), so when it comes to being challenged by other people he basically only respects her opinion on the matter. however, it’s inferred that she hasn’t really challenged him during this time, being that his first real wakeup call with her is after the funeral, and that she tends towards being an unchallenging force (the whole “smiling so other people won’t be sad” thing; tends to stifle her own feelings to avoid making other people uncomfortable). we don’t really know what the beginning of their relationship was like, so it’s unclear why there was such a long period of time where he went unchallenged by her (possibly just a mix of her tending to let things slide/not bring up things that bother her, them being 13-15 and in a honeymoon period & it being their first relationship, and/or that this was the first thing to set him off during their relationship that had real detriment). 
c) he’s in a place where he feels justified voicing his feelings; being that his demand to be taken out of the inheritance issue was actually listened to, he gets a pretty immense sense of personal power from that point on. he’s not one to hold back his thoughts, really, which is especially notable after having gone through his whole childhood having repressed his emotions. but, this is also why he always ends up with his foot in his mouth.
d) he’s in a position where he feels completely powerless; i think this is probably the biggest point to consider. again, he's learned that he has power to reject situations that he feels bind him out of his control, and in the past fighting against it has worked in his favor. but this isn’t a situation that he can just speak up against and have things set right. he wants to stand up for komaki’s feelings specifically because he’s sensitive to her emotions (and, well, he’s feeling the emotional impact of her grief, too. he’s not emotionally mature enough to really look at the situation completely unselfishly. this isn’t even just a kakeru thing tbh, i think this is something that is ridiculously difficult to manage as a teenager -- but it’s definitely exacerbated by the fact that he has issues understanding perspectives outside of his own). but there isn’t anyone or anything to fight against, so he ends up feeling agitated.
e) he makes someone to fight against; he projects his frustrations of powerlessness over the situation onto someone he could perceive as an “enemy,” which in this case is unfortunately easy to create considering the accident. being that it’s unclear who was at fault in the accident, the obvious path he’s going to take is faulting kyoko, which then leads him to direct his anger at tohru. again, he’s selfishly single-minded -- he’s completely submerged in komaki’s hurt over the loss of her dad (mentioned when he says he didn’t consider that she might not have felt the same way he did about the situation), and is sensitive to having feelings squashed because outside forces. he views tohru’s grief as being unfair, because he can’t just look at the accident as something that theoretically leaves komaki’s dad and kyoko equally at fault under the ambiguity of what happened. to protect komaki’s grief and his own subsequent hurt, he makes the situation unambiguous in his head, which then gives him allowance to project in a way that he feels he’s doing something to remedy the situation, even if it does nothing at all. it’s a desperate grab to take some control in a situation where he doesn’t have any.
does any of this justify what he says to her? of course not. but, we see plenty of other instances of characters saying unjustifiably cruel things to one another (kyo, yuki, rin), but we’re given the benefit of having explicit context for why they do what they do. we’re not given the same explicit context with kakeru, so we’re left to infer from what we learn from his general character traits and the bits and pieces of information we receive about his past to piece things together. 
and on that note, i think kakeru eventually coming around to apologize to tohru over what he said is interesting in itself, because it’s really the only situation that he has prolonged issues with moving on from. and he has this issue because it’s not resolved; he can’t just leave it as is because of komaki, but he also doesn’t feel like he has to or should apologize to tohru because she doesn’t seem upset about it whatsoever. 
the discomfort he holds over the matter has a lot to do with the fact that he’s strung between two responses over it: there’s komaki’s response of being incredibly upset with him over what he said, and tohru’s response of not seeming to care at all. he’s torn because he wants to do better for komaki, and can see how his reaction hurt her -- but, tohru’s lack of response to him seems to indicate that she wasn’t hurt. her not recognizing him whatsoever aggravates him because he gets the sense that he was justified in being angry with her, but he can’t let it go because he’s actually starting to understand that he acted in a way that was incredibly hurtful. but he doesn’t come to understand this because he’s told that what he did was hurtful -- he understands it because he sees how he legitimately hurts other people with his words, and begins to recognize this pattern in himself. 
he actually doesn’t come around to apologizing to her until he comes to understand her through yuki’s perspective, which i think humanizes her in his head (especially since he respects yuki’s thoughts in a similar way he does komaki’s), and until she finally does recognize him again, which destabilizes his idea that he was justified in his anger. even though she doesn’t confront him over what he said to her, or even indicates that it hurt her, at this point he does recognize that he was in the wrong. he even sees komaki in her in that she tends to repress her feelings for the sake of other people, and i think that’s something that really drives that matter home for him. him apologizing to someone who doesn’t explicitly make their hurt known to him is actually a considerable step for him to take, even if it seems trivial among a cast that’s otherwise pretty sensitive to other people’s feelings.
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transsexualhamlet · 3 years
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tg anime vs manga *sighs*
i have the power of hyperfixation and anime on my side! AAAAAAAA
Ok now that we’ve gotten the sins of re post out of the way we need to discuss this. And I just feel that this needs to be covered because I can’t ever get away from constant discourse on this, mostly fueled by manga readers who feel entitled to always think they’re superior for reading the manga, that the manga is the only real canon, that it’s more complex or better, I’m so fucking tired of it. I am also a manga reader, and I tend to get like that sometimes too with many series (for example no. 6 and the promised neverland.) I get it. It can be really annoying to see something butchered on screen to what the original is, changed or represented differently or given a different message or simplified. But just. Some people like the anime and it’s not a goddamn holy war for y’all to fight. It only makes anime fans not want to read the thing even more yknow cause manga readers are pretentious assholes, and I am aware of this as one of them.
(again ok i’d like to mention i know this fandom is basically dead but a certain p*nterest is always like 4 years behind on fandoms so i keep fucking running into Discourse that’s like, still current, whenever i want old random ass content) (and youtube, why do i look at youtube comments, because I personally enjoy being offended? yeah probably)
And that brings me to the point of this anime vs manga. 
This is a lot harder to compare than a lot of other series, because there are just... so many more differences not just in the style and vibe but the story itself.
Disclaimer, I’ve never watched the anime for :re and i don’t intend to, because I honestly have no earthly clue how tf you can get from the highly diverged tokyo ghoul root A to re and make it make sense, and I don’t really want A ruined for me. So you can call me biased towards the manga in the case of re, i guess (which makes my eventual conclusion even more strong I’d say) Honestly I just see them as two completely different stories, the manga’s version connecting with re and A just like... ending there. So how we’re drawing the lines is basically tokyo ghoul A versus the manga and :re. God, I know this isn’t a fair fight because I already hate re so much, but I feel like the manga’s story is much more intertwined with :re than the anime’s is, so that’s what we’re going with.
oh god also another disclaimer this opinion is coming from the biggest fucking kanehide whore, you can disregard anything i say if you ship The Straights and/or do not care for my boi hide
To be honest, if I can take my own conclusions and liberties to the story, I like both versions, each have their pros and cons and kind of a conflicting message. They can’t really coexist. Usually I’d consume all versions and then create one consistent canon in my head for what I accept as the true events (for example my main owari no seraph, first season of the anime is canon but after that we only follow the manga since those can come together and make sense.) but it’s very hard to do that in tokyo ghoul, since I must confess... I really like root A. Like of course, it’s a lot different from the manga, but tbh I think it’s super valid. (unlike most Fans TM like this Fan TM who i’m sending this post to just to spite their singular Youtube Comment Section Discourse, yes I did write this post for you and many others like you) But the ideas that make up root A conflict a lot with the ones of the manga, so I just have to accept that they’re separate things and treat them as such.
Now to break it down so people can understand where I’m coming from I guess? God this is already so long here’s a read more
The Case for The Manga (including :re manga)
More Lore + Plot Shit: One of the main reasons that manga readers are pretentious little bitches is a valid reason, namely that, as is the case with most manga, there’s simply more to it than people can fit into an anime. (Although people need to understand that’s because,,, it’s simply a different medium, so it will have different pluses and minuses, such as for example a soundtrack, color, moving pictures,,, you know, all that. Anime onlys don’t say that the anime is better by stating these things that a manga won’t have... because they’re fucking obvious. So manga readers should stop acting like an anime is inherently sub-par for being less in depth, but we digress.) I can understand that reading the manga is kind of important for wanting to understand the lore (though there are like so many other reasons ppl might want to watch it other than to get the lore) and without the explanation of how all this came to be and how it works, everything tends to be really mysterious, confusing, and seemingly random. It’s really nice to know what’s all going on, of course, and stuff like the washuus, rize’s backstory, the explanation for like, kaneki in general, all that- if you’re looking for like, plot shit, manga is definitely your go to. But like, sometimes, you like, don’t actually care about those things.
Haise: Of course one of the most important things about well, including re is that I fucking love Haise. Like he is my favorite Kaneki. He’s just so wonderful, look at him in he glasses and he floofy hair and he striped pants and he energy boxers and he s p i c e and he MOM. And I really like how they took Kaneki’s character and developed it more with Haise, you can see his turnaround from innocent--> Emo--> Trying To Be Innocent Again But Failing and I think that’s really sweet tbh. I rejected that at first because I didn’t understand it but once I actually read re I thought it made a lot of sense and was a logical thing to do with his character. (though, uh, moving forward, after his hair changes again i disagree with it, haise 1.0 is a good take and i love him and i want the best for him) I could go on I’ve already written a post of what I think is wrong with :re so if you want to hear my take on kaneki’s 37 pokemon evolutions that’s in there
Good New Characters: And of course there are my favorite bitches such as quinx squad, oh my god, there was a terminal lack of dumbass squad vibes in the original and ishida fucking gave it to us, I love them, I love them with all my heart and I think that if I wasn’t attached to them I’d probably just cancel all of :re but like this is just my personal problem. God I love them. Ishida always pulls through with characters I’m now too attached to.
Vore Lmao:Ok like hear me out. I just get a laugh out of it every time the manga has to remind me of this little fucking fact. Like ok I just. Cannot get over it. It’s so serious about it too and like I realize it’s a serious deal but o h  m y  g o d
Ok and now that we’ve got that little rant over I do want to say that it is like actually really important past the “lmao that’s pretty gay” bit, like??? In some ways it’s more fitting than the anime because well, ishida’s point always seems to be “what would mentally and physically hurt kaneki the most right now” and does it because that’s who this bitch is. But it just?? Kind of makes a bit more sense for the storyline if we’re being picky here, it’s so,,, painfully on point? Like the entire reason he gave in to Being A Ghoul and all was so he could save his friends and shit (i actually do not remember if this was a thing in the manga but like? when he was being tortured and he like imagined hide being really mad at him and getting killed by jason and shit?) LIKE AND THEN HE GOES AND HAS TO BASICALLY BE THE PERPETRATOR OF THAT HIMSELF, FUCK, it’s a lose/lose situation of “don’t do the bad thing and watch your friends suffer” or “do the bad thing and watch your friends suffer but like, later” ishida please
The meaning of Hide being alive: Ok this is just me crying over chapter 75 still but like. Instead of in the anime, where hide’s point seems to be that instead of letting kaneki sacrifice anything more he’d be the one to give his life up and such, and save kaneki, in the anime tbh he just really wanted to be with kaneki right then?? and like ouch but understanding that in the manga he wasn’t just planning on dying and leaving kaneki to deal with it afterward he wanted to go on and continue to try to help the guy no matter the shit he had to go through, no matter if the dude just like forgot that he existed for two years and all- LIKE UH CAN WE TALK ABOUT HOW HIDE DOESN’T EVEN EXPECT ANY APOLOGY? like kaneki’s like “OH MY GOD I’M SUCH A TERRIBLE PERSON” and hide’s like lmao nah it’s cool i’m thriving- that his big motto was “live” rather than “peace out motherfuckers it’s been fun”. Cause. Fucking. Ishida. Can’t kill off characters well but like at least he made keeping this one alive justified. 
The D e t a i l s: Ok well I feel like this is something everyone knows but the anime is missing a lot of really,,, crunchy details that the manga throws in there, like, well, kaneki’s fucking,,, bones thing, and other assorted details, g o d like those are missable if you want to never understand half the memes but also like,,, sometimes you just gotta read that shit. It also like, makes more sense when you do but sometimes it’s just stupid things that aren’t important but are fucking hilarious.
The Flavor: In general I’d say the greatest difference between the anime and the manga is the general flavor of the thing, the vibe in the manga is a lot, to be frank, darker and grosser and bloodier than the anime, which is a lot more focused on being pretty and Tragic than “HOLY SHIT WTF” but like. That’s valid. With that comes it being a lot more, real, and although the art may not be as polished as the anime’s, sometimes that’s exactly what you need, and the really gritty sketchy shit that’s in the manga sometimes is exactly what it’s supposed to be for the manga. (in the anime, i’d say that the colored and polished style fits it better, so we’re good there.) It’s a lot more real, in the manga, when the anime hesitates to “go there” a lot (and well, sometimes that’s welcome, but sometimes it’s like y o u  g u y s  c o m e  o n  r e a l l y maybe i DID want to see that did you ever think of that)
So like, to sum it up i’d just like to say it’s more detailed, sharper and darker and is simply So Much. There is just More Content
The Case for Root A
ON THE OTHER HAND, (buckle up fuckers)
Depth of Emotion (that Ishida was too much of a pissbaby for): God like you know what I mean if you read the last post, we spent a whole episode on these gay fucks in root A, with backstory and dreams and drawn out suspense and emotion and GUYS LOOK AT THEM NO REALLY OH MY GOD YOU HAVE TO UNDERSTAND HOW IMPORTANT THIS IS whereas hide’s limelight in the manga is a whole... two pages, oh whoopee, and that’s mostly due to the fact of ishida putting himself in a spot of “oh fuck goddamn if i drew that in i’d get flagged for gay porn” but that’s his own fault, so he downplays the whole scene and really keeps it in the dark, whereas in this anime it’s understandably a lot less,,, like that, but how it plays out here is simply... really nice and makes you cry and shit, whereas in the manga I’d go “oh god oh damn oh fuck” *laughs my ass off because i really can’t take this seriously*. You get just... more here.
To elaborate on this, in the anime, as a gay fucking bastard, I can get practically an endless amount of content from episode twelve, and endlessly stew over all Those Things about it, every hard hitting line, the expressions, the music making it even sadder, the ways the VAs say the words, the cinematic beauty of the blood dripping on the floor and like how it’s supposed to make you think it’s kaneki’s, GOD I COULD FUCKING GO ON, but if we want to get that in the manga... 
we get three incredibly basic lines, a blackout, and then a “QUICK LET’S MOVE ON TO SOMETHING ELSE BEFORE ANYONE NOTICES THE IMPLICATIONS OF THAT HAHA”
So if we want to have more, we need to write it. (sadly) None of it is ever played out canonically so like,,, all we can do is infer and make shit up. It’s like, I am a writer so like that’s my whole job but I really would rather have more content, and have the content that’s there get to be emotional instead of *blank face* “this is plot that is happening, sadly” but like maybe it’s just bc i’m gay
Really Fucking Beautiful (aesthetically as well as story-wise): This kind of just goes hand in hand with the depth of emotion bit, and I think it can’t really compared to the manga here because I’m gay so I see pretty colors and cry so the anime is understandably appealing for me, but I’m also talking emotionally, yeah. There’s a lot of plotlines and implications of the story that are really well played out, I always love to watch the original because it does a very good job handling a lot of the harder topics and stuff that makes the whole thing worthwhile- like the whole point you’re supposed to see that the ghouls and humans are both just as monstrous when you break it down, that there are good and bad people on both sides, everyone just wants to live and feel good in their own life and perspective, everyone has reasons that justify their behaviour in their mind, sometimes you just can’t win no matter what, all that... they’re all really important messages and make the whole story, and they were handled much more delicately and with more expertise in the anime. 
It’s hard to pin down, but I feel like the manga was just based more on Fight Scenes Characters OoH Fake Science and kind of just gave kaneki infinite power ups after Trying Harder no offense, obviously those things were there and they were still very good in the manga it’s just sometimes they were cheapened a lot by ishida really not keeping track of what he’s trying to say with his story and sacrificing it a lot for “BUT WHAT IF KANEKI’S HAIR AND IDEALS CHANGED AGAIN” instead of making it a whole cohesive work. (and yes, I am VERY aware of your “well aCtuAlLy the hair represents his sanity” thing i know i know and i’m about to rip it to fucking shreds so)
Understandable Character Development And Staying True To It: Which brings me to this point, character development. This was another thing that was just... handled with more expertise in the anime, whoever was in charge of it. Mostly this has to do with Kaneki, since like, no offense but he’s the only one who ever gets much character development other than like, juuzou (asmr you only get character development if your hair color changes) oh and i guess there’s tsukiyama but he’s someone who shouldn’t have gotten character development. Touka gets character development only before re for some reason, and like tbh that’s kind of it. I do think Juuzou’s character development was valid, because well... it made sense? I complained about it before because I was like “well he just turns into spicy L” but i’ve since changed my opinion, he’s best boy. But Kaneki? They went way overboard with him in the manga, and generally? Calm tf down ishida.
Breaking it down, one of the main things that most of the tried and true manga stans seem to hate about the anime the most is Kaneki going over to Aogiri in root A. Since they’re much more acclimated to the manga, they don’t understand why he would do that (quoting a particular ‘probably made sense in the manga!’ yes i know that whole thing was poking fun at the show and i felt it lmao) and they just pin it to “ahaha he has now become Edgy for the fans ehehe time to make fun of him” and TO BE FAIR YOU’D BE COMPLETELY RIGHT. I love to make fun of Kaneki when he does his edgy bitch thing because that’s what he is. A basic edgy bitch who is just,,, such a main character. But like. He does actually have his reasons despite popular opinion and to be honest I think they’re a bit more valid than in the manga, where he’s just like “well I’ve been tortured, that was not pleasant and i kinda did a bad thing, let’s go back to anteiku but i’m just gonna Try Harder To Fight this time”. I can understand that, but like, it seems like in the manga every Character Development of kaneki is some form of “i will now be stronger” except for the singular “I will now be a different person” which, well, we’ll get to that. 
In the anime though, even if it seems like more of a basic edgy bitch move, it’s like?? It makes perfect sense to me, and to be honest more than the manga does? Obviously he doesn’t wanna be best bros with Aogiri, he realizes they’re all bad people who have done really terrible things, but the fact is he now sees himself as the same thing, he now understands their motives because in his mind he is also now Bad TM. His whole character development of being tortured was that peace wasn’t an option no matter how much he wanted it, he couldn’t live being a pacifist and the world was forcing him to give the “i am the only one that understands! we need to stop fighting!” bullshit up because there was no way to achieve it. He realized if he kept himself the way he was more people he loved would be hurt like they already had because he couldn’t, so he doesn’t just Decide To Become Stronger, he gives up his humanity. And that includes basically letting himself defend his own actions and try to do “the right thing”. 
Him then joining aogiri makes sense because well. They’re the people who are the strongest, who have the power, who are the same as he sees himself. He still wants to protect the people he loves, he just also realizes he can’t do it by working with them since he now understands that their more peaceful ways will by definition get them fucking killed. His understanding is flawed, of course. He’s not really right. But this is his understanding and from that it makes perfect sense for him to join up with aogiri and try to still do as much as possible from that standpoint, realizing that most likely the people he’s trying to protect will hate him for it. I think that makes sense to me, what do you not understand about it? (I also understand that may make some people mad because he’d Doing Bad Things but I point to you he’s so soft, remember when he was really nice to naki when he was literally the one who killed the guy naki was crying about? remember when he was doing a raid and he saw that guy hiding and he never mentioned it? remember like the seventy times he Cried TM, yeah he’s problematic obviously but if you want problematic I’ll point you to a certain fucking black reaper. Shironeki has nothing on that asshole.)
I think what Kaneki did in the manga was fine, but in general the anime (again) had more depth of understanding and emotion versus a steady Try Harder Get Stronger shonen deal, which, well, fair, but like, nah. Continuing why I think the anime dealt it better is the ending of A, which was a lot more well rounded then *kaneki gets stabbed and then there’s a lot of random plot shit going on in the background*. Here Kaneki then got to round out the end of his character development by realizing slowly through the second half of this season, him becoming a kakuja and then basically deciding like, not to
((kakuja kaneki was dealt with again different in the anime and manga because he basically stopped trying to use it in the anime bc he realized it was a bad fucking idea but this goes along with the ‘his character development of “i’m gonna do bad things for good reasons” --> “actually no wait that was a bad idea” was actually done in root A instead of being dragged out into :re and it’s appropriate for its own medium and the messages it’s trying to get across so manga loyalists hate it’ but we digress))
So in root A we got to see him actually develop and realize himself through the second half of the season starting with cochlea, his interactions with Amon, and ultimately through Hide, that he’d been doing the wrong thing by becoming more monstrous/fighting harder because what he did was ended up forgetting the most important thing, *smiles in gay* HIDE.(well, his humanity. yeah. i cite the terrible opening for root A with the fun ‘the hands taking off kaneki’s mask are hide’s’ bit.) He then remembered again why he wanted so bad to stop the war between humans and ghouls, he wanted to be able to live in peace and not have to be a monster- something that was not dealt with in the manga (though for understandable reasons of We Need To Fuck With Him In Re More, they then didn’t deliver on creating something like that later so I take this.)
That’s most of the difference between the original manga and anime, but I’d also like to discuss (briefly, I’ve already yelled about them) the ridiculous amount of hurdles ishida went through to fuck with kaneki in the manga, Of course there is the fact that well, the slower transition of his character does make some more sense for the manga because if you take :re into consideration, his eight billion character changes are more tolerable when they haven’t like, already happened before in the manga (just the anime). It makes more sense there for Haise to be tormented by past kaneki telling him He’s Too Weak because in the manga he hasn’t already had that development prior to “dying”, and he lost his memories still believing he had to be strong even if he did bad things, whereas in the anime it doesn’t track because at the end like i just said he kind of gives up his ghoulhood on purpose because he realizes that joining aogiri and fighting and shit was really wrong because, hide. So I can see why those character decisions were not made in the original when planning for :re, but... the fact remains that those previous decisions do not make up for how absolutely weak :re’s game ended up being with kaneki. 
So tldr this entire section, All the manga’s defense of how they handled Kaneki’s development is basically void because all those choices were buildup for development in :re which ishida then COMPLETELY fell down on. So the alternative is better.
And now comes my yelling about how exactly Ishida fucked it up: hair colors and kaneki’s 80 kanekis. If black is supposed to represent sane and white is supposed to represent insane or, whatever, i dunno, who tf thought black reaper kaneki was sane? Who tf would think kaneki in the end isn’t? I haven’t looked into this really, and I’d really love it if someone explained it to me the way ishida was going for bc I do not understand it. Like that tracks with Juuzou, and with Kaneki up to Haise Original, but they don’t really make a cohesive sense seeing as after Haise’s hair color changed again that whole deal kind of goes to shit. Not to mention... I just... they completely failed to make those character changes actually part of the story, I’m mostly complaining about black reaper haise, none of him makes any sense. What’s his deal? He wants to protect who he loves? Tracks with the ghouls but fun fact he abandoned his kids? He actually cared for them? What then, he wants to be the strongest as possible? Sure but then?? Why?? I don’t understand his motives at all.
We also didn’t get to see him get his memories back either, which I was actually very much looking forward to, it just,,, like all of a sudden he’s talking with eto about yoshimura and i’m like bruh when tf did that happen? It’s bad, and although chapter 74-76 is super valid, and his change back into white hair kaneki makes sense, I also have the complaint about how haise basically disappeared just like he was worried he would. I think that was bad and I’ve said that already, it doesn’t make sense, he just literally throws those entire two years away to go back to the way he was before he was with the CCG and just forgets everything he’s wanted for the last few years? Fiction logic test fucking failed, and you’ve also broken my heart. Love Haise. You got rid of him. I love kaneki too but like. Why don’t they just. Like. Merge. He is one whole complex person, not one and an imposter, god. 
This is a big negative for re and the manga, so automatically a positive for root A where I simply Do Not Have To Deal With That Bullshit and the character development actually makes sense. I can understand the decisions in the original manga could have set up for good development in :re, but they completely failed to deliver.
root a didn’t fast forward to re at the end god damn let us process this shit first before you try to connect it to something else: The thing with this point is that it’s really difficult to separate the original manga from the continuing story in :re because the thing intertwines so much and immediately moves us forward with a ton of plot points for the next part of the story before we’re done with this climax and the end of this story. Sometimes that’s ok and I can see doing that from an author’s perspective because you want people to continue reading your story instead of taking that as the end but it’s really annoying on a reader’s end, because I’m picky and I want to be able to just be able to enjoy my original canon without it like, metaphorically touching :re on a plate. It’s something that I don’t even do with my own longer stories, like for example I have like a trilogy of >100k fics that like, well i’m technically not done with them but like. 
People really like the first one because it’s more focused on a more popular ship and basic elements people like about the thing, and then by the second book it moves on to talk more about the plot and lore and brings in more secondary characters. And so I knew that a lot of the readers of the first one wouldn’t want to have to deal with a lot of the “oh well stuff is happening elsewhere that will effect stuff later!!!” random plot shit that none of my readers actually cared about. So I kept it to wrapping up the points of the first book and then leaving the introduction of new characters and plot for the people who actually wanted to read it. Ishida didn’t do that, and of course it’s within his right to like?? Want to promote the next series but I’d have enjoyed it more if we ended it at kaneki’s “death” and wrapping up the deals with the rest of the characters instead of quickly shoving in the beginning of seventy more plotlines before the book ends. Like honey I simply do not have the reading comprehension for that. In the anime we get something that... makes sense.
In the anime, however, it’s quite the opposite, for example the reveals like Eto=owl=takatsuki sen were pushed before that and they saved episode twelve for, well, the end bit. Like what was actually the ending. There were detriments to this I had to say (LIKE GUYS I GET IT HE’S CARRYING HIDE HE’S CARRYING HIM I GET IT YOU’VE BEEN DOING IT FOR HALF THE EPISODE NOW OK I UNDERSTAND CAN WE MOVE ON) But like, I prefer the concept of a simple idea with as much emotion squeezed out of it as possible to a ton of confusing and contradicting ideas that are touched on for a second before moving on. So the *cries for half an hour* ending was much more appealing to me, and I can keep that separate in my head from any of the ideas that :re creates, letting me pretend it doesnt exist and imagine that’s the end and there’s nothing else to worry about. If we want to move forward and hear more, then we can, but it isn’t necessary like it is with the manga.
No Bad Takes that are hard to pry apart from good plot and characters:This is basically the downsides of the new characters, which is well, if I had to make a whole ~keep reading~ post about how problematic everything in re was that does have to count as a downside. I love the new characters, but they also come intertwined with a thousand really bad takes on like, everything, and of course I can ignore it and just act as though they were written in like, to be perfectly honest, a non transphobic way, it’s a real downside when the original anime was pretty pain-free in the way of their takes on their characters. They fucked everyone up in re and I will not elaborate, we’ve talked about this, it’s just the anime, and which i mean season 1 and root A, don’t really have any bad takes I need to try to get rid of, it’s surprisingly something I have little complaint about at all and I ALWAYS have complaints.
Hide!!!!: Obviously, you can tell that a lot of my opinions are going to be hide based because he’s the only thing I ever think about. But we have to take into account just how... hide???? This goes a lot into the depth of emotion bit but it also offers the other side of the argument for Hide’s part in the :re manga, which well. Was mostly chapter 75 if we’re going to be perfectly honest here. He doesn’t get any other limelight. Even in the chapter where Kaneki meets him again he gets a whole what, three pages? In the manga, he has an extremely valid deal about basically, living, keeping going no matter what, and that is a fitting part for the manga, considering the rest of the points there ride more on Keep Fighting instead of Think About Your Emotions And Morals, but honestly chapter 75 was really valid. So why do I still think the anime’s version where he like (ok I don’t know about the re anime we’ve discussed this, i don’t even know how they choose to explain that) he like, dies in kaneki’s arms is better overall? Again, I would have totally accepted that deal if it was made a part of the story because it made me cry, it was super valid, and if they’d continued in that way I would have agreed with it completely over that. But the fact is again that they failed to deliver, and Hide got largely ignored, suffered so much with so little outcome. There was so much buildup and it was incredibly valid, but when the time came for them to meet again and basically show... why it was important that Hide lived in the end? 
They didn’t. They straight up didn’t. Kaneki’s like “oh sorry bro... glad you’re alive and all...” *goes off and fights* and like? Honestly? @everlastingspiral is right, if that’s all they’re gonna do with him what’s the point of keeping him alive? I love every single panel of him and I wouldn’t have read re if he didn’t, but hide gets absolutely NO payoff. For letting kaneki literally vore his entire mouth off, leaving him disfigured and unable to talk, then kind of disappearing for two years and doing seemingly nothing but trying to help kaneki even though he’d forgotten the guy existed, risks his life like a thousand fucking times, eventually gets back to him and the dude’s running a fucking anti-human organization, helps him like Not Be A Volitile Pile Of Flesh Anymore and then what should have been a very important moment of them meeting again gets completely overshadowed by touka and random plot shit and more fights and they barely interact, they don’t even hug or anything, they barely talk, and at the end hide is still there but to be honest he’s gotten absolutely no thanks for all he did and ishida acts at the end as though he’s done very well with hide and gives him a tiny bit at the end throwing in a tragic backstory for fun (which hot take he really didn’t fucking need on top of it all) and... there’s no real hint that Kaneki is better off with Hide there, even though there should be. In 75, in his dream, kaneki is sobbing and crying and all like i’m so lonely without you but when they actually meet each other again? “yo” “hey” “uh sorry about,,, the thing,,, you know” “nah man it’s ok” “let me talk about myself for a bit” “yes you always do do you want to hear what I’ve been up to” “not really” “that’s fine i’m only here to support you”
...So you can understand why I’ve gone a bit sour on that. If that’s all you’re going to give him? Hot take? Let him die. Hide deserves better. (and i will deliver that in writing, but for the purposes of canon.)
In the anime, however (not counting re again... although he still gets the short end of the stick just in the original manga too compared to the anime) he’s properly dealt with! he gets his proper limelight and he gets acknowledged for what he’s done thusfar in the story, which is already so much. Kaneki then realizes that, but it’s already too late (or it isn’t, and they like negotiate with the ccg and then they get to live happily ever after) either way he gets appreciated and he gets hurt, but it’s properly acknowledged. And after all that, after saving kaneki and getting him to the cafe and doing it all while bleeding the fuck out, he gets to spend that time with kaneki and die in kaneki’s arms. And frankly? That’s all I think he’s ever needed. It’s really poetic and pretty and brings kaneki’s character around full circle, and even if it’s overly sappy, cliche, drawn out... he gets the attention he’s due and he gets a fucking break. He wanted to show Kaneki he wanted to do something for him and save him instead of the other way around, but then HE GOT ACKNOWLEDGED FOR THAT, instead of just well, tirelessly working towards it forever and having to be content to be a background character with practically no value to Kaneki anymore.
Keeps The Same Vibe: The big thing about this is that with the manga and with re, shit just goes all over the place, and I feel like I’ve amply showed that already through this essay or whatever this is. Again about the consistency and the professionalism, It’s a concise story that makes more sense than the manga while also being simply neater and more deep, making sure all the points, themes and messages work together and make sense to create a cohesive deal even if it’s not as long. (the manga is like ishida had a TON of good ideas for an essay but then fleshed out the thing ten minutes before deadline and managed to completely lose what his original thesis was even if the thing was 10 pages long.) Basically. yeah. That kind of sums it up, my last point concerns the ending.
Not Cheap Ending: If you want to hear my take about how absolutely terrible re’s ending was, check out my The Many Sins Of Tokyo Ghoul :Re post, and we’ve discussed how the original’s manga ending was bad and well not really an ending, it just leaves you unfulfilled and takes you into “well I guess I have to start a whole nother sequel series ig...” but root A like? Actually ends it? If a reader didn’t know that there was any content after that, they could pretty much infer that hide’s death or almost death whatever you inferred out of that ending (again we’re ignoring re) allowed Kaneki to finish his character development and realize they needed to stop the war, which basically tracks with what’s going on in everyone else’s perspective- eto’s problem with the world because of what happened with everything, is basically like, all of aogiri, juuzou and shinohara, amon and akira and kaneki and they can realize all they have to do is just sit down and fucking stop it because none of them want to be fighting, hide is the catalyst for that because the CCG can see how Kaneki cares for him? And it’s so open ended that you could just like literally believe that and there’d be no way for that canon to tell you otherwise, or you could go onto re and whatever if you wanted to. I think that’s the best thing. 
In conclusion, both have valid points, and in general I’d say that the manga goes better with :re and the anime is better as a stand alone but if I had to choose overall, this particular anime is better (taking into account only seasons 1 and 2), for mostly the reasons of favoring a simpler story taken with much more care and depth versus a more complex story with many, MANY imperfect elements, and I am aware I will get shot on sight for this opinion. So sue me.
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