Mary D. Hume - Oregon
Harry Snowden
The Wreck of the Mary D. Hume
249 notes
·
View notes
Sabine on the studio floor
photography + © Christof Keßemeier
59 notes
·
View notes
Ueno Park, Tokyo
Nikon FE with Nikkor 35mm f2 lens
21 notes
·
View notes
𝙏𝙧𝙖𝙘𝙞𝙣𝙜 𝙩𝙝𝙚 𝙥𝙖𝙩𝙝𝙨 𝙤𝙛 𝙨𝙩𝙧𝙖𝙣𝙜𝙚𝙧𝙨, 𝙡𝙤𝙨𝙩 𝙞𝙣 𝙩𝙝𝙚 𝙧𝙝𝙮𝙩𝙝𝙢 𝙤𝙛 𝙉𝙚𝙬𝙘𝙖𝙨𝙩𝙡𝙚 𝙨𝙩𝙧𝙚𝙚𝙩𝙨.
3 notes
·
View notes
Old Fuel Dock - Washington
Harry Snowden
187 notes
·
View notes
My Halloweeny photos that weren’t developed until after Halloween rip
I got to wear the saw mask though!
33 notes
·
View notes
Up
photography + © Christof Keßemeier
12 notes
·
View notes
Florence, 2018
Dipping into the past, which I said I was going to do regularly when I wiped my feed a year ago… but then never did.
I remember being very frustrated by this shoot after the fact, not by Florence, but with my many technical failings. I missed focus on too many shots, which kicked off a year long obsession of finding the perfect camera to alleviate my chronic difficulty in nailing focus. I also felt shame for my ignorance of metering for people with darker skin, an important skill that rarely gets discussed. Lastly I look at the poses and wonder why I didn’t suggest this or that pose. Florence approached me about shooting and continued that go-get-em confident attitude right into our shoot. I think I went on auto-pilot and let her fully dictate the flow without much input from myself. But having said all that, when I look at all the keepers from the shoot, they’re really special. How many shots should be really good out of 50, 100, 150? I don’t know. Why didn’t I shoot any black and white? Why did I shoot so much of this with a 28mm lens? All these questions I’ve asked myself and not spending enough time really appreciating the excellent work that did came out of this.
4 notes
·
View notes