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#my texts
seasparrow · 1 day
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having cats is so great sometimes a small beast will stare at you from dark corners or perhaps decide to stand upon your internal organs
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sadinjuly · 1 year
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Stop checking on them, they don’t miss you
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ehe-ttenandayo · 2 months
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Me: Oh, nice, epilogue time, probably some Gaming ft. his family some furniture as a reward and that's it.
The epilogue: Navia, Clorinde, Furina, fontainians falling for tourist traps, Zhongli teasing, Hu Tao smelling bs, AND THE DRAGON LADLE.
This was arguably the best way to call us back to Fontaine. Neuvillette rerun when.
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fromdarzaitoleeza · 10 months
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Mohmoud darwish// Hozier
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odesofmeddea · 6 days
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when i think about how sam named his son dean ii i remember what jenny diplacidi wrote in her book on gothic incest about names being duplicated and passed onto progeny as an indication of incestuous threat and how the narrative of overlapped names in the show (samuel and deanna, married, sam and dean, brothers existing in enmeshment, sam who had lost his brother dean, assumed dead, seeping into his lover amelia who had lost her husband don, assumed dead, sam and his son, dean ii) suggests an explicit variation of such haunting. it is a story clipped half-lived. there's no consolation to it, only re-enactment: two people loved each other and lost each other untime, and their namesakes or namesaked scions came forth to propagate that loss and resuscitate it again in all-conceivable but consistently affiliated forms. sam loses dean terminally and then conjures, recreates, and seeks his brother in other attainable (sublimated) forms of continuation, not allowing him to get eradicated from the memory of the earth: dean loved his brother sammy to whom he was also a mother, and sam loved his brother dean so much he had rebegotten him. it is a somewhat uncomfortable thought - that he cradled and fed and bathed and played with his son, as though repaying his brother for the nurture received in his own childhood, and as though appeasing his old and atavistic urge to become the proper, right father (or husband, where dean is the reification of motherly functions) to his ill-fated brother who yielded all his childhood, life, and malformed dreams for him, who has never been loved enough and never the exact way that sam wished he'd been. that is, living vicariously through things that he never got to live with dean. there's an immense tenderness to it. and a very deep, morbid sense of eerie, because he has never fallen out of love and, instead, projected his permanent loss, i.e., projected dean, onto his household and robbed them of their independent self-substantiated meaning. dean ii is his own person... but with an innate another dean-adjacent, dean-prolonging reason of existing in the first place.
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magicalmousey · 2 months
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What breaks my heart is that Cherri has probably never been in a non-toxic relationship before, but Sir Pentious can just be so gentle with her and treat her so kindly.
I’m sorry. I need a goddamn moment-
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flower-in-my-soul · 6 months
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⭐️Never let the evil of the world and some people make you lose your true essence, your authenticity. This is what makes you unique .⭐️
#flower -in-my-soul☆
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curlspen · 2 years
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I see Snape’s patronus as tragic, not because “unrequited love” or whatever, but because a friend who hastily judged Severus for being less socially able than her, who openly defended his abusers to his face, who abandoned him while he was being waterboarded and sexually abused because he, in direct response to his abuser’s goading, called her a term that also applies to himself - that girl was still the most kind person to him.
That’s how low the bar in Severus’ experiences was. And that’s not unusual, there are many abused kids for whom imperfect childhood friendships were the closest thing to love they had because they didn’t have unconditional love or protection from parents.
And, no, this isn’t a Lily bashing post btw. She was a sheltered and immature child who saw the world in black and white. She’s not a bad person for that, but she wasn’t a beacon of unprecedented kindness either - Lily was just decent and that alone was so foreign to Severus that it reshaped his soul.
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yandere-writer-momo · 4 months
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Tumblr, stop showing me sex ads. I know there’s desperate sluts in my area.
I HAVE A MIRROR
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jushiro-ukitake · 4 months
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ichihime angst is so 👌
like okay orihime’s voice brought him back from the dead. but what if she was the one injured. the healer almost on death’s door and he was the one to watch, unable to fix things, no magic healing powers. his ability to protect people helpless in the face of almost losing the person he loves…
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seasparrow · 1 year
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van helsing: we’re going to defeat dracula with the power of love and friendship
quincey: and this gun I found
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sadinjuly · 2 months
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Imagine being in someone’s scenario they make up in their mind at night
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ehe-ttenandayo · 2 months
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Neuvillete wearing a shirt that says "I'm not the stepdad. I'm the dad that stepped up".
Furina sighing heavily.
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loubella77 · 30 days
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odesofmeddea · 14 days
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i find it tragic and fascinating how sam's narrative is so rife with representations of confinement. of failed or rejected attempts to actually get away. as much as there is a need for individuation there is concurrently an utter terror at being let loose, the terror that comes at once that the individuation is permit. in season i, the scarecrow, we glimpse a pageant of both dean and sam's agony because it's the first time that dean tells him to go if he wants so, and the focus here is on how sam concaves in situations of such release. he crawls back happily. then he invariably tells dean, again, that he has to let him go once this is over... but then sam stays. when dean, through all his miseries, manages to let him be at the beginning of season v, sam is instantly awestruck, near nonmotile, ‘i was expecting a fight’, because he is so used to being forced back in, to being loved like this - through forms of compulsion, coercion and captivity. he is also used to these conditions being the only plausible safety that preserves him via its isolating modi operandi. so whenever he walks away, he is still not exempt. leaving with ruby, he aches to reconcile with dean, after. he brings up his brother on a date with the coworker-girl telling about his regrets, he calls dean at night, asking to be taken back. and it is copacetic in a way that the narrative warps sam to the point where he is defensive and greedy for love that, having forced him to renege his sovereignty, monopolized itself in his life.
first sam can't go back to stanford - his life is a locus of ecumenical violence, his body a site of appropriation, and yet, in all his impurity (since he deems himself impure and abject), dean is still there, loving, preserving, persevering. then he can't go back to the normal world because the family business (secret) takes away sam's tongue to the point where he no longer can communicate himself nor his trauma into the ambiance he now is completely alienated from. he is confined. he gives up, he lets himself to get eaten. the only thing he has is his brother who can't talk, toward whom all ends of his life invariably resile; dean representing the only support constancy to sam is simultaneously a representation of willed stasis - he no longer evolves outside of his brother, he convolutes into and about him. when you center your life around someone that much, they become the crux of your sense of self, they become the fulcrum of your good or bad self-perception… when lilith kills dean, the world ends. he is changed, ghastly, he is a man arage, a heathcliff bereft of his cathy - the personal transmutation is still a lot about brother, is still spurred by deanlessness. even the confirmation of sam's reality, later, gets centered around him - through the palm-wound dean sewed and reopened, unmade into the site of verity: if dean was here, in this wound, this is real. if dean trusts me, if i hadn't let him down again, then i'm whole, redeemable.
sam, now, is unwilling to leave. he long entered this limen of altered consciousness that is the result of the psychological duress he grew up in, along with the exacerbation of trauma that ensued once dean pulled him back into the vortex of the family loop. he gets domesticated - not that he wasn't by the fact of birth into this house - in the intergenerational mentality and trauma, many a time he goes through the identification with his father (prior: aggressor) whose obsessiveness he espouses. which is ourobóros because john could only execute and interpret love as an incarceration - dean tells lisa how he would cloister them when they were kids which is another form of perpetuated captivity resulting in complete dependency and disconnection from society. it is something you can't walk out and away from. when sam tells so to the hallucination of his child-self, while locked by dean in the cage: ‘we were never gonna get away’, he assumes his heritage and, too, cannot let go. gabriel tries to teach him the lesson on letting dean go but it is quite late for sam to either learn or want it. he just keeps pleading, like a homeless dog: please, please, bring him back, because homelessness is freedom and freedom means a world without dean. it happens to be a harrowing one.
in some episode when dean leaves with crowley but without him, sam gets drunk and cries about it to bobby. literally. when dean comes back, he locks him in the bathroom. it is also the same episode which crowley calls him dean's dog, the first time probably that he directly gets this canine title instead of dean, and it fits, it depicts. he is so insecure, so dependent. he loves dean to the point of self-annihilation. he always comes back. he, like any tamed dog, wants to prove himself, and to protect, and attack for. that might be why he is so scared when dean deliberately lets him out. if he let me out... does he no longer love me? and if he doesn't love me anymore, what else do i have in this world that i abjured for my cage completely?
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magicalmousey · 3 months
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One of my favorite aspects of the TFP fandom is that Breakdown gets zero hate from fans. Like, nothing. He is everyone's beloved who deserved so much better.
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