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#my dad always listens to their entire discography when he needs background music. and my mom sings and dances w me
sambergscott · 5 years
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daddy’s girl
Amy always thought her dream job would be a Captain in the NYPD, but she’s been doing this parenting thing for seven years now and she’s really good at it and even though she now has a Captain hat, her own office and the duties she always imagined, it kind of sucks in comparison to coming home to her two incredible kids. Her husband is the perfect dad too, acing every diaper change, soothing them after nightmares and teaching their eldest to ride a bike. Much like when they were competitive detectives working opposite each other, she doesn’t need him, but they work best together. Cases always got solved a little faster when both Santiago and Peralta were assigned. It’s the same with parenting: she can look after their kids without him, but it’s a damn sight easier when he’s around.
This particular night he’s on a stake out with Rosa, trying to quell the recent re-emergence of Gigglepig onto the streets of Brooklyn. And Amy is totally, 100-percent in control, but Mia is refusing to eat her carrots and Sam just vomited all over her and she could really use her husband’s happy-go-lucky, everything-is-cool-cool-cool attitude.
He sends her a supportive text and a selfie of him giving her a thumbs up with an unsmiling Rosa in the background but it’s not quite the same thing.
With the carrot issue dropped for now and Sam all cleaned up, she concedes to the parenting equivalent of a white flag, allowing them to watch YouTube on the iPad while Amy sorts herself out and re-assembles. Mia chooses a Taylor Swift music video (Jake constantly playing her entire discography to Amy’s belly while Mia was inside successfully created another fan of the country-slash-pop singer-songwriter) and sings along loudly and obnoxiously while Sam grins and bobs his head next to her. It’s a truly adorable sight, but not one that is uncommon. She often returns home from work to Taylor Swift dance parties in the living room.
With the kids successfully distracted, Amy changes into one of Jake’s hoodies. It’s big and comfortable and makes her feel like he’s with her instead of parked in a car on a dark street throwing nuts in the air and catching them in his mouth. Sometimes she lets him wear his own hoodie again, just to help boost the smell of him for when she misses him. He calls her a cheeseball and teases her mercilessly for it, but loves it when she’s in his clothes.
She washes a bit of her son’s vomit out of her hair (oh, the joys of parenthood) and spends five minutes re-organising their fleet of rubber duckies when she accidentally knocks them over.
Back in their bedroom, she finds the kids no longer listening to Taylor Swift, instead swiping through Mia’s camera roll which is largely made up of her and Jake’s dumb selfies. There are double chins, cross-eyes and tongues stuck out of mouths galore.
“I miss daddy,” she pouts when she notices Amy.
“Me too, baby,” Amy says honestly. If the stakeout is a success, he should be home in a few hours. Before the kids arrived, Amy was forced to undergo months long separations from him. A few hours apart should be nothing, it should be healthy, but her heart aches without him. And their daughter, a certified daddy’s girl, has inherited Amy’s constant desire to be with Jake. Even though Mia knows he’s off “saving the city” like a Superhero “but way cooler” (his words), she’s very possessive of him and has frequently asked him to hide his superhero cape and stay home with her and Sam instead.
It breaks Jake’s heart and he has been known to work on some of his cases from home so he doesn’t have to leave his two biggest fans (after Amy, she will always be Number 1, his OG fan, as he likes to call her).
“Why don’t you draw daddy some pictures?” She suggests. Jake already has several framed drawings on his desk, as does Amy, and their fridge is decorated with them too, like a mini-Louvre. Jake proudly and audaciously declared a portrait of Amy as better than the Mona Lisa one time, which is so overrated, he tells her.
Without answering, Mia runs off to her room, grabs her art notebook and her box of crayons, returning to the master bedroom with her arms laden.
The fact that Amy just put clean bedding on before dinner is unimportant to her daughter as she tips the crayons everywhere and gets to work.
She draws daddy in his car on a stakeout, she draws Tia Rosa with a broad smile on her face, she draws Taylor Swift, Ariel, Moana and Mulan, she draws her and Sam and a golden retriever she wants to adopt. Amy has explained her dog allergies to her daughter countless times, but all her school friends have puppies and she wants one too. Mommy’s a badass Police Captain, she can handle a few sneezes!
It’s not until she’s read a bedtime story and both kids are asleep an hour and a half later when she’s drinking a much needed glass of wine in bed that she finds Mia’s best piece of work: a letter addressed to Jake. Amy can already feel the tears forming in her eyes as she reads Mia’s messy (but gradually improving) writing.
Daddy
I mish you and love you so much, my drling
Have u good day
Love from
Mia
The rest of the page is covered with odd-shaped hearts and kisses.
It’s the cutest thing Amy has ever seen in her life.
She takes a picture of it and debates sending it to Jake, but decides against it, wanting to see his face when he reads it for the first time. He’s definitely going to cry. Instead she reads and re-reads her daughter's words, her heart overflowing with love for the little family they’ve created.
When Jake gets home a few hours later, he tries not to wake her, but Amy is a damn good cop with super senses heightened by her terrible eyesight. He kisses her tenderly, murmuring how much he missed her and how good it is to be home against her lips. She shows him the letter and yeah, he totally cries, but Amy doesn’t have it in her to make fun of him because she’s crying too.
“Did you catch the bad guys by the way?” She asks as he strips off his clothes and crawls into bed.
“Of course. And I looked great doing it,” he responds with a proud smirk.
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onestowatch · 3 years
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Get to Know Groove-Pop Duo Balu Brigada [Live Performance + Q&A]
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Inspired by musical heavyweights like Frank Ocean and Gorillaz, Balu Brigada is all about experimentation. Their discography provides the perfect backdrop to any setting—from coastal road trips, summer BBQs, flirty dancefloor moments, and everywhere in between. The band is no stranger to performing, having toured around New Zealand numerous times, including treating an exclusive audience to an electric performance at Live Nation and Vodafone’s recent Ones to Watch showcase. 
In addition to delivering a standout show at our recent showcase, the duo has just released their latest single, “How It Would End,” the first song off their upcoming EP. The single is their debut release as a two-piece, with its bouncy synth hooks and groove-worthy melodies sure to get you up on your feet. 
On the eve of their first release as a two-piece, Henry and Pierre Beasley Zoom in from their parents’ rumpus room—the scene of many family jam sessions, which spawned their self-described “groove-pop” band Balu Brigada—to discuss archival footage, guilty pleasures, and which brother is the better mover. 
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Pierre: We’re actually at our parents house right now, because our houses are both equally too small to do anything in, but actually right behind us is a grand piano that used to be our grandfather’s. He was an orchestral conductor, so it’s a bit of a family heirloom.
If that piano could talk, what do you think it would’ve said to you during your piano lessons back in the day?
P: Try harder [laughs].
Henry: It would probably say, “Slow down!” as well, ‘cause I remember just getting frustrated. You know, you play something 100 times, badly, and you just wanna get it done so you play it faster but then that sounds even worse!
P: It was a classic case of your parents make you do piano lessons and you miserably endure them, and then I think we picked up our own instruments, that we did actually enjoy playing, from there.
When would have been your first-ever public performance? Did you put on shows for Mum and Dad when you were little?
P: Probably some church Christmas event or something, to be honest. We were brought up in the church, so I think my earliest memory of performing was being a little Elvis in a Christmas production, which, yeah, I wouldn’t like to see that footage back...
Could there potentially be footage out there somewhere?
P: Yeah [laughs] Some granny with VHS footage of me with my hair in some big, slicked-back mop or something.
H: Pierre and I have got a bit of an acting background as well, so there’s some horrendous clips that you can pull up of us on shows that I won’t name [laughs]. But you can’t take yourself too seriously; you’ve just got to be able to laugh at it.
Performing is in your blood though, isn’t it?
P: Yeah, Dad was a ballet dancer in his prime and he actually met our mother, who was an actress, in a musical. They spent the majority of their twenties performing and then Mum pursued a TV career until she started having us boys so, yeah! Performance is very much in the construct of our family, which has been really cool because we’ve got that support from our parents who also understand the life of a performer and understand the passion.
H: We just actually saw some archival footage of Dad in his Royal New Zealand Ballet days—it was quite a trip! That’s literally some of the first footage we’ve seen of him as a ballet dancer, which is wild because it was such a big part of his life. Obviously no one had a bloody iPhone back then to just record clips, but it’s a shame. I would love to see more footage of him dancing, because it was such an integral part of fostering our creativity as well.
Did you boys take ballet lessons when you were kids?
PIERRE: I did it for a few years and Dad’s always said, “Ooh, you would make a good dancer!” And still to this day he’s like, “You know, it’s not too late to become a professional dancer...” You didn’t though, hey?
H: Nah, I didn’t. Pierre’s definitely more the mover, which you’ll see in a few videos of ours. I’m kind of skulking in the background doing something minimal and then Pierre’s managing to find a dance move out of thin air, which I can’t quite fathom myself.
You both studied music at Auckland University [Pierre majored in jazz, Henry, pop]. Did you ever take ideas that you were working on for Balu Brigada into uni?
H: It’s kind of like the informal way we started the band. I was playing guitar randomly for other bands and didn’t really have a project of my own, but I was writing all these songs during uni, so I was like, “Okay, why don’t we try a song where I’m leading?” Previously, I’d just written for another project that someone [else] would front, so that’s when I enlisted Pierre and my other brother at the time…
P: Brother at the time [laughs].
H: [Laughs] He’s still my brother—he’s just not in the [Balu Brigada] project at this point—but that’s how we all got together and took our background of jamming in our parents’ rumpus room to playing my original songs, and then making it more collaborative along the way.
Did Balu Brigada originate as a four-piece?
H: Yes, there were a few versions. Sometimes we’d go with a three-piece because Pierre was underage, and couldn’t play the show, or sometimes we’d get someone to replace him for the shows that he couldn’t make. It was a four-piece for probably four years or so and then that transition [to two-piece plus live drummer] was in maybe 2019. That was a lot to do with the fact that the other two band members—they were invested in it, but also had lots of other plates to juggle, and Pierre and I have always been the core and the nucleus of the band, and so it was like, “Okay, this is our whole world, so let’s kinda scale this back. You guys can invest more into your lives outside of the band and we can just really home in on this thing.”
So it’s kind of like you two are Kevin Parker from Tame Impala, with extra band members brought in for touring purposes.
H: We’d love to draw that comparison! [laughs]
P: [Laughs] Absolutely! Yeah, the role that our drummer fills is less an actual band member and more a session musician, I suppose.
How would you describe your music to people who are yet to hear it?
H: I think our favourite description, or at least mine, is groove-pop at this current point in time. Would that be your choice of description?
P: I just go with the easy one: alt-pop. Groove-pop is also cool, but I dunno if you just made that up, or…
H: I definitely made that up.
P: [Laughs]
What was the last Balu Brigada single release and what’s your next scheduled single release?
P: So the last one we released was in October last year, it was called “Moon Man”, and our next single is called “How It Would End”. This is the first time that we are choosing to release a single when we already have [a new, as-yet-untitled EP] ready, so we can actually get some momentum with the project rolling out, as opposed to how we’ve done it in the past where we released a song and then we were like, “Oh cool, that went well, now we need to finish the next one,” which is a silly way to go about it if you want to get that momentum. So this time we’ve got a few things in the bank.
H: This is the first instance where we’ve been able to play songs live before they’ve been released, which has been quite exciting for us.
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Which songs off this upcoming EP have you performed live so far?
P: We’ve been playing “Number 1” and another song called “Favourite Clothes” in our most recent shows, and they’ve been going down well. Because we don’t have too many of those up-tempo, four-on-the-floor, driving songs, “Number 1” is a good one to just slot in there to hype-up the energy a bit.  
The entire EP is killer, but I reckon “Number 1” is my favourite song on there at the moment. It reminds me of N.E.R.D!
H: For sure! N.E.R.D is a massive influence and when I started that one off I was definitely conscious of, “Oh, is this too Neptunes or too Pharrell?” And then I was just like, “Nah.” We love that you’ve drawn that connection, that’s great.
Also, something about the overall vibe and the sparkling melodies throughout “I Should Be Home,” another standout track from the EP, called to mind The Strokes...
P: Yeah, I’ve been listening to a lot of The Strokes—especially their latest album—so that would make sense. I just think all of the melodies that Julian [Casablancas] hits are real nice.
H: I think because Pierre was listening to The Strokes so much that always bleeds into my listening habits, because we spend so much time together. I think that would have definitely been a subconscious influence, because it was definitely in line with what we were taking in at that moment.
Your previous way of working, drip-feeding one song at a time, reminds me of the Gorillaz’s Song Machine project, where songs were recorded and released separately before they were collated and released as a collection.
H: Yeah, for sure. I really liked that roll-out. It was cool, and obviously the featured artists on it are world-class, interesting, eccentric creatives in their own right. Gorillaz’ second [Song Machine release], “Désolé” [featuring Fatoumata Diawara] is my strongest memory of when I was living in Melbourne. I lived there for a few months and that song came out around that time, and I was like, “Woah!” I listened to it this morning, actually; it just rocks my world. Gorillaz are a massive inspiration in terms of how we like to think about music, eclecticism, and genre-mashing.
Given that part of your band name pays homage to the character Baloo (but with different spelling), talk me through your love for The Jungle Book.
H: That movie is a very nostalgic kick for us brothers…
P: Not the movie that was out a couple of years ago, the Disney one…
H: I couldn’t believe it when I found out it was from the ‘60s, hey! When you’re a kid and you’re watching that shit, there’s no differentiation that you can make between The Jungle Book and, say, Aladdin [released in 1995]. You’re just like, “The Jungle Book, man, it’s such a jam!”
Have any Balu Brigada songs been synced to a TV series or film?
H: Only in one very informal instance. I was actually on a show about six years ago called 800 Words and I think we had just released our third release and then I had a shoot day. The actor I was working with, Milena Vidler, was like, “Oh, I’ve gotta be listening to music in this scene, what shall I play?” And I told her, “We just released a song today!” And she said, “Well why don’t I play that!?” So that is literally the only sync we’ve got so far, but it was quite a serendipitous moment. To see myself on screen and then hear our band play as well was quite meta, a little in-joke or Easter egg.
Do you each remember what made you fall in love with music in the first place?
P: Abbey Road on vinyl. It was Mum’s. I would’ve been, like, 11. It blew my mind. It was the first time I got to know an album in full, and didn’t just know a single that was on the radio or whatever, and I just loved the way that album flowed and the musicality of it, and how it’s pop music but they were also experimenting. There’s just something about that album, which probably—when I think about it—is my favourite album of all time and made me want to do music.
H: Mum will definitely want the credit for that one; Dad’s got the Bowie records, Mum’s got The Beatles ones. This one is way less cool, but my answer is probably “I Miss You” by blink-182. Combined with “Ocean Avenue” by Yellowcard—that was my favourite song. I was like, “Yep, I’m a rock guy now. I’m a band guy. Take me as I am.”
P: [Laughs]
H: I couldn’t say that it’s my favourite song now, but I remember that distinction pretty clearly, being like, “Yeah, this is me now”.
Did you have any Yellowcard posters on your walls?
H: [Rotates webcam] I’ve got some nice Gorillaz ones over there, but no Yellowcard ones.
If you could choose any band to go out on tour with, who would it be?
P: I’d probably say Tame Impala, just ‘cause I’m a diehard KP [Kevin Parker] fan. But I don’t know if we’d be the right fit, though…
I can totally see you guys opening for Tame Impala – Balu Brigada would be the perfect fit!
H: I mean, my pinnacle artist is Frank Ocean and I love the idea of getting to tour with him, but, no [laughs]. I don’t think. So that makes Kevin Parker feel a little bit more attainable. I don’t think it would be too far-fetched, hey? I reckon we should link it up.
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I often wonder to myself, when he says ‘Wake me up before you Go Go’ does he mean – wake me up before you leave leave, or wake me up before you leave for your job as a go go dancer?
Five most played songs on my iTunes
I had originally planned to make ‘Ten most played songs of 2016”, but weirdly enough iTunes doesn’t show me that information. There is a theme in this list, majority of the songs are quite slow. I enjoy music that allows me to think, but is powerful enough that it distracts me, because I’m obviously a fucking music guru. I have decided to listen to each song as I write about it, y’know raw emotion and all that shit, which is ruining Ru Paul’s drag race for me just by the way. Some of these songs mean quite a lot to me, some of them are just awesome. 
1.     Mellon Collie and The Infinite Sadness by The Smashing Pumpkins.
Play count: 590
Date added to iTunes: 02/06/2013
Let me just begin by saying, this song is honestly just a two minute and fifty-two second instrumental.
I play this song on repeat for a few reasons. It helps to calm me when my anxiety attacks become just a little too real, it really helps me concentrate if I need to study, and it put kids right the fuck to sleep. There is nothing I don’t love about this song. The piano is strong and the focus of the song. For me, it perfectly replaces lyrics. I don’t personally hear a story as I listen, but it does take me to a very calm place. If I could learn any song on the piano, this would be it. The strings in the background definitely add to the calming tone, but I really feel like the piano on it’s own is enough.
2.     Make You Feel My Love – Adele
Play count: 128 (huge number difference!)
Date added to iTunes: 29/10/2013
I am a huge Bob Dylan fan, but Adele’s rendition of this song is absolutely perfect. I generally prefer originals, I love older music, but I would absolutely dance to this at my wedding. Hell, I would even serenade the lucky bastard! This song is, again, very piano heavy, but obviously the focus is Adele’s angel voice. Is there anything this woman can’t do?! Fuck Beyoncé! When I die, I want to come back as Adele. I love strong singing voices, they give me chills. I will literally listen to a song on repeat 20 times if the voice is good enough. It of course helps that I love the original.
3.     America – Simon & Garfunkel
Play count: 105
Date added to iTunes: 14/06/2014
I’m surprised there isn’t more Simon & Garfunkel in this list; I listen to them every time I feel anxious.
This is one of my favourite Simon & Garfunkel songs. I can listen to it in any situation.
I get very real chills in two parts of this song.
- ‘It took me four days to hitch-hike from Saginaw’ I just like the way this part is sung. There is no other way to put it. C-H-I-L-L-S!
- “Kathy, I’m lost” I said,  though I knew she was sleeping. “I’m empty and Aching and I don’t know why.” I have always felt like this specific lyric stood out to me more than any other lyric I have ever heard. When I hear it, I feel like I wrote it. That’s the best way for me to explain it. I have written and re-written a hundred different ways to explain how that lyric makes me feel, but nothing else feels more right.
4.     A Million Love Songs – Take That
Play count: also 105
Date added to iTunes: 26/09/2013
I’m not even embarrassed. Gary Barlow is an angel. Back at it again with the piano strong songs, this one is a classic. It’s definitely another wedding song. I don’t really have much in depth stuff to say about this song, I just like singing it to be honest. You’re welcome neighbours. I’m disappointed in myself for this one, but the only person who can get deep about a Take That song, is Gary Barlow.
5.     Freedom – Wham!
Play count: 92
Date added to iTunes: 08/11/2015
Hands down, the best Wham! song ever. I’ve listened to this song at least 4000000 times in my lifetime. George Michael’s voice does things to me. The man is an absolute treasure. I could dance completely sober to this song, anytime! It is another one of those songs that I can’t really get too deep about, it’s freakin’ Wham!. It’s honestly just one of my all time favourite songs. R.I.P. George.
6.     Ha Ha You’re Dead – Green Day
Play Count: 83
Date added to iTunes: 26/01/15
Believe it or not, I can get pretty deep with this one. It’s basically a punk rock song written by a bunch of twenty-something’s, so it’s as mature as you’d think. The final chorus of this song goes as follows;
Ha ha you’re dead
The joke is over.
You were an asshole, and now you’re gone.
As your ship is going down, I’ll stand by and watch you drown.
Ha ha you’re dead.
Ha ha you’re dead.
Ha ha you’re dead.
I remember absolutely screaming this chorus on the way to work after being dumped. Good times. I belt this song out anytime anyone fucks me over, actually. I’ve used this song as anger management since I was about 13, it works wonders.
I accidentally did six, you’re welcome. 
Mood Playlists.
I have like three moods so don’t get too excited. I’ll give a brief description on the reason each song is in these playlists, but over all you’re welcome because these are some of the best songs the world has to offer.
Ten songs’ I listen to when I’m super anxious.
Landslide – The Smashing Pumpkins
The first version I heard of this was by The Dixie Chicks and I know it’s a Fleetwood Mac song, but Billy Corgan’s voice speaks to me on another level when I’m all fucked up.
Candle in the Wind – Elton John
Elton John could bring me down from just about anything. What a voice! What a man! What a song!
One Crowded Hour – Augie March
I could listen to this song thousands of times over, and I genuinely would not get sick of it. It is music genius. MUSIC GENIUS I SAY!!!!!!
Dear God – Avenged Sevenfold
M Shadow’s voice is fucking beautiful. It is only his voice that calms me, but I like to listen to slow music when I’m anxious, heavy metal would just work me up.
Tangled Up In Blue – Bob Dylan
The first time I heard this song was a cover by The Whitlams, so I was actually surprised to learn that it was a Bob song. Bob Dylan is definitely one of those artists that I could probably listen to his discography in its entirety when I’m anxious, but this one is a favourite.
Little Drummer Boy/Peace On Earth – David Bowie & Bing Crosby
I don’t even give a fuck that this is meant to me a Christmas song. Also, fuck Bing. This choice is honestly all about David Bowie’s voice. This is the first song I have ever heard David Bowie sing that gave me butterflies in my stomach. It’s so beautiful.
My Way – Frank Sinatra
I discovered this song after heard Sid Vicious’ version, which is obviously equally as calming.
Be Calm – Fun.
I read this information years ago, so if it’s wrong… well I don’t give a fuck. This song was actually written by the lead singer during a panic attack, and speaks to me so personally. It basically talks me down. “I know you feel like you are breaking down. Oh I know that it gets so hard sometimes. Be calm.” You got it, buddy. Obviously not a cure for anxiety, but it sure as fuck helps.
Yer Spring – Hey Rosetta!
This is just a very slow and peaceful song. I actually discovered when I saw The Living End Once.
Last Hope – Paramore
I think this is another song that really speaks to me when I’m down or anxious. It’s definitely about overcoming obstacles and coming out stronger. There is one part of the song that I usually play over and over. “It’s not that I don’t feel the paint it’s just I’m not afraid of hurting anymore.” I wish I were that deep sometimes.
Ten song’s I listen to when I’m feeling nostalgic.
You Sound Like Louis Burdett – The Whitlams
I remember being maybe 7 years old, and begging my Mum to let me say the F word in the song. She always said no, but I mouthed it anyway because I don’t play by the fucking rules.
Another Saturday Night – Cat Stevens
I know for a fact that this was not the song that my Dad likes most by Cat Steven’s but I just have memories of it being played A LOT.
Real Men – Joe Jackson
Another song my Dad played to death. I heard it for the first time in about 5 years on the radio a few months back, and instantly had ‘nam like flashbacks to my childhood.
I Feel Possessed – Crowded House
Again, a song my Mum wouldn’t have played the most when it comes to Crowded House, but it’s just one of those songs that takes me back whenever I heard the chorus.
The entire Bad album - Michael Jackson
Let me tell you a story! I can’t remember exactly which birthday, but I feel like it was my tenth. I had just heard of this little Indi artist called Michael Jackson. I’d gotten the HIStory album that I played to death. You’re welcome Mum and Dad. My grandparents came over for dinner, and brought a large box for me to open. Inside this box were several things, but most importantly Michael Jackson’s 1987 album Bad. I have memories of literally picking up the album and not giving a shit about anything else. I chucked that sucker into my discman and the rest is history.
Keep On Movin’ – Five
Every time I hear this song, I remember having my CD player sitting up on the window with that song blasting, while bathing. Good times.
Whatsername – Green Day
There are hundreds of Green Day song’s I could’ve chosen. This one specifically, I remember listening to on my MP3 player on the bus to and from school on repeat. I would stare out the window, just to make sure I looked as depressed as my music made me seems.
Dead! – My Chemical Romance
I used to have a dance to this song. Actually, there’s a video of me on YouTube somewhere dancing to this song. I used to act like a psycho teenager when listening to this song.
English Army – The Living End
Besides the fact that this is actually my favourite one of their songs, I used to have this DVD which had several videos of live performances on it. I used to listen to the live version of English Army all the time. Also, I’ve seen The Living End like 14 times, and they have not played it once!!!
Last Beautiful Girl – Matchbox Twenty
Honestly just another song my Mum played to death.
Songs that just generally give me some goddamn chills right down my spine.
I’m just going to write the lyric that gives me chill’s. Although, its actually the way the lyric is sung that gets me.
One Crowded Hour – Augie March (Yes, I’m mentioning it again because it’s that good.)
I completely relax when they sing “What is this six-stringed instrument but an adolescent loom
Let Her Cry – Hootie & The Blowfish
“Last night I tried to leave, cried so much I could not believe she was the same girl I fell in love with long ago. She went in the back to get high, I sat down on my couch and cried. Yellin’, “Oh, mama, please help me””
Somewhere Only We Know – Keane
I like all of these lyrics. What a good fucking song!
So Far Away – Avenged Sevenfold
“I love you, you were ready, the pain is strong and urges rise. But I’ll see you when He lets me, your paint is gone, your hands untied” insert cry emoji
Under Pressure – Queen ft. David Bowie
Like I need to just choose one fucking lyric.
Run To The Water – Live
“A million mile fall from grace, thank god we missed the ground.”
The Deepest Blues Are Black – Foo Fighters
The whole chorus is sung so well!!!
You Are Not Alone – Michael Jackson
I do the best version of this song. THE BEST. I used to jam to this with my karaoke microphone in my bedroom when I was younger.
I Walk Away – Split Enz
“Your life, slave to ambition”
Fin.
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