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#more caretaker propaganda
pppuri · 2 years
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camaraderie at arm's length
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gender-euphowrya · 2 years
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playing we happy few lately and Damn i should have played this sooner
#it’s not perfect by any means but still i’m HOOKED#like the gameplay’s alright just ye ol’ run around doing quests upgrade your dude do some stealth w/e#nothing that hasn’t been done before except maybe the like#‘blending in’ stuff where you have to act and dress a certain way to fit the situation otherwise you get beat up#but it’s mostly the story that’s getting me like Basically#you’re bri’ish and the uk once lost a war to germany and then every child in the uk was sent away to germany#the people complied because the germans threatened them with tanks so they willingly surrendered their kids#germans never explained what would happen to the kids & all#everyone felt super guilty and depressed about this whole thing But around the same time a drug called joy was introduced#and it basically just… makes you happy and productive and induces memory loss#So joy was pushed on the population as like The Thing You Must Take and now everyone’s just hooked on it#forced to take it. don’t remember the children. happily swallowing any propaganda about the war.#now there’s people who either refuse to take joy or can’t handle it and they’re shunned and left to die in wastelands#Anyway. you’re a guy who had a disabled brother you were basically the caretaker of who was sent away to germany#and you were supposed to go with him too but No Spoilers you didn’t and you feel fucking bad about it so#you set out to find him or at least learn what happened to him and as you’ve stopped taking joy you start remembering more about your past#and Oh it’s. i wanna know more i wanna discover what happened to the kids and to the brother#who’s behind the joy shit maybe what state other countries are in#Also. why nobody in the entire fucking country has had new children since…. i mean god dam#there are No Kids at all did people forget how to fuck too#that’s not sustainable for the population bro shinzo abe would have hated this game
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Sexiest Podcast Character — Unscripted Bracket — Round 5
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Propaganda
Gable (Campaign: Skyjacks):
7ft tall silver-haired thembo of a fallen angel. was the literal sword of god until they killed him! reasons slightly unclear but probably sure to forbidden queer love! super caring for their friends. has one friend they have known for hundreds of years who they HATE but are bound to by the red string of fate. their sword is a part of them, they can sheathe it into a tattoo. they start out indistinct at the edges but as they have continued on through the campaign they have become more and more distinct. they became a flaming engine of justice to kill their friends shitheaded older brother who was following him. they have learned enough necromancy to allow other fallen angels to die, even though they typically cannot. they fly giant birds in to battle.
7ft tall beefcake wielding a sword as tall as they are. vengeful sweetheart
Imagine now: a fallen angel with beautiful gray hair and very big muscles. Now imagine them with a 9 ft sword. Now imagine them as a helmsperson of a pirate ship in a flowy deep-v pirate shirt. Now imagine they're dumb as a fucking rock. And finally, imagine that they killed god. Here, you have made Gable Skyjacks: sexiest podcast character of all time.
7ft tall nonbinary/genderfluid thembo fallen angel sky pirate who wields a buster sword. silvergrey hair with black/gold streaks as they regain feathers/memories of before their fall. back is covered in tattoos that hide the scars of their shredded off wings. killed God. toxic exes with lucifer. they are the keeper of several giant war birds who occasionally crave human flesh. they enjoy getting rowdy/smoking rope with their boys. they collect rocks that they think are neat. When anyone admits they are attracted to them, Gable trips over their words and absolutely swaglessly ends up sounding stupider and sexier by the end of the conversation; the will they/won't they and teasing they dish out to these (un?)lucky few is palpable. Sometimes the buster sword is on fire. They are immortal, they are cringe, they are trying to atone because they believe they are the reason the world is ruined.
Okay so aside from all of the above (giant with a matching giant flaming sword, killed god, extreme dumbass), here's some more propaganda for Gable the Godkiller.
They've escaped death multiple times with their partner in... crime? Like literally they were about to be executed in the most brutal way possible and just. Escaped and killed all their captors in the snowy wastelands.
They are the helmsperson of the Uhuru and take this job very seriously and definitely haven't left it to Bowser (you know, like from Mario) multiple times. Can steer that flying ship in horrible weather and still make it to port safely.
Healed an entire fucking hospital by cutting their hair for someone they had the hots for who was also in the hospital. Imagine being on that level of myth making in some random port city because of a hair cut.
Giant bird caretaker and also took the giant birds out on their friend's bachelor party (this was like. his Xth polyamorous marriage at this point btw) and had a fucking blast getting high on some rope and fucking around. They've also flown these birds into combat and looked cool as hell doing it (see: killing their friend's shithead of an older brother in a joust).
Had a relationship with Lucifer the Morning Star before they fell as an angel and killed God. Literally the reason the stars fell was their love for each other. The world would not look the same without Gable and they are, at the very least indirectly responsible for the creation of the Church of the Slain God and everything it represents (fantasy Catholicism).
And also yeah they are regularly tripping over themself and saying very silly things. 10/10 character we love Liz Anderson and Gable in this house
I am seeing people say that this Nicky fellow is basically trans! That's very cool! Gable is actually trans. Pronouns they/them/any presentation whatever they feel like.
Gable held a bachelor party for a BFF where the attendees hunted from their sky birds, wore dresses, and still managed to keep their eyeliner on point!
Gable killed God because he wouldn't let them be queer. They should rightfully crush anyone in their path.
We are finally going up against a character I know. I can confidently say all sexy moments with Gable are much sexier than TAZ's largely off-screen romances. Mod Note: This was written during the poll versus Killian Fangbattle.
Nicky Close (Dungeons & Daddies):
One armed half-demon man with a sword (also a Dedicated, Involved, Loving Father). (Specifically campaign 2, where he is an adult)
Transmasc bisexual (or at least so widely accepted as such it's basically canon) dilf half-demon let's start with the basics
And by half-demon I mean the literal prince of Hell
But also simultaneously is Saint Nicolas get you a man who can do both specifically this man
Missing an arm cause his ex-friends tragically betrayed him and shot it off but he doesn't need two arms to show you a good time wink wink ;)
The betrayal in question forced him to be seperated from his also hot milf voice actress wife and their son which is sad but in like a way that makes him sexier
Uses his one hand to wield a flaming katana that he used to rescue his son from the FBI
Protects his family with his life very literally which is hot as hell
Big himbo energy couldn't come up with a good plan if he used 100% of his brain
When he does fail at things it's pretty cute honestly
Definitely played a variety of musical instruments before the whole arm thing happened! Maybe he still does idk he's a sexy mystery
2 in 1 deal! This man was born from the merging of two timelines! Kinda sick!!! Also two dads = twice the daddy issues
You'd think the whole being forcibly split from his family thing would mean he isn't very close with his son but nope! His son adores him! They get along great!!!
His mom is simultaneously alive and dead
His mom bagged fucking two different dudes (one of whom FOUND HER DEAD in a different timeline, both of which are demons)
HIS MOMS NAME IS MORGAN FREEMAN, HIS DAD’S NAME IS GLENN CLOSE, AND HIS OTHER DAD’S NAME IS JODIE FOSTER, AND HIS GREAT SOMETHING GRANDFATHER’S NAME IS MERYL STREEP
HIS SONS NAME IS TAYLOR SWIFT
Lifelong pot smoker 👍 (plus drug flower user!!)
CANONICALLY BOTH A POLO WEARER (and yes, has all the stereotypes of that attached with it — a nerd, which is hot) AND A LEATHER JACKET WEARER (which also has all the stereotypes attached with it — a rebel dude person, which is also hot) [<- all widely accepted as canon by the fandom even as he’s older]
A part of the SECOND BIGGEST ship of season two, (Nark) despite the two characters only having one-two canon interactions (one of which JUST happened last episode)
Man’s a himbo what’s hotter than that
So many fucking names. You try to tag him in anything and he takes up half the space. That’s probably hot. For someone out there
This was already mentioned but so very very trans. Like. It’s basically canon
Rock and roll(er)
Joined a group of thieves called the watermice when he was like 13
for a few minutes had a guitar called the Battle Axe of Hatred
definitely had an frienimies with benefits relationship with his childhood friend Lark (sorry ppl that don’t ship nark lol) (it’s canon after ep 44 hah)
I feel like the audio of the entire Nick-breaking-into-the-FBI scene should be propaganda, but I'm copying select bits from the transcript:
Anthony: Yeah, it kind of echoes up through the vent, like the beginning of Metal Gear Solid. You hear a voice that strikes you as ever so slightly familiar, Taylor. Saying—  ??: [a deep voice] [echoing in the vent] Where is he?  Anthony: You hear—  Will: Uh-oh, he’s hot.  Anthony: —a bunch of shouting voices.  [giggles]  Beth: Uh-oh! Anthony: You hear a bunch of shouting voices and people shouting for him to get down on the ground to turn off his flame. To fucking get his hands behind his back. You hear this rhythmic stepping forward— because his footsteps don't sound like anybody else's because it's almost like… y’know when you toss a little bit of water onto a really hot pan and it just sizzles like that? It's like every footstep he's taking, you can hear that— Freddie: Cool  Anthony: — and you can feel some of that heat coming up in this vent, even though you can't see him at this point. And he goes—  ??: [echoing] Where. Is. My. Boy? Anthony: You hear the FBI agent—the FBI in quotation marks agent—in the back going like—  Agent: [echoing] He's safe for now. If you want to go ahead and make sure that he stays that way, you feel free to go ahead and step inside the suite that we've prepared for you, my boy. Anthony: And you hear the hot guy voice saying—  [chuckles]  The Hot Guy: [echoing] I don't think that's going to happen.
...
[a powerful rush of air builds] Anthony: You hear—  [gunfire, and the air rush culminates in a burst of flame; from underneath the fire, metal music starts playing] Anthony: —plumes of flame exploding.  [a person’s pained shout, gunfire and bursts of flame continue]  Anthony: You can feel the heat radiating through this metal vent and it's actually beginning to hurt and burn your hands.
...
Anthony: And you hear blood—  [sizzling]  Anthony: —hitting the fucking ground and you hear sizzling and things boiling and burning. Taylor: That could just be coffee! That could just be coffee. Link, let's go. Anthony: And you are getting closer and closer to the elevator. And you hear that same hot voice say—  The Hot Guy: [echoing] Where the hell is Taylor?
Gable and Nicky Together:
We are on a joint ticket now! This is a truly unbeatable combo. Not even god can nerf it because Gable killed him. Vote for us. Nicky Close will watch your stuff and play with your cats while Gable gives you the night of your life.
Gable and Nicky can literally be yuor angle or ur bevil.
Kravitz (The Adventure Zone: Balance):
Grim Reaper. So hot he managed to date Taako from TV
gotta be krav
Art of Gable and Nicky from @slightlyhopefulromantic.
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harrowedsoup · 11 months
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I am now thinking of a AU where Wake is able to fully communicate with Gideon from the sword and doesn’t become a vengeance spirit or whatever (maybe because Gideon has weird abilities because she’s pretty much a demigod. Idk not the point)
When the murders happen she’s still in her bones but she hears about it and because she dead she just knows. A sickness doesn’t kill everyone at once and it’s exactly the type of thing that Eden would use as propaganda so that’s what she jumps too. Maybe she assumes that Bomb died too and maybe she’s even thankful that John Gaius’s spawn didn’t live to become a necromancer.
But then- a single child lived. The one that no one wanted or knew where she came from. And how can’t she be a little proud of that? That her child survived some necromancer’s plot?
Then a few years later Bomb comes wondering through the tombs. Barely more than a toddler but looks so much like Wake that it’s like seeing her baby pictures come to life. The only thing that doesn’t match are her eyes and she’s healthy in a way that doesn’t match any necromancer she’s ever seen.
Bomb stops right in front of Wakes bones. There is no way she should be able to tell whose bones sit in front of her- she has no name here. That’s been stripped from her in death. But Bomb sits there in front of her and starts babbling. And Wake can’t not listen because she’s dead.
It’s only after it’s been hours that a care taker comes and she learns what they’ve named her. She laughs, as much as a ghost can laugh, and Bomb - Gideon turns around in the caretaker’s arms and laughs right along with her.
Gideon keeps coming back. Over and over, for hours at a time. She sits in front of her mother’s bones in silence while she reads, she babbles about her days, she plays games with only rocks and sticks. And it takes her weeks but Wake realizes that Gideon can hear her.
And what can she do, other than talk to this tiny little version of herself? There is no one else. She’s stuck in this hole of a prison and if nothing else Gideon is so very much her more than she is John Gaius.
Maybe she tells Gideon stories passed down through the ages. Tales of life outside the Houses. Gives her Eden name that only Wake and Gideon know.
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gaydragontournament · 1 month
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ROUND 1: PART 2
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Propaganda under cut
Lord Arum
● Okay so from what I've listened to he's not called a dragon but he is a four-armed, two-legged reptilian man who is born/created to be the guardian and caretaker of an ancient massive magical plant house called The Keep. So, magic lizard guarding magic castle sounds like a dragon to me.
He falls in love with a male human knight and a female human scientist. Bi and poly rights! We have enemies to lovers, homoerotically charged duels, and desperate acts of kidnapping to save the only thing he loves that leads to him finding more people to love (and also saves the only thing he loved).
Midgardsormr
● Midgardsormr is the Windwyrm, a dragon who governs over the winds. Dragons in Dragalia Lost are considered an important part of nature itself, standing apart from humanity.
However, the protagonist's ancestor, Alberius, formed an incredibly close bond with Midgardsormr, to the point of completely changing his opinions on humans and the world at large. This culminated in them both rebelling against Elysium (who is essentially a dragon god) to protect humanity from his divine judgement.
Even three hundred years later, Midgardsormr clearly still thinks highly of Alberius and their time together.
Quote: "Then I ask you once more, Midgardsormr: Can dragon and man forge a true bond?"
"They can. The days I lived with Alberius in centuries past are proof of this— and those bonds continue through time. I shall protect this world he created, where dragon and man can journey as one."
Comic: https://i.imgur.com/BZqic79.png
Song: https://www.youtube.com/watch?v=WPcw1NykG6k
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weeb-polls-with-pip · 3 months
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Autistic Anime Boys Side B Round 1 Match 11
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Propaganda:
Mikey -
"This is a headcanon that didn’t originally occur to me, but then I encountered it in the wild, and something in my brain kinda lit up like ‘!!!’. I couldn’t stop turning the idea over in my head, like a slow roasting marshmallow, getting dangerously close to an open flame. So, here we are. First of all, Mikey is the leader of a biker gang. He has an immense interest in motorcycles (including their parts and repairing/building them), something of which he is able to bond with other delinquents over. He is frequently commented on by others as showcasing ‘childish’ behavior, such as whining when he doesn’t get his way, taking naps on his vice-commander, Draken’s, back or getting upset when he receives a kid’s meal with no flag in it. He often relies on Draken in a caretaker sort of role, such as providing the aforementioned flags to avoid meltdowns, tying his hair up just the right way in the mornings, going to his house to wake him up (all these things appear frequent activities/rituals Mikey relies on), and being “his heart.” Mikey appears to have naturally low empathy. Pretty early on in the series, he and Draken pay a visit to a girl who was put in the hospital by a rival gang, for being affiliated with some of their members. Her parents encounter them and they are furious that anyone involved in gang activity would even dare show their faces, despite Mikey and Draken not being the ones to actually hurt her. He insists they shouldn't apologize to the parents, because it's not their fault and they personally didn't do anything, failing to comprehend the bigger picture, that the lifestyle of delinquency and crime in general and the violence it breeds, not just between those who partake, but innocents caught in the crossfire, is what led to their daughter's assault. And they are feeling grief and anger, thus acting irrationally and lashing out (which, while illogical to Mikey, is a typical emotional reaction to this sort of situation). But he eventually amends his opinion at Draken’s urging—reserving emotional consideration for when his friends are involved primarily. Difficulty regulating emotions, selective listening, and self-centeredness are also all traits that Mikey has exhibited. He often has atypical/repressed facial expressions. He has safe foods—preferring sweet things like dorayaki and taiyaki above all else. He has a comfort item in the form of an old, raggedy towel, which is, in his words “his whole life,” and refuses to give it up even when his family urges him to throw it out. “The tip of his towel” is canonically his “favorite spot”—He is seen stimming with it by rolling it up and kneading it with his hands and fingers. He also prefers to dress for comfort, in loose and baggy clothes whenever he is outside of his gang uniform, and he always wears the same flip-flops, even when it would seem inconvenient. Some other things that don’t necessarily point to autism, but maybe could be considered in the broader picture with everything else?
Routine night motorcycle rides with his brother and childhood friend, which he continues, same time and route, after their deaths, while talking like they are still there with him (though this is more him just honoring their memories and finding comfort in these old actions)
‘Dark impulse’ flare-ups could be interpreted as meltdowns that cross into violent territory? (Like after Sanzu allegedly broke his new toy as a child) But again, dark impulses are a whole other can of worms that could probably be likened to other things better than autism
He is canonically considered a martial arts genius/prodigy, which could be read as some sort of savantism, but also just typical shounen anime shenanigans Despite some of the shakier things to consider, I find myself really liking the idea of autistic Mikey, and I do think there’s a lot in the story in favor of that reading of him. I’d love to see him represented here!"
Yotasuke -
"He has terrible social skills and doesn't filter his words, and although he does not have bad intentions, he often comes off extremely cold or harsh, saying things like "Talking with you irritates me so can you please leave me alone?". He struggles to make friends, especially since he purposefully pushes people away. Yatora, the main character, brings the number of contacts on his phone to a grand total of three. His wardrobe consists of almost exactly the same shirt over and over again. He holds his pencil and chopsticks extremely weird. He loves animals and is often pictured with them, for example cats and rabbits. He was considered extremely talented at art when he was a child, and his art is still amazing but it has messed up the way he interacts with others. He feels as though art is all he has. This causes him to resent Yatora, who appears to have so many skills and career options, as well as a thriving social life. Yotasuke also has a very strained relationship with his mother, who can be quite manipulative at times. He is also very silly if that means anything to you. Everyone should go read Blue Period actually."
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bandofchimeras · 5 months
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I have to say this: the education on fascism in American education is largely limited to "Germans in 1940s." And the settler hatred and right wing extremism we are surrounded by, growing up in my privilege felt invisible as water to a fish. The first cracks in the limited America centric blinders however into international awareness came from relationship: learning about Chiapas and the Zapatistas from my ex, from my friend's education on Armenia and refugees.
It started to click in my brain because researching the situation on Instagram, even on pictures of natural landscapes or other posts not even about the genocide, you would see these accounts with the most hateful vile dehumanizing language - Azeri. And out of the American context and programming it was easier to see that for what it is, baseless aggression towards Indigenous people based on insecurity. And how insane, how strange and baseless it was. I had to block and report and argue with a few of the trolls just from commenting something harmless on an Armenian's post.
Then a few months later - that aggression erupted into white phosphorus bombs. I did not respond in the way that Palestine has been responded to, or much at all. There was less on the ground reporting but that's not really an excuse for how little the waves of pain hit me, how invisibilized Artsakh occupation and land grab was and emotionally unattended to. I was still in my own bubble of settled misery.
It's easier to share content about Palestine because there is so much content made. And the visibility is so high that propaganda can't counter it. In contrast my friend had to put in a lot of work to educate me and most people around them about Armenian history. I regret that. And the resistance and ignorance I exhibited. And I regret coming so late to awareness of colonialism's tangled roots and the history and work of resistance and persistence of indigenous peoples. However it was that particular encounter with the Azeri hatred which laid the tracks for understanding my friend, and also for this further and intense assault on Palestine. Which was already in my proximal awareness but I am ashamed to say, never fully awakened by relationships with real people here.
And meanwhile, happening, and now, people are speaking up about the Congo. About Sudan. About Tigray. About extraction and assault and bombing and execution and horrors and violence which can scarcely be out to words. About the freedom they want for their people and the immense load of pain they have been carrying for far too long as refugees, as colonized people fleeing their own lands.
About these I know even less.
And I do not think it is wise to pretend to know more. I have been called in for posturing or getting ahead of my self in ignorance, of the heart of the movement which is care for and being in community with the people who are caretakers of the land and/or doing the work of survival and fighting colonial oppression and repression.
So what I have to say from where I stand is: the future is coming. If you do not know the survivors of this generation you do not know how strong they are, and their vision of the future. Beyond all the trauma and the need for care and support, this strength is not arguable. The ancestors are with people now.
There will be a future and Armenians, Palestinians, all of these nations will be in it. I choose to believe that, believe in them but not to hope for it because there is an absolute chasm of work to be done, reconciliation and listening and conceding and fighting. And hope can let us get off easy. No, but the work is joyous if you surrender to it.
Do not lose heart, do not be afraid to sacrifice and do not lose yourself in fear, guilt and doubt. They are a maze I've been lost in for years. And only finding my way out through the hands of these friends, having done harm and been corrected in it, witnessing the meaning of pain but also spirit, of God, of joy of true undying Love. This is what revolution is and requires is a total eclipse and regeneration of the heart, the ego, the mind.
I have only taken the first baby step but already despite the horrors laid out before us, the future is glimmering. The evils of settler colonial rabid fury are stains on the world that cannot be washed out. Every second they are allowed to persist kills the collective soul of humanity. Especially the souls of those of us complicit in settler states. We must release our fears, and fall in line with the call for reparation and return.
And our time is running thin but i do believe it is here. The road ahead is very dark, very brutal and very long. But we have the strength to walk it side by side because we must. Or stand aside.
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Propaganda:
For Shadowpeach: "ok so, we all know from that one tumblr post that yaoi is two blokes doing fuckall and yuri is when there’s themes and shit? well these two (shadowpeach) have So Much Themes. they were super close friends for years and years (both immortal) before their epic breakup scene (wukong was trapped under a mountain and macaque refused to free him) (he wasn’t entirely in the wrong but that’s another story) (also wukong killed macaque there was that, that did happen) (its complicated)
from the Moment we see these two, all we know about them is that they’re the most divorced ever. as time goes on, we see the complexities in their relationship, and they introduce a lot of the overarching themes and motifs of the show (hero and warrior pairs, peaches being a symbol of their relationship, etc). also they’re both girls to me
tmnt theme song voice toxic codependent yuri!"
"theyre So So gay divorced and have an incredibly complicated and toxic relationship. also according to that one tumblr post yaoi is when theres two blokes doing fuckall and yuri is when theres themes and shit, and these two have So So So many themes and shit. theyve got motifs out the wazoo. peaches are a motif of their relationship and in the very end of the s4 finale wukong hands macaque a half-melted peach flavored (and shaped) popsicle. this is yuri to me"
"They used to be semi-immortal bff's, but then they fell apart and literally one of them died(bc of the other), then he revived, then got semi-consumed by revenge™ and tried to kill each other for a while, but they are cool now and they gave the sweetest little smiles when they finally talked- *fangirls* ok ok, look at it this way: it's a royalty au but it's canon."
"Well, they are toxic doomed yuri vibes, in my.most opinion. But also their designs are pretty gender I think.. mostly wukongs imo. And ik eyelashes aren't inherently feminine but theyre both some of the few(if not only) male characters in the show with visible eyelashes. Also if it counts, out of the relationships that I've seen compared to theirs, most are canonical sapphic relationships from other cartoons (catradora and bubbline notably)"
For Arthur and Linus: "THEY ARE SOO YURI!! OLD MAN YURI!!! LIKE!!! JUST LOOK AT THEM!!! THEYRE SO ADORABLE"
"A warm, loving caretaker of magical children who are orphans falls in love with the fat neurotic caseworker and changes his life for the better."
For Thoschei: "i. why great
They are each other's narrative foils. They are archenemies. They were childhood friends. They might not have been married, but they are divorced. They call themselves best enemies. They are the "i can fix them"/"i can make them worse" duo. They've proposed to each other (to rule/travel across the universe together), but each declined the offer from the other. They've kissed. They've killed each other. They've killed for each other (the first to do so was the Doctor who is the protagonist and the hero, but this fact was revealed in an audio drama, not in the TV show). The universe's too small for both of them. "The cosmos without the Doctor scarcely bears thinking about" is a real quote from one of the episodes from the 1980s. They are war criminals. The Master commits atrocities to attract the Doctor's attention and admits it. They are not able to get rid of each other for good, nor they really want to. One of the showrunners literally spent the BBC's money to make his E2L I Can't Decide fanvid for them and make it a part of an episode.
ii. why guy:
They'd been in male bodies for more than 40 years…
iii. why yuri
…until one of them regenerated into a woman. After some time, the other did so too. Sadly, they haven't interacted in their female bodies on screen, but the fandom makes do with fan content.
in conclusion: this is The guy yuri if i've ever seen one"
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hemipenal-system · 8 months
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Valor
Everyone gives Pilots and Handlers all the credit. I mean, obviously. They're the ones on the front lines, behind the guns, on all the propaganda posters and in the movies. When people think of Front efforts, they think of a Pilot in a snappy skintight jumpsuit and a Handler with an earpiece working together to control the massive machines.
In the mistranslated words of Sun Tzu, "The line between order and disorder lies in logistics." That's where Scuttlers come in.
Sure, the Handlers protect and maintain the Pilots, but someone has to take care of the actual mech itself. Someone has to unscrew, buff, and replace its damaged armor plating. Someone has to load another set of shells into the main cannon, each shell weighing more than the average Pilot. Hell, old mechs have top-access cockpits. Someone has to climb onto the mech and extricate the poor broken thing, holding it delicately in external manipulators, silicone fingertips caressing its forehead and telling it that it's okay while scaling down the mech to deliver it to its waiting Handler.
Scuttlers work behind the scenes, keeping everything running. No dopamine conditioning, no mental linkage, just a quadruple set of four foot industrial arms worn like a backpack, connected through a tiny neurosleeve plugged into a port in the left armpit.
Arms is a loose term. The external limbs react entirely to the wearer's brain, no onboard system necessary, but that's where the similarities end. Each limb is carbon steel, able to lift upwards of three hundred pounds and precise enough to stack dominoes and play cards with. The hands are entirely swappable, too, and some Scuttlers just keep their auxiliary tools on all the time, using the welders and cutting saws enough to justify it.
Scuttlers don't get any conditioning – only a three day instruction course on how to use and care for their external limbs. In theory, this makes them less dangerous than a Pilot or its Handler, but anyone who thinks that hasn't ever pissed off one of them and woken up at night to a foot on their chest holding them down, circular saw spinning at full speed an inch from their throat. Human brains, unaltered, don't necessarily take stress and disrespect any better than Pilots do.
Scuttlers love Pilots, though, just as much as they absolutely despise Handlers. They see the similarities between themselves and Pilots. Just as a Pilot looks for a targeting interface when they're out of the mech, Scuttlers often find themselves reaching for something with a hand they're not wearing. Pilots, for the most part, see Scuttlers as a sort of caretaker, repairing their second bodies, and are fascinated with their ability to control all the arms without any machine assistance. Handlers practically never remember they exist.
The rare Handler who remembers the Scuttlers exist and treats them kindly quickly becomes a favorite on the company, finding snacks and flowers and sometimes even love notes on their desks when they arrive for work. Should they pursue said notes, they find out quickly how close the Scuttlers all are with each other – and how versatile those external hands can be.
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LGBTQ+ Disabled Characters Showdown Round 1, Wave 2, Poll 3
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A character being totally canon LGBTQ+ and disabled was not required to be in this competition. Please check qualifications and propaganda before asking why a character is included.
Check out the other polls in this wave and prior here.
Fu Shen-Golden Terrace / Huang Jin Tai
Qualifications:
Both of his legs got crushed in an avalanche (assassination attempt) so he mostly [uses a] wheelchair. The military doctors partially saved his legs but even after that he needs mobilization aid (specially made thigh high boots, kind of a prosthesis) and heavy medication (with a lot of side effects) to move around using his legs. So unless necessary, preferable method of movement is still wheelchair.
Propaganda:
Badass military General (Fu Shen) and shrewd politician (Yan Xiaohan) could never see eye to eye in political issues. The Emperor forced them into an arranged marriage after Fu Shen's 'accident' to handicap both of them even further as they were too powerful to handle. Joke's on him, they just became the most in love with each other couple in the whole country and neither the marriage nor their disabilities could stop them from getting what they wanted, be it more power, prosperity for the people, or just each other. Fu Shen's physically very strong even when he is wheelchair bound (he has stopped assassination attempts on the Emperor), and when he wears his mobility aid boots he has fought wars and lead his army to victory. But the sexiest part of him is his wit which can complement Yan Xiaohan's perfectly. The only thing that 'causes a setback in this is his sense of morality and loyalty which creates a contrast with his husband.
Yan Xiaohan is also strong and skilled in double handed swordsmanship, but his forte is psychological warfare. He has no bottom-line (except his husband) when it comes to doing things beneficial for his goal. Which is why the withdrawal flare ups caused him quite a bit of distress. These two are that couple who'll flirt with each other even in the face of death, so even their disabilities are a fuel to the flirting and teasing. One of Yan XIaohan's famous quotes is "only one of your three legs can stand up Marquis". He also hides all of Fu Shen's mobility aids (wheelchair and boots) when they have a lover's spat so he can tend to Fu Shen personally (carry him around, helps him bath, dresses him etc.) and make up in the process. On the other hand Yan Xiaohan's addiction can be partially satiated for a while by the next best thing for euphoria, i.e. sex and food. So they fool around in risky places (read: public) using that as an excuse.
Elphaba Thropp-Wicked
Qualifications:
The musical had cut out (and censored) a LOT of things from the book to keep it PG. Elphaba 100% qualifies if you go by the novel.
Propaganda:
She's trans-coded; she was emphasized to look masculine since birth, and there's an actual quote where she says she chose to be female. The book included scenes from when she was a baby, where she was shown to be neurodivergent in a way that scared her caretakers and strained her relationship with her parents.
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everydayyoulovemeless · 9 months
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FNV Companions Living Together
➼ Word Count » 0.7k ➼ Warnings » None ➼ Genre » Fluff
Boone doesn't clean anything ever. Sometimes he doesn't even shower. He’s usually up all night because he's so used to when he had the night shift in Novac, so he mostly finds it hard to sleep. On nights like these, he'll go take Rex out on walks. It's good for both of them because they are both so ready to defend the house from absolutely anybody and being out and about like this makes them both feel like they're guarding the place—like he's back in Novac. He and Cass also usually end up getting into a few altercations, but they work great when it comes to sniping legionaries from the upstairs window.
Arcade is usually studying something, so the only time he ever really leaves his room is to eat. Sometimes it'll be he and Veronica locked in one of the rooms studying something. Their shared experiences of growing up surrounded by armed militias help them bond and make it easier for the two to go out on excursions without bickering. He and Lily end up being the resident caretakers when anyone gets sick. Arcade also tries to avoid ED-E a lot, but for whatever reason, ED-E's attached to him and is, most of the time, following him around.
Raul mostly just sits on the couch with Boone during the day. He's also the one everyone goes to when something's broken. He'll be sarcastic and say something like, "Oh, sure, I can fix anything", but every time he does end up fixing everything. Whenever anyone leaves the house, he'll ask what time they'll be back so he knows when he's supposed to be worried.
Lily's the one who cooks for everyone. Some of the others are especially helpless when it comes to making food, so she’s a godsend in the household. She's also the reason the place looks so nice, she and Veronica are the only ones who have any idea how to decorate. She dotes on everyone and is honestly the main reason that the house is functional. In the mornings when she's making breakfast, ED-E will float around her and play the New Vegas Radio so she can listen to the news.
Rex ends up using Cass' bed because she's usually passed out drunk on the couch. She also ends up 'borrowing' a lot of things from people, specifically from Arcade, but he puts an end to that fairly quickly. Whenever she doesn't want to drink alone she goes and gets Raul and they go down to the bar together, he usually only drinks a little, though, because he wants to make sure that they both make it home safely.
Veronica wakes up way too early and just ends up talking to Boone until everyone else wakes up. One of her favorite things to do is play card games with everyone else, although Raul usually ends up winning. She's also one of the only ones who pick up around the house, her and Lily end up making everyone's bed to keep the place looking nice. She's a lot more strict when it comes to everyone's role in the house and will get onto any of the others if they slack off on their chores.
ED-E loves playing music around the house, Arcade thinks it's annoying, but Raul managed to pick up on a Mexican station and ED-E never turns it off. He likes to follow the others around, the only problem with this is that sometimes he'll just be hovering over them as they sleep, it freaks a lot of them out. He's not too much of a bother besides that, although, he has a habit of hanging any poster he finds out in the waste randomly up on the walls, and everyone's confused about why there's a communist propaganda poster in the living room.
Whenever Rex is annoyed or upset he'll go bark at any of the others who happen to be wearing a hat. Cass locked him outside once because he wouldn’t stop barking at her while she was hung over, so he mostly targets her. He and Arcade will occasionally take trips down to Freeside to visit with the Followers and The Kings, he gets super happy whenever it happens and will run around the house for hours after.
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dragonomatopoeia · 4 months
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i saw the new miyazaki movie and i have a lot of thoughts. also i took notes almost the entire time. however since the word count on those notes is Bonkers i will not be organizing them or writing a cogent thesis at all. so i'm dumping everything from my notes app directly under a readmore.
War setting-framing-imagery apparent immediately
Conscription propaganda
research use of flag/choice to not depict symbol of imperial power when depicting time period. commentary from well-versed historians/animators?
Elderly women first characterized and animated to look unnerving as they swarm around the canned goods— reflection of mental state of perspective character?
heron flying directly out of rising sun over shinto lantern— came out of the decrepit european tower- broken wooden sword
Practice sword emulating father? Inheritance
Mass of fish and frogs swarming and compelling mahito to “join us” in apparent parallel to conscription imagery
Imagery of father’s shoes dividing natsuko and mahito’s
Father is the foreman of a war machine factory— child is at odds with agricultural volunteers
Bribes school for mahito’s exception from school- parallel to father’s own exception from war?
Self-reliance/ insistence on creating weapons/ stealing through more difficult means and bribing male figure while eschewing aid of female caretakers— still emulating aunt/stepmother in choice of weapon
Was too concentrated on training in weaponry to worry about natsuko
How to Live 1937- transition point into accepting help from elderly maid and searching for Natsuko. inheriting guidance
fecemi la divina potestate- dante’s inferno reference? Divine power made me
dante inferno beatrice and virgil? heron virgil figure?
Class and bloodline codified. inheritance again
Heron from wall design in mystical library that caused greatuncle to “lose his mind”. Power of art and representation? How to Live and its influence
Eyes in the sun motif in the center of the tower— closeup of heron’s eyes.
Heron’s power represented with water. Mother’s death- fire
Rose shattered— phantom of the opera reference? Organic material frozen as a rigid unchanging representation
Multiple paintings evoked- isle of the dead, ships, the plains, pilgrim looking over the mist
All of those who seek my knowledge shall die- at gate on isle of the dead
Rejects Kiriko’s help initially and attempts to send her away, but the representational world kiriko becomes a mentor figure, and he implicitly accepts the protection of the elderly women as guardian dolls
Kiriko is a very hot woman but there are a lot of mixed ideas about overfishing and humanitarian relief that are also tied up with what appear to be Soldier metaphors
The usual antiwar sentiments are here, but the framing of imperialism and imperial projects are difficult to untangle. Might be due to protagonist’s perspective? Confusion of positioning and coming of age. War and colonial project as inheritance?
The departure of the small figures/ letting the dead go
Death as a ship— departures
Eating as provision and care vs eating as predation and consumption
Water as illusion and death (eternity?) vs fire as vitality and ephemerality. Protection.
Kiriko’s outfit depicts wheels
Father prioritizing production over family/ Explicit depiction of war proceeding
Okay so explicit parallel of bomb with a Structure destroying surrounding life right before the meiji restoration— nature intrudes and the granduncle builds a european style tower that consumes those who go near
Father arms himself and dresses in symbols of imperial power/ stuffs chocolate and a sword in his suit while holding an explorer’s lantern
“The one who made the hole has to fill it”
Using a knife to cut fish or to mend the beak or to craft a new weapon
Flight imagery in different contexts— heron/ departure of the dead/ fire flight
Guard birds have lanterns/ constrained fire as opposed to the free burning flames
Parakeets- caged birds
Birds and consumption
the attempt to fight against imagined or fantastical danger that becomes ridiculous within the context of the real- parakeet soldiers become real/harmless parakeets
New life within a grave— cycles of death and rebirth
Natsuko’s morning/mourning sickness within the context of her grief Literally forced away from Natsuko by grief and representations of death that are then burned away by the power of her sister’s love and the thing that eventually killed her
Attempting to bridge the gap of rejection and being pushed away with acknowledgement of familial connection and a willingness to approach one another
The master of the tower continually evoked through famous western masterworks
The hallway of chiascuro- classical columns
Tapping at the geometric shapes. It’s literally a Study. His study is made out of artistic studies
God i wish i remembered the actual names of these paintings instead of just being able to recognize them
Evil greatuncle is the antagonist of slay the princess
His power of eternity comes from literal stone. Inorganic and thought to be unchanging, but subject to entropy
He imagines a world that is not subject to death and in this way disrespects the dead. His tools of study and construction are made from tombstones. Literally using the dead as building blocks
Stone and water are used to sharpen blades. Sharpening as an act of fighting against entropy
Food is a huge focus— plenty available for the parakeets, but the pelicans are starving. The shades cannot hunt for their own fish. In reality the people are desperate for canned food and rations
The parakeets eat people and display slavish devotion to their king. They all bear arms
Occasional staging like a Shakespearean play- hamlet moments
Silence when focused on the granduncle. Sound of wind when camera shifts to mahito
A tower built with malice toppling, an empire built upon graves, resentment for the frailty and mishandling of a structure leading to the parakeet king hastening its demise and destroying it with a symbolic weapon
Sincerity and death as interlinked concepts
Self-inflicted wound as representation of malice The granduncle trained in england and brought ideas back. Isolated self from family in pursuit of perpetuity and… art? Empire? Imperial control and its manifestations through art? Inherited ideas
Miyazaki’s antiwar sentiments always seem to be filtered through the understanding of those dwelling within or benefitting from the empire’s power
Mahito does explicitly refuse the building blocks of empire/ imperial tools and reject the project/ inheritance with reference to his own capacity for malice. Gestures at self-inflicted wound. Implicit acknowledgment that empires cannot exist without malice? Seems too narrow/individually focused, but may be symptomatic of a story that is simultaneously attempting to be about family, art, and empire. Inheritance as throughline
I do think Miyazaki should retire for real this time and make time to bond with his grandson instead of trying to transmit a lifetime of lessons through a symbolic art piece maybe
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Sexiest Podcast Character — Unscripted Bracket — Round 4
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Propaganda
Gable (Campaign: Skyjacks):
7ft tall silver-haired thembo of a fallen angel. was the literal sword of god until they killed him! reasons slightly unclear but probably sure to forbidden queer love! super caring for their friends. has one friend they have known for hundreds of years who they HATE but are bound to by the red string of fate. their sword is a part of them, they can sheathe it into a tattoo. they start out indistinct at the edges but as they have continued on through the campaign they have become more and more distinct. they became a flaming engine of justice to kill their friends shitheaded older brother who was following him. they have learned enough necromancy to allow other fallen angels to die, even though they typically cannot. they fly giant birds in to battle.
7ft tall beefcake wielding a sword as tall as they are. vengeful sweetheart
Imagine now: a fallen angel with beautiful gray hair and very big muscles. Now imagine them with a 9 ft sword. Now imagine them as a helmsperson of a pirate ship in a flowy deep-v pirate shirt. Now imagine they're dumb as a fucking rock. And finally, imagine that they killed god. Here, you have made Gable Skyjacks: sexiest podcast character of all time.
7ft tall nonbinary/genderfluid thembo fallen angel sky pirate who wields a buster sword. silvergrey hair with black/gold streaks as they regain feathers/memories of before their fall. back is covered in tattoos that hide the scars of their shredded off wings. killed God. toxic exes with lucifer. they are the keeper of several giant war birds who occasionally crave human flesh. they enjoy getting rowdy/smoking rope with their boys. they collect rocks that they think are neat. When anyone admits they are attracted to them, Gable trips over their words and absolutely swaglessly ends up sounding stupider and sexier by the end of the conversation; the will they/won't they and teasing they dish out to these (un?)lucky few is palpable. Sometimes the buster sword is on fire. They are immortal, they are cringe, they are trying to atone because they believe they are the reason the world is ruined.
Okay so aside from all of the above (giant with a matching giant flaming sword, killed god, extreme dumbass), here's some more propaganda for Gable the Godkiller.
They've escaped death multiple times with their partner in... crime? Like literally they were about to be executed in the most brutal way possible and just. Escaped and killed all their captors in the snowy wastelands.
They are the helmsperson of the Uhuru and take this job very seriously and definitely haven't left it to Bowser (you know, like from Mario) multiple times. Can steer that flying ship in horrible weather and still make it to port safely.
Healed an entire fucking hospital by cutting their hair for someone they had the hots for who was also in the hospital. Imagine being on that level of myth making in some random port city because of a hair cut.
Giant bird caretaker and also took the giant birds out on their friend's bachelor party (this was like. his Xth polyamorous marriage at this point btw) and had a fucking blast getting high on some rope and fucking around. They've also flown these birds into combat and looked cool as hell doing it (see: killing their friend's shithead of an older brother in a joust).
Had a relationship with Lucifer the Morning Star before they fell as an angel and killed God. Literally the reason the stars fell was their love for each other. The world would not look the same without Gable and they are, at the very least indirectly responsible for the creation of the Church of the Slain God and everything it represents (fantasy Catholicism).
And also yeah they are regularly tripping over themself and saying very silly things. 10/10 character we love Liz Anderson and Gable in this house
I am seeing people say that this Nicky fellow is basically trans! That's very cool! Gable is actually trans. Pronouns they/them/any presentation whatever they feel like.
Gable held a bachelor party for a BFF where the attendees hunted from their sky birds, wore dresses, and still managed to keep their eyeliner on point!
Gable killed God because he wouldn't let them be queer. They should rightfully crush anyone in their path.
Nicky Close (Dungeons & Daddies):
One armed half-demon man with a sword (also a Dedicated, Involved, Loving Father). (Specifically campaign 2, where he is an adult)
Transmasc bisexual (or at least so widely accepted as such it's basically canon) dilf half-demon let's start with the basics
And by half-demon I mean the literal prince of Hell
But also simultaneously is Saint Nicolas get you a man who can do both specifically this man
Missing an arm cause his ex-friends tragically betrayed him and shot it off but he doesn't need two arms to show you a good time wink wink ;)
The betrayal in question forced him to be seperated from his also hot milf voice actress wife and their son which is sad but in like a way that makes him sexier
Uses his one hand to wield a flaming katana that he used to rescue his son from the FBI
Protects his family with his life very literally which is hot as hell
Big himbo energy couldn't come up with a good plan if he used 100% of his brain
When he does fail at things it's pretty cute honestly
Definitely played a variety of musical instruments before the whole arm thing happened! Maybe he still does idk he's a sexy mystery
2 in 1 deal! This man was born from the merging of two timelines! Kinda sick!!! Also two dads = twice the daddy issues
You'd think the whole being forcibly split from his family thing would mean he isn't very close with his son but nope! His son adores him! They get along great!!!
His mom is simultaneously alive and dead
His mom bagged fucking two different dudes (one of whom FOUND HER DEAD in a different timeline, both of which are demons)
HIS MOMS NAME IS MORGAN FREEMAN, HIS DAD’S NAME IS GLENN CLOSE, AND HIS OTHER DAD’S NAME IS JODIE FOSTER, AND HIS GREAT SOMETHING GRANDFATHER’S NAME IS MERYL STREEP
HIS SONS NAME IS TAYLOR SWIFT
Lifelong pot smoker 👍 (plus drug flower user!!)
CANONICALLY BOTH A POLO WEARER (and yes, has all the stereotypes of that attached with it — a nerd, which is hot) AND A LEATHER JACKET WEARER (which also has all the stereotypes attached with it — a rebel dude person, which is also hot) [<- all widely accepted as canon by the fandom even as he’s older]
A part of the SECOND BIGGEST ship of season two, (Nark) despite the two characters only having one-two canon interactions (one of which JUST happened last episode)
Man’s a himbo what’s hotter than that
So many fucking names. You try to tag him in anything and he takes up half the space. That’s probably hot. For someone out there
This was already mentioned but so very very trans. Like. It’s basically canon
Rock and roll(er)
Joined a group of thieves called the watermice when he was like 13
for a few minutes had a guitar called the Battle Axe of Hatred
definitely had an frienimies with benefits relationship with his childhood friend Lark (sorry ppl that don’t ship nark lol) (it’s canon after ep 44 hah)
I feel like the audio of the entire Nick-breaking-into-the-FBI scene should be propaganda, but I'm copying select bits from the transcript:
Anthony: Yeah, it kind of echoes up through the vent, like the beginning of Metal Gear Solid. You hear a voice that strikes you as ever so slightly familiar, Taylor. Saying—  ??: [a deep voice] [echoing in the vent] Where is he?  Anthony: You hear—  Will: Uh-oh, he’s hot.  Anthony: —a bunch of shouting voices.  [giggles]  Beth: Uh-oh! Anthony: You hear a bunch of shouting voices and people shouting for him to get down on the ground to turn off his flame. To fucking get his hands behind his back. You hear this rhythmic stepping forward— because his footsteps don't sound like anybody else's because it's almost like… y’know when you toss a little bit of water onto a really hot pan and it just sizzles like that? It's like every footstep he's taking, you can hear that— Freddie: Cool  Anthony: — and you can feel some of that heat coming up in this vent, even though you can't see him at this point. And he goes—  ??: [echoing] Where. Is. My. Boy? Anthony: You hear the FBI agent—the FBI in quotation marks agent—in the back going like—  Agent: [echoing] He's safe for now. If you want to go ahead and make sure that he stays that way, you feel free to go ahead and step inside the suite that we've prepared for you, my boy. Anthony: And you hear the hot guy voice saying—  [chuckles]  The Hot Guy: [echoing] I don't think that's going to happen.
...
[a powerful rush of air builds] Anthony: You hear—  [gunfire, and the air rush culminates in a burst of flame; from underneath the fire, metal music starts playing] Anthony: —plumes of flame exploding.  [a person’s pained shout, gunfire and bursts of flame continue]  Anthony: You can feel the heat radiating through this metal vent and it's actually beginning to hurt and burn your hands.
...
Anthony: And you hear blood—  [sizzling]  Anthony: —hitting the fucking ground and you hear sizzling and things boiling and burning. Taylor: That could just be coffee! That could just be coffee. Link, let's go. Anthony: And you are getting closer and closer to the elevator. And you hear that same hot voice say—  The Hot Guy: [echoing] Where the hell is Taylor?
Gable and Nicky Together:
We are on a joint ticket now! This is a truly unbeatable combo. Not even god can nerf it because Gable killed him. Vote for us. Nicky Close will watch your stuff and play with your cats while Gable gives you the night of your life.
Killian Fangbattle (The Adventure Zone: Balance):
she's an orc! she's really fuckin strong! she's a butch lesbian! she has a short fuse, loves to joke, and loves to threaten! and she is very soft and loves ducks + her lizard wife.
I don't even think I need to say anything here, we were all smitten the moment Griffin said "orc woman"
Art of Nicky by @llumimoon.
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whump-card · 6 months
Text
This Death That I Chose: Chapter 2
1613 words
CW: fear, panic, fever, bad caretaker, derogatory tattoo, pet whump
First, Masterlist, Next
~~~
Tao sat in Faye’s “waiting room,” a once-upon-a-time mudroom, long since cleared of the previous residents’ boots and jackets. He kept his arms crossed tightly to keep from fidgeting them, but that left his knee to bounce instead.
On either side of him sat Vic and Becca. Becca had understood quickly, of course. She had taken a single scan through the Conservatorium report before nodding up at him, her eyes dark and fierce. Vic took a little more explaining, but once Tao got over his squeamishness and uttered the phrase sexual slavery Vic had joined them in sitting solemnly, silently, waiting for Faye’s verdict.
When Faye finally did appear, stepping out into the waiting room with a grim expression, the three of them watched her with bated breath. She kept them on their toes a moment longer before she spoke, wiping her hands on a flowery dish towel.
“Whoever released him from the Conservatory was a fucking idiot,” she announced, “He needs to be on IV antibiotics for a couple more days. Back to pills after that. A couple weeks and he’ll be fine. I mean, his arm will still be broken, but… relatively speaking.”
“Thank you, Faye,” Becca said, “I don’t know what we would do without you.”
“Aw, shucks.” Faye’s tone was sarcastic, but the praise brought a slanting smile to her face.
“When can we talk to him?”
“He’s still pretty delirious, but that might actually make things easier if you want to try talking to him now.”
“That feels…” Becca shook her head, “Dishonest, I don’t know if I want to do that.”
“Screw honesty,” Tao stood, “I want to know what this guy’s deal is, and I don’t think he’ll tell us if he has a choice.”
“Tao…” Becca warned.
“You heard him in the interrogation room!” Tao argued, “He thinks his presence is putting us in danger. He isn’t going to tell us anything about himself, not willingly. What if he’s from nearby? What if he has family and friends that are still alive? What if they’re here?”
“The chances of that are so slim,” Becca pointed out.
“I’m with Tao,” Vic cut in, “We should use this.”
“Faye?” Becca looked to the doctor for her opinion.
Faye shrugged. “I’m a surgeon, not a shrink. As far as I know, talking to him won’t kill him, so,” she stepped aside and waved to the door behind her, “Have at it.”
~~~
Lark lay in a bedroom upstairs. Faye had removed his shoes, but nothing else, and covered his legs with a light blanket. To avoid overwhelming him, Becca and Vic agreed to wait outside the open door while Tao talked to Lark. He approached slowly, and Lark stirred at the sound of his footsteps. He opened glassy, feverish eyes and they rolled around the room before finding Tao sitting at his bedside. He stared at Tao, his expression blank.
“Hey,” said Tao softly, “What’s your name?”
“Lark,” the young man whispered.
“Okay,” Tao decided to test a theory, “What’s your real name?”
Lark inhaled and his mouth opened and closed, about to form some word – before he stopped and frowned a little.
“Lark,” he echoed.
Almost.
“Where are you from?” Tao took a different approach.
“The Capital.”
“Where did you live before that?”
Lark’s eyes drifted closed.
“No, no before.”
The Capital was only eight years old. ‘No before’ was impossible. Tao sighed. He had another idea. A cruel one.
“Lark,” he deepened his voice, and picked up just a hint of a southern accent. Imitating the voice came disturbingly easily, given how many propaganda videos he’d seen. “It’s me. The Commander.”
Lark’s eyes snapped open and locked onto Tao, and he sucked in a breath.
“Yessir, m’sorry sir,” he mumbled.
Tao’s heart twinged, but he continued.
“I need you to tell me where you lived before you came to the Capital, Lark.”
Lark’s breath came fast, and his good hand twitched where it lay on the covers.
“Poverty. Ruins. You saved me,” he whispered fervently.
“Tell me what your name was back then.”
“Didn’t have one.”
Tao frowned.
“What made me bring you to the Capital?”
“Your grace,” a weak, crazed smile crept onto Lark’s face, “Your gen… generosity, your kindness…”
Tao sat back. Propaganda. It was all propaganda. He needed to dig deeper. He stood up and leaned over Lark.
“We’re going to play a little game.’
Lark’s devoted smile quickly dissolved into a twist of fear, but Tao continued, convinced his idea would work.
“I’m going to ask you questions, and you’re going to answer as fast as possible, alright?”
Lark nodded hastily.
“Yes, sir.”
“Good.” Tao took a moment to collect his thoughts. Then he began.
“What’s your name?”
“Lark.”
“Where do you live?”
“The Capital.”
Who do you serve?”
“You, Commander.”
“What’s your favorite color?”
“Y-yellow!”
“Faster! What’s your name?”
“Lark!”
“Where do you live?”
“The Capital!”
Who do you serve?”
“You, sir!”
“What’s your favorite color?”
“Yellow!”
“What’s your mother's name?”
“Mari-” Lark’s breath hitched as he caught himself.
“Marie? Did you say Marie? Tell me!” Out of excitement, Tao unintentionally raised his voice and leaned in closer. Lark pressed back into the pillow and a heartbreaking mewl of terror escaped his lips as he clutched at his broken arm.
“Please don’t, I’m sorry, please!”
Tao jerked back, immediately awash with guilt. “Shit, I’m sorry-”
“Stop it!” Becca marched in. “You’re terrorizing him!” She grabbed Tao by the arm and pulled him away, taking his place.
“Lark?” she spoke gently, sinking down into the chair, “My name is Becca, you’re safe.”
Lark’s eyes stayed trained on Tao, bright with fear, his chest heaving with panicked breaths. Tao pressed the back of his hand to his mouth, feeling ill. He should have known it was a bad idea. It made sense in the moment, but if he had just stopped to think…
“That’s not the Commander, the Commander is far away from here. You’re with the resistance, we’re going to take care of you,” Becca soothed, “We’ll keep you safe.”
Her words only agitated Lark more. He shook his head.
“No, no, he knows where, he’ll come for me, I can’t stay-” Lark started to laboriously push himself upright with his good arm, as if to get out of bed. Becca pressed a hand to his shoulder.
“No, Lark, we’ll protect you, you need to rest now.”
Lark flopped back onto the pillow, but he didn’t stop struggling. He weakly thrashed his legs, kicking off the thin blanket.
“He’ll kill you all,” he sobbed, “He’ll kill you all!”
“Shh, shh, he can’t find us,” Becca tried to soothe him. Meanwhile, Tao was frowning at Lark’s legs. The boy’s kicking had caused the hems of his loose pants to ride up, exposing his calves. There were odd dark lines running up the sides of his legs. Tao reached out and caught a flailing ankle. Lark gasped and fell still and silent at the touch, his feverish stare finding Tao again.
“What are you doing?” Becca snapped.
“Just looking…” Tao frowned. The line wasn’t just a line, it was dense, half-inch-tall text that started just above Lark’s ankle and ran up the outside of his calf, on both legs.
I AM A GOOD PET. I DO WHAT MASTER SAYS. I NEVER TALK BACK. I LET MASTER FUCK -
Tao yanked the pant leg back down, covering the heinous words that followed, and fixed the other leg as well. When he looked up he saw Lark was flushed bright red and looking away; so he knew it was wrong, at least he wasn’t that conditioned.
Becca stood and moved to Tao’s side, concerned by his horrified face.
“What is it?”
Tao lifted the pant leg and turned Lark’s ankle to reveal just the first sentence. Becca’s hand flew to her mouth.
“Is that a tattoo?”
“Yeah,” Tao confirmed grimly.
“Shit!” Becca turned her back on Lark, hiding her face in her hands. “Bastard, bastard…” she mumbled.
“M’sorry,” Lark’s bright eyes were back on Tao, “Please, I’m sorry, please don’t break it.”
Tao dropped Lark’s ankle like a hot coal.
“No one’s… breaking anything,” he growled. He grabbed the blanket and threw it back over Lark’s body.
“Stay. Rest,” he ordered. Lark nodded.
“Yes, sir.”
Becca shuddered and grabbed Tao’s arm, dragging him out of the room.
“That was a fucking disaster!” she exploded as soon as they were out of earshot, on their way down the stairs. “I can’t believe you two talked me into that!”
Tao and Vic, following behind, exchanged a glance.
“I’m really, really, sorry Becca,” Tao said earnestly, “I didn’t mean to scare him that bad, I just… I had a dumb idea and I ran with it.”
“‘Dumb’ is an understatement!” Becca whirled to face him in the once-living room, now-intake room. “That boy’s been through an unbelievable amount of trauma, and you used it against him!”
“He did find out the mother’s name,” Vic pointed out.
“Oh, yeah, ‘Marie,’ that’s super helpful,” Becca said sarcastically, “We can just look up all the Maries in the phonebook and call them, ask if they’re missing a son.”
“I’m sorry, okay?” Tao was getting a little desperate. “It won’t happen again.”
“Fucking promise me Tao, right now,” Becca raised her voice, “That you won’t pull any shit like that, ever again!”
It was sinking in, just how badly he’d screwed up. Lark’s terrified face flashed through Tao’s mind, causing painful twinges of guilt in his stomach.
“It won’t,” he said, his voice low and deadly serious, “I promise.”
“Good,” Becca huffed, “Because if anyone fucks with him again, I’m bringing down hell.”
~~~
First, Masterlist, Next
Taglist: @angst-after-dark, @sunshiline-writes, @flowersarefreetherapy, @pigeonwhumps
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Text
Round One
House of Finwë (The Silmarillion) VS the Preaker/Crellins (Sharp Objects)
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House of Finwë art by Jenny Dolfen
House of Finwë
Members: Finwë, Míriel, Indis, Findis, Fëanor, Fingolfin, Finarfin, Lalwen, and many others
Propaganda:
"The whole events of the Silmarillion - including a few wars, a dark lord, the destruction of a continent, etc - revolve around this family's drama" "Well míriel died and finwë remarried to indis, and fëanor hated his half siblings, going so far as to threaten fingolfin with a sword. Then after the fëanorians and fingon and maybe others killed a bunch of people, fëanor abandoned fingolfin so he couldn't follow, and when finarfin turned back his kids didn't and they left him. After that it's all feuds and murders and death and treason and such. Greatest hits of that include maeglin betraying turgon and trying to murder idril and eärendil, plus maedhros and maglor kidnapdopting elrond and elros. Also we don't even know who gil-galad's parents are" More propaganda here
The Preaker/Crellins
Members: Adora Crellin, Alan Crellin, Camille Preaker, Marian Crellin, Amma Crellin
Propaganda:
CW: Munchausen by proxy, murder, self-harm, drugs, strangulation
"Adora has Munchausen by proxy and, before the start of the book, slowly poisons Marian to death while accepting all the praise everyone gives her for being such a devoted caretaker to her “sick” daughter. She also completely ignored Camille during that time because she refused to take “medicine” and caretaking from Adora, which ends up driving her to self harm. Years later, Camille returns to her home town (and her mother) to investigate the disappearances/deaths of 2 preteen girls. She ends up bonding with her 13-year-old sister, Amma, who leads a near double life of sweet, obedient, devoted daughter vs rebellious teen that drinks and does drugs and parties. Adora tells Camille one night that Camille is cold and that’s why she could never love Camille. Alan is heavily implied to know what she’s doing to her daughters, but only turns up his music to ignore what’s going on. Adora is arrested for the dead girls' murders, along with Marian’s. Amma comes to live with Camille and Camille tries to help heal Amma and herself from Adora’s abuse. It goes well until Camille compliments Amma's friend. Amma’s friend is found strangled, the same as the two other girls, and Camille realizes that Amma was the one who had killed the other girls because Adora had been tutoring and paying more attention to them than Amma. Amma was jealous and wasn’t willing to give up Adora’s attention, even though she knew it would kill her." Note: edited for length, full submission here
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PROPAGANDA
KATARA (AVATAR THE LAST AIRBENDER)
1.) Katara was always shoved aside by both the narrative and the protagonist of AtLA. Despite her powerful arc, the creators always treated her as just the girl who the guy gets as a prize for saving the world. Her friends always relied on her for everything, from emotional support (that she felt she had to give) to menial tasks like cooking and cleaning and sewing (that no-one helped her out with). Her canonical boyfriend forced a kiss on her TWICE, and this was never really brought up or discussed (when she tried to discuss the first one, he forced the second one on her). She never got apologised to, and was constantly undervalued, treated badly, and her emotions were sidelined (she basically got told she was overreacting for wanting to pursue justice for her mother's murder). So yes, I do in fact think that Katara was a victim of misogyny. Also she wasn't allowed to learn to fight because she was a girl, even though she NEEDED to, and this only changed when the teacher found out that she was his old girlfriend's granddaughter.
None of this even touches on the sh*t that she was forced through in the sequel series. Good grief, I'm not even going to get started on that.
2.) Despite being the younger of two siblings, after her mom died she was forced to assume the role of caretaker in her family despite being a whole LITERAL CHILD to the point that her older brother IN CANON can only picture her face when he thinks of their MOTHER. She was always seen doing chores in the background that no other character ever helped her with because of her place as the "team mom" despite being LITERALLY fourteen. Not to mention how the sequel series ripped all of her personality and accomplishments from her to have her stay home w the children and let her husband neglect them in ways she NEVER would have actually stood for in the og series. Where all the other characters have statues and cities and laws and bending skills named after them they make her sit and twiddle her thumbs so that she can be the avatar's perfect uncomplaining wife and silently fade into the background
3.) so some things I wanna say here might actually be controversial, because I feel like the fans actually bought into/accepted the stuff I'm talking about uncritically. or maybe it's not that deep. but anyway
katara initially can be pretty sensible - her and sokka both. they're the kids of the chief, and neither of their parents are around, so it's obvious they both feel a lot of responsibility.
but still, early on, she's rebellious, she seeks fun and adventure, she cracks jokes. she goes penguin sledding with aang, who reminds her that she is in fact a kid. she steals from pirates then jokes about it when sokka scolds her.
as the show goes on, she gets more stern, straightlaced, "motherly", and has less of a sense of humour. she's still a badass but there are jokes about how she isn't fun or funny, or how she's a stick in the mud, to the point where I feel like the audience seems to have actually bought into it too. then the ember island players episode makes out like she's super preachy and cries a lot - yes obviously I know that this is a joke episode, but the show clearly is trying to parody itself with a basis on characters actual qualities, otherwise why would they bother? and the other characters act like they secretly think it's accurate too. since WHEN?
then sokka who starts out taking charge and resisting kataras schemes, becomes the light-hearted, fun, funny one. like yes he was always sarcastic and wisecracking, but at some point it feels like the show decided that they needed to have a sokka funny, katara unfunny dichotomy. even tho sokka isn't fuckin funny, everyone groans at his jokes.
if katara doesnt make jokes like the show seems to imply, then that means what she does when she's sarcastic or whatever isn't a joke, it's something else. like idk, bitchiness, I guess.
EVE (PARADISE LOST)
1.) I recognise how insane this submission is because this was written in 1667 and so attitudes towards women were obviously very different. But misogyny has always existed, no matter the time period, and so I think it's fair to pick up on it. Although Milton somewhat avoids painting Eve as the wicked seductress, she is nevertheless presented as inherently inferior to Adam - her 'virtue' and 'passion' are supposed to be an equal counterpart to Adam's intellect but Milton's clear resentment of Eve shines through. She is vain from the beginning - enamoured with her own reflection until she meets Adam. She is Adam's subordinate and readily accepts her place in the hierarchy below him, until she meets Satan. Women seeking power and knowledge is therefore inextricably tied to the fall of mankind. Her attempt for some kind of independence away from Adam (going to tend the garden away from him) is also presented as the primary reason she succumbed to Satan because Adam is needed to protect her. Eve (the mother of all women) therefore creates the assumption that women are weak and easily misled away from men. The description of her eating the apple is very sexual - perhaps reflecting the anxieties of men at the time of being cuckolded and therefore dishonoured by their wives. She is the ultimate disobedient, dangerous wife. Her reason for sharing the forbidden knowledge with Adam, rather than keeping it for herself, is because she is worried she will face the wrath of God and be replaced with another Eve. So it is her jealousy that brings them both down. (It is all a lot more complicated than this so Eng lit people don't kill me) but yeah poor Eve.
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