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oh wow, a utmv post !! | BroomInk child redesign <3
I hath come to bring you a crackship child, mayhaps a crack ship of the most well known crack ships !
Meet ( again ) Musou ! His body is made out of wood, magic made him alive !
───── ⋆⋅✦⋅⋆ ─────
✦ Credits !
Musou belongs to | me !!
Ink and Broomie belongs to | @comyet :3
───── ⋆⋅✦⋅⋆ ─────
✦ Info.
- Hair is made out of brush’s hair ! It grows thanks to his head having holes in it for them to grow.
- sometimes leaks ink, it’s a mess when it’s the moment he starts to talk !
- Glues to Ink alllll the time, joining him around missions !!
- Ink has to explain who this ship child is….
- Has a weapon, made out of ink that can solidify itself and change shapes !!!!
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fantasblog · 2 months
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I made new sans named four sans,He is an possesed sans (between four from bfdi and sans)
• reference and his informations
Characters:
-four sans by Me
-sans belongs to toby fox
-four from battle of dream island by jacknjellify
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under-the-sea-utmv · 1 year
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here ya go here’s the snacks
*hands over a comically large chicken drumstick*
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* …
* Cross seems to.. remember something for a moment ?
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* …
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* Cross.. tears up ?
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ask-my-sheepkids · 1 year
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"awe- shoku whats wrong? Cant you recognize me? Can i come in..?"
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“Kalmia..?”
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“Of course I recognize you dummie..”
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“Yes you can come in..”
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drsatyr · 2 years
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second batch of af attacks ^^
character credits in order; @f1ftyfoh , @caffstrink , @lobster-lover , soulmining on AF, @rockabillywonder , @fruity-science , phdreamy on AF, @obscure-entity , @mdraws , SmileSweetsRaccoon on AF, Struptart on AF, PoddleWasIt on AF, rrockyrainbowzz on AF, @taffybuns , citricclown on AF, @ocelot345 , Mango-Mustelid on AF, Fpoon on AF
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magnesiumxp · 2 months
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DARLING coming up on the shuffle while i mdrawing :)
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amberfaber40 · 1 year
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Native American sign language: Illustrated guides to 400 gestures - Click Americana
Native American sign language: Illustrated guides to 400 gestures - Click Americana
The illustrations here show how to communicate using Native American/'Indian' sign language, and come from two vintage sources: one in the '50s, and the other from the '20s.
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These native American quotes will change your life
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75 Native American Names for Your Little One
If you're looking to give your little one a Native-American name, you're in luck. Here are the top names for boys and girls, along with some gender-neutral options. You can also find out the meanings and origins of each name.
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The illustrations below showing how to communicate using Native American/”Indian” sign language, come from two vintage sources — one in the ’50s, and the other (more comprehensive guide) from the ’20s.Indian sign language (1954)From The Golden Digest, Issue 1 (1954)Once we had many Indian tribes in our country. They did not all speak the same language. But with sign language, one tribe could understand another. Here are some things they would say. Words shown: Sunset, yes, I/me/my, go/go away, horse/horse rider, buffalo, man, rising sun, tipi, you, nightNative American/American Indian signs: Illustrations of hand movements (1926)Drawing key/guide to hand gestures & words starting with English letter AR indicates right hand. L indicates left hand. Arrow shows movement.Drawing key/guide to hand gestures & words starting with English letters A & BDrawing key/guide to hand gestures & words starting with English letters B & CNumbers and counting in American Indian sign languageCOUNTING. The system of tens is universally used by our Indians in enumeration.In counting from one to ten, the usual way is to hold the closed right hand in front, the back towards and about height of shoulder, edges of hand pointing up; for one, the little finger is extended; two, the third; three, second; four, index; five, thumb; keeping fingers extended, separated, and pointing upwards; six, bring the closed left hand at same height, equally advanced, and near right, and extend the thumb; seven, extend left index; eight, second finger; nine, third finger; ten, little finger.For twenty, open and close both hands twice. Many tribes indicate a number of tens by first making the sign for ten, then hold extended left hand horizontally in front of body, and draw the tip of extended right index from base over the back of each finger to its tip, each motion of this kind representing ten and going as far as fifty; then holding the right hand in similar manner, mark the backs of its thumb and fingers with tip of left index to indicate from sixty to one hundred.For counting hundreds, hold up both 5 hands with both thumbs touching, hands held near right shoulder; then swing in a circle across to left and downwards. A number of hundreds are counted on backs of hands same as in counting tens, first indicating that you are now dealing with hundreds.Drawing key/guide to hand gestures & words starting with English letter DDrawing key/guide to hand gestures & words starting with English letters E & FDrawing key/guide to hand gestures & words starting with English letters F & GDrawing key/guide to hand gestures & words starting with English letters G & HDrawing key/guide to hand gestures & words starting with English letters H & IDrawing key/guide to hand gestures & words starting with English letters J, K & LDrawing key/guide to hand gestures & words starting with English letters L & MDrawing key/guide to hand gestures & words starting with English letters M, N & ODrawing key/guide to hand gestures & words starting with English letters O & PDrawing key/guide to hand gestures & words starting with English letters P & QDrawing key/guide to hand gestures & words starting with English letters Q & RDrawing key/guide to hand gestures & words starting with English letters R & S Drawing key/guide to hand gestures & words starting with English letters S & TDrawing key/guide to hand gestures & words starting with English letters T, U, WDrawing key/guide to hand gestures & words starting with English letters W & YNative American/American Indian sign language guideBlack & white sign drawings above and the text below comes from Universal Indian Sign Language, by William Tokins (published in 1926)When a boy, from 1884 to 1894, the author lived on the edge of the Sioux Indian Reservation in Dakota Territory, located at Fort Sully, Cheyenne Agency, Pierre, and surrounding sections. He worked on the cow range and associated continuously with Indians. He learned some of the Sioux language, and made a study of sign. Since then, for many years, the interest has continued, and all known authorities on sign have been studied, as well as continued investigations with Blackfoot, Cheyenne, Sioux, Arapahoe, and other Indians of recognized sign-talking ability.Of later years this effort has been inspired by the fact that there does not exist today any publication in print that can readily be obtained, covering exclusively the so-called Universal Indian Sign Language of the Plains Indians of North America.There is * sentiment connected with the Indian Sign Language that attaches to no^ other. It is probably the first American language. It is the first and only American universal language. It may be the first universal language produced by any people. It is a genuine Indian language of great antiquity. It has a beauty and imagery possessed by few, if any, other languages. It is the foremost gesture language that the world has ever produced.The author has lectured on Indian problems to many audiences, and at all times the keenest interest was shown in sign language demonstrations, and he has been requested, hundreds of times, to make the record permanent, and to thereby preserve and perpetuate the original American language which otherwise is fast passing away…Owing to the idiomatic form of the language, there are certain fundamental differences which must be remembered. Every interrogation is made either wholly or in part bv the question sign. Instead of saying “Where are you going?” the signs would be, QUESTION, YOU, GOING. Instead of “What do you want?” the signs would be QUESTION, YOU, WANT. The sign for “question” covers the words WHAT, WHERE, WHY and WHEN. It is made to attract attention, to ask, to inquire, to examine.The old-time Indian never used the terms “Good morning,” or “Good evening,” but had his own forms of greeting. The Sioux vocal language uses the term Mow Coula?” meaning “How do you do, my friend?” The modern educated Indian uses the terms of the white man: so we believe that in this age the use of the terms, Good morning” and “Good evening”, should not be out of place in talking sign between Whites or Indians, particularly as these words exist in sign language and are generally understood.In sign language it is not customary to ask “What is your name?” because it has a different way of asking this question, viz: “What are you called?’ the signs for which are QUESTION, YOU, CALLED.Time is reckoned by the Indians as follows: Days, by nights or sleeps; months, by moons; and years, by winters. In speaking of the age of a person, or of past or future time, the general custom is to say, “So many winters.”For time of day, make sign for SUN, holding hand toward the point in the heavens where the sun is at the time indicated. To specify a certain length of time during the day, indicate space on sky over which the sun passes. Present time is expressed by Indians by the sign NOW, and also by the sign TODAY, while occasionally, for emphasis, both signs are used.What is understood to be the first person singular, is indicated by pointing to one’s- self. The plural WE is made by the signs ME and ALL. YOU, ALL, means YE; while HE, ALL means THEY. Gender is shown by adding the signs MAN or WOMAN. Past tense is shown by adding LONG TIME.Such words or articles, as A, THE, AN, IT, etc., are not used in sign language. The syntax or sentence construction is naturally elemental and simple. The verb is not placed as with us, but generally between the subject and the object.Clark says: “It is very difficult to describe the most simple movements of the hands in space; so that a person who had never seen the movements would, by following the descriptions, make the correct motions.”In order to offset the possibility of mistake in this regard, I have herein illustrated practically all of the principal or root signs, in a manner which it is hoped will be clear to all. On account of the lucid explanation shown in the [drawings], it has been found possible to make verbal description very brief, thereby preventing the confusion which results from lengthy details.It should be remembered that this is in large measure a skeleton language, because synonyms in general are covered by the basic word. For instance, the word ABAN- DONED means DIVORCED; THROWN AWAY, DISPLACED; DESERTED, FORSAKEN. The word ABUSE can, according to its connection, mean SCOLD, ILL-TREAT, UPBRAID, DEFAME, DETRACT. The word AFRAID can mean SHRINK FROM, COWARDLY, SUSPICION, TEMERITY, DREAD, NERVOUS, FEARFUL.Some slight liberties in spelling have been taken by the author, in order to simplify pronunciation. For instance, the word representing lodge, the conventional tent home, correctly speaking should be spelled TIPI: whereas phonetically the pronunciation is TEEPEE. We have therefore used the latter spelling.Sign language is so faithful to nature and so natural in its expression that it is not probable that it will ever die. It has a practical utility, and should not be looked upon merely as a repetition of motions to be memorized from a limited list, but as a cultivated art, founded upon principles which can be readily applied by travelers. Sign language may be used to advantage at a distance, which the eye can reach but not the ear, and still more frequently when silence or secrecy is desired.The author’s thanks are due to a number of people who have helped him with the sign language. One of the first of these was William Fielder, a noted interpreter at Cheyenne Agency, Dakota; to Muzza Humpa (Iron Moccasin), and Cawgee Tonka (Big Crow), two Sioux living near Fort Sully, Dakota, and in general to many other Indians with whom he was acquainted at Cheyenne Agency, Pierre, Fort Pierre, and many places on the Sioux Reservation from 1885 to 1894. Mr. R. C. Block of San Diego, California, a well-educated Cheyenne Indian and a fine sign-talker, has checked my manuscripts and passed favorably upon them. In particular, I wish to thank Mr. J. L. Clark, a Blackfoot Indian sculptor now located at Glacier Park, Montana, and who with great patience and kindness has gone over the entire language with me…Every author of a work on sign language in the past 100 years has emphasized the importance of illustration of same, therefore, realizing this fact, I have given much time to an endeavor to secure a capable artist I have been most fortunate in securing the services of Mr. A. J. Stover of San Diego, an artist of wide experience and ability, and graduate of the Cleveland Art School. To his earnest devotion to the work much credit for the book is due, and he certainly has my best thanks. All of the sketches were posed by the author.I have held back one thought for conclusion, and it is this: The beauty of Sign talk depends upon the manner of making the gestures. Movements should not be angular or jerky, but should rather be rounded and sweeping in their rendition. It is inspiring, and a thing of beauty, to witness a sign conversation between two capable Indian sign talkers. They are living in many parts of our country and should be cultivated wherever found.Every sign in this work is a true Indian sign. Nothing has been borrowed from the deaf or from other sources, the compiler having adhered strictly to Indian origins. This, of necessity, makes for a briefer book than would otherwise be possible, but a conscientious effort has been made to make the book exactly what it purports to be, viz: the Indian Sign Language.It is the most earnest hope of the author that this little work will so kindle enthusiasm in the breasts of thousands of boys and girls throughout the world, that the future, through this medium will develop millions of young people who will be able to talk sign language with as great facility, grace and beauty as it was ever presented by any Indian in past time.
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schakira · 1 year
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my notes when using normal maps on blender to shade a 2D image (which is a really easy process do not panick)
i wont go onto the node setup bc i dont have s screenshot lf that on my phone but essentially when using normal maps to shade you kinda have to take into account that normal maps hold X, Y, Z informations via the colors Red, Green, and Blue respectively. but using the Z data is useless because your image you wanna shade is... well, 2D. there's no Z axis. so any blue does not need to be present on a normal map
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here is a character. her name is eryna. say hi to eryna
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eryna has been drawn but she seems pretty flat. let's go and mdraw her normal map. star by filling imher with a grayish color, then...
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imagine there are 2 lights hitting her. one from the top, and one hitting her on the side. the one on top is green, and the one on the sides is red. you could honestly add light on both sides and well as both top and bottom but i don't recommend it. just keep one side you wanna shade into mind
now let's import the eryna image as well as her normal map, add some lights m and....
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wow! tada! she looks cool and cyberpunky! snd it was easy too!!! i used that same process in an animation i did of her a year ago, and imm thinking of doing that more often to create more interesting animated shots that are generated on blender.
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j1t4m3 · 2 years
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mdraws -> j1t4m3
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coffeemiso · 4 years
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season 3 jon/georgie dynamic is so good & i rather think he has a concerning lack of smooches in his life
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rumikohosokiworks3 · 2 years
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M-Draw #401
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groovygladiatorsheep · 5 months
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Parallels.
I really like this theory where Kinger knows the warning signs of his companions getting near abstractions, I think it’s pretty accurate..
Credits -
TADC belongs to - @gooseworx
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fantasblog · 9 months
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Short comic of chona and sterling
Chona is actually simp for steling- *cough*
Character and belongs:
Chona (psycho x naga shipkid - strawmint shipchild) by Me
Sterling (gink shipchild - gin x ink shipchild) by @dreemurr-skelememer
(Sorry u ping and I hope you liked it qwq)
Art by me
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under-the-sea-utmv · 1 year
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*I grab you by rhe neck and shake you violently(/aff ofc)*
SHOW INK LUST AND NIGHTMARE I WANNA SEE EM
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“Oh darling.. why do you need them when you have me ?„
‧˚₊꒷꒦︶︶︶︶︶꒷꒦︶︶︶︶︶꒦꒷‧₊˚⊹
* The ref of Nightmare is out ! Go check it here <3
* As for Ink and Lust, they’re being done and should come out soon ^w^!
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tenshindon · 3 years
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Tien’s mom! She’s so cute and tiny with her third eye and her love. Also, she’s a ghost and he doesn’t seem to know her which is really sad.
So, on the flip side because I can’t sad right now at the implications that his mother died while he was young enough not to even recognize her at all and that there seemed to be no pictures of her left behind, that I’m wondering how hilarious it would be in an au where Tien brings his boyfriend to meet his adorable tiny mom.
Who is tiny and adorable and yet so frightening that even Launch breaks out in hives when she comes in contact with her and; “Damn it, Tien, your pretty boy ain’t got a chance!”
You know, just cute mom things.
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i already made a comic about tien meeting yamcha’s parents so it’s only fair i do one where yamcha meets tiens mom
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busans97 · 7 years
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here r some rly bad doodles i did of jk w my sunset pics as the bg fhjddj
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