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#marduk band
nekr0naut · 2 days
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Marduk live in Paris, 2024
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macisteallinferno · 6 months
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Quorthon, ballpoint pen portrait by me
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holysaintscathedral · 9 months
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(X)
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regina-mortis · 6 months
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It's Friday the 13th! 😈 In October 🎃
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mellosakicc · 2 years
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marduk tees
preview is kind of a mess but ummmmmm
base game compatible
m&f - teen thru elder
enabled for random
custom cas thumbnails
download (simfileshare) | download (patreon - free)
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luciferiantorture · 1 year
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Jon Nodtveidt , Emil Nodtveidt , and Mattias Eliasson 1995
I love seeing pics of Jon just being himself but Imagine seeing Dissection in the 90s w the OG line up ! All eras of Dissection are top tier , but I wish I could’ve gotten a taste of a 90s show 🥵
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blackmetaltv · 2 years
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June 1999, Marduk released their 6th full length, Panzer Division Marduk 🇸🇪🤘🏻
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machinefetishist · 2 years
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marduk is a swedish black metal band founded in 1990 by morgan steinmeyer håkansson. his ultimate goal was to create the ‘most blasphemous and satanic band ever conceptualized’. their most predominant musical themes are satanism, anti-christianity, death and war.
marduk’s lead singer, legion, has stated in an interview that the metal scene has always been a big aspect of his life. it started when he was 7 years old and he first saw iron maiden perform live, then he later got into slayer and morbid angel. in another interview, morgan, marduk’s guitarist, said that they’ve taken visual inspiration for promoting their albums (specifically ‘viktoria’) from celtic frost and that ‘consider the birds’ by wovenhand is one of his favourite albums.
some of their songs have been made on a quarter, while on other songs when all members in the band contribute with material, they can take a very long time to make. still, it’s mostly morgan who writes the music and legion who comes up with almost all the lyrics, but it still happens that everyone contributes to the songs. ‘we wrote <<world funeral>> entirely in our rehearsal room. we just played and played all our material and then added new parts to it. sometimes, you have written parts that you show for the others in the rehearsal room, too. “, as legion has said. the exact writing process has been described by morgan in several other interviews [linked below].
all the members agree with the ‘extreme’ satanic message of their songs and do not plan on softening it in the future. morgan’s said he considers that they’ve had quite a large variety of musical themes in comparison to other bigger black metal bands who’ve only really focused on satanism, so he doesn’t see the issue with them reusing the anti-christianity message over and over.
my personal favourite tracks:
✩ the sun turns black as night (dark endless)
✩ wolves (those of the unlight)
✩ autumnal reaper; the sun has failed (pus nocturne)
✩ dracul va domni din nou in transilvania (heaven shall burn… when we are gathered)
✩ hail mary (serpent sermon)
✩ afrika (frontschwein)
✩ viktoria; equestrian bloodlust (viktoria)
links for research:
link; link; link; link; link; link
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lifelover00xd · 1 year
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hezzabeth · 4 months
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The trumpets were old plastic souvenirs painted gold, so the off-key wailing was hardly surprising. A band of disheveled people marched onto the stage, still blowing on the plastic trumpets. Surprisingly, Isabeau was among them, her face displaying a bored, blank expression. They abruptly stopped once they reached the center of the scaffold, the wood creaking under their feet.
A man wearing green tights and a shirt reading "Medieval Christmas market 3345" on it walked onto the stage. His hair had been cut into a peculiar bowl shape with a blunt fringe, and someone had painted red circles on his cheeks.
"All hail Sister Morganna! Conduit of the one true god," the man bellowed in a surprisingly high-pitched voice.
“Did you bring your solar flare gun?” Dityaa asked.
“Of course I did! I never go anywhere without it,” Revati snapped back.
Revati had never seen Sister Morganna up close. During her childhood visits, Sister Morganna was a distant figure. Glimpses of her gloved hands could be seen waving from the castle windows. Every summer solstice, she would lead a parade across the park, carried by men in a gold and white carriage. Through the mesh curtain windows, her shadowy figure could be seen shifting about. Now, Sister Morganna was walking across the scaffold boldly and freely.
She was dressed in a sky-blue and emerald dress, with a thick red and golden scarf covering her scalp, the ends trailing down her shoulders. Slowly, she turned toward the waiting audience, and Revati gasped. Sister Morganna's skin was the same color as fresh lavender. A single round, circular eye glanced about—an eye that could see and understand everything, even things that had yet to be—an eye that could glance into the very nature of people.
“She’s an alien!” whispered Dityaa.
It was an eye that could read minds; no wonder she had successfully started a cult.
“Technically, she’s a human from a faraway planet,” Revati hissed back.
The "faraway planet" was the closest the solar system got to actual aliens. Over a thousand years ago, a group of scientists set off to colonize Pluto. Obviously, they vanished, the ship sinking into the darkness of space. Three hundred years ago, their descendants returned. They were, of course, different.
Sister Morganna calmly walked across the stage and raised her hand.
“Praise be to Marduk, son of the sun, radiant is he,” Sister Morganna said.
“Radiant is he,” the crowd echoed, their expressions blank.
“Who’s Marduk?” Hissed Dityaa.
Revati merely shrugged, completely confused.
“Today we bring forward two heretics, those who smother the great transition,” Sister Morganna said, gesturing towards Bridgadeiro and Aurora.
“Heretic? I don’t even understand what I did! All I said was 'Bless Goup' when my new friend sneezed,” Bridgadeiro argued, nodding at Aurora.
“And I didn’t do anything! I swear,” Aurora cried.
“Goup is a lie! A false prophet created by an ancient snake oil seller,” Sister Morganna said with a small, tight smile.
“False prophet? The rainbow mat of crystal light has been proven to work! It balances your mind, body, and spirit,” Bridgadeiro smiled, and Sister Morganna turned to him, her one eye slowly blinking.
“I can see you standing on that mat, praying to the dark,” she whispered. “Your brother, he drowned, didn’t he? On that hot summer night? You cried and prayed! You think it was her that brought him back,” she added, and the smile dropped from Bridgadeiro’s face.
“She did save him! Goup saved him,” Bridgadeiro said, and Sister Morganna shook her head.
“Oh, you’re a true believer... you poor little boy,” she sighed. “Some gods are lies, but Marduk is true and ancient. My people have lived on his surface! We have been blessed with his gifts! Praise Marduk,” Sister Morganna said.
“Praise Marduk,” the entire crowd screamed, including Revati, who found herself clapping her hand over her mouth. Sister Marduk had hijacked her vocal cords.
“Now repent and embrace Marduk or sacrifice your light to his glory,” Sister Marduk cried.
“I repent! All hail Marduk!” Aurora cried, bursting into tears.
“Well, I’m not repenting. Marduk is just another name for your home planet that blew up centuries ago,” Bridgadeiro said with a small shrug.
“Very well,” Sister Morganna said. Revati sighed, pulling out her solar gun and setting the final charge to maximum.
“Oh, you’re not going to…” whispered Dityaa, and Revati nodded, pulling the trigger.
The solar flare hit the stage in a blinding loop of ultraviolet light. Sister Morganna screamed, flying upwards and landing face-first in the crowd, her body twitching.
“Praise Marduk! This must be an omen!” Aurora smartly yelled from the stage.
The crowd, no longer under Sister Morganna’s control, began to scatter in all directions. Some stumbled towards the fallen leader, striking her with whatever they could find. Others pushed and shoved each other, stumbling over cobblestones.
Through it all, Bridgadeiro stood, completely confused, his hands still tied behind his back. People pushed and shoved, stumbling over each other and tripping on the slick cobblestones. Revati fought through the tidal wave of chaos until she reached the scaffold again. Bridgadeiro was staring down at her, completely transfixed.
“Did you just save my life again?” He asked.
“Yes!” Revati replied, climbing up to the scaffold.
“I didn’t mean for this to happen! He said it so quickly,” Aurora said as Revati began to undo her bound hands.
“It was pure instinct!” protested Bridgadeiro.
The crowd was starting to swarm towards the stage like ants around a sugar cube. From above, Revati could see the smoking, twitching form of Sister Morganna.
“What are they doing?” Bridgadeiro asked, and there was a faint creaking sound as Isabeau joined Revati.
“They’re probably going to kill her; none of them wanted to worship an ancient Babylonian god!” Isabeau said and then she smiled. An actual smile. “I can talk normally again! She’s really gone!” Isabeau cried with delight as Aurora pulled her hands free.
“She’s gone!” Aurora echoed, grabbing Isabeau. Revati watched them kiss for a fraction of a second before politely turning her head.
“Did she really control all these people with her mind? Why would she do that?” Bridgadeiro asked as Revati began to undo his constraints.
“The tornado and the second invasion messed a lot of people up,” Revati merely replied.
“You seem fine,” Bridgadeiro replied, and Revati chuckled.
“Trust me, I’m not fine,” Revati said firmly. Life on Baker Street before the tornado had been hard. But there had been drawing lessons with her father. There had been fairytales with her mother. There had been tea parties with Dityaa. Dityaa.
“Where’s Dityaa?” Revati said as Bridgadeiro tugged his hands free. There was no telltale flash of Snow White silk in the crowd. Everyone was dressed in shades of green and mud brown.
“She was out there before,” Bridgadeiro said, gesturing to the bottom left corner of the courtyard. Revati jumped swiftly off the scaffold, ignoring the pain searing up her ankles. People were pressing in from all sides, shrieking, laughing, and, in some cases, singing. A blur of purple skin and red fabric passed her head on outstretched hands.
“Did you see a girl in a white dress?” Revati screamed in general; no one answered, and the crowd pushed her forward. People were spilling out of the courtyard into the laneways. Someone had decided to start looting the shops. Revati felt herself thrown against a wall, crushed face-first into the bricks. A hand grabbed hers, calloused, well-worn fingers gripping her wrist.
“I saw her at the end of the crowd! This way!” Bridgadeiro ordered her.
“You’re helping,” Revati gasped; something hot and red was trickling down her cheek. Revati was bleeding.
“Let the crowd push you forward; don’t fight it and try not to stumble,” Bridgadeiro said firmly, still holding her hand. The crowd surged and pressed in. Revati could see nothing but gleeful faces, smell nothing but hot, foul sweat.
Then suddenly, the crowd began to break into pieces, trickling away like water. They had reached the back wall of Medieval Faire. There was a hole in the wall. A massive hole. Beyond the hole lay the freezing wilderness of Mars. People were climbing out of the hole, running into the cube-shaped snow. One of them was Dityaa, spinning around and dancing with the Duke of Io. Dityaa spotted them and waved happily.
“They’re all going to freeze to death,” Revati realized, marching to the hole.
“It looks like some of them had enough to steal jackets,” Bridgadeiro added. Revati and Dityaa rarely left the park. When they did, Amma always made them wear her old protective gear. Dityaa seemed oblivious to the cold. It was almost as if the Duke's love was covering her in a warm, sacred light.
The escaping people were beginning to join in with their dancing.
“Look! He was waiting for me outside the wall,” Dityaa yelled, resting her head on his shoulder. Revati stepped closer to the wall. Revati let go of Bridgadeiro’s hand and carefully climbed through the hole. The freezing winter of Mars blew around her, fighting against the park's atmospheric heating system. Snow began to blow around her chest, and Revati felt flushed and dizzy.
The Duke was dressed in the same outfit from the night before. The same thin jacket and trousers. Up close, his blue hair was a little too shiny. Up close, Revati could actually feel heat wafting off his body.
“The Duke was waiting for you… outside in that outfit?” Revati asked suspiciously. Dityaa’s expression froze for a moment as if considering this.
“Sissy’s right! Let’s get out of the cold, darling; I have so much to tell you,” smiled Dityaa. The Duke held up a hand. The tip of his finger turned blue.
“Ah, the sister,” he remarked, reaching towards Revati. His eyes glowed with the brilliance of true Ai, and darkness prevailed.
Here's the revised text with corrected spelling and grammar:
True, jet-black, soothing darkness.
For Revati, who spent most of her nights lost in nightmares, it was actually comforting.
In fact, Revati felt herself sink into it.
The darkness was as soft as the mattress she once slept on.
“Oh, don’t sink into it, Dimpy. It’s not time for that,” her father’s voice whispered in her ear.
Dimpy.
Revati was Dimpy, Dityaa was Rinky.
Jay would draw pictures of them flying across the stars with wings.
Dimpy and Rinky; the sisters were so close they could be twins.
“You’re not real. You died, and your consciousness is in a plastic box,” Revati muttered.
The darkness was warm and sleepy, lulling Revati into nothing at all.
“Some of me is in that box, but scientists don’t know everything. Some of me is also in you, in your sister, and in your mother,” her father’s voice said.
“And I’m guessing I’m dead?” Revati whispered.
“No, you’re just recovering from a traumatic brain injury. Someone has placed a standard issue healing pad on your forehead,” Jay’s voice replied soothingly.
“And how do you know that?” Revati groaned doubtfully.
A distant, tiny light had appeared in the dark.
A pinprick that seemed to strip away things.
“Dimpy, you know I was a nurse! Relax, your glia cells are busy repairing themselves. Look, they move like fireflies,” her father said.
He was right; more dots of light had appeared.
They buzzed around gently.
For a moment, one of them flashed, lighting up everything.
Revati, in that second, saw a much younger Dityaa handing her a doll.
“I remember that doll. I bought it the day Dityaa was born,” her father said.
“Dityaa tried to give it to me after we buried you. I told her I’d take the book of fairy tales instead,” Revati remembered.
“Once upon a time, in the ancient kingdom of Mithila, the earth yielded a miraculous gift. A baby girl was born. She was discovered in a furrow by King Janaka and named Sita. As she grew, her grace and beauty were matched only by her wisdom and strength of character.
One day, Rama, a prince known for his valor and virtue, won her hand in marriage by stringing the mighty bow of Lord Shiva.
Soon after the wedding, Rama and his best friend were exiled to the forest. Sita, full of devotion, followed.
The forest was dark and full of dangers.
The most dangerous being was the demon king Ravana,” a woman’s voice, the voice of the maternity droid, whispered.
The lights were growing stronger, and Revati remembered something.
“Dityaa’s in trouble,” Revati realized.
“Yes, she is,” her father replied.
Revati’s mind was so bright she could see her father.
He looked younger than what she remembered.
He was dressed in the blue protective outfit Amma kept packed away.
Standing next to him was a woman.
A familiar woman cloaked in a fuchsia and green saree.
“You’re the lost princess,” Revati realized, and the Princess nodded.
“Wake me up, wake me up, and I will find my daughter,” the Lost Princess insisted.
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optiwashere · 4 months
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Do you have a playlist for nightsongs? Would love to sample how the band sounds like. I love black metal.
I was originally going to put some of my own music in a playlist, but as I was writing Nightsongs I realized that they sounded nothing like what I've written. I'm too melody-driven for what they wound up sounding like.
I don't have a playlist for what they sound like but some good touchstones bandwise are Belphegor, Marduk's early work, Goatwhore, and Akercocke's first two albums. Hybrid black/death metal with a focus on intensity. In the ye olden times we might have called them a "norsecore" band lmao.
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nazrigar · 2 years
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Smaugust 2022 - Monsters of Mythology, Science Fantasy Edition
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So! For this Smaugust, I basically revisit my Pantheons setting, and decided to do some Science Fantasy interpretations of mythologies beasties. Pantheons is essentially a what-if scenario in the future, where gods and mortals walk alongside one another, and by extension, mythology’s monsters.
Batch 1: Chaoskampf-Level Giants
- Gonggong/Kanghui: An insane dragon representing the Devonian Mass Extinction, not satisfied being a giant water elemental, wants to learn the secrets of human-god magic.
- Behemoth: A Cosmic T.rex Guardian of a titanic planet where many of the major monsters of the Galaxy originates from. As a representation of the K-Pg extinction event, his fists are usually all that’s needed to obliterate anything, but a energy laser is always convenient!
- Niddhogg: A snarky, short tempered cosmic Spinosaurus that can tear through the fabric of space, entering in-and-out of Yggdrasil, snapping up planets in his maw. He less represents ONE extinction, and more how extinction can come in anytime.
- Orochi: Once a mighty Yokai that represented the Anthropocene Extinction Event, he’s now reduced to a ghost trapped in Amaterasu’s sword, Kusanagi.
Batch 2: “True” Dragons
- The Red Dragon of Wales: A guardian of the realm of the Arthurian realm called Avalon, beloved by all. (Avalon is a mix between The British Isles, France and Iberia, aka the areas where
- The Cuelebre: The Golden Dragon, who found out that you can get more treasure by selling booze rather trying to raid and hoard gold.
- Illuyaka: A Great Electric Eel, who USED to be a big shot, but his confidence was absolutely crushed after losing to Tarhunz, the Hittite Storm God (well... one of them. They have a lot).
- Zmeya Gorynishche: An evil slaving dragon who haunts mortals after having lost her pups, and now leads a band of monstrous pirates.
Batch 3: Great Shapeshifters
- Kukulcan/Quetzalcoatl: A Grand Beast that’s also the head of multiple pantheons, he’s actually pretty pleasant. Doesn’t like Tezcatlipoca much though.
- Fafnir: A mobster dwarf AND a dragon. Don’t make him mad, lest he feels peckish, so be sure to be on time to pay back those loans...
- Nammu/Tiamat: Both a queen and a literal monster, she revels in being both the highest authority in the Mesopotamian Pantheon AND a giant monster feared by all. She loves picking on Marduk.
- Rahab/Sandalphon: A Cherubim who was once a mighty dragon-looking angel, feared by many, until she interacted more and more with the galaxy, and decided, in her heart, she’d feel more comfortable having a more humanoid form. She can still shapeshift to the dragon form however, when it’s convenient.
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Angelcorpse
This set of Angelcorpse analog photos were taken the 21st of October 1999 in Madrid during the band’s performance in support of Marduk during the “World Panzer Battle” tour.
Both bands made a perfect match on such a crusade presenting and promoting live their (then) last respective albums “The Inexorable” and “Panzer Division Marduk” released the same year on Osmose Productions
We followed with great enthusiasm the steps of Angelcorpse since their debut album (no we didn't listen to their “Goats to Azazel” demo back in the day).
The Morbid Angel influence was undeniable but we always felt that Gene Palubicki guitar heavy artillery attack combined with Pete Helmkamp unmistakable and inimitable vocal style were a mass destruction deadly army.
Having Order From Chaos in highest regard and being obsessed by their music since the first time we listened to the Kansas trio in 1993, we embraced Peter George Helmkamp’s new music adventure into a more orthodox Death Metal songwriting and developing the lyrical subjects of the heretic supremacy and social darwinism that have made his lyrics, some of the strongest, most thoughtful and memorable of the Metal underground movement.
Live the band was a blitzkrieg of unprecedented proportions taking no prisoners. Pete’s performance and stage persona had that dangerous magnetism that could be witnessed in the years to come during the time he was part of Revenge - bandGene Palubicki / Artist page Palubicki six strings gun machine bursts were a firestorm (second guitar on the tour was Ken Phillips or Steve Bailey, we ignore exactly which one of them) and Tony Laureano on drums was simply a devastating armored division
Probably our memory is playing tricks with us, but we have the memory that Belgian Enthroned were part of the billing despite not appearing in the concert stub. We remember entering late on the venue because of work commitments and saw them walking off the stage while Ouija were the openers.
photos and text taken from Down With The Most High Productions
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meowsabhorrently · 10 months
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Black Metal bands that Slow the Fuck Down!
The title may confuse you, honestly I’m still not sure what to title it, but I’m essentially going to be recommending a series of Black Metal bands that hardly or don’t use tremolo, are mid-paced, have an old school first-wave approach, or some sort of doom metal influence. Assuming you’re already familiar with Bathory and its slower moments I will be avoiding the more known bands.
Root
This really fucking raw and dark approach to heavy metal that sometimes borders on thrash metal with these slower grand moments, I would highly recommend their debut “Zjevení“ from 1990.
Master’s Hammer
The evil twin of Root, even though they’re both evil. Jokingly called the first “Norwegian Black Metal band” by Fenriz of Darkthrone (the joke being they’re Czech). If you give any of their albums a try I’d recommend “Ritual” from 1991.
Mortuary Drape
I’ve talked about them before on a post about the Italian metal scene, but essentially it’s this raw and primitive form of black metal that thrashes about. You may enjoy their debut “All the Witches Dance” from 1994. I feel I must clarify, my use of the word “primitive” here is more so in reference to the sound of the Old School, and not meant to imply anything that would give you the impression this is a Bestial Black Metal/War Metal or otherwise noisey band.
Barathrum
Black/Doom Metal band from Finland, their first few albums sound cavernous and yet fuzzy (God I wish they were on Spotify), but their later stuff is alright. Check out this song if you so dare.
Negative Plane
I’m not exactly sure how to describe this one, they’re definitely a unique band. I would definitely recommend them though.
Born for Burning
Specifically, the Swedish band that released “The Ritual” in 2019. Since they’re named after a Bathory song, you’d assume I’d recommend them to fans of Bathory, and you’d be right! Check this one out!!
Amen Corner
Root’s Brazilian cousin. I would recommend most highly their debut “Fall, Ascension, Domination”.
Decayed
I think this might be one of my favorite bands from the Portuguese scene, the speeds of their songs vary but I’d recommend this one.
Countess
This band is difficult to navigate through bc they have a lot of stuff that’s just eh. Surprisingly, the album I recommend most highly is not going to be their debut but their eighth album “Heilig Vuur”, I would also recommend this song.
Deinonychus
Oooo this is the juicy stuff. I would highly recommend “The Silence of December” and “The Weeping of a Thousand Years”, because texturally they’re some of the most interesting in all of extreme metal, at least in my opinion.
Samael
I’m not recommending all of this band’s discography, but particularly their albums “Worship Him” and “Blood Ritual”.
Diabolical Masquerade
The speed of their music varies and they have more traditionally second wave-esque songs, so I would recommend most highly this one.
Hades/Hades Almighty
For fans of Bathory, especially “Blood Fire Death” era. The double name is because they were formerly known as Hades but changed their name to Hades Almighty to differentiate themselves from an American band of the same name, but despite that they’re still known as “Hades” on some streaming platforms. I would recommend most their first two albums, “...Again Shall Be” and “The Dawn of the Dying Sun”.
Acheron
Sometimes closer to Death Metal, I would recommend “Rites of the Black Mass” on the warning that there’s really annoying and unnecessary intros to each song.
Ancient
While varying in speed, they don’t tend to rely on tremolos and blast beats as often as, say, Marduk. I would like to highlight their third album, “Mad Grandiose Bloodfiends” in particular, which has a flavor of vampirism and necromanticism and an excellent cover of Mercyful Fate.
Tyrannic
I would most highly recommend their sophomore release “Mortuus Decadence”, generally just some excellent black metal with influences from doom and traditional heavy metal.
Rotting Christ
Pioneers of the Greek-style of Black Metal, a style that blends more traditional heavy metal grooves with Black Metal. To recommend one album out of their discography, check out “Thy Mighty Contract”.
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metalshockfinland · 8 months
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MARDUK Release Video for 'Shovel Beats Sceptre'
Renowned Swedish black metal band MARDUK is back with a new release entitled Memento Mori. Today, MARDUK release the video for their latest single “Shovel Beats Sceptre”. Watch the video below. As anticipation continues to build for Memento Mori, the PRE-ORDER has begun and the LP is available in various formats. Commenting on the album, MARDUK frontman Daniel Rostén shares:“Memento Mori is,…
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