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#mappa supremacy
strawchocoberry · 6 months
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MAPPA is literally whoring these men out for all of us bitches here not that I'm complaining though
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The list of things I want them to do to me is unimaginably long and endless
In conclusion, I'm just their little whore, waiting for all of them to come and fuck me raw and rough and dumb
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kuronekkosan · 1 year
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とんでもスキルで異世界放浪メシ (Tondemo Skill de Isekai Hourou Meshi) AKA Campfire Cooking In Another World With My Absurd Skill. Loving the story and the practicality of the main character (MC). I always have a soft spot for wolves so Fenrir is the fluffiest cutest good boy in all of the sekais UwU ✨
I am IN LOVE with the ending credit animation. Someone give me a fairytale book illustrated like this with the MC and Fenrir just having fun eating good food and traveling! Oh maybe add some recipes too and make it a cook-along cook book?
Just look at how cute the animation is. MAPPA always go a step beyond for their works and it shows!
Excuse the bad quality of screenshots hehe
(am i the only one getting stressed thinking about the plastic waste mc is generating in the new world? i hope his item box is bottomless as i know fenrir's stomach is, which i can relate to)
this issue gets solved in the cutest way possible (⁠ ⁠◜⁠‿⁠◝⁠ ⁠)⁠♡
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fromyaritagua · 2 years
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10.2022
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monibibi · 2 years
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i broke my fucking back for this PLES. i fucking love this i tried a lot of diff things (literally only thing i tried was lighting) BUT IM RLLY HAPPY W HOW IT TURNED OUT I HOPE YALL LIKE IT TOO
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neonscandal · 1 year
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Absolutely gagged over the gratuitous Aki ASMR.
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they really said, "the hoes gon' love this." ✨ and they were correct.
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uriemikasan · 2 years
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Aki Hayakawa has had enough
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Chainsaw Man
MAPPA really sat there for months and animated somebody's morning routine. Like, do you know how long that minute and a half scene must have taken them? MONTHS! It's insanity! They went off with the animation! Even seeing him put toothpaste on the fucking toothbrush looked so smooth and clean! lmaoo!! And the way everything happens so calmly and neatly drawn as well. They must have a hell of a time having to redraw that ONE scene. I can only imagine. Thank you, MAPPA! (Let your animators get some rest ffs. Do you see their eyebags? That shit looks brutal!)
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luneillusoire · 2 years
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pawā ❤️‍🩹
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gojosang3l · 2 years
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Just thinking about the pain Denji goes thru in his transformation into chainsaw man💀💀
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nanachanonly · 2 years
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Alors déjà ce qu’il faut savoir c’est que Chainsawman c’est mon manga favoris 😻
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karasunos-whore · 2 years
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The p in mappa stands for pussy bc they put they WHOLE PUSSY IN EVERY ANIMATION😭
Chainsaw man looks sooooo GOOD
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leviismybby · 1 year
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This official art of Levi makes me feel things....🤤
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shangyang · 1 year
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let's talk aot.
woo, yay, it's ren's yearly rant about aot! clearly, this is the riveting content you guys & the six million porn bots in my notifs are here for. but this is MY echo chamber and that means i get to say what i want. mwahaha, etc. etc.
anyways. aot. the manga's over and the anime is...on its way to being over (though i wouldn't be surprised if mappa extended it for another 0.5 cour), but discourse never really dies. james somerton, a fairly well-established youtube essayist, covered the series in a youtube video titled attack on titan and media literacy in august 2022, though it was just recently reuploaded, due to somerton needing to correct a citation error. by no means am i attacking somerton - he remains one of my favorite video essayists on youtube to date, and he covers queer media with a keen eye and sharp wit - and i think he makes a lot of prescient points in regards to the dearth of media literacy surrounding attack on titan.
but i think there's a rather euro-centric tilt to his analysis. i think there's a euro-centric eye cast over a lot of attack on titan, from its ideals to its messy message and the content isayama created. you can take the message to be that in war there are no good people, only people making hard choices - but that's not quite right, is it? when we make that argument we tend to cast people like the nazis, the japanese, the mussolini italians, under almost pitying lights. "they were just following orders" is a phrase you'll hear a lot, in that regard. but we also know that can't be the excuse. just "following orders" doesn't excuse anyone's actions. you are capable of thought and courage and action. being unable to distinguish right from wrong, or being able to and being too afraid to make that right choice - that's cowardice, plain and simple. and i don't think it's wrong to say that we can blame the cowards.
but i digress. the point i want to make is that, when i look at attack on titan, i can't separate it from the culture that birthed it - japan. japan is a heavily revisionist nation; what japanese schoolkids today learn about wwii is so radically different from the truth of it, that even now, we continue to hear about how japanese people may never learn the truth about japan's involvement in ww2 until they leave the nation. for more on this, see the national interest's 2015 feature: the us should be appalled by japan's historical revisionism. time and time again, japan's leadership has shown that they have no intention of owning up to the extent of the crimes committed against other asian territories and other nations in general during the second world war. this quote in particular just about sums up, in my opinion, the viewpoint japan has taken regard other asian and SEA nations:
This revisionist narrative is laid out in detail at the Yushukan museum in Tokyo next to the Yasukuni war shrine. The logic is as follows: Imperial Japan waged the Great East Asia War (Daitowa Senso) in an effort to liberate the Asian peoples from the yoke of Western Imperialism. The “selfless goal” was to bring the enlightened modernization of Meiji Japan to hopelessly backward Asian brothers and sisters.This revisionist narrative is laid out in detail at the Yushukan museum in Tokyo next to the Yasukuni war shrine. The logic is as follows: Imperial Japan waged the Great East Asia War (Daitowa Senso) in an effort to liberate the Asian peoples from the yoke of Western Imperialism. The “selfless goal” was to bring the enlightened modernization of Meiji Japan to hopelessly backward Asian brothers and sisters.
japan has a long and storied history with facism, nationalism, xenophobia, and racism. it, of course, bears mentioning that no asian nation is necessarily exempt from xenophobia and racism - south korea, where my family is from, is certainly not exempt - but japan is perhaps one of the worst offenders, once we step back and look at their sweeping history of involvement in global conflicts. supremacy is the name of the game for japan - and i cannot deny that the current conservative state of the nation, which is a carry over from that mindset that dominated japan in ww2, is what makes me most wary of a narrative like attack on titan.
it's no secret that isayama admires several japanese war generals. dot pixis, one of the generals in attack on titan is notoriously based off of japanese general akiyama yoshifuru, who is a war criminal, responsible for the colonization of korea and who commanded japanese troops in korea when korea was occupied by japan.
for more on this, see this blog post: the possible disturbing dissonance between hajime isayama's beliefs and attack on titan's themes.
isayama, attack on titan's creator, is 36 currently - but he was 19 when he first began writing attack on titan. i don't think it would be wrong to also say that isayama likely grew up during a time when japan began leaning heavily back into conservative, neo-facist, nationalistic ideals, thanks to the economic crash that occured during isayama's youth/likely during when he was in middle/high school. i want to also say that i say all of this ALLEGEDLY. the truth is, that the account which we attribute a lot of isayama's pro-japan quotes to (migiteorerno on twitter) has never been officially attributed to isayama, though the blog post i linked above does point out a lot of the coincidences and clues that have led people (like myself) to believe that it may be isayama's private account.
but, of course, i can hear the questions about "death of the author." separate the art from the artist. i hear it all. and in general, i understand that school of thought. but i don't think we can apply it to attack on titan.
if i were to explain it, i think the best thing to say would be that i don't believe that death of the author applies to a work, when the authorial opinions in question are intrinsically tied up in authorial intent and the story being told. to elaborate, let me give this example:
say an author believes that climate change isn't real. but, they've written a story about two lonely people meeting online, and slowly falling in love with one another before they both must decide to gather their courage and take the leap into a real life meeting. in this case, i would think death of the author applies. this hypothetical author's climate change beliefs have no real bearing on the story they're telling - and ultimately, they have no real way of skewing whatever story this author has told. so in this case, i would say we put the art before the artist.
but say this author also writes a novel about the environment, and eco-terrorism, or some natural apocalypse. all these ideas have, in some way, to do with the climate or climate change - so i would find myself wary of the contents. the authors ideals, in this way, would shape and warp the messaging of the story - because they are intrinsic to the type of story this author would tell about the environment and environmental destruction.
isayama's purported beliefs - and yes, him being japanese and japan's role in ww2 and the clear ww2 influences aot has - intrinsically shape the message attack on titan is telling. the two are intertwined - attack on titan talks about nationalism, facism, and nation that separates itself from all other nations and thus believes itself to be some great enlightener; all of these are ideals we can so clearly see reflected in japanese nationalism.
it's for these very reasons that i can't begin to see a way to idolize and audulate attack on titan's narrative. i've said it once, and i'll say it again: i'm korean american. my family came to the US from korea barely a generation after ww2. my oldest great uncle, a judge, died during the japanese occupation of korea. i have relatives alive who remember what the occupation was like. who have lived through it.
when i look at attack on titan from that perspective, i can't see anything but the looming shadow of japanese nationalism, and japan's continued perspective on other asian nations - especially korea - taints this work for me. i can't see it as an anti-war narrative. i can't see it as making any deft anti-war commentary. in part because i look at it and see the historical hand of japan's actions, still very much present and puppeteering this narrative - but also because in attack on titan's world, there is never a way to get past this without war.
and maybe that's the crux of it. how can you trust a narrative to be anti-war, when all signs point to it being otherwise? how can i look at attack on titan, knowing what i know about japan's history with the very ideals present within the work, and not be wary? the truth is, that i don't think we can trust that isayama has in any way, set out to tell this story with the intent of critiquing japan's actions or the culture that led to their involvement in world war 2.
you can call me a cynic. but i'd rather be cynical than trust attack on titan not to be facist.
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neonscandal · 1 year
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i seriously wonder what's going through anime only's minds when they're watching csm because mappa is setting you up fr fr. think jjk but more pain 🫠
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victormywife · 2 years
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THEY ADDED VICTOR'S RING IN THE ART Y'ALL SJSKDJDKKSJDJDJE
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