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yuzukahibiscus · 6 months

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SEWATCH (95th Class) – 2016 Archives

From 2010, Takarazuka GRAPH has a corner for introducing classmates (douki) in our colour pages. 95th class is the 6th edition and we now disclose excerpts of writer Seo Yuria (Seocchi) and her classmates.

~ Taken from August 2021 GRAPH.

JANUARY – Seo Yuria X Manaki Reika

To celebrate our first issue, the guest is...Manaki Reika of Moon Troupe ☽ It's Chapi~♡ Ah, she's an angel ♡ She's full of clarity....Let'Sewatch the mystery of this angel descending to earth!!!!

~About the theme of our cosplay~

Seocchi: Everyone already knows about the beauty and cuteness of Chapi, so I thought what if we showed a different side of Chapi~

Chapi: No, not at all. But because it's the New Year issue, aren't we wearing these for the New Year?

Seocchi: We thought, "Year of the...Monkey, right? OH!" (LOL) What do you think about becoming a monkey (LOL)?

Chapi: Since I was born, I've been told that I look like a monkey, so it's an honour to be a monkey [for this corner].

Both: (exploding in laughter).

Chapi: My mother used to say, "I thought I gave birth to a monkey" (LOL).

Seocchi: Well, you could say you returned to your roots. What a new feeling (LOL).

Chapi: Yes, that's right. My ears are also "far away from each other" (and while saying that, Chapi flapped her hands beside her ears).

Seocchi: That's cute (LOL).

FEBRUARY – Seo Yuria X Rei Makoto

The guest for this month is the Super Boy, our Rei Makoto of Star Troupe ☆ It's Coto-chan~ (Coto)☆

~About the theme of our cosplay~

Seocchi: I thought would it be possible to show a side of Co-chan that everyone hasn't seen before~ and the result of constant frustration and thinking, I've decided that we should wear the Takarazuka Music School uniforms!!

Coto: First, I need to find my uniform~

Seocchi: Yeah (LOL). How do you feel? Actually.

Coto: No I mean, it's nostalgic.

Seocchi: I remembered that the two of us used to sit side by side whle having lessons.

Coto: That's when both of us were fighting the urge to sleep away.

Seocchi: A time that we were scolded almost every day, but the days where we were very determined.

MARCH – Seo Yuria X Reimi Urara

Now, the guest this time is Reimi Urara-sama of Cosmos Troupe, it's Yuuri!! Let'Sewatch at the mystery of this flawless beautiful girl!!!

~About the theme of our cosplay~

Seocchi: While both of us are thinking a lot about what to do, we heard Zun-chan (Sakuragi Minato) having her interview nearby on "What is your dream if you didn't enter Takarazuka!?".

Urara: We heard her answer, "I'm not sure if this is what I really want to do, but maybe the admirable flight attendants?"...

Seocchi: That's why everyone can see this wonderful Reimi Urara-sama!! (Thanks Zun-chan~♡)

Urara: I hope we can show that relationship between the pilot and the flight attendant (LOL).

Seocchi: There's some story between us... (LOL)

Urara: (LOL). That's fun!

APRIL – Seo Yuria X Tsukishiro Kanato

The guest this month is – remarkable! Tsukishiro Kanato of Snow Troupe!! It's Usshi (Reiko)✨ Wow~ So pretty...She's already beautiful, so let'Sewatch if we could show a mysteriously different look of Tsukishiro Kanato-sama.

~About the theme of our cosplay~

Seocchi: After much thinking...

Reiko: We revived as the anime of "Shonen Ashibe"!! Well, I like Goma-chan. No, not just that, I like seals (LOL).

Seocchi: That's why, Usshi wore a seal costume and searched for various pictures, and found this really cute seal costume, and asked me "how do you think"?

Reiko: No, it's because I said, I want to be a more real seal!!

Seocchi: She seriously ordered this full costume (LOL). How do you feel wearing it?

Reiko: When I actually wear the costume, I can feel it looks fluffier than how Goma-chan was like, (LOL), but I'm really satisfied!!

Seocchi: That's great~ It's a great success that it made Usshi satisfied!

MAY – Seo Yuria X Minami Maito

The fifth guest is Flower Trouope otokoyaku Minami Maito (Maiti) ❀ I wanto see~!! Let'Sewatch the stunning muscles of this girl!!!

~About the theme of our cosplay~

Seocchi: If we talk about Minami, it's muscles!! That's why I immediately think of the muscleman Superman, and we had a meeting over this photoshoot [concept] (LOL).

Maiti: What!? Is my image really like that? I thought (LOL).

Seocchi: No, when we first met, you were skinny!! Then after the summer of being a primary course student (yokasei), I was so shocked (LOL).

Maiti: Right, right, when I came back my uniform seems stiff [from the muscles] (LOL).

Seocchi: I thought, what did Minami do in the summer!!!!! I remember everyone being crazy over it (LOL). That image is too strong, you definitely need to be Superman this time!

Maiti: But, this costume seems too buff (LOL). This is too exaggerated!! Look at the texture of these muscles (LOL)!!!!

Seocchi: How do you feel actually wearing it?

Maiti: No, but it seems easy to turn on the switch to get into character with this kind of costume (LOL).

Seocchi: (LOL). That's great!!

Maiti: Like that "I'm a hero!" kind of vibe. (LOL)

Seocchi: If you feel good about it, you should wear this under your rehearsal clothes next time, and when something happens, you can remove those clothes to reveal yourself as Superman!! Then it would be great!! (LOL)

Maiti: I got it!! If that's necessary, I'll give Seocchi (Seo) a call! Believe in me!!

Both: (exploding in laughter).

JUNE – Seo Yuria X Misaki Rion

This month we have our princess from Cosmos Troupe 💕 Let'Sewatch at Misaki Rion (Mirion)~ 👀

~About the theme of our cosplay~

Seocchi: We decided easily this time.

Mirion: Yes, yes, I asked Seocchi "Can I be a nurse?"

Seocchi: Surely, I also wish to see how Kumi-chan (Misaki) is as a nurse (LOL).

Mirion: Since I was young', I've admired nurse so I thought, "Nurses are good!!" and decided on the theme quickly.

Seocchi: How does it feel? To be a nurse.

Mirion: I'm very satisfied because it feels my wish is fulfilled! Holding onto the syringe, I felt it was fun to feel how it is for a nurse (LOL). (I also enjoyed seeing Kumi-chan's look as a nurse!!)

Seocchi: I'm also excited because I want to play as a doctor!!!!

Mirion: You seem to really like the stethoscope (LOL).

Seocchi: Yes (LOL). This feels like "The Dangerous Love of the Doctor and the Nurse" (LOL). I hope everyone could feel happy seeing this photo and imagining various situations!

JULY – Seo Yuria X Kizuki Yuuma

This month, let'Sewatch at the mysterious Mayupon, or Kizuki Yuuma of Moon Troupe, who is so inclusive and gentle towards others~✨

~About the theme of our cosplay~

Seocchi: This time, I hope it'd be great to do a concept of boys' friendship that I could do only with Myaupon.

Mayupon: Right!! We talked about, let's make this look manly as possible!

Seocchi: So, we told the edtors we wanted to do something like [the movie] "Umizaru", and we didn't think we'd have these costumes handmade!!

Both: Thank you so much!!!!!!

Seocchi: How does it feel wearing these?

Mayupon: Yes, this is so fun ♪ Of course, we wear various kinds of costumes on stage, but this feels totally different!!!

Seocchi: That's right. This feel like "Real Men's" kind of feeling (LOL)! And with that, we'd be happy if this lets everyone realise Mayupon's new charms!!

AUGUST – Seo Yuria X Hinami Fuu

This month, we have our princess from Star Troupe✨✨✨ Let'Sewatch the mysterious Fuu-chan, or Hinami Fuu!

~About the theme of our cosplay~

Seocchi: We always talk about tropical countries ☼✨

Fuu-chan: Right! We never knew we would love tropical countries so much ✨

Seocchi: If there's a chance, I always thought I should go to the Sebu in Philippines with Fuu-chan and Matsuko (Renju Kouki) ☼

Fuu-chan: Right!!! My first overseas vacation was at Sebu, and it was really exciting✨✨✨

Seocchi: Every day would be so fun✨ So we decided to wear something we would in these tropical countries! How does the photoshoot feel for Fuu-chan?

Fuu-chan: Well, fun✨ Wearing the aloha shirts, holding on to the ukuleles immediately!!!

Seocchi: Yes✨✨ It's as if we could see the sun in front of us ☼

SEPTEMBER – Seo Yuria X Sakuragi Minato

This month, let'Sewatch the mysterious Zun-chan, or Sakuragi Minato of Cosmos Troupe, who always flashes the wonderful child smile ✨✨✨✨✨✨✨✨✨

~About the theme of our cosplay~

Zun: About sommelier, it's just a Style we simply want to do!!!

Seocchi: No, no matter how we say it, this look great.

Zun: Yes (LOL). It's just black, so it may look plain~ Which is why we also used wine bottles and glasses.

Seocchi: I think this makes it look really stylish!!

Zun: I hope to wear this costume one day on stage.

Seocchi: It was fun to feel like a sommelier even for a short while~♫

OCTOBER – Seo Yuria X Asami Jun

This month, let'Sewatch the mysterious Asami Jun of Moon Troupe or Aasa✨✨ Truly from her name, she is beautiful from the morning~ (*Asa 朝 = morning; Mi 美 = beauty)

~About the theme of our cosplay~

Seocchi: I asked you, what do we want to do?

Aasa: We thought about our similarities...

Both: We have a strong visual!!!!

Aasa: Then, we decided on doing [the manga series] "Thermae Romae" and on the day when we wore the costumes, and tried the first photo, and we chekced to find out??????????????

Both: We have a weak visual!!!! (LOL)

Aasa: This is an emergency situation 💦 She quickly came to the dressing room of Moon Troupe since we were performing (LOL).

Seocchi: Yes, I went to Aasa's makeup table and both of us desperately wanted to make up for it.

Aasa: We started putting more makeup! (LOL)

Seocchi: How did you feel wearing this?

Aasa: It feels comfortable and it makes me feel really good! As if, this was how I would be like in my past life (LOL).

Seocchi: You're not wrong! Have you worn this type of costume on stage before?

Aasa: Nope, this is my first time! Also it was fun to use different small props for the photoshoot✨

NOVEMBER – Seo Yuria X Hoshino Anri

This month let'Sewatch the mysterious Hoshino Anri of Snow Troupe, or Hiroko ❅

~About the theme of our cosplay~

Seocchi: This time, both of us thought over quite a lot. Then Hiroko suggested, "Should we do baseball [concept]?"

Hiroko: Yes! If you turn on the television, you can see the rankings of Se Ring or Pa Ring, [Hiroshima Toyo] Carp and [Fukuoka] Softbank [Hawks] would be the top positions respectively, and they are baseball leagues of our hometown, so we wore their jerseys✨

Seocchi: Well, I believe when this [October] issue, Carp would definitely win by then!

Hiroko: Softbank too! Because they are so powerful!! If Carp wins, wouldn't that be since then 25 years since their last win?

Seocchi: Amazing! Hiroko knows so much! (LOL) When both teams win, let's celebrate together!

Both: Let's do this!!!

Seocchi: How does it feel wearing this uniform?

Hiroko: No, before wearing it I was already thrilled. I was even more excited to wear it! I was jumping around just thinking of it before Seocchi came! (LOL)

Seocchi: Ahaha (LOL). So cute.... 💦but I missed your moment💦

Hiroko: (LOL)

Seocchi: As expected, won't seeing these uniforms make your heart race? Because we've always seen these uniforms!!

Hiroko: Yes! We saw them before, and now we're wearing them ✨

Seocchi: The photoshoot was fun. But for our hats....

Hiroko: Instead of holding onto them, we were holding on the baseball bats instead (LOL).

Seocchi: Because we felt it would be awkward with our hands empty.

Hiroko: We're not used to that (LOL).

DECEMBER – Seo Yuria X Yuzuka Rei

This month we have Yuzuka Rei of Flower Troupe to grace the last edition✨ Let'Sewatch the mysterious Rei-chan 👀✨

~About the theme of our cosplay~

Seocchi: The costumes for today are really surreal! (LOL)

Rei: Really! When I wore it, this was more surreal than I imagined (LOL). It's Christmas when we talk about December, which is why we dressed up like that.

Seocchi: Right! I was thinking if I should do Santa or the reindeer, but she said, "But Santa Claus won't look as funny, right?" (LOL) As expected✨

Rei: (LOL). So we featured supporting characters! But I was surprised because I was surprised because I couldn't do many poses with these costumes (LOL).

Seocchi: Right! That's something we missed out💦 Because [trees and snowman] give off inanimate vibes (Iaughs).

Rei: Even if we act a lot into it, our faces...

Seocchi: Becomes emotionless (LOL).

Rei: It's rare that it was difficult to smile [in this costume] (LOL). Which by the way, I read this corner every month! But I thought, "She doesn't call me a lot....will this end without me...." (LOL).

Seocchi: Really.... (erupts into laughter). So you felt anxious over it, I'm sorry!

Rei: Nah, but this was great fun–♪

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beccalendsahand · 1 year

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Toho Elisabeth 2022: Der Tod Comparision Analysis

After years of being a fan, I finally had the opportunity to see Elisabeth live for the first time this autumn. Me and a friend managed to defeat the odds and nab tickets for not just one but two dates, each with a different Der Tod (It's customary for most Toho musicals to have double, triple, or sometimes quadruple casts of its principal characters in their musicals). It was such a fantastic opportunity to see different actors' interpretations of such an iconic character, and seeing as the last Toho-beth was not filmed and previous recordings have not included every cast member, I thought I'd write up a report here for those curious!

Both Tods, Furukawa Yuta (Silver Tod) and Yamazaki Ikusaburo (Purple Tod) brought new and interesting things to the character that I’m really excited to discuss!

Here we go!

What is Toho-beth?

Toho is a big musical theatre company in Japan who are best known for bringing Broadway, Westend, and other foreign musicals to the country. They have been performing Elisabeth for 22 years now! Their production came off the back of the popularity the musical had with Japanese audiences thanks to the Takarazuka version which was first staged in 1996. The show is directed and translated by Koike Shuuichiro, the same writer and director for the Takarazuka version, but with many changes. The Toho production is praised by fans as striking the right balance between the gothic romance of the Takarazuka version, and the darkness and serious themes of the original Vienna production, whilst still managing to keep Elisabeth the main character of her story.

Disclaimers before we begin:

I have not watched every Elisabeth so my knowledge of previous versions is: Takarazuka: 1996, 2014 and 2018, Toho: 2016, Vienna: 1992 and 2006.

Each of the days I saw Der Tod was starring alongside Manaki Reika as Elisabeth, I do not know how their performances differed if at all when they costarred with Hanafusa Mari

This production had stage kisses instead of real kisses which may have influenced the actor's portrayal of the famous Rudolf x Der Tod kiss scene. I think this must have been a covid related choice, however, it's hard to tell as other Toho productions I've seen recently have had real kisses and Der Tod still walks through the audience in act one… But Lucheni does not walk into the audience or interact with them during Kitsch, so make of that what you will, I guess we won't know for sure till future productions!

Day 1: Furukawa Yuta as Der Tod

My first performance was with Furukawa Yuta. Furukawa's Tod is the most soft, gentle, human Tod I've ever seen. I wasn't sure what to think at first of his portrayal as its so different from other versions, but as the show went on I really became captured by his performance. I left the theatre with so many thoughts, trying to analyze the motivations and psyche of his character, it really made me think about Der Tod in a new way, and just made me more obsessed with the show. I'll try and put my thoughts into words here.

From his gentleness, its very clear that Furukawa plays him as genuinely in love with Elisabeth, however this does not mean that his Tod is not without his dark sides. I think what makes his Tod so good is he lulls you into a false sense of security. He speaks to Elisabeth as a pleading lover and baby Rudolf as a caring adult, but every now and again a flash darkness or anger will appear, reminding you that underneath his human appearance is Death himself.

Furukawa Tod and Elisabeth

His love for Elisabeth is perhaps the first time I've fully understood their relationship. Despite being a big Takarazuka fan I've always found the ending very jarring, as one scene ago Elisabeth says she doesn't love Tod and then suddenly she's running into his arms at the end and singing about their love for each other. Even in previous Toho and the Vienna versions despite the lyrics for the song being different, I've still found it a strange ending, but Furukawa and Manaki did it incredibly. I think as Furukawa's Tod is more gentle, already it is easier to understand why Elisabeth is drawn to him. Elisabeth is seeking independence and comfort, so why would she fall for a Der Tod who is literally pushing her around? When Furukawa comes to her it is always like an infatuated man hoping for his love to be returned, but because he is Death he doesn't know how to express his feelings, and things become muddled for him. I got the impression that he wanted to give Elisabeth his love but sadly he couldn't help who he was, and that part of him that is Death manifested itself still in his actions. Like creating chaos amongst the people, and killing baby Sophie and Rudolph. My favourite scene between the two of them was the doctor scene in Act 2. When Elisabeth says she wants to die, Furukawa says the line “おお、エリザベート、待っていた！” “Oh, Elisabeth! I’ve been waiting (to hear those words/for this moment)!” he says it with such happiness and almost child-like excitement it’s both creepy and sweet at the same time. His happiness in dark contrast to the reality of what he will do to her. Also, this is the first scene where we have Tod do more than just hold Elisabeth in his arms, as he runs his hands up and down her body, a very bold move for Furukawa Tod who until this moment has been relatively reserved around Elisabeth. This really added to the unsettling feeling of the scene, Tod is so carried away in this moment, running about the stage excited to take his bride back to the underworld, all the while Elisabeth is just stood there rigid in shock. Such an interesting moment in the show. I really liked how Tod’s emotions toward Elisabeth felt very consistent throughout the show, it was refreshing to see such a genuine feeling of love from Death towards Elisabeth, even if he did not act on his love in the right ways. The song before Elisabeth’s death again really gave us this message. When Franz Joseph says that Elisabeth is his, I feel that usually, Tod's reply that no, it's in fact him that she loves, is very confident, he knows he has the upper hand over Franz, but Furukawa sings it like a human cry, like he's trying to convince himself. There's this uncertainty in his mind but he is willing it to be true. When he and Elisabeth are together finally it is not a big romantic gesture, it's a very small moment and he gently kisses her and sets her onto the coffin and looks on sadly. He finally got her, but only for the briefest moment.

Furukawa Tod and Rudolf

The Rudolf arc has always been my favourite part of Elisabeth, so I was excited to see how it was performed in this version. This was definitely the part where I fully got on board with Furukawa's Tod and started theorising in my head about what his interpretations meant. As said above, Furukawa Tod talks to baby Rudolf like a caring adult, there isn't the usual sinister undertones that you feel with most other Tods in this scene. Furukawa stretches out on the stairs, propping his head up with his arm, and listens intently to Rudolf when no one else does. A part that I found particularly interesting is how when Tod takes the gun from baby Rudolf and Rudolf faces away from him, standing at the front of the stage looking at the audience, Tod looks on at him, with his arm outstretched, gun laid on his palm as an offering. This is in stark contrast to Shirota and Yoshio in the 2016 version who both pointed the gun at him as if about to shoot him.(something else I just wanna mention is his hilarious reaction to the "I killed the cat" line, Furukawa first raises his eyebrows in shock, then narrows them in confusion and then smiles and nods like a proud dad, brilliant) When we get to “yami ga hirogaru/Fie schatten werden langer”, and the famous kiss scene, it's a very interesting moment. Usually, at least in the takarazuka and Vienna versions i've seen, the kiss is a very aggressive and/or possessive move from Tod. In the 2016 Toho version, it is Rudolf that kisses Tod after Tod gives him the gun. This time Tod kisses Rudolf, but it is, like everything Furukawa does, a gentle kiss. As said in the disclaimer stage kisses are used this time so perhaps that contributed to this direction, but what makes it even more striking is that after he kisses him, he slowly steps back and watches on with a sad, almost regretful look on his face as Rudolf turns to the audience and slowly raises the gun to his head. A moment that is usually interpreted by previous Tods as a victory moment, is painted as one tinged with sorrow by Furukawa. As I said before I get this impression that his Tod is fighting with his duty as Death and this human emotion he's feeling for Elisabeth. And this scene really made me think that. Perhaps he came to care for Rudolph too, but he befriended him for a reason and now he has to see it through. Or maybe in this version Tod isn't even doing these things to get Elisabeth, perhaps Rudolph's death was always his fate and Tod is just doing his duty.

It’s questions like these that really made me fall in love with his Tod. Well done Furukawa!

Day 2: Yamazaki Ikusaburo Der Tod

2 weeks later I was back in the theatre for Yamazaki Tod! Ever since Yamazaki got cast as Der Tod back in 2020 I have been so intrigued as to how he would play him. I consider his Lucheni as my favourite out of all the ones I’ve seen so I was wondering if his Der Tod could live up to his Lucheni... AND IT DID!

Yamazaki put David Bowie back into Der Tod, he had so much command over the stage, strutted around like a rock star and went full commitment to the glam rock androgynous style. The long purple hair, eyeliner, and amazing costumes (black mesh billowy shirt HELLO???!!!!) a bi-icon. I think whilst Furukawa made a completely new version of Der Tod I feel that Yamazaki took us back to the origins of role but added in the Japanese influence. My first impression was a man playing Der Tod like a Takarazuka actress, but as it went on a realised that wasn't quite it. If I was to compare him to any other Tod I’d probably mention Kim Junsu from the Korean production, whilst I haven’t the full show, from the few clips of it I’ve seen I instantly thought “this is the KPOP der Tod”, I feel like Yamazaki did a similar thing, but instead of KPOP it was JRock. He was really reminding me of Visual Kei Rock bands like The Gazzette and SID with his performance. His vocals were out of this world, merging visual-kei sound with undertones of musical theatre training creating this ethereal and at times sinister sound. I think this was so cool to see as originally Der Tod was inspired by David Bowie and Glam Rock which Japanese Visual Kei music was inspired by. This influence has been absent from the Toho and Takarazuka versions with more of a focus on the fantastical elements so it was nice to see that added back in. I must say when watching the show before I had found Furukawa and Kuroba Mario's pop/rock style high notes endearing (affectionate), like they were trying but couldn't quite get there, so it really was amazing hearing Yamazaki sing them like a true rock star would. In terms of acting, his take on the role is a lot more classical, in that this is definitely a Tod that loves chaos, someone who takes pleasure in toying with people's lives.

Yamazaki Tod and Elisabeth

Unfortunately, Yamazaki’s Tod does fall back into my problem with Tod’s I’d seen before, where at the end of the show I was left thinking “yeah but why is Elisabeth with him?”. Yamazaki’s Tod is definitely more obsessed with her on a surface level rather than being in love with her. His take on Tod is much darker in comparison to Furukawa’s, he has much more of an eerie presence and quite vacant expressions that make you wonder what he is thinking. Whilst Furukawa's darkness is hidden by his gentle exterior, Yamazaki’s is all there for you to see. He is very in control of his movements, everything feels very precise, whilst Shirota gave us an in-human Der Tod by playing him with animal-like gestures to make him seem almost like some kind of "creature", Yamazaki achieves this in-human Der Tod by being completely devoid of feeling. There was just something incredibly unnerving about him like you could tell something was not quite right behind the eyes. I think this feeling is best described by this Twitter user who did these beautiful Der Tod illustrated head cannons saying “I feel like he sleeps upright in a coffin…I’m not sure if he actually sleeps though”.

A moment I particularly liked was when he appears to Elisabeth in her chambers and pops up from behind her chair. Whilst most Tods seem to play this as a quick jump scare before stepping out from the shadows straight after, Yamazaki just stays there, arms draped over the top of the chair like “oh you poor thing”. It reminded me of a cat toying with its pray. I think that moment sums his Tod up very well.

To compare his Tod to the moments I liked from Furukawa, the doctor scene also feels very different, Yamazaki’s Tod feels very confident, he isn’t running around the stage with glee, and he surprisingly isn’t as heavy handed as Furukawa was. Though he stilll runs his hands over Elisabeth it’s a much more subtle moment, perhaps in his eyes, he’s had her from the start so doesn’t feel like he needs to act so desperately.

The song with Franz Joseph is again more classic Tod, he sounds very confident that he has her. I don’t have any analytical things to say about this scene but I think it's worth mentioning that he licks the knife before giving it to Lucheni, make of that what you will...

Yamazaki Tod and Rudolf

So after seeing Furukawa’s interpretation I was so intrigued to find out if this was unique to Furukawa or if it was a new direction the Toho production was taking Der Tod's character, and I'm excited to say, both actors had completely different interpretations! So let's start with baby Rudolf. Yamazaki sits beside Rudolf and intently listens to his story, the “I killed a cat” moment did not get any laughs from the audience this time as Yamazaki played it completely straight, continuing to listen, nodding along as if it's the most normal thing in the world to hear from a young boy. When Rudolf goes to and faces the audience, from behind him Yamazaki Tod puts the gun to his own head whilst watching Rudolph. His Tod is not subtle with where this story is going. The kiss scene was gentle like Furukawas but it felt much more sinister and instead of looking sad and watching him kill himself like Furukawa did, Yamazaki is cold and unfeeling, he turns his back on Rudolph and leaves him to kill himself, alone in his final moments. I re-watched the same scene in the 2016 production to see how it compared and it was very interesting to see that whilst both Yoshio and Shirota turned their back to Rudolf too, they were still stood beside him. Yamazaki turns his back and walks up centre stage and pauses with his black angles flanking him in 2 lines on either side as Rudolf slowly realises what he's about to do and shoots himself. I can't remember what the black angels did with Furukawa but it was definitely different as Furukawa chose to stay beside Rudolf in that scene. It's so fascinating to me how these interpretations weren't just individually chosen by the actor but were actually worked on to involve the ensemble cast as well, creating differently choreographed scenes depending on which cast you saw. Any similarities between them? I think I would have to see the show again to notice more similarities, but sadly that won't be happening unless we get a recording (please Toho we are BEGGING YOU) but the one thing that did stick out to me was they both do this same gesture. I don't know how to describe it. They do this thing where, -again I wish I could see the show again so I could work out if there's a pattern of when they do this gesture- they like take their hand and starting from wrist at their lips run their hand down, fingers caressing their lips, and they kind of have this fascinated/spark in their eyes? I have no idea if that makes any sense...actually that artist I mentioned earlier, drew it on Furukawa here. It's quite a creepy in-human gesture, I like to think maybe he's feeding on human emotions when he does it...Whatever it was I find it so intriguing that that's the one link between them. I'd also really like to know if either of them were inspired by any particular Takarazuka actresses. Yamazaki has a scar-like tattoo on his hand that makes me think of Mizu Tod and Furukawa's whole look with the wig and costumes and even some of his acting choices reminded me a lot of Asumi Tod at times.

Closing thoughts It’s so hard to know who was my favourite as they both had such completely different interpretations, it felt like I was watching two completely different characters. I think for me personally what one lacked the other made up for. For example, as a long-time fan going to see Elisabeth live for the first time Furukawa took me a while to get on board with as his human portrayal meant that he didn’t have the big bombastic stage presence that you expect from Der Tod (his singing is gorgeous by the way, I mean this more in the nature of his character choices mean his performance is overall much more subtle), so going back and seeing Yamazaki gave me that big showman performance that I had been wanting to see. However, Yamazaki didn’t give me the full satisfying gothic romance feelings that I've always felt missing from Elisabeth that Furukawa managed to really pull off. And his new interpretation left me with my mind buzzing. What they both did though was prove that there is still so much to explore with this character and this show and I love how Toho is still letting Der Tod be an androgynous fantastical being when it seems the Vienna productions have been trying to pull away from that in their recent productions. I really hope this production gets filmed so that everyone can see the talents of not just these men but the entire cast, seeing this show was a dream come true and I know it will give everyone so many new thoughts and theories about this wonderful musical!

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