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itsclydebitches · 4 years

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RWBY Recaps: “A Night Off”

So RWBY has this weird thing going on in Volume 7 where it’ll give me a truly horrendous episode and then manage to turn things around just enough so that, despite my frustrations, I quite like parts of the next week’s stuff. That proceeds to get my hopes up, only for them to turn around mess it all up again in the following episode.

What I’m saying is, I should expect next week to be a pretty rough ride.

First, let me chuck out the details I personally loved in this episode that fit better together than spread out across a recap. Namely, treating Oscar like an actual human being. Thank you, Rooster Teeth, for:

Having him continually be involved by monitoring Jaune’s aura levels. (It likewise hasn’t escaped my notice how much he’s been paired with JNR lately. The fandom might get their new ‘P’ after all.)

Giving Oscar some thoughts and feelings beyond just the Ozpin situation. He’s worried about not having his semblance yet. Hark! A characterization!

Nora very kindly firing back with, “Well, I bet we’ll all be jealous when you do.”

Yang using Oscar as a convenient armrest. Granted, Yang hasn’t exactly treated him well enough lately to have earned that kind of casual buddy-buddy-ness, but if the writing is never going to call the group out on their Volume 6 behavior then I’ll take unearned kindness over continued indifference or cruelty

Jaune going out to the movies with Oscar and them both inviting Weiss. I mean, same issue here. Why is Oscar so comfortable and eager to hang out with the guy who attacked him? I wish that we had some acknowledgment that these kinds of things don’t just disappear once someone apologizes. Jaune still hurt Oscar, badly enough to leave him flinching against a wall... and none of that even takes into account Oscar’s supposed hesitation about lying to Ironwood. He should be acting more like Ren, involved with the group yet wary at the same time.

In addition, keep in mind that Oscar is currently living in this happy bubble where everyone has chosen to forget that Ozpin exists. I’m still highly suspicious of how they’ll treat him once Ozpin is out in the open again and Oscar is the convenient scapegoat for their anger. As said though, for now I’ll take it. I mean, look at that smile.

Right. Onto the actual plot.

We open on the aftermath of the Mantle riots, which is somewhat disappointing. I had hoped the group would actually be involved in that, giving them the chance to tackle a situation where brute force can’t be the go-to answer. You can’t punch out desperate citizens or run them through with your scythe. Instead, Ironwood’s men are handling it and we reconvene with the group the next day, election day. For the record, we know it has only been a day---and not longer rioting as I initially assumed---because Weiss comments that her father dropped that bombshell “the day before the election.” Which for me just speaks to how much time must have passed during those training montages. The political parts of this volume couldn’t have happened in any short amount of time.

We’re shown an interview with Hill wherein she quite firmly doesn’t condone the rioting, but admits that there are good reasons for it as well. Her body guard stands very awkwardly in the background in a way I don’t think the shot really needs.

We then segue back into the group training and, like I mentioned above with Oscar, there are a lot of details here that I really enjoyed. Two of which are Weiss creating a mini version of her knight to sneak up on Winter---yes, please show us this kind of creativity in the actual fights---and Nora and Jaune practicing with a rubber ball. Ren is also deep in meditation while all this going on, which raises some questions about how aware of the world he is in this state. Is he able to simply ignore all the commotion, even Ruby flying straight at him? Is he so deep down that he’s entirely disconnected until he resurfaces? If so, does he only meditate like this when he’s 100% sure he’s in a safe place? Would the group be able to wake him if something were to happen?

As you can see, I’m obviously a little too invested in details and world building lol.

Speaking of world building though, we learn a little bit more about semblances here. Namely that, like hinted at in Volume Five and recently with Harriet, all their semblances are “evolving.” Jaune can apparently regenerate his own aura now, much more quickly than he could before. And Ruby...

Okay, real talk. Did I miss something here? It’s entirely possible I did, but if not what even was that conversation between Ruby and Oscar? She flies at the pillar Ren is seated under, divides into three rose petal clusters to get around it, and recombines on the other side. You know, the thing we’ve known she can do for a long while now. Since Volume Four I believe. Except then we get this exchange:

Oscar: Have you always been able to do that?

Ruby: I don’t know. I don’t normally think it through that much.

What are you talking about? Of course you know, Ruby! This isn’t a new technique. And what do you mean by, “I don’t normally think it through that much”? Is the writing trying to imply that she’s done the split thing so instinctively in the past she didn’t even notice she was doing it? I’m just massively confused by this moment. Others have pointed out that the writing tends to make up easy to solve “problems” for the cast to deal with so it looks like they’re achieving some kind of growth. The most egregious example being Ruby’s lack of hand-to-hand in Volume 5, culminating in a single headbutt against Mercury. Notably, this supposed flaw hasn’t resurfaced at all since then. Not even, say, when she’s at a party without her weapon and Tyrian attacks...

This feels like another moment where they just threw out something random to make it look like Ruby is improving alongside with the other, actual developments they’ve managed to think through, such as Jaune’s aura. Which is particularly strange considering Ruby was set up as the one to evolve her semblance. Which will probably still happen... but why paint an old skill as new along the way? It’s just all very strange.

Anyway, we get a nice shot of Ren coming out of his meditation where the whole world is gray like when he activates his semblance. Excellent visual cue as to his emotional state. This continues as Ironwood arrives and the group lays into him about needing to trust Hill. Which is hilarious considering that none of them are currently trusting Ironwood. He points out that common ground can only exist “if she’s open too”---unlikely given the second half of the episode---and Nora is about to challenge that when Ren interrupts, asking about mission assignments. Ironwood announces that they’re getting the night off instead.

Note though how guilty Ruby looks after all that talk of trusting others.

We cut to the girls later that night in their room, listening to the election news and getting ready to go out. It’s all very cute, but I think Nora is onto something regarding how Blake and Yang are always together. It’s so blatantly obvious they’re falling for one another, especially after this episode, and I’m honestly thrilled we’re finally getting some queer rep beyond former villains and minor characters. However, I hope that as Blake and Yang’s relationship develops that the writers don’t completely lose track of their co-dependency issues as well. Meaning, Yang totally wrote Blake off because she “ran away,” AKA went home precisely like Yang did, warping a natural and understandable choice into a personal betrayal. Blake in turn broke down sobbing and promised Yang to never ever leave her again. Separation is not a new issue for them. Their desire to spend every waking moment together is definitely cast as romantic now, but it’s also tied up in their inability to function well without each other. As we saw recently, a throwaway comment about fighting with someone else generates legitimate anger in both of them. Couples have to be able to spend time apart, so I hope the writing eventually lets the girls work through all that as well.

For now though, they’re going dancing with FNKI. Very bad dancing based on what little we see. It’s enough to convince Weiss that the movies are her best choice here. Especially since she’s clearly not interested in Hill’s preemptive victory party. We see a tiny bit of that tension between Weiss’ views and Nora’s, but nothing with any substance. We just keep getting tiny glimpses that Nora is potentially passionate about the people of Mantle before it’s all quickly overshadowed by her romance drama with Ren. More on that in a moment.

The two of them plus Ruby make their way out into the streets where Ren admits that, “We spent so much time worrying about how Ironwood would react to the truth about [Salem], but have any of us even considered how we’re going to beat her if we work past that?”

Ruby reminds them that Jinn told Ozpin he couldn’t destroy her. Nora: “Maybe someone else could?”

It only took you weeks to figure that out! Though I love how this still---still---apparently has no bearing on how they view Ozpin. This was another perfect, quiet moment where three characters, notably three of the least angry characters, could have acknowledged how terrifying this information is. How they still can’t bring themselves to tell Ironwood, a man who thus far has done nothing but support them. Wow, I totally get why Ozpin would have trouble telling us. Oh also, we just realized that maybe Jinn’s information was specific to him. Maybe someone else can destroy Salem. That’s a pretty big revelation. I wonder if Ozpin himself realizes that? We should probably try to talk to him at some point.

It’s while they’re talking about the heavy stuff that Ren mutters about how they should still be training. Nora counters that they deserve a night off and the two of them clash enough to walk off angry. We see now at least part of what’s been bothering Ren lately. Nora is a very bubbly, silly, go-with-the-flow sort of person, whereas he is hyper focused on becoming as strong as possible in the hopes of finding a way out of this Salem mess. He doesn’t want to hear compliments while searching for a geist, or have her playing with his hair while on patrol, or turn training into a conversation about their relationship, or waste time on frivolous parties. There’s obviously a happy medium between Ren’s work ethic and Nora’s relaxed attitude, though they haven’t worked through that at all because they’re too busy kissing. Again, more on that in a second.

They reach the party, Penny is there, Nora and Ren dive into another fight that serves to canonize both them and Blake/Yang. Nora comments about how they’re spending so much time together, Ren observes that they’re at least friends again, and the response is,

Nora: “Friends, huh? Just friends?” Ren: “What else would they be? Nora: “Two people who have gone through so much? I think there’s more going on...”

It’s clear at this point that Nora is talking about them rather than Yang/Blake, but the initial comparison holds. Though she uses them as an in to discuss her own relationship, I doubt she was lying here. She clearly views them as a parallel to her and Ren: two partners who have been through a great deal together and, as a result, have grown to love each other as more than just friends. Those who insist that Rooster Teeth isn’t heading in a Blake/Yang direction don’t have much of a leg to stand on anymore. That ship (ha) has long since sailed.

Ruby sneaks away from their fight though nothing terribly exciting happens. She adorably clings to Penny’s arm. They adorably fist-bump (ouch). Marrow and Hill get into a conversation about making change and whether or not she’ll accomplish that within the bounds of the law. Funny... I thought we saw that very same theme last volume. If only the writing acknowledged that there’s a connection between this conversation and our protagonists. We’re supposed to see both sides of the situation here: Hill’s need to bend the rules once in a while and Marrow’s desire to keep the peace; how the law is a man-mad construct that’s far from perfect and the importance of making change in a way that will stick---namely, legally. Here is a complex look at a morally difficult question and notably both Marrow and Hill are minor characters. It’s only when RWBYJNR is involved that the message moves from ‘Each side has a point’ to ‘Teens are 100% justified in breaking the law and anyone trying to stop them is an evil, crazy racist.’

It honestly astounds me that Rooster Teeth can give us that subtly here but never when it comes to our heroes.

When Ruby finally returns she finds Ren and Nora still fighting. As she snuck off we heard Ren admitting---in the round-about way of theirs, pretending that they’re talking about other people---that he’s worried, there’s a lot going on right now, and basically implying that he doesn’t know how (or doesn’t want) to balance a new relationship on top of all the horrific Salem business. Which, fair. The problem is that they don’t discuss this. Hill’s speech about how they’re always stronger together resonates with Nora and she tries to initiate a conversation, asking Ren to explain more fully what’s bothering him. To talk about it. He admits that talking has never been his strong suit.

I expected this to segue into a cliche, “Well try” moment and we’d finally get Ren and Nora bonding outside of their jokes and silent communication. Sadly, that didn’t happen. Look, I’m all for a renora kiss, but we have got to stop portraying sexual assault as romantic. Because that’s what Nora does here. It doesn’t matter how sure she (or we as the audience) are that Ren will like this kiss in the end. Grabbing someone and kissing them without their consent is sexual assault. Ren has not agreed to kiss her. He hasn’t expressed any desire here to kiss here. He’s completely blindsided by it and is flailing before he gives in.

People will justify this because, again, we all “know” that Ren secretly wants it and will be grateful that Nora got him past his fear. But that’s a terrible message to perpetuate in a world where others insist they also “know” when someone “really” wants them (they don’t) and where kissing or sex is seen as an easy way to supposedly solve problems between a couple. How many times have we seen an angry woman in media essentially told to shut up by a guy kissing her? The message is that her thoughts and grievances aren’t important here. The man knows her better than she knows herself and the second her forces her to start kissing him she realizes that’s really all she needed all along. That trope isn’t redeemed by changing the gender dynamic. Ren clearly has problems with their relationship that he’s struggling to work through. Nora clearly recognizes as much. Yet instead of acknowledging them and overcoming them, she erases any potential development by forcing him into a kiss. I’m sorry, it doesn’t matter how much Ren enjoys it a few seconds in. The continued message that forcing sexual intimacy on someone will fix both their hesitation and your relationship problems has go to stop. Kissing Nora doesn’t magically solve whatever it is Ren has been grappling with for the last six episodes. You know, the stuff they were just arguing about.

Once again, RWBY succeeded in giving me something I wanted, but in a way that severely downplays that enjoyment. I wanted a renora kiss, but not without consent and as a way of ignoring their issues. I wanted more focus on Ren and Nora as a whole this volume, but it would be nice if their characters could exits outside of each other some. Like the criticisms against Blake and Yang, Ren and Nora seem to be a package deal. They don’t fight with anyone else. They don’t go to different activities (why can’t Ren continue training if he’s that focused on it? Let Nora vent her feelings to a friend while he’s gone). They don’t interact with Ruby when they’re out with her. Their arc, it seems, doesn’t exist outside of each other. Which I suppose is better than no development at all, but still.

From then on things devolve rather quickly. While Hill continues her speech---and we see the ever closing gap between her and Jacques---Ruby gets a quick look at Tyrian’s tail before Watts turns out the lights. From there Tyrian proceeds to murder so many people, including attacking Fiona and going after Hill. All the while Ruby and Penny struggle to attack, despite the fact that Penny clearly has night vision and hangs back too long, obviously for plot purposes. It’s when she finally gets him away from Hill that Watts turns the lights back on, making it look like Penny had attacked the crowd and Hill was defending herself from her. I’ll admit, making Penny suitably creepy during the battle helps sell it.

Man do I hate framing plot-lines though. Not in a ‘Rooster Teeth shouldn’t have done this’ sense, just that it hurts to watch people react so badly based on a misunderstanding. This setup works best when there’s no one to refute the assumption. Yet here we have Ruby who absolutely saw Tyrian there, Penny who absolutely saw him with her night vision, Marrow who just made a connection with Hill and took the time to insist, “This wasn’t us, I swear,” etc. We’ve even got really basic stuff like, does Penny have blood all over her blades? Yet based on Hill’s look, all the evidence against Penny being the attacker isn’t going to do much good. Which makes for a more frustrating experience than a sad, yet understandable one.

We end with Jacques thanking everyone for his victory, rigged by Watts. Watts uploads the video of the attack, which has presumably either been altered in some way or just shows Penny in that damning position with her weapons out. If the former, that would at least go a long way towards explaining the inevitable backlash against her. An angry mob in the heat of the moment is one thing, but if Watts is looking to convince the entirety of Atlas that Ironwood is using his robot---a robot the people seem to currently love---to take out his competition, a doctored video of Penny attacking innocent people is far more persuasive. For both them and us the audience, wondering why everyone is this gullible. So far we’ve gotten some truly excellent villainy this year. Let’s continue that with them thinking ahead.

At the very least this should (should) provide us with some excellent development for Penny. She’s long struggled with her status as a robot and being the defender of Atlas seems to have helped her come into herself. Having others accept her differences as a boon will do that. Now that she’s labeled as nothing more than a dangerous weapons again? We should see some inner conflict. The writing didn’t let her or anyone else grapple with her death. For the love of everything, at least let Penny grapple with this.

Finally, Ruby and the others are forced to spend the night defending the city from a ton of grimm. Seriously, take in how many grimm showed up because of an election. Now think about what will happen if Ironwood announces Salem’s existence... I don’t think the cast is admitting to themselves precisely how many lives they’d be sacrificing by pulling that stunt. Ironwood at least (as far as we know) truly thinks he has a shot at winning the war. Ruby has no excuse at this point, with the exception that telling people about Salem is just plain hard.

Insert standard ‘Ozpin was right and they’re being hypocrites’ meta here.

And that’s it, folks! Issues aside, an all around better episode than some of the others we’ve gotten this season. Based off of experience it’ll be a small miracle if RWBY manages to keep that up next week.

Until then 💜

Minor Things of Note

All the people who were arrested the day of the election... do they get to vote? I know Watts rigged things, but potentially keeping everyone that furious with Ironwood from deciding who will oppose him on the council won’t exactly look good... especially combined with the Penny situation. Not that I think RWBY would actually introduce that as a complication. Just a thought.

Another extremely nit-picky thing, but it’s hilarious to me how bare the girls’ room is. Obviously there’s little time or inclination to animate personal items, even the few they have, but it kind of looks ridiculous to have this sterile space with one mirror and one tube of mascara. Here are the exact things we need for this scene and nothing more! I do like that shot in the mirror though.

Fiona getting teary-eyed over Hill being on the council was beautiful. I barely know them, but I like these two.

I’m just gonna post this again...

#rwby #rwby volume 7 #rwby volume 7 spoilers #rwby recaps #mymetas

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