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a-man-for-hire-and-his-archives · 2 days

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Here’s Why Everyone Is Talking About A Pirate Drama That Ended In 2017

Black Sails has been described as Game of Thrones with pirates

If Black Sails kicked off in 2020 instead of 2014, it certainly would have thrown fuel on the raging fire that was TikTok’s sea shanty obsession. The reality is that this TV series aired on Starz from 2014 for four seasons, coming to a close in 2017. So why is everyone talking about it now, a decade after it began?

Black Sails is coming to Netflix very soon, triggering its fans to emerge from the woodwork and promote the show online. ‘I am SO excited for people who’ll be watching this show for the first time,’ one user wrote, with many others recommending the series to fans of Game of Thrones. With House of the Dragon still a few months away, here’s why you should tune into Black Sails this month.

New To Netflix: Black Sails

What Is Black Sails About?

Black Sails transports us back to 1715 – aka the Golden Age of Piracy. Set in New Providence, an island in the Bahamas, we meet the feared Captain Flint (Toby Stephens) who brings a new younger crew member into the fold (‘Long’ John Silver, played by Luke Arnold) as his crew continues to fight for survival and negotiate their space on the island.

Is Black Sails Based On A Book?

Black Sails was written as a prequel to Robert Louis Stevenson’s classic novel, Treasure Island (1883).

Is It Based On A True Story?

While Black Sails isn’t based on a true story, it does trace real events. The first season focuses on the hunt for the Spanish treasure galleon Urca de Lima, a real ship that sank in 1715 near Fort Pierce in Florida (where it still lies). Season two traces the fallout of Urca de Lima’s treasure being stranded in Florida, strictly guarded by Spanish soldiers while pirates prowl the shores. The subsequent third and fourth seasons then look at the war for the control of New Providence between the pirates and the British Empire – a la Pirates of the Caribbean.

Likewise, some of the characters are based on real people. Real pirates fictionalised in the show include:

Blackbeard (Ray Stevenson)

Anne Bonny (Clara Paget)

Benjamin Hornigold (Hakeem Kae-Kazim)

Jack Rackham (Toby Schmitz)

Charles Vane (Zach McGowan)

Ned Low (Tadhg Murphy)

Israel Hands (David Wilmot)

Meanwhile, Captain Woodes Rogers (Luke Roberts) – who represents the British Empire in seasons three and four – is based on a real English sea captain and slave trader, and subsequently the first Royal Governor of the Bahamas.

Was Captain Flint A Real Pirate?

Captain Flint is a fictional character who was first created by Robert Louis Stevenson in Treasure Island. He has since appeared in multiple works of fiction, including A. D. Howden Smith’s Porto Bello Gold (1924), John Drake’s Flint and Silver (2008), Pieces of Eight (2009) and Skull and Bones (2010), and J. M. Barrie’s Peter and Wendy (1904).

Where Was Black Sails Filmed?

Black Sails was filmed in Cape Town, South Africa, mainly inside at Cape Town Film Studio. Because the real city is so different today than it was in the 1700s, Nassau – the capital of the Bahamas, located on New Providence island – was built from scratch in a studio over a period of four months, as were two large water tanks to house the series’ two ships. Some scenes were filmed outside in and around Cape Town when new terrain was required, but most of the series was filmed on set.

The Cast

The cast of Black Sails is incredibly large, but key characters to know include:

Toby Stephens as James McGraw/Captain Flint

Hannah New as Eleanor Guthrie

Luke Arnold as ‘Long’ John Silver

Jessica Parker Kennedy as Max

Tom Hopper as William ‘Billy Bones’ Manderly

Zach McGowan as Charles Vane

Toby Schmitz as Jack Rackham

Clara Paget as Anne Bonny

Mark Ryan as Hal Gates

Hakeem Kae-Kazim as Mr. Scott

Sean Cameron Michael as Richard Guthrie

Louise Barnes as Miranda Hamilton/Barlow

Rupert Penry-Jones as Thomas Hamilton

Luke Roberts as Woodes Rogers

Ray Stevenson as Edward Teach

David Wilmot as Israel Hands

Harriet Walter as Marion Guthrie

The Trailer

Interested? Here’s the trailer for a taste of the action.

youtube

WATCH

All episodes of Black Sails are streaming on Netflix from 17 April 2024.

Source: Country & Town House

#black sails #black sails on netflix #luke arnold #tom hoppers #jessica parker kennedy #clara paget #toby schmitz #zach mcgowan #luke robert jr #hannah new #hakim kae kazim #louise barnes #nick boraine #rupert penry jones #ray stevenson #david wilmot #sean cameron michael #Youtube

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cuthalions · 1 year

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I have known you like no other, so I love you like no other. LOUISE BARNES as MIRANDA BARLOW & TOBY STEPHENS as CAPTAIN FLINT BLACK SAILS (2014 - 2017)

#bsedit #black sails #blacksailsedit #tvedit #perioddramaedit #louise barnes #toby stephens #miranda barlow #james flint #mgifs*#i recognize you.

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singharit · 2 years

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Every man has his torments; demons born of past wrongs that hound and harass him. You percieve the effects of Captain Flint’s demons, echoes of their voices, but I know their names. I was there when they were born. I know the things they whisper to him at night. So you can believe me when I tell you... LOUISE BARNES as MIRANDA BARLOW BLACK SAILS (2014 - 2017)

#black sails #blacksailsedit #perioddramaedit #james flint #miranda hamilton #miranda barlow #(? which one is used for her? idk)#toby stephens #louise barnes #*g #*fruit fruit #tv #yet another oh god oh fuck hguhughggggghghfgh moment during this rewatch

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heycarrots · 1 month

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There’s been a lot of discourse about the nature of James and Miranda’s relationship. There’s even been a lot of discussion on my podcast about it. One thing I want to make clear is that my podcast is a platform for discussion on all points of view. I’m not going to agree, 100%, with everything that’s said, but it makes the views of my guests no less valid. There’s no right or wrong, here, because this is art and therefore, it is subject to interpretation.

My intent, however, is to attempt to get as close to the original intent of the actors as possible because we look at a show or a film or a play as going through several layers of distillation. Each level purifies the intended narrative leaving its truest essence.

When we make a reduction sauce using an alcohol of some kind, let’s say a red wine, the heat applied to it burns off things we don’t need for flavor. You’re never going to get drunk off of red wine reduction because there’s almost no alcohol left in it. That all gets burned off, leaving only the flavor components, which is what we wanted all along, anyway. We want that extra element that enriches the flavor of the steak, by adding nuance.

So let’s take apart that meal.

We start with the birth of the idea. The story kicks around in an author’s head, trying to get out, growing bigger and more persistent until it outgrows the confines of the mental box inspiration is stored in and has to be let out. That idea, that’s the cow.

The author raises that idea, feeds it, watches it grow, and then, ultimately slaughters it. That sounds awful, but once you have that idea pulsing, growing, evolving and then finally commit the final draft on paper, it is a kind of death. The life of the story comes to an end and it becomes memorialized in a mausoleum. Readers will come to visit, spend time with it, lay down flowers, cherish it, and mourn its passing.

The next level is adaptation. That’s the steak. There are many ways you can slice the story, large roasts encompassing the whole story or a smaller, hyper-focused character study fillet mignon.

A writers room gets hold of the cow and carves it up. They choose what gets cooked and what gets tossed. A GREAT group of writers saves the bones. They take in the entire supporting structure of the piece and while the whole story may not make it onto the screen, they will have slow roasted the bones for a stock. When you watch a show like Black Sails, where themes are introduced that won’t fully be explained or explored until several seasons later, that’s what that is. It is the stock being used to flavor the whole dish. You’ve distilled the entire cow to its purest essence and so every scene, every line of dialogue, every acting choice, encompasses the entirety of the story. A line from episode one is defined by knowledge of the finale and in regard to dialogue, defined by an actors’ knowledge of a character’s backstory. There are many writers rooms who are creating the bones of the story as they go, which means they aren’t starting with a rich stock. You can’t trace back character motivations or choices to begin with because those motivations changed throughout production.

Black Sails, again, isn’t one of those shows. Steinberg and Levine came into the writers room with their stock pot full and sloshing, spilling story everywhere. The richness of the details they were laying can make season one a bit hard to consume unless you are ready for a story on that level. Viewers need to come to the table with some bread to sop up all those character details because we WILL need them later.

Over the course of finalizing scripts and blocking out episodes, the steak is cooked. Like any great steak, this story is medium rare. More juice comes out with every bite. It’s what makes the show infinitely rewatchable. It continues to cook on the plate, but because it wasn’t overdone, it never dries out.

When the actors get ahold of it, that’s the reduction sauce we were talking about. That sauce provides nuance and flavor. That’s the emotion. A line of dialogue on a page is just ink. It’s nothing until it’s spoken aloud. And like any bit of language in this world, it’s subject to interpretation. In this case, it’s the actor who does the interpreting.

I spoke on the podcast about the art of subtext and how huge a role it plays in Black Sails. One example we used is Jane Eyre. It’s one of the most frequently adapted novels in the English language and with each adaptation, we get a new version of our characters. The most volatile and subject to change is Rochester. There are MANY versions of Rochester that I find appalling (including the original beast in the book), but each actor has formed him into something else, based on their performance. Toby Stephens takes Rochester and turns him into a silly tragic romantic, broken many times over by a society he never really fits into, despite the status of his birth. He connects with Ruth Wilson’s Jane because she fully and happily inhabits that space on the fringes that Rochester thinks he needs to climb out of. Jane takes his hand on the outside of the wall, turns him away from the guarded palace and shows him the wild world that was at his back this whole time.

This is what Toby Stephens, Luke Arnold, Louise Barnes, Zethu Dlomo, and really all the actors for whom their subtextual choices make them reflect like prisms, have done with their performances.

In the final distillation, character motivations and emotions are finalized by the actor. Writers can pontificate, the source material lies dead in its lovely tomb, but stories live and breathe by their storytellers.

What we’re left with is Toby’s face telling the world how deeply Flint loves Silver. Every single choice tells this story.

We’re left with Luke showing us how much Silver is repressing in his feelings for Flint. Luke’s face shows us an incredible depth of feeling and a door slamming shut.

We’re left with the incredible intimacy between James and Miranda, which speaks of a decade of shared physical intimacy. There’s an openness, a freeness to it until the moment in episode 3 when Miranda learns that James has found the Urca and is leaving soon to pursue it. She gives some of it away when she says “I thought I’d have you all to myself”. She is mourning the loss of intimacy that she only gets in short windows of time. They aren’t strained because James isn’t attracted to her, but because he’s rarely there. She has him for a few days at a time before he’s off on another hunt. The coldness starts from the moment he tells her he’s leaving in a few days because I believe she thinks he won’t be coming back, that this is the hunt he won’t survive and she’ll finally have lost both James and Thomas. From the moment Richard Guthrie darkens her door, she’s looking for a way to weaponize him and get them out. For her, it’s a race against the clock and she’s willing to sacrifice a bit of her relationship with James in the present to secure happiness for them in the future.

This is also why James still has sex with her before leaving, even though he’s furious for her reading Meditations to Richard. This is how they connect. They connected through physical intimacy in the flashbacks, as well. Him stroking her thumb in the carriage before the kiss. Tactile contact to seal their understanding of each other. Miranda bracing her hands on his chest during important moments in the Hamilton’s home, something she also does to Thomas, to show physical connection, physical intimacy. Miranda thrives on physical touch.

To think that, for 10 years, James is lying there like an object for Miranda to use, is, to me, short sighted. To think that James doesn’t love Miranda outside of a group, is also ignoring the fact that, 10 years on, James will not leave on a hunt (angry as they both are) without physically connecting with her, trying so hard to reach beyond his anger and the wound freshly opened from sight of that book he’s chosen not to look at for probably the better part of those 10 years. The way his hands hover over her back after she comes and he desperately wants to be with her in that moment, like the best of their moments, but he just can’t, speaks to the depth of his love for her.

So many fans of the show point to this sad sex scene as one of the most important character moments for James and Miranda, but I consistently come to the opposite conclusions about WHY it’s important and what we learn from it, because I’m taking my cues from the actor’s choices, not the director or the writers. On the page, in plain ink, he hates having sex with her. Toby and Louise show us, however, that they are trying to recapture a thing that is fleeting, reaching out to each other to patch up an old wound from which the scab has been picked off, leaving it seeping and raw.

From Toby’s performance, regardless of the words he uses years later to describe it, we see not a character who “loves men” or a character who “loves women”, but a character who LOVES. I don’t see Flint defining that love in terms of boxes and parameters. He’s a character who must be coaxed out, but then loves without reason, without a safety net, as he proves with his love of Silver. As was also referenced by a guest on the podcast, he places a sword in Silver’s hand and says “do it”.

Anyway, this post got away from me and took several turns, but the love between James and Miranda being dismissed by so many in the fandom has been bugging me for a while and I just needed to emotionally vomit on tumblr.

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brotherconstant · 1 year

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BLACK SAILS (2014-2017) XI. || XXXVI.

I’ve spent my life trying to build something here. It’s all I have. I can’t just walk away. It is not all you have!

#of course i'm not trying to put their respective struggles on the same level #this is just about echoes (and hot older women <3)#and how their storylines eventually diverged.#blacksailsedit #bsedit #black sails #beegifs #black sails max #eleanor guthrie #miranda barlow #marion guthrie #maxanor #harriet walter #louise barnes #jessica parker kennedy #hannah new

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liviladoodles · 1 year

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I’ve been working on this on and off for weeks and I’ve struggled to get it to a place I liked. I greyscaled it after the colors weren’t working… tonight I altered the shape and lo big black coat emerged. Ok, I can let it go!

#black sails #black sails fanart #toby stephens #captain flint #miranda barlow #louise barnes #procreate sketch #james flint

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tiofrean · 1 year

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So I made those some time ago because I was possessed by the idea of my darlings as the Four Horsemen of the Apocalypse.

Sooo...

Flint - War "[...] a red horse went out; and to him who sat on it, it was granted to take peace from Earth, and that men would slay one another; and a great sword was given to him." The fiery red of destruction and blood spilled during war; Flint punishing England for its sins.

Silver - Conquest "[...] a white horse, and he who sat on it had a bow; and a crown was given to him, and he went out conquering and to conquer." Seen as both Christ and Antichrist in interpretations, symbolizes war for the higher cause, just as the King of Pirates.

Madi - Law-giver "[...] a black horse; and he who sat on it had a pair of scales in his hand." The Law-giver interpretation imho fits better than Famine, since the Apocalypse is about judgment, and there is no judgment in famine, just death, a plague. Law-giving on the other hand...

Miranda - Death "[...] a pale horse; and he who sat on it had the name Death; and Hades was following with him." Death ruled by the means of the other three Horsemen - my mind went to Miranda, the one considered to be the witch who commanded Flint, who put into motion various plot points.

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tiefy · 11 months

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"Our love is illegal."

Louise Barnes as Miranda Hamilton in Black Sails (2014-2017) / Rebecca Hall as Elizabeth Marston in Professor Marston and the Wonder Women (2017).

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that-homoerotic-blouse · 1 year

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Me waiting for the Louise Barnes drop casted as some beautiful otherworldly Greek goddess

#I AM SCREECHING #I AM SO NORMAL ABOUT THIS #WHERE IS MY WIFE #WHERE IS SHE #bs #black sails #percy jackson #louise barnes

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a-man-for-hire-and-his-archives · 8 days

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Louise Barnes, Nick Boraine, Zach McGowan, Luke Arnold and Jon Steinberg finally reunited in LA for Black Sails screening on Netflix!

Source: Daphne Olive on twitter

#black sails #luke arnold #zach mcgowan #jon steinberg #louise barnes #nick boraine #pirate season #twitter

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cuthalions · 1 year

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I have been the subject of enough ridicule and innuendo to know the difference between a little danger and mortal danger. LOUISE BARNES AS MIRANDA BARLOW/HAMILTON BLACK SAILS (2014-2017)

#miranda barlow #miranda hamilton #black sails #bsedit #blacksailsedit #perioddramaedit #tvedit #bsladies #louise barnes #loml #ladies who are believed to be witches i love youuu #god louise is so incredible i want to gif every single one of her expressions #mgifs*

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m3r1m4r5u333 · 3 days

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Ungh, these latest Oliver Stark interviews are just devastating to watch, I am not strong enough-- Oliver Stark being our casual GOAT by serving bi awareness with every meal, and also... for once getting to see him wear green (green is so his color) 🫣💕

#911 abc #oliver stark interviews #oliver stark #bisexual representation #black sails #i make no gifs brain is potato #louise barnes #fantastic actor #Her Miranda is... I'm crying.

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heycarrots · 11 months

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Importing my Twitter musings for maximum emotional damage. I’m . . . sorry? 😬

@jaynovz actually inspired this because we were talking about memories and trauma and how they relate to Silver in our chat for her episode of Reading Between the Lines Podcast. She mentions memories in a vault, which got me thinking about how James is doing the exact same thing. Oh! Which made me realize something else! Holy shit . . . that’s WHY he prods Silver for his past! That’s why he tells him how important all parts of him are, his present, his past, his trauma, it’s all important to embrace. Why?? It’s a lesson he learned from Miranda. One of the last.

Okay, I’ll stop screaming and just continue with my Twitter thread . . .

Once again thinking about how those flashbacks dance around James’ and Thomas’ love story up until episode 2X05. You can certainly hold to the belief that the only reason was to drop that twist mid-season, but let’s think about how we engage with memories.

Some memories are so overwhelming that we avoid them. We don’t have time for them. We tuck them away in a drawer in the darkest corner of our mind where we are convinced we will be safe from them. That’s all well and good if those memories aren’t shared with anyone else.

The flashbacks, we realize very early on, aren’t simply exposition. They exist in Flint’s present reality; memories triggered by Flint’s quest seemingly nearing its end . . . Thomas’s dream finally within his grasp. Equally important, they are triggered by Silver.

It’s very important to remember that we don’t get a single flashback until they are triggered by Silver working with Flint. He begins to remember Thomas because Silver reminds him, not of Thomas, but of himself. He’s now understanding how much of Thomas he’s embodied himself.

In season one, Miranda chastises James for never addressing his loss. For tucking Meditations on a shelf and hiding it away from himself. He’s angry not just because she shared that book with Richard Guthrie, but because she’s reminded him of its very existence.

The flashbacks are all from Flint’s perspective, as he’s focused on his goal. He’s remembering their vision for Nassau, pushing on that bruise to continue spurring him onward, no matter the cost, no matter the casualties. He never brings up Thomas by name. Not once.

It’s Miranda who brings him up by name. Miranda who is desperately trying to get him to remember the love. Remember the true reason he’s doing what he’s doing. She knows he can’t. It’s too much. It’s too painful. And so every single flashback is from Flint’s perspective . . .

Until episode 2X05. When we see that dinner scene with Alfred Hamilton again, when we see that first kiss, it’s Miranda who is thinking of it. That’s HER memory of it because James still can’t look at it. It’s like staring into the sun.

The writers weren’t skirting around the reveal, it was simply being told to us by a character too traumatized to give us the whole story. We needed Miranda’s perspective. She hands him the book and it’s the inscription that finally breaks him. Finally gets him to open that drawer.

But the memories tucked inside that drawer are not Miranda’s. He doesn’t go back to the dinner scene, to that kiss. What we see is what Miranda didn’t see. We see James’s memories of the book.

He couldn’t look at that book because it wasn’t the memory of a tender first kiss at dinner, it was the unbearable intimacy of sharing that book, the private intimacies and love that’s had time to breathe for a bit. Miranda calls it shame because she doesn’t have those memories.

So while it’s true that Black Sails was planned to build up to this reveal from its infancy, it’s equally true that James’s story is told in one of the most organic and ultimately honest narrative arcs I’ve ever seen.

So much of the beauty of this show is derived from the absolute mastery of the writers creating at the very peak of their craft and we should all remember that, during a time when those same creators, who have given us so much, are fighting to be compensated fairly.

Black Sails is the gift that keeps on giving, and onion one might never reach the center of. Considering all of this, I’m beyond excited to see what we are served up with the Percy Jackson series. If it’s anywhere close to the quality of Black Sails, we’re in for a real treat.

#black sails #captain flint #toby stephens #james flint #john silver #james mcgraw #luke arnold #long john silver #black sails meta #silverflint #flinthamilton #rupert penry jones #thomas hamilton #louise barnes #miranda hamilton #miranda barlow #emotional flailing #reading between the lines podcast

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