In the dimly lit chamber, the young witch draws near the heavy tome, its whispers growing more insistent. She holds her breath, delicately tracing her finger along the adorned runes, and suddenly, a large yellow eye on the cover snaps open. The book quivers with an otherworldly aura, defying gravity as it hovers before her. Flipping itself open, it reveals the sought-after page, and from its forgotten pages, power surges into her outstretched hand. But what price must she pay for such forbidden knowledge and untamed power?
Geijutsu Shinbunsha Co., Ltd. will publish my art collection book, "Oyogu Yume Wo Mita," on August 10th 🎉
I'd like to express my gratitude to them for their support and belief in bringing this collection to life.
I'd also want to thank Ozaki Ikuo Graphic Design Studio, the clients who agreed to have their work shown, and the music producers who contributed tunes.
More details will be provided as the release date approaches. Thank you for your continuous support! 😊
Bass/chords are tELHARMONIC H output through Ikarie, then Data Bender (micro mode. DB is clocked, so changing repeats and time creates rhythmic changes throughout the piece. LFO into break CV further keeps the texture evolving. Flux and Centroid both have looping smooth random from Marbles.
Ping sounds are both Ts-L (sequenced by Bloom) with envelopes from Pam on euclidian rhythms. The PWM (receiving the same LFO as break CV) has a longer logarithmic hit, while the sub/square has an exponential decay. The piece starts with the latter at sub-2, but it's switched throughout to define parts of the piece. These switches are very exciting to me - they take the sound from percussive to a second "lead voice." Both of these are mixed into Yester Versio for further rhythmic emphasis.